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ANDREA RESMINI
BUILDING A SENSE OF PLACE – PRACTICAL CROSS-CHANNEL DESIGN
WORKSHOP, UX AUSTRALIA 2013
PART II
PART 2. PLACE-MAKING
PLACE-MAKING IS A
HUMAN-CENTERED WAY TO
HELP ACTORS MAKE SENSE
OF COMPLEX SYSTEMS
SPACE & PLACE
SPACE IS THE BASE OF OUR
SENSE OF EMBODIMENT, AND
IT'S OBJECTIVE, IMPERSONAL
AND UNDIFFERENTIATED
Building a Sense of Place across Channels - Part II
PLACE INVOLVES MEMORIES,
EXPERIENCES AND
BEHAVIORAL PATTERNS: IT'S
PERSONAL, SUBJECTIVE AND
COMMUNITARIAN
Building a Sense of Place across Channels - Part II
Building a Sense of Place across Channels - Part II
Building a Sense of Place across Channels - Part II
Building a Sense of Place across Channels - Part II
Building a Sense of Place across Channels - Part II
TATOOINE
http://imagescart.blogspot.com.au
http://imagescart.blogspot.com.au
#1. PLACE IS SET APART
Building a Sense of Place across Channels - Part II
http://imagescart.blogspot.com.au
#2. HAS A NAME
Building a Sense of Place across Channels - Part II
http://imagescart.blogspot.com.au
#3. HAS BOUNDARIES
http://imagescart.blogspot.com.au
#4. HAS PERMANENCE
http://imagescart.blogspot.com.au
#5. AGGREGATES MEMORIES
http://imagescart.blogspot.com.au
#6. WORKS SELECTIVELY
http://imagescart.blogspot.com.au
#7. HAS QUALITIES
Building a Sense of Place across Channels - Part II
WHAT AND WHERE IS FB?
Building a Sense of Place across Channels - Part II
Building a Sense of Place across Channels - Part II
Building a Sense of Place across Channels - Part II
Building a Sense of Place across Channels - Part II
CHECK #2: FB IN SPACE
DRAW FACEBOOK AS
IF IT WAS A BUILDING
TheNameof the Rose, J, Annaud
The Name of theRose, J, Annaud
TheNameof the Rose, J, Annaud
TheNameof the Rose, J, Annaud
The Name of the Rose, J, Annaud
The Name of theRose, J, Annaud
Scale model of the library
TheNameoftheRose, U. Eco
INTERFACES AND
INTERACTIONS DIFFER
WILDLY
COGNITIVE CONTINUITY
IS NOT
INTERFACE CONTINUITY
PRAGMATIC SPACE
PERCEPTUAL SPACE
EXISTENTIAL SPACE
COGNITIVE SPACE
ABSTRACT GEOMETRICAL SPACE
INTERFACES
ARCHITECTURES
IN-CHANNELCROSS-CHANNEL
d resmini where's that pic of
Peter dancing naked on the
table at the office?
http://www.flickr.com/photos/46037115@N04/4233027629/
@resmini where's that pic of
Peter dancing naked on the
table at the office?
http://gm25liveen.web-log.nl/george_michael_25_live_en/blog/index.html
COMMUNICATION ALWAYS
IMPLIES A NUMBER OF
SPATIAL ASSUMPTIONS AND
RELATIONSHIPS
NOT UNDERSTANDING HOW
THESE WORK MEANS
CRAFTING A BAD
CROSS-CHANNEL EXPERIENCE
PETER ->
WHY IS SPATIAL
KNOWLEDGE SUCH A
POWERFUL WAY TO
UNDERSTAND?
Building a Sense of Place across Channels - Part II
WE UNDERSTAND THE
ABSTRACT BY MEANS
OF THE CONCRETE
Building a Sense of Place across Channels - Part II
ONCE UPON A TIME
ONCE UPON A TIME
ONCE UPON A TIME
SPACE TIME
PLACE
RHYTHM
LANGUAGE MUSIC
MATHEMATICS
HOW CAN WE DESIGN
A SENSE OF PLACE WITHIN
A COMPLEX SYSTEM?
WE STUDY, ADAPT AND
EXTEND THE LANGUAGES
AND GRAMMARS OF
EXISTING MEDIA
THE TRIBUTE'S MONEY
THE TRIBUTE'S COMICS
Building a Sense of Place across Channels - Part II
2 1 3
SEQUENCE & RHYTHM
1
1
1
1
Building a Sense of Place across Channels - Part II
Building a Sense of Place across Channels - Part II
Building a Sense of Place across Channels - Part II
Building a Sense of Place across Channels - Part II
SCENE
AUDIENCE
CAMERA POV
Building a Sense of Place across Channels - Part II
Building a Sense of Place across Channels - Part II
Building a Sense of Place across Channels - Part II
... appears as an entirely new
picture. The room suddenly
disappears and the hand ... flashes
up. Again when we have (seen
that), it suddenly disappears and
we are in the same room again
1 2
SCENE SCENE
SOMEWHERE ELSE
Building a Sense of Place across Channels - Part II
Building a Sense of Place across Channels - Part II
Building a Sense of Place across Channels - Part II
SCENE
CAMERA POV
AUDIENCE
OUTSIDE SPACE
Building a Sense of Place across Channels - Part II
Building a Sense of Place across Channels - Part II
SCENE 1 SCENE 2
CAMERA POV CAMERAPOV
AUDIENCE AUDIENCE
Building a Sense of Place across Channels - Part II
SCENE
AUDIENCE
CAMERA POV
Building a Sense of Place across Channels - Part II
com/d/arthistory/1/0/I/n/gc_bm_0309_04.jpg
Building a Sense of Place across Channels - Part II
Building a Sense of Place across Channels - Part II
Building a Sense of Place across Channels - Part II
FILMS PRESENT
A COMPLETE PLACE-MAKING
AND SENSE-MAKING
LANGUAGE
MONTAGE AND CUT
ASSEMBLY
CROSS-CUTTING
MISE-EN-SCENE
SPLIT-SCREEN
EXERCISE #2
REFLECTIONS
PLACE-MAKING CHEATSHEET
#1 PLACE IS SET APART, IDENTIFIED AND IDENTIFIABLE
#2 PLACE HAS A NAME
#3 PLACE HAS BOUNDARIES
#4 PLACE HAS TRANSIENT PERMANENCE
#5 PLACE AGGREGATES AND REUSES BEHAVIOR + MEMORIES
#6 PLACE WORKS SELECTIVELY
#7 PLACE HAS DISTINCTIVE SOCIAL + FUNCTIONAL QUALITIES
KEVIN LYNCH'S SPATIAL PRIMITIVES CHEATSHEET
#1 PATHS
#2 EDGES
#3 NODES
#4 DISTRICTS
#5 LANDMARKS
#6 WEENIES (THIS IS DISNEY'S, BUT USEFUL)
C. NORBERG SCHULZ RELATIONAL PRIMITIVES CHEATSHEET
#1 PROXIMITY
ESTABLISHMENT OF A CENTER
#2 CONTINUITY
DIRECTIONALITY OR PATHS
#3 ENCLOSURES
PERCEPTION OF AREAS OR DOMAINS
book
BUILDING A SENSE OF PLACE: PRACTICAL CROSS-CHANNEL DESIGN
WORKSHOP, UX AUSTRALIA 2013
THANK YOU!
andrearesmini.com
@resmini

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