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English 10 Honors

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  • The novel draws heavily on Hemingway's experiences as a young soldier. It tells the story of Lieutenant Frederich Henry, a young American ambulance driver serving in the Italian army during WWI.
  • Partial week of_may_3rd

    1. 1. Mrs. Navejar
    2. 2. Objectives – Summarize in your note book <ul><li>Academic Standard </li></ul><ul><li>Content Standard </li></ul><ul><li>Performance Standard </li></ul><ul><li>I’m learning: ________ </li></ul><ul><li>I will know I learned because I can: ___ </li></ul><ul><li>I want to know: _____ </li></ul><ul><li>I want to know more about: _____ </li></ul>
    3. 3. Learning Strategies <ul><li>When I don’t understand something I should: ________ </li></ul><ul><li>I don’t understand the terms or language used in class. I should: ____ </li></ul><ul><li>I feel like I’m falling behind. I should: ___ </li></ul><ul><li>I’m distracted. I should: _____ </li></ul><ul><li>I’m bored. I should: ___ </li></ul><ul><li>I’m sleepy. I should: _____ </li></ul>
    4. 4. Community of Learners <ul><li>We respect each other because… </li></ul><ul><ul><li>It’s not fun being laughed at. </li></ul></ul><ul><ul><li>It’s not fun being ignored when I’m/you’re talking. </li></ul></ul><ul><ul><li>We’re here to learn, grow, and interact with our peers. It’s not fun sitting in class for over an hour when someone is acting foolish. </li></ul></ul><ul><li>Non-negotiables </li></ul><ul><ul><li>No sleeping or resting your head </li></ul></ul><ul><ul><li>No moving around the class without permission </li></ul></ul><ul><ul><li>Don’t arrive late. Other people might hang out in the hallways, but you can and will not . </li></ul></ul><ul><ul><li>Don’t stand by the door waiting for the bell to ring. </li></ul></ul><ul><ul><li>No swearing. </li></ul></ul>
    5. 5. Monday, May 3 rd <ul><li>Finish Major 20 th century poets </li></ul><ul><li>We will be moving on to “The Lost Generation” </li></ul><ul><ul><li>Hemingway </li></ul></ul><ul><ul><li>Fitzgerald </li></ul></ul><ul><ul><li>Faulkner </li></ul></ul><ul><ul><li>Steinbeck </li></ul></ul>
    6. 6. Group Work <ul><li>Group work </li></ul><ul><ul><li>Review </li></ul></ul><ul><ul><ul><li>Poet’s life (what literary lens are you using?) </li></ul></ul></ul><ul><ul><ul><li>Research on poem </li></ul></ul></ul><ul><ul><ul><li>Poem </li></ul></ul></ul><ul><ul><li>Presentation </li></ul></ul><ul><ul><ul><li>Overview of life </li></ul></ul></ul><ul><ul><ul><li>Poem </li></ul></ul></ul><ul><ul><ul><li>Research on poem </li></ul></ul></ul><ul><ul><ul><li>Create 5 test questions for the class </li></ul></ul></ul><ul><ul><ul><ul><li>Should capture the essential information about the poem research </li></ul></ul></ul></ul><ul><ul><ul><ul><li>You are responsible for collecting the tests and grading them and report the grade to me. </li></ul></ul></ul></ul><ul><ul><ul><ul><li>Review the grades and see what answer people answered wrong </li></ul></ul></ul></ul><ul><ul><ul><ul><ul><li>Was there something wrong with </li></ul></ul></ul></ul></ul><ul><ul><ul><ul><ul><li>The test question? </li></ul></ul></ul></ul></ul><ul><ul><ul><ul><ul><li>The presentation? </li></ul></ul></ul></ul></ul>
    7. 7. Rubric <ul><li>Presentation </li></ul><ul><li>Faces classmates </li></ul><ul><li>Projects voice </li></ul><ul><li>Information is delivered in an readable, clear format </li></ul><ul><li>Poem </li></ul><ul><li>Read poem </li></ul><ul><li>Point out overall meaning citing research from your handout. (“According to..) (Robinson 134) </li></ul><ul><ul><li>Commentary about societal issues, feminist concerns, economic issues, etc… </li></ul></ul><ul><li>Literary devices used to express ideas </li></ul><ul><ul><li>Do these devices highlight the above mentioned commentaries? </li></ul></ul><ul><li>Poet’s life </li></ul><ul><li>Born-death </li></ul><ul><li>Points about life that are relevant to body of work, poem </li></ul><ul><li>Historical context that perhaps influences the poem, work </li></ul>No Yes
    8. 8. A Lost Generation? Understand the widespread disillusionment with prewar institutions, authorities, and values that resulted in a void that was later filled by totalitarians. Discuss the influence of World War I on literature, art, and intellectual life in the West (e.g., Pablo Picasso, the &quot;lost generation&quot; of Gertrude Stein, Ernest Hemingway).
    9. 9. What was the Lost Generation? <ul><li>The lost generation was a term coined by Gertrude Stein to describe young American artists (mostly writers) </li></ul><ul><li>who rejected American ideals in the 1920s and moved to Paris to live the bohemian lifestyle ( party it up, live for today, because there may be no tomorrow ). </li></ul><ul><li>Famous members of the Lost Generation included Stein herself, Ernest Hemingway, Ezra Pound, and F. Scott Fitzgerald. </li></ul>
    10. 10. The Lost Generation thought that Western Civilization was coming to an End… <ul><li>Why would intellectuals have thought WWI was the end of the superiority of Western Civilization? </li></ul>1918
    11. 11. The Lost Generation felt betrayed by their leaders, their culture, and their institutions. <ul><li>They asked themselves “How could all this death and destruction have been allowed to happen?” </li></ul>They felt helpless, and lost. They despaired for the future. Where once they had trusted, now they did not. It appeared that Good had lost the battle against Evil.
    12. 12. Writers tried to capture the bleak hopelessness of War <ul><li>T.S. Eliot- The Waste Land (1922) </li></ul><ul><li>JRR Tolkien- The Lord Of The Rings (1937-1954) </li></ul><ul><li>F. Scott Fitzgerald- The Great Gatsby (1925) </li></ul><ul><li>Ernest Hemingway- </li></ul><ul><ul><li>An American novelist </li></ul></ul><ul><ul><li>Served in WWI </li></ul></ul><ul><ul><li>A Farewell to Arms (1929) </li></ul></ul><ul><ul><li>&quot;I know the night is not the same as the day: that all things are different, that the things of the night cannot be explained in the day, because they do not then exist, and the night can be a dreadful time for lonely people once their loneliness has started.&quot; </li></ul></ul>See Also: Literature in the 1920’s
    13. 13. Modern Art- Artists tried to capture new perceptions of reality… <ul><li>Old styles of art couldn’t express the deep distress caused by WWI. </li></ul><ul><li>In many cases, people did not want to remember the war too clearly or too exactly. </li></ul><ul><li>WWI changed the way people perceived the world and this was reflected in their art. </li></ul>“ Oppy Wood” – John Nash, 1917 “ Gassed and Wounded” Eric Kennington, 1918 “ Those Who Have Lost Their Names” Albin Eggar-Linz, 1914
    14. 14. Cubism- Reality broken into Pieces <ul><li>Cubism was born out of the experience of the WWI battlefield. </li></ul><ul><li>At night, exploding bombs lit the sky in quick flashes, causing the world to look disjointed, distorted, disordered, and broken up into stark pieces. </li></ul><ul><li>In Cubism… </li></ul><ul><ul><li>Objects are broken up and re-assembled in abstract form. </li></ul></ul><ul><ul><li>Picasso </li></ul></ul><ul><ul><ul><li>Pre-WWI work </li></ul></ul></ul><ul><ul><ul><li>African masks </li></ul></ul></ul>See also: Revolution in the Arts
    15. 15. What do you see? <ul><li>Pablo Picasso, Three Musicians , 1921 </li></ul>
    16. 16. What do you see? <ul><li>Pablo Picasso, Still Life, 1924 </li></ul>
    17. 17. Surrealism- Trying to show how things Feel <ul><li>During WWI, the founder of surrealism, André Breton, who had trained in medicine and psychiatry, served in a neurological hospital where he used the psychoanalytic methods of Sigmund Freud with soldiers who were shell-shocked. </li></ul><ul><li>He sought a way to express the inner workings of the mind, those feelings, experiences, urges and impressions that were separated from logic and reason. </li></ul><ul><li>Surrealism is an art movement that sought to link the world of dreams with real life. </li></ul><ul><li>Surreal—beyond or above reality </li></ul><ul><li>Yves Tanguy, Indefinite Divisibility 1942 </li></ul>
    18. 18. How is this painting connected to the idea of Perception? <ul><li>Salvador Dali, The Persistence of Memory , 1931 </li></ul>
    19. 19. What do you see? <ul><li>Salvador Dali, The Temptation of St Anthony </li></ul><ul><li>What does this painting tell you about how the artist is feeling? </li></ul>
    20. 20. Music- Ragtime, Jazz and Swing <ul><li>Musical artists in the US combined African rhythms from the South with popular music to make ragtime, jazz and swing. </li></ul><ul><li>This music held a hesitation before the last beat of four. That hesitation expressed the uncertainty and anguish of the post war world. </li></ul><ul><li>The hesitation is what makes this music sound different from classical music. </li></ul><ul><li>The best musicians like Woody Herman, Duke Ellington and Fats Waller were masters at manipulating this hesitation in the music. </li></ul><ul><li>Swing dances like Lindy-hop, Balboa and Shag were created to take advantage of the new music. These dances also broke taboos. </li></ul>
    21. 21. Psychology-Trying to find out how the brain works <ul><li>Sigmund Freud—physician- He opened a window on the unconscious — where, he said, lust, rage and repression battle for supremacy — and changed the way we view ourselves- TIME Magazine </li></ul><ul><li>Believed that human behavior is irrational </li></ul><ul><li>Believed humans are driven by their unconscious mind </li></ul><ul><li>Believed dreams could help people understand their unconscious </li></ul><ul><li>Freud greatly influenced the surrealists </li></ul>See also: Influence of Freudian Psychology
    22. 23. Science- Trying to find out how the physical world really works <ul><li>Albert Einstein (1879-1955) </li></ul><ul><li>German-born physicist- a true out of the box thinker - the genius among geniuses who discovered, merely by thinking about it, that the universe was not as it seemed. –TIME Magazine </li></ul><ul><li>Discovered that space and time are not constant </li></ul><ul><li>Known for seeing things from an entirely new angle, and then devising simple experiments to prove his ideas. </li></ul><ul><li>Theory of Relativity changed how people viewed the world </li></ul><ul><li>Werner Heisenberg—Uncertainty Principle (1927) </li></ul><ul><li>The more precisely the position is determined, the less precisely the momentum is known in this instant, and vice versa. </li></ul><ul><li>Believed we could know what we couldn’t know </li></ul>See also: Impact of Einstein’s Theory of Relativity
    23. 24. Philosophy- Trying to decide what we should think about next… <ul><li>John Paul Sartre, Albert Camus- </li></ul><ul><li>Existentialism- Humans must define their own Reality </li></ul><ul><ul><li>There is no universal meaning to life. There is no one way to order or explain the universe </li></ul></ul><ul><ul><li>We must create our own meaning </li></ul></ul><ul><ul><li>We can never truly understand each other, because we are all too different. No two understandings are the same. </li></ul></ul>See also: Thinkers React to Uncertainties
    24. 25. Existentialism in the movies…. <ul><li>WOODY ALLEN:  That's quite a lovely Jackson Pollock, isn't it? </li></ul><ul><li>GIRL IN MUSEUM:  Yes it is. </li></ul><ul><li>WOODY ALLEN:  What does it say to you? </li></ul><ul><li>GIRL IN MUSEUM:  It restates the negativeness of the universe, the hideous lonely emptiness of existence, nothingness, the predicament of man forced to live in a barren, godless eternity, like a tiny flame flickering in an immense void, with nothing but waste, horror, and degradation, forming a useless bleak straightjacket in a black absurd cosmos. [pause] </li></ul>WOODY ALLEN:  What are you doing Saturday night? GIRL IN MUSEUM:  Committing suicide. WOODY ALLEN:  What about Friday night? GIRL IN MUSEUM: [leaves silently] &quot;Play It Again, Sam&quot; , Paramount Pictures, 1972;
    25. 26. What words would you use to describe how people are seeing the world and their place in it?
    26. 27. Historical Quotes- A glimpse at changing philosophy (what you think) and ideology (what you believe) <ul><li>Get a piece of paper and a pen. Set it up like this: </li></ul><ul><li>Quote Philosophy Name </li></ul><ul><li>There are 8 quotes set out on tables in the room. </li></ul><ul><li>With your partner, visit a quote, write it on your paper and talk about what it means. </li></ul><ul><li>You will have 3 minutes for each quote . </li></ul>
    27. 28. Make sure you have all the quotes on your paper… <ul><li>“ Meaning has to be sought out, there is no universal meaning to life. We create our own meaning through life choices and our actions. While there is no moral certainty, we do have agency in that we can make choices.” </li></ul><ul><li>“ Love God, your neighbors, your enemies, and yourself. Every individual has worth and at the same time each individual has a responsibility to the whole community. You should live your life according to moral rules.” </li></ul><ul><li>“ The realistic portrayal of life is not the purpose of art. Art should capture the inner world of emotion, feeling, and the workings of our imagination and unconscious mind.” </li></ul><ul><li>“ Art should capture a realistic portrait of the world. It should show everyday people and the world around us.” </li></ul><ul><li>“ The universe is governed by a specific set of laws. The universe was ordered by God the creator.” </li></ul><ul><li>“ Much of human behavior is irrational and beyond reason. We are driven by that part of the mind that is unconscious and our unconscious pursues actions determined by our desires.” </li></ul><ul><li>“ Every person has the gift of reason and as science uncovers more and more knowledge about the physical world, reason and knowledge will bring about progress. Truths can be revealed through observation and uncovering of evidence.” </li></ul><ul><li>“ Time and space are not constant, perception is relative to one’s experiences, there are no absolute truths.” </li></ul>
    28. 29. Lost Generation Match Up… <ul><li>I have put up a list of names for Philosophies and Ideologies from World history. These will include ideas from both before and after WWI. </li></ul><ul><li>Match the name of the philosophy or Ideology with the quote that represents it. Write the name of the philosophy next to the quote. </li></ul>
    29. 30. World War I dates- 1914-1919 <ul><li>Which of these philosophies happened before WWI? Which After? Set up your paper like this and write the philosophy name on the correct side: </li></ul><ul><li>Before WWI After WWI </li></ul><ul><li>Answer these questions on your paper: </li></ul><ul><ul><li>How would you characterize the two sides? </li></ul></ul><ul><ul><li>Do you see a connection between the two sets? </li></ul></ul><ul><ul><li>How would you characterize that connection? </li></ul></ul>
    30. 31. Check your work… <ul><li>Christianity —“Love God, your neighbors, your enemies, and yourself. Every individual has worth and at the same time each individual has a responsibility to the whole community. You should live your life according to moral rules.” </li></ul><ul><li>Enlightenment —“Every person has the gift of reason and as science uncovers more and more knowledge about the physical world, reason and knowledge will bring about progress. Truths can be revealed through observation and uncovering of evidence.” </li></ul><ul><li>Realism —“Art should capture a realistic portrait of the world. It should show everyday people and the world around us.” </li></ul><ul><li>Newtonian Law —“The universe is governed by a specific set of laws. The universe was ordered by God the creator.” </li></ul><ul><li>Existentialism —“Meaning has to be sought out, there is no universal meaning to life. We create our own meaning through life choices and our actions. While there is no moral certainty, we do have agency in that we can make choices.” </li></ul><ul><li>Freudian thought —“Much of human behavior is irrational and beyond reason. We are driven by that part of the mind that is unconscious and our unconscious pursues actions determined by our desires.” </li></ul><ul><li>Surrealism —“The realistic portrayal of life is not the purpose of art. Art should capture the inner world of emotion, feeling, and the workings of our imagination and unconscious mind.” </li></ul><ul><li>Theory of Relativity —“Time and space are not constant, perception is relative to one’s experiences, there are no absolute truths.” </li></ul>
    31. 32. Fitzgerald · Hemingway I. Introduction II. F. Scott Fitzgerald III. Ernest Hemingway exit
    32. 33. <ul><li>1. The Historical Background. </li></ul><ul><ul><li>The First World War tore up the slogan flags into pieces that held high among common moralists. </li></ul></ul><ul><ul><li>b. Moreover, Russian Revolution stirred up the hatred towards the current social systems among the youth. No aspect of life in the Twenties has been commented upon and sensationally romanticized than the so-called Revolt of the Younger Generation. </li></ul></ul><ul><ul><li>c. The booming of American industry with its gigantic roaring factories, its impersonality, and its large scale aggressiveness, no longer left any room for the code of polite behavior and well-bred morality fashioned in a quiet and less competitive age. </li></ul></ul><ul><ul><li>d. And it was during that period that a number of sensitive writers found that since there was little remedy for a country that was blind and deaf to everything save the glint and ring of the dollar, the only way out was to emigrate to Europe. There they began to think of themselves in the words of Gertrude Stein, as the “Lost Generation.” </li></ul></ul>
    33. 34. <ul><li>2. The Overview of Literature. </li></ul><ul><li>   a. The rise of the modern American literature </li></ul><ul><li>   Although the form and ideas of modern American literature had clearly began to emerge in the first decade of the century, the First World War stands as a great dividing line between the 19th century and contemporary America . </li></ul><ul><li>Yet in the years between the two world wars American literature achieved a new diversity and reached its greatest heights. </li></ul><ul><li>The publication in 1922 of T.S. Eliot’s The Waste Land , the most significant American power of the twentieth century, helped to establish a modern tradition of literature rich learning and all usive thought. </li></ul><ul><li>In 1920 Sinclair Lewis published his memorable </li></ul>exit
    34. 35. <ul><li>denunciation of American small-town provincialism Main Street , and in the same year Theodore Dreiser began writing his masterpiece of naturalism, An American Tragedy , F. Scott Fitzgerald summarized the experiences and attitudes of the decade in his short stories and in his novel The Great Gatsby . </li></ul><ul><li>Earnest Hemingway wrote The Sun Also Rises and A Farewell to Armes , and </li></ul><ul><li>William Faulkner published one of the most influential American novels of the age, The Sun and the Fury. During the twenty years between the two world wars six American writers who did their best and most original work won the Nobel Price for literature. </li></ul>exit
    35. 36. <ul><li>b. Lost Generation of the Roaring Twenties </li></ul><ul><li>War disfigures and tears away precious lives. </li></ul><ul><li>Its horrors embed themselves like an infectious disease in the minds of the survivors, who, when left to salvage the pieces of their former existences, are brushed into obscurity by the individuals attempting to justify the annihilation of the world that was. </li></ul><ul><li>The era following World War I epitomizes the inheritance of tribulation and sorrow for the generation that remains to retrieve some form of happiness - the lost generation . </li></ul><ul><li>The Sun Also Rises will maintain a place in history not only for its literary merit, but also for its documentation of what writer Gertrude Stein called the &quot;Lost Generation.&quot; </li></ul>exit
    36. 37. <ul><li>After WWI, many young Americans left their native country, bitter over the war and seeking adventure. </li></ul><ul><li>A circle of artistic expatriates appeared-- among them Hemingway, F. Scott Fitzgerald, Sherwood Anderson, Ezra Pound, and Pablo Picasso. Hemingway and Fitzgerald employed their keen social observation in writing The Sun Also Rises and The Great Gatsby , respectively, widely considered the two masterpieces of Lost Generation fiction. </li></ul>exit
    37. 38. <ul><li>1. Life </li></ul><ul><ul><li>a. Scott Fitzgerald was born in 1896 and grew up in St. Paul, Minnesota. From boyhood Fitzgerald experienced both the conflict and the fluidity of class in American life. </li></ul></ul><ul><ul><li>b. His mother nurtured social ambition in her only son, and Fitzgerald was sent east to a Catholic prep school, and then to Princeton where he began career as a writer. </li></ul></ul><ul><ul><li>c. Fitzgerald met and instantly fell in love with Zelda Sayre and married on April 3, 1920. Their life to a great extent epitomized what Fitzgerald had already called the Jazz Age. </li></ul></ul><ul><ul><li>d. Fitzgerald first published The Great Gatsby on April 10, 1925, a story set in Long Island’s North Shore and New York City during the summer of 1922. </li></ul></ul><ul><ul><li>e. Fitzgerald died on December 21, 1940, in Hollywood, in Graham's apartment, before the book The Last Tycoon was finished. </li></ul></ul>exit
    38. 39. <ul><li>2. Literary Works </li></ul><ul><ul><li>a. Novels </li></ul></ul><ul><ul><ul><li>This Side of Paradise (New York: Charles Scribner’s Sons, 1920) </li></ul></ul></ul><ul><ul><ul><li>The Beautiful and Damned (New York: Scribner, 1922) </li></ul></ul></ul><ul><ul><ul><li>The Great Gatsby (New York: Scribner, 1925) </li></ul></ul></ul><ul><ul><ul><li>Tender Is the Night (New York: Scribner, 1934) </li></ul></ul></ul><ul><ul><ul><li>The Last Tycoon – originally The Love of the Last Tycoon – (New York: Scribners, published posthumously, 1941) </li></ul></ul></ul><ul><ul><li>b. Short Story Collections </li></ul></ul><ul><ul><ul><li>Flappers and Philosophers (Short Story Collection, 1920) </li></ul></ul></ul><ul><ul><ul><li>Tales of the Jazz Age (Short Story Collection, 1922) </li></ul></ul></ul><ul><ul><ul><li>All the Sad Young Men (Short Story Collection, 1926) </li></ul></ul></ul>exit
    39. 40. 3. A brief introduction to his masterpiece, The Great Gatsby The Great Gatsby is the best novel of Fitzgerald. As a novel with strong tragic flavor, it keeps in step with the time and its criticism of America society is really penetrating. The novel shows the disillusion of “American Dream” in the 1920s. At that age, it was impossible for Gatsby to succeed. The novel also shows that in the American society of 1920s, the commons were in total depravity. It tells us that there is no way to go from money to love, from material to spirit. In a split world, love could neither make up the split nor replace the value. It is full of realistic meaning even today. exit
    40. 41. The clues of the novel are very clear, while the specific events are mysterious. In it, we can fully enjoy the glamour of art. In addition, the novel is intensely lyrical. With colorful musical elements, the author composed a tragic song, leaving a lot of questions for us to think about. 4. The Jazz Age What repeats frequently in the majority of his books describes the period from 1918-1929, the years between the end of World War I and the start of the Roaring Twenties; ending with the rise of the Great Depression, the traditional values of this age saw great decline while the American exit
    41. 42. stock market soared. The focus of the elements of this age, in some contrast with the Roaring Twenties, in historical and cultural studies, are somewhat different, with a greater emphasis on all Modernism. The age takes its name from jazz music, which saw a tremendous surge in popularity among many segments of society. Among the prominent concerns and trends of the period are the public embrace of technological developments (typically seen as progress)—cars, air travel and the telephone—as well as new modernist trends in social behavior, the arts, and culture. Central developments included Art Deco design and architecture. In addition, many amateur artists began to aspire including Duke Ellington, Picasso, etc. exit
    42. 43. <ul><li>III. Ernest Hemingway </li></ul><ul><li>1. Life: </li></ul><ul><ul><li>a. Ernest Hemingway (1899-1961), born in Oak Park, Illinois, started his career as a writer in a newspaper office in Kansas City at the age of seventeen. </li></ul></ul><ul><ul><li>b. Before the United States entered the First World War, he joined a volunteer ambulance unit in the Italian army. Serving at the front, he was wounded, was decorated by the Italian Government, and spent considerable time in hospitals. After his return to the United States, he became a reporter for Canadian and American newspapers and was soon sent back to Europe to cover such events as the Greek Revolution. </li></ul></ul>exit
    43. 44. c. During the twenties, Hemingway became a member of the group of expatriate Americans in Paris, which he described in his first important work, The Sun Also Rises (1926). Equally successful was A Farewell to Arms (1929), the study of an American ambulance officer’s disillusionment in the war and his role as a deserter. Hemingway used his experiences as a reporter during the civil war in Spain as the background for his most ambitious novel, For Whom the Bell Tolls (1940). d. Among his later works, the most outstanding is the short novel, The Old Man and the Sea (1952), finally brought him onto the stage of the Nobel Prize in 1954. exit
    44. 45. <ul><li>2. His main works: </li></ul><ul><ul><li>The Sun Also Rises (1926); </li></ul></ul><ul><ul><li>A Farewell to Arms (1929); </li></ul></ul><ul><ul><li>Green Hills of Africa ( 1935 ) ; </li></ul></ul><ul><ul><li>For Whom the Bell Tolls (1940); </li></ul></ul><ul><ul><li>The Old Man and the Sea (1952); </li></ul></ul><ul><li>3. Hemingway’s themes ----grace under pressure </li></ul><ul><li>War and influence of war on people, with scenes connected with hunting, bull fighting which demand stamina and courage, and with the question : </li></ul><ul><li>how to live with pain </li></ul><ul><li>how human being live gracefully under pressure. </li></ul>exit
    45. 46. 4. Hemingway’s hero----code hero Hemingway’s hero is an average man of decidedly masculine tastes, sensitive and intelligent, a man of action, and one of few words. That is an individualist keeping emotions under control, stoic and self-disciplined in a dreadful place. These people are usually spiritual strong, people of certain skills, and most of them encounter death many times. exit
    46. 47. <ul><li>5. Hemingway’s style </li></ul><ul><ul><li>a. simple and natural </li></ul></ul><ul><ul><li>b. direct, clear and fresh </li></ul></ul><ul><ul><li>c. lean and economical </li></ul></ul><ul><ul><li>d. simple, conversational, common found, fundamental words </li></ul></ul><ul><ul><li>e. simple sentences </li></ul></ul><ul><ul><li>f. Iceberg principle: understatement, implied things;1/8 pricinple; </li></ul></ul><ul><ul><li>g. symbolism </li></ul></ul>exit
    47. 48. John Steinbeck In the souls of the people the grapes of wrath are filling and growing heavy, Growing heavy for the vintage. ~John Steinbeck
    48. 49. Steinbeck Country The John Steinbeck Center is located in Salinas, CA. Steinbeck left Salinas after the publication of The Grapes Of Wrath. He did not return permanently until his death .
    50. 51. Of Mice and Men Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They don't belong no place…. With us it ain't like that. We got a future. We got somebody to talk to that gives a damn about us. We don't have to sit in no bar room blowin' in our jack jus' because we got no place else to go. If them other guys gets in jail they can rot for all anybody gives a damn. But not us. ~George Milton
    51. 52. Historical Background Pathways to information about the historical background of the novel Of Mice and Men. Online Sources John Steinbeck Literary Traveler - explores Steinbeck's life Center for Steinbeck Study - biography Dust Bowl The Drought - PBS Mass Exodus from the Plains - PBS Surviving the Dust Bowl - an eyewitness account Dust Bowl
    52. 53. Historical Background II The Great Depression The Great Depression - main causes The Great Depression - This web page is for the purpose of comparing and contrasting cohorts involving their views of the Great Depression and the effects of it on their growing experience. American Memory The Great Depression ; great for photos The Great Depression - PBS The Great Depression California Gold Rush Sutter's Account of the Discovery of Gold About the Gold Rush - excellent site from PBS The Women - excerpts of diaries
    53. 54. And this I believe: that the free exploring mind of the indvidual human Is the most valuable thing in all the world. And this I would Fight for: the freedom of the mind to take any direction it wishes, Undirected. And this I must fight against: any idea, religion, or Government which limits or destroys the individual. ~ John Steinbeck from: East of Eden
    54. 55. As I lay Dying by William Faulkner
    55. 56. STYLE-Stream of Consciousness <ul><li>Technique that records the multifarious thoughts and feelings of a character without regard to logical argument or narrative sequence. </li></ul><ul><li>The writer attempts by the stream of consciousness to reflect all the forces, external and internal, influencing the psychology of a character at a single moment. </li></ul><ul><li>used by James Joyce, Virginia Woolf, and William Faulkner. </li></ul>
    56. 57. William Faulkner American Writer 1897-1962 <ul><li>renowned Mississippi writer </li></ul><ul><li>Nobel Prize-winning novelist and short story writer </li></ul><ul><li>acclaimed throughout the world as one of the twentieth century’s greatest writers </li></ul>
    57. 58. As I Lay Dying <ul><li>Faulkner’s first novel published after The Sound and the Fury , As I Lay Dying </li></ul><ul><li>acclaimed as one of Faulkner’s greatest novels as well as a self-proclaimed “tour de force” by Faulkner himself. </li></ul><ul><li>told in stream-of-conscious fashion by fifteen different speakers in some 59 chapters. </li></ul><ul><li>depiction of the Bundren family’s quest to Jefferson to bury their dead matriarch, Addie, among her “people,” against the threats of flood and fire </li></ul>
    58. 59. SETTING—The South <ul><li>Yoknapatawpha County : Pronounced &quot; Yok ´ nuh puh TAW ´ fuh.&quot; </li></ul><ul><li>A county in northern Mississippi, the setting for most of William Faulkner's novels and short stories, and patterned upon Faulkner's actual home in Lafayette County, Mississippi. </li></ul>
    59. 60. <ul><li>In Go Down, Moses: The Miscegenation of Time , he suggests Faulkner might have consulted a 1915 Dictionary of the Choctaw Language in which the word is broken down as follows: </li></ul><ul><li>ik patafo , a., unplowed. patafa , pp., split open; plowed, furrowed; tilled. yakni , n., the earth; ...soil; ground; nation; ...district.... yakni patafa , pp., furrowed land; fallowed land. </li></ul>
    60. 62. GENRE-- Southern Gothic <ul><li>subgenre of the Gothic writing style, unique to American Literature. </li></ul><ul><li>Like its parent genre, it relies on supernatural , ironic , or unusual events to guide the plot. </li></ul>
    61. 63. Southern Gothic <ul><li>Unlike its predecessor, it uses these tools not for the sake of suspense, but to explore social issues and reveal the cultural character of the American South </li></ul>
    62. 64. Set up your notebook thusly: <ul><li>Characters– the one speaking and those involved in action </li></ul><ul><li>Images– these will repeat or “echo” across chapters </li></ul><ul><li>Note a passage – page and paragraph number </li></ul><ul><li>Comment on the passage </li></ul>
    63. 65. <ul><li>Bundren Family: </li></ul><ul><li>Pa, Anse </li></ul><ul><li>Addie mom </li></ul><ul><li>Darl, Boy </li></ul><ul><li>Cash, Boy </li></ul><ul><li>Jewel, Boy </li></ul><ul><li>Dewey Dell, GIRL </li></ul><ul><li>Vardaman, Boy </li></ul><ul><li>Tull Family </li></ul><ul><li>Cora Tull (wife ) </li></ul><ul><li>Vernon Tull (Hubby) </li></ul><ul><li>Eula (Daughter) </li></ul><ul><li>Kate (Daughter) </li></ul>
    64. 66. Commonly used dialect <ul><li>Ere = e’er = Ever </li></ul><ul><li>( sometimes) Ere = Before </li></ul>
    65. 67. By the way, this is an adze: <ul><li>What literary technique is the </li></ul><ul><li>“ Chuck. </li></ul><ul><li>Chuck. </li></ul><ul><li>Chuck.”? </li></ul>
    66. 68. Reading Comprehension– cracking the code of this book. <ul><li>What is the last thing Darl is doing in his chapter? </li></ul><ul><li>Where is Darl on page 9? </li></ul><ul><li>Page 8: “The quilt is drawn up to her chin…” </li></ul><ul><li>WHAT THE HECK IS THAT? </li></ul><ul><li>Where is Cora? </li></ul>
    67. 69. Correct! Well done young scholar! <ul><li>Darl is at the top of the hill about to enter the house… </li></ul><ul><li>On Page 9, Darl has entered the house </li></ul><ul><li>“ Quilt drawn up to her chin…” Cora thinking about the cakes while she is sitting in the house with Addie Bundren who is in bed dying. </li></ul><ul><li>Darl has come up the hill and entered the house. Therefore… </li></ul>
    68. 70. <ul><li>Each of these chapters is taking place at the same time but from different points of view. </li></ul><ul><li>Where is Cash? Jewel? </li></ul>
    69. 71. Subjectivity <ul><li>Each character has his own limited view of the world (limited by location and by their own thoughts which influence how they percieve the world…) </li></ul><ul><li>There is no Objective narrative voice to comment on the characters or tell who is right or wrong or sympathetic </li></ul><ul><li>Just like _________. </li></ul>
    70. 72. Faulkner Journal #1 WRITE in stream of consciousness—just don’t use your own consciousness. Topic : The school year so far. Or your own topic.
    71. 73. Perhaps write as one of these people:
    72. 74. Today’s Lesson and Strategy
    73. 75. Model
    74. 76. Guided Practice
    75. 77. Assessment
    76. 78. Independent Practice
    77. 79. Differentiated Instruction for grade, skill and language differences
    78. 80. Reflect on what you learned <ul><li>Review the learning objective. </li></ul><ul><li>Did you meet the objective? Yes or no. </li></ul><ul><li>If yes, how do you know you met the objective? </li></ul><ul><li>If no, how do you know you did not meet the objective? </li></ul><ul><li>What do you want to learn more about this subject? </li></ul><ul><li>What can Mrs. Navejar do to make this lesson more interesting? </li></ul>