Digital Literacy and Libraries: What's Coming Next
1. Digital Literacy
& Libraries:
What’s Coming Next
Renee Hobbs
Metropolitan New York Library Council
Annual Gathering
January 15, 2013
3. Stakeholders in Digital Literacy
EDUCATION CREATIVE
GOVERNMENT LIBRARY
TECH BUSINESS ACTIVIST
5. Literacy
Visual Literacy
Information Literacy
Media Literacy
Computer Literacy
Critical Literacy
News Literacy
Digital Literacy
Digital Literacy in Historical Context
9. Digital literacy is the ability to use information and
communication technologies to find, evaluate,
create, andDigital Literacyinformation requiring
communicate & Libraries:
both cognitive and technical Next
Designing What’s Coming skills.
-ALA Digital Literacy Task Force
11. Defining Digital Literacy
Keyboard and mouse skills
Be familiar with hardware, storage and file
management practices
Understand hyperlinking & digital space
Gain competence with software applications
Use social media, mobile, peripheral & cloud
computing tools
Have access to broadband
Identify information needs
Use effective search and find strategies
Troubleshoot and problem-solve
Learn how to learn
Access, Use and Share
Listening skills
Reading comprehension
12. Defining Digital Literacy
Recognize the need for communication and
self-expression
Identify your own purpose, target
audience, medium & genre
Brainstorm and generate ideas
Compose creatively
Work collaboratively
Edit and revise
Use appropriate distribution, promotion &
marketing channels
Receive audience feedback
Play and interact
Create & Collaborate Comment
Curate
Remix
13. Defining Digital Literacy
Recognize the relationship between symbol
and referent
Identify the author, genre, purpose and
point of view of a message
Compare and contrast sources
Evaluate credibility and quality
Understand one’s own biases and world
view
Recognize power relationships that shape
how information and ideas circulate in
culture
Understand the economic context of
Analyze & Evaluate information and entertainment production
Examine the political and social
ramifications of inequalities in information
flows
14. Defining Digital Literacy
Acknowledge the power of communication
to maintain the status quo or change the
world
Understand how differences in values and
life experience shape people’s media use
and message interpretation
Appreciate risks and potential harms of
digital media
Apply ethical judgment and social
responsibility to online communication
situations
Understand how concepts of ‘private’ and
Apply Ethical Judgment ‘public’ are reshaped by digital media
Appreciate and respect legal rights and
responsibilities (copyright, intellectual
freedom, etc)
27. Communities of Practice Assert
Their Fair Use Rights
* * * * October 2012 * * * *
Library of Congress grants
K-12 educators the right to
“rip” copy-protected
audiovisual media for
teaching and learning
34. Digital Literacy
& Libraries:
What’s Coming Next
Renee Hobbs
Harrington School of Communication and Media
University of Rhode Island
Email: hobbs@uri.edu
Twitter: reneehobbs
Web: http://mediaeducationlab.com
Editor's Notes
Professors everywhere in higher education, and film/media students should be able to crack DVDs to use material both in new works and for teaching purposes, within an educational objective, argued the Library Copyright Alliance. (They won this exemption last time; it now needs renewal.) The Society for Cinema and Media Studies and others want this extended to all university students; their filing was done with help from Washington College of Law’s IP clinic.Teachers in K-12 should be able to crack encrypted audio-visual material for teaching, said the Media Education Lab at Temple University, with help from Washington College of Law’s IP clinic.Documentary and fiction filmmakers should be able to crack DVD, Blu-Ray and digital files (if unavailable in hard copy) to employ fair use to make their work, according to film organizations such as the International Documentary Association and filmmakers such as Kartemquin Films. They argued their case with the help of the University of Southern California’s IP clinic and Donaldson and Callif. (The last exemption round won documentary filmmakers only access to DVDs only.)DVD owners should be able to copy movies in order to watch them on other devices (like their iPads), argued Public Knowledge.Multimedia e-book authors should be able to crack DVDs and digital video generally in order to employ fair use in the creation of their work, argued book authors with the help f the University of Southern California’s IP clinic and Donaldson and Callif. Mobile device owners should be able to unlock their devices (i.e. let them connect to other than the carrier’s preferred networks), argued Consumers Union with help from the Institute for Public Representation at Georgetown Law School. (In the last round of exemptions, users of cellphone handsets won a similar exemption.)