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History of architecture
Architecture of Bernard Tschumi
Of spaces and events.
Prashant chavan
S.Y.BArch
Bernard Tschumi
Bernard Tschumi is widely recognized as one of
today‟s foremost architects. First known as a
theorist,
In ...
Glass video gallery-1990
• The video gallery was the first work to
deal with the concept of the
envelope. It is about the ...
Glass video gallery
• The resulting structure gives priority
to the image. The monitors inside
provide unstable facades, w...
Bridge City Lausanne, 1988
• Programmatic and spatial
transformations are the basis of the
intervention. Instead of adopti...
Bridge city-1988
The concept of the
urban generator not only creates
the possibility of new spatial links
within the exist...
Bridge city
Each bridge accommodates two
categories of use: in the core
element, public or commercial use,
and at the deck...
Acropolis museum-2001-2009
• Located at the foot of the
Acropolis, the site
confronted with sensitive
archeological
excava...
Acropolis museum
Combined with a hot climate in an
earthquake region, these conditions
moved us to design a simple and
pre...
Acropolis museum- Plans
Acropolis museum-section and
views
Parc de la Villette- 1982-1998
• During the early 1980s, after President
Mitterand took office, Paris was undergoing
an ur...
Parc de la Villette
• A system of dispersed “points”—the red
enameled steel folies that support
different cultural and lei...
Parc de la Villette
He designed a number of small experimental
constructions that he called „follies‟, playing on
the doub...
Bibliography
• http://www.tschumi.com/projects/17/#
• http://www.archdaily.com/61898/new-acropolis-museum-bernard-tschumi-...
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bernard tsuhmi projects ppt

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the ppt consists of projects by deconstrutivist architect bernard tshumi.

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bernard tsuhmi projects ppt

  1. 1. History of architecture Architecture of Bernard Tschumi Of spaces and events. Prashant chavan S.Y.BArch
  2. 2. Bernard Tschumi Bernard Tschumi is widely recognized as one of today‟s foremost architects. First known as a theorist, In the 1970s he taught at the Architectural Association school in London and during this period he developed the „strategy of disjunctions‟, a theory based on his belief that contemporary culture and architecture were best expressed by fragmentation as opposed to the classical ideal of unity. Tschumi often references other disciplines in his work, such as literature and film, proving that architecture must participate in culture‟s polemics and question its foundations.
  3. 3. Glass video gallery-1990 • The video gallery was the first work to deal with the concept of the envelope. It is about the movement of the body as it travels through the exhibition space and about the enclosure, which is made entirely out of glass held by clips, including its vertical supports and horizontal beams.
  4. 4. Glass video gallery • The resulting structure gives priority to the image. The monitors inside provide unstable facades, while the glass reflections create mirages that suggest limitless space. At night, the space becomes an ensemble of mirrors and reflections
  5. 5. Bridge City Lausanne, 1988 • Programmatic and spatial transformations are the basis of the intervention. Instead of adopting the conservative strategy of concentrating only on the lower level of the valley, the project takes advantage of Lausanne's existing bridge typologies by radically extending them
  6. 6. Bridge city-1988 The concept of the urban generator not only creates the possibility of new spatial links within the existing city, but also encourages unpredictable programmatic factors or new urban events, that will inevitably appear in coming decades Along the valley's north-south axis, the inhabited bridge-cities use the program to link two parts of the city that conflict in both scale and character.
  7. 7. Bridge city Each bridge accommodates two categories of use: in the core element, public or commercial use, and at the deck level, pedestrian traffic and related uses
  8. 8. Acropolis museum-2001-2009 • Located at the foot of the Acropolis, the site confronted with sensitive archeological excavations, the presence of the contemporary city and its street grid, and the Parthenon itself.
  9. 9. Acropolis museum Combined with a hot climate in an earthquake region, these conditions moved us to design a simple and precise museum with the mathematical and conceptual clarity of ancient Greece.
  10. 10. Acropolis museum- Plans
  11. 11. Acropolis museum-section and views
  12. 12. Parc de la Villette- 1982-1998 • During the early 1980s, after President Mitterand took office, Paris was undergoing an urban redevelopment as part of city beautification, as well as making Paris a more tourist influenced city. In 1982-3, the Parc de la Villette competition was organized to redevelop the abandoned land from the meat market and slaughterhouses that dated back to 1860 • La Villette has become known as an unprecedented type of park, one based on “culture” rather than “nature.” • Unlike other entries in the competition, Tschumi did not design the park in a traditional mindset where landscape and nature are the predominant forces behind the design [i.e. Central Park]. Rather he envisioned Parc de la Villette as a place of culture where natural and artificial [man- made] are forced together into a state of constant reconfiguration and discovery.
  13. 13. Parc de la Villette • A system of dispersed “points”—the red enameled steel folies that support different cultural and leisure activities—is superimposed on a system of lines that emphasizes movement through the park • La Villette could be conceived of as one of the largest buildings ever constructed — a discontinuous building but a single structure nevertheless, overlapping the site‟s existing features and articulating new activities • It opposes the landscape notion of Olmstead, widespread during the 19th century, that “in the park, the city is not supposed to exist.” • Instead, it proposes a social and cultural park with activities that include workshops, gymnasium and bath facilities, playgrounds, exhibitions, concerts, science experiments, games and competitions
  14. 14. Parc de la Villette He designed a number of small experimental constructions that he called „follies‟, playing on the double meaning of the French word folie as a state of mental imbalance into the pavilion.
  15. 15. Bibliography • http://www.tschumi.com/projects/17/# • http://www.archdaily.com/61898/new-acropolis-museum-bernard-tschumi-architects/ • http://www.tschumi.com/projects/2/ • http://www.tschumi.com/projects/3/ • http://www.archdaily.com/92321/ad-classics-parc-de-la-villette-bernard-tschumi/ • http://www.artfact.com/artist/tschumi-bernard-i8y5fdnmw6 • http://www.tschumi.com/bernard-tschumi/
  16. 16. Thank you

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