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Julius Caesar: A Rendition 
By Poria Dorali, Stephanie Turcotte, Faheem Ershad, 
and Miguel Ibanez
Director: Poria Dorali 
Julius Caesar: The White-Collar Experience
Reason 
for 
Choosing 
Julius 
Caesar 
It’s an interesting plot that 
addresses the dichotomy between 
the private life and the public life. 
The growth of unchecked power 
and the resistances to is a 
situation that can be applied to 
innumerable situations. 
Stalin Khomeini
Leonardo DiCaprio 
Brutus 
Casting 
Kevin Spacey 
Highlights: 
Cassius 
William Shatner 
Julius Caesar 
Jon Cryer 
Antony
The Spine: ▪ Doing what is Best. 
As contextualized in the play, Caesar 
and Brutus independently feel they 
are doing what is best for Rome, or in 
this version of the play, the company.
The theme of play is balancing the dilemma 
between the private and public life. 
The private life is accepting changes to 
society. 
The Theme: 
While the Public life questions 
changes in society for one’s 
belief of the public good
The 
Style: 
- The style of the play falls under the 
realism category. 
○ The scenes/actions are going to 
be akin to events that could 
happen in the corporate world right 
now. 
- The play will be conducted in a very 
serious manner as life or death 
decisions are on the line.
Directorial 
Concept: 
Period 
▪ We argue that Julius 
Caesar can even be 
applied to the status 
quo. Thus, we present 
the play from the 
perspective of a 
modern day rich 
corporation. 
Changes Include: 
- Conspirators “Killing” = 
Conspirators 
Whistleblowing 
- Conspirators dying = 
End of conspirator’s 
careers
The Whistle 
- Symbolic of the public life/ maximizing 
one’s perceived public good 
- It is a physical object that will given to 
the conspirators, separating them from 
the many 
- It will appear in many posters around 
the company to symbolize the general 
public’s neglect of the public life for the 
private life. 
Directorial Concept: 
Central Image
Set Design 
Stephanie Turcotte
Creating Environment for Performance and 
Performers 
• Engaging Audience by keeping the 
stereotypical office scenes busy and varied 
• Modern theme to reflect Caesar’s high 
status 
• Each cubicle for the character would 
reflect their personality 
• Ex. Brutus’s desk would be organized 
while Cassius’s is cluttered and 
nonprofessional 
• Cubicles placed in back area of theater to 
allow space for characters to interact
Setting Mood and Style 
• Since it’s a tragedy 
• Sober, straightforward, serious 
• Office setting as depicted in movies 
• Modern, high quality 
• Use of dark woods and glass for sober 
mood 
• Lack of nonprofessional props in setting, 
excluding characters office desk, to 
maintain straightforward 
• Serious setting created by cool and dark 
colors
Realistic 
• Made to look like real life office 
• Lack of walls, for easier access to exits 
for performers 
• Exception is background piece to act as 
wallpaper 
• Impression that space is businesslike 
and professional 
• But feeling the same emotions in a 
tragedy despite setting change from 
ancient Rome to modern office
Locale and Period 
• Main setting in an office 
When- March 
Where- Silicon Valley 
• Time period set in the 21st century 
• As opposed to Old Rome 
• Shown immediately to the audience in 
the opening scene 
• Act 1 setting is the outside of the office 
building, as everyone watches Julius Caesar 
enter
Design Concept 
• Created through the use of cubicles reflecting personality traits 
• The setting is fashioned around the character 
• Julius Caesar always carries an air of importance and high class by the objects placed around him 
• Once Caesar is retired, the setting becomes more chaotic and disorganized 
• Only near the end of the play will there be a feeling of stabilization and resolution
Central Image 
• Symbolic of theme 
• Always out in the open while in inner office setting 
• Represents ownership of the company 
• Embodies all of characters traits 
•Their want to be the leader of Caesar Corp. 
• Adds to design as whole 
• Stock Certificate 
• Red in color- representing violence from original play 
• Enlarged onstage for the audience to see
Coordination 
• Costume is coordinated 
• Professional dress attire matched to the setting 
• Scenic elements coordinated with lighting to add 
depth and texture 
• Related to designers concept and script 
• Setting displays both physical and emotional levels 
• Chaos or structure 
• Use of warmer colors at the climax of the play to excite the 
audience and reflect the characters actions 
• Cooler colors placed at heavy dialogue scenes to focus 
attention onto the characters
Practical Design Problems 
• To accommodate performers, main 
props, such as desks, will be placed 
near the end and back of the stage 
• Type of theatre taken into account for the 
ground plan, this play with be in a 
Proscenium 
• Heavy things will be placed on wheels 
for easy mobility in between scene 
changes 
• Limit on amount of props and 
decorations so that the audiences 
main focus will be on the characters
Light Design 
Faheem Ershad
Types of Lights We Plan to Use 
Ellipsoidal Reflector Spotlight 
Used to create bright, hard edge spot 
Intended for characters that like being in the 
limelight, limited distribution 
Standard yellow light for general visibility of 
characters 
High intensity light to show strong office 
setting lighting 
Pointed mainly at Julius, Cassius, and Brutus 
Denoted by 
Mainly used in indoor scenes
Types of Lights We Plan to Use 
Floodlights/Fresnels 
Creates a diffused wash of light, even 
distribution over setting 
High intensity to show daylight, 
noon/afternoon times 
Will illuminate entire stage and scenery 
Used for outdoor and indoor scenes 
Multiple lights used in order to brighten the 
tone of the setting 
Light movement, slow fade in between scenes 
Denoted by /
Types of Lights We Plan to Use 
Automated Light 
Only used for creating special effects/patterns 
to highlight emotions of characters 
Will add different colors (e.g. purple, red, blue) 
on top of the ellipsoidal light 
Low intensity light to present slight hues of 
colors 
Limited distribution 
Denoted by
Stage Lighting 
A similar light rig 
(picture to the right) will 
be utilized for the 
proscenium arch stage 
Brown line represents 
front rig which contains 
lights configured 
exactly like the back rig 
Rhythm involves slow 
fades in/out in order to 
keep audience 
engaged conceptually 
Focus will be on actors, 
scenery, and 
background on stage 
2 4 6 2 2
Stage Lighting 
45 Degrees Upward 
Straight Downstage 
Color: Blue 
Used for darker 
scenes, single actor 
45 Degrees Upward 
Straight Downstage 
Color: Pink 
Used for brighter 
scenes, single actor 
90 Degrees SL/SR 
Straight Downstage 
Straight Upstage 
Used when multiple 
actors on stage
Stage Lighting 
90 Degrees SL/SR 
Used for conspirators and 
exchanges between 
Cassius and Brutus 
45 Degrees SL/SR 
Used for when Julius is 
judged/Cassius and 
Brutus kicked out
Mood and Style 
Mood 
In the presence of Julius: blithe, joyful 
In the midst of conspirators: dark, somber 
Style 
Realistic 
Lights will not be overly bright or dark 
LIghts will reflect the size of the setting
The Central Image 
Julius at Downstage 
Cassius at Stage Right looking away 
Brutus at Stage Left looking back at Julius 
Symbolic of the relationship between the three 
Purple - glory, power, ambition 
Red - anger, malice 
Blue - loyalty, trust, wisdom
Costume Design 
Miguel Ibanez
Style of Production 
• For a production set in modern day, 
costumes used would reflect professional 
business attire. 
• Suits, ties, shoes, for both male and dresses 
for female.
Historical Period and Locale 
• Present 21st century. 
• Business office, with individual cubicle 
corresponding to each of the characters 
• Business attire reflects the modern setting of 
the play.
Nature of Characters 
• Julius Caesar- Black suit with red accent to symbolize the power and leadership 
that Julius has. Along with jewelry and suit cuffs. 
• Brutus- Black and blue suit, professional look but not as sharp as Julius. But also 
unique since he is the hero of the tragedy. 
• Antony- one of the more “rat” like personalities. Skinny in size, and messy in attire 
and sharpness. 
• Cassius- lacks integrity, wears button up shirt and slacks. 
• Octavius- Son of Caesar, young adult doesn't dress in professional attire until he 
controls business after the death of his father. Button up shirt and jeans. 
• Calpurnia- Caesars wife, black dress. 
• Flavius, Cicero, and Decius are dressed more casual since there roles are of less 
authority.
Relationship Among Characters 
• Caesar, Brutus, and Cassius all are of high authority and belong to their own 
group. Emblem sewn on ties resemble their authority and closeness. 
• Antony, Octavius, and Lepidus all are in the same “alliance” in the play, so are 
dressed more similarly. 
• Octavius has a unique look to him that makes him stand out, suggesting his 
importance in the play. 
• Flavius, Cicero, and Decius are dressed more casual since they don’t have 
leadership roles in the play.
Sources 
Slide2: 
http://www.bestofsampleresume.com/wp-content/uploads/2014/07/office-manager-resume-sample.jpg 
Slide 3: 
http://img4.wikia.nocookie.net/__cb20130804075906/epicrapbattlesofhistory/images/2/25/Jstalin.jpg 
http://gdb.rferl.org/FF09854E-D037-4065-8862-6FDA10E01C9B_mw1024_s_n.jpg 
Slide 4: 
http://marieclaire.media.ipcdigital.co.uk/11116/00007caec/6f39_orh100000w440/leonardo-dicaprio-g.jpg 
http://pmchollywoodlife.files.wordpress.com/2014/01/house-of-cards-kevin-spacey-ftr.jpg?w=600&h=399&crop=1 
http://www.theplace2.ru/archive/william_shatner/img/William_Shatner_102.jpg 
http://networthq.com/wp-content/uploads/2014/03/jon-cryer_384131.jpg 
Slide 5: 
http://www.real.com/resources/wp-content/uploads/2012/04/best-media-players-for-windows.jpg 
http://randywoodbury.files.wordpress.com/2013/08/building.jpg 
http://someinterestingfacts.net/wp-content/uploads/2013/01/Colosseum-in-Ancient-Rome.jpg 
Slide 6: 
http://blog.mylaw.net/wp-content/uploads/2013/08/Publicoffer_PrivateCompany.jpg 
Slide 7: 
http://www.ssninsider.com/wp-content/uploads/2013/08/mad-men-office-peggy.jpg 
http://thehotelchicago.com/wp-content/uploads/2014/04/business-meeting-by-window.jpg 
Slide 8: 
http://www.chicagobusinesslitigationlawyerblog.com/files/2014/10/Chicago-qui-tam-and-Whistleblower-attorneys-near-Lake-Forest-and-Highland-Park-Illinois.jpg 
http://www.orix.com/wp-content/uploads/2011/11/firm3.jpg 
Slide 9: 
http://3.bp.blogspot.com/-fyrt6Mprmno/Ugprzdbu55I/AAAAAAAAlnw/mWn3lD9sSLQ/s1600/celebrate-whistleblowers-600.jpg
Slide11 
http://www.allworldfurniture.com/blog/5-essential-modern-office-amenities/ 
Slide12 
http://www.oovoodesign.com/minimalist-home-office-for-perfect-working-ambience/delightful-office-amp-workspace-home-office-table-arrangement-for-outsmarting/ 
http://coddeeweb.com/7140/stylish-and-minimalist-home-office-design-ideas-with-contemporary-furniture/ 
Slide13 
http://today.uconn.edu/blog/2010/06/split-knuckle-theatre-production-of-endurance-premieres-in-nutmeg-summer-series/ 
Slide14 
http://www.shindigz.com/party-supplies/theme-party-supplies/city-party/city-party-decorations 
http://www.wired.com/2013/11/silicon-valley-isnt-a-meritocracy-and-the-cult-of-the-entrepreneur-holds-people-back/ 
Slide15 
http://www.blu-raystats.com/Stats/ScreenShot.php?ifb=OfficeSpace_24543563969&n=4 
http://fixingitfancy.com/wp-content/uploads/2012/11/FixingItFancy_Office1.jpg 
Slide16 
http://imperialantiques.biz/yahoo_site_admin/assets/images/DSCF0653.179211237.JPG 
http://gallery.yopriceville.com/Frames/Classical_Horizontal_Transparent_Frame#.VG15DPnF98E 
Slide17 
http://graf1x.com/wp-content/uploads/2014/09/color-wheel-poster.jpg 
http://www.moultriemanufacturing.com/columns 
Slide18 
http://www.ambiencedore.com/images/Modern_mobile_Desk/Mobile_Desk_tall.jpg 
http://faculty.randolphcollege.edu/Theatre/News/0203/02_1010.htm 
Sources
Sources 
Slide 20: 
http://www.grandstage.com/ellipsoidals.html 
Slide 21: 
http://www.seleconlight.com/index.php?option=com_content&task=view&id=90 
http://www.seleconlight.com/index.php?option=com_virtuemart&page=shop.product_details&flypage=flypage.p1&category_id=129&product_id=52 
Slide 22: 
https://www2.highend.com/news_events/news/news_detail.asp?news_id=549 
Slide 23: 
http://www.zinc.uk.com/?cat=6&paged=2 
Slide 24,25: 
http://www.stagelightingprimer.com/index.html?slfs-left-frame.html&1 
Slide 26: 
http://www.exhibitoronline.com/topics/article.asp?ID=685 
http://www.spotonpm.com/work-comfort-with-comfort-office-desk/cool-white-wodoen-office-desk-equipepd-with-purple-swivgel-chair-in-bright-office-ideas-with-thrilling-window-aside/ 
Slide 27: 
http://www.color-wheel-pro.com/color-meaning.html 
https://www.google.com/search?q=back+of+business+man&es_sm=122&biw=1366&bih=659&source=lnms&tbm=isch&sa=X&ei=gCZtVPi0IND_sASqsIIQ&ved=0CAYQ_AUoAQ#tbm=isch&q=businessman+silhouette+front+back 
&spell=1&imgdii=_

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Theatre project - Group 7: Poria D. Faheem E. Miguel I. Stephanie T.

  • 1. Julius Caesar: A Rendition By Poria Dorali, Stephanie Turcotte, Faheem Ershad, and Miguel Ibanez
  • 2. Director: Poria Dorali Julius Caesar: The White-Collar Experience
  • 3. Reason for Choosing Julius Caesar It’s an interesting plot that addresses the dichotomy between the private life and the public life. The growth of unchecked power and the resistances to is a situation that can be applied to innumerable situations. Stalin Khomeini
  • 4. Leonardo DiCaprio Brutus Casting Kevin Spacey Highlights: Cassius William Shatner Julius Caesar Jon Cryer Antony
  • 5. The Spine: ▪ Doing what is Best. As contextualized in the play, Caesar and Brutus independently feel they are doing what is best for Rome, or in this version of the play, the company.
  • 6. The theme of play is balancing the dilemma between the private and public life. The private life is accepting changes to society. The Theme: While the Public life questions changes in society for one’s belief of the public good
  • 7. The Style: - The style of the play falls under the realism category. ○ The scenes/actions are going to be akin to events that could happen in the corporate world right now. - The play will be conducted in a very serious manner as life or death decisions are on the line.
  • 8. Directorial Concept: Period ▪ We argue that Julius Caesar can even be applied to the status quo. Thus, we present the play from the perspective of a modern day rich corporation. Changes Include: - Conspirators “Killing” = Conspirators Whistleblowing - Conspirators dying = End of conspirator’s careers
  • 9. The Whistle - Symbolic of the public life/ maximizing one’s perceived public good - It is a physical object that will given to the conspirators, separating them from the many - It will appear in many posters around the company to symbolize the general public’s neglect of the public life for the private life. Directorial Concept: Central Image
  • 11. Creating Environment for Performance and Performers • Engaging Audience by keeping the stereotypical office scenes busy and varied • Modern theme to reflect Caesar’s high status • Each cubicle for the character would reflect their personality • Ex. Brutus’s desk would be organized while Cassius’s is cluttered and nonprofessional • Cubicles placed in back area of theater to allow space for characters to interact
  • 12. Setting Mood and Style • Since it’s a tragedy • Sober, straightforward, serious • Office setting as depicted in movies • Modern, high quality • Use of dark woods and glass for sober mood • Lack of nonprofessional props in setting, excluding characters office desk, to maintain straightforward • Serious setting created by cool and dark colors
  • 13. Realistic • Made to look like real life office • Lack of walls, for easier access to exits for performers • Exception is background piece to act as wallpaper • Impression that space is businesslike and professional • But feeling the same emotions in a tragedy despite setting change from ancient Rome to modern office
  • 14. Locale and Period • Main setting in an office When- March Where- Silicon Valley • Time period set in the 21st century • As opposed to Old Rome • Shown immediately to the audience in the opening scene • Act 1 setting is the outside of the office building, as everyone watches Julius Caesar enter
  • 15. Design Concept • Created through the use of cubicles reflecting personality traits • The setting is fashioned around the character • Julius Caesar always carries an air of importance and high class by the objects placed around him • Once Caesar is retired, the setting becomes more chaotic and disorganized • Only near the end of the play will there be a feeling of stabilization and resolution
  • 16. Central Image • Symbolic of theme • Always out in the open while in inner office setting • Represents ownership of the company • Embodies all of characters traits •Their want to be the leader of Caesar Corp. • Adds to design as whole • Stock Certificate • Red in color- representing violence from original play • Enlarged onstage for the audience to see
  • 17. Coordination • Costume is coordinated • Professional dress attire matched to the setting • Scenic elements coordinated with lighting to add depth and texture • Related to designers concept and script • Setting displays both physical and emotional levels • Chaos or structure • Use of warmer colors at the climax of the play to excite the audience and reflect the characters actions • Cooler colors placed at heavy dialogue scenes to focus attention onto the characters
  • 18. Practical Design Problems • To accommodate performers, main props, such as desks, will be placed near the end and back of the stage • Type of theatre taken into account for the ground plan, this play with be in a Proscenium • Heavy things will be placed on wheels for easy mobility in between scene changes • Limit on amount of props and decorations so that the audiences main focus will be on the characters
  • 20. Types of Lights We Plan to Use Ellipsoidal Reflector Spotlight Used to create bright, hard edge spot Intended for characters that like being in the limelight, limited distribution Standard yellow light for general visibility of characters High intensity light to show strong office setting lighting Pointed mainly at Julius, Cassius, and Brutus Denoted by Mainly used in indoor scenes
  • 21. Types of Lights We Plan to Use Floodlights/Fresnels Creates a diffused wash of light, even distribution over setting High intensity to show daylight, noon/afternoon times Will illuminate entire stage and scenery Used for outdoor and indoor scenes Multiple lights used in order to brighten the tone of the setting Light movement, slow fade in between scenes Denoted by /
  • 22. Types of Lights We Plan to Use Automated Light Only used for creating special effects/patterns to highlight emotions of characters Will add different colors (e.g. purple, red, blue) on top of the ellipsoidal light Low intensity light to present slight hues of colors Limited distribution Denoted by
  • 23. Stage Lighting A similar light rig (picture to the right) will be utilized for the proscenium arch stage Brown line represents front rig which contains lights configured exactly like the back rig Rhythm involves slow fades in/out in order to keep audience engaged conceptually Focus will be on actors, scenery, and background on stage 2 4 6 2 2
  • 24. Stage Lighting 45 Degrees Upward Straight Downstage Color: Blue Used for darker scenes, single actor 45 Degrees Upward Straight Downstage Color: Pink Used for brighter scenes, single actor 90 Degrees SL/SR Straight Downstage Straight Upstage Used when multiple actors on stage
  • 25. Stage Lighting 90 Degrees SL/SR Used for conspirators and exchanges between Cassius and Brutus 45 Degrees SL/SR Used for when Julius is judged/Cassius and Brutus kicked out
  • 26. Mood and Style Mood In the presence of Julius: blithe, joyful In the midst of conspirators: dark, somber Style Realistic Lights will not be overly bright or dark LIghts will reflect the size of the setting
  • 27. The Central Image Julius at Downstage Cassius at Stage Right looking away Brutus at Stage Left looking back at Julius Symbolic of the relationship between the three Purple - glory, power, ambition Red - anger, malice Blue - loyalty, trust, wisdom
  • 29. Style of Production • For a production set in modern day, costumes used would reflect professional business attire. • Suits, ties, shoes, for both male and dresses for female.
  • 30. Historical Period and Locale • Present 21st century. • Business office, with individual cubicle corresponding to each of the characters • Business attire reflects the modern setting of the play.
  • 31. Nature of Characters • Julius Caesar- Black suit with red accent to symbolize the power and leadership that Julius has. Along with jewelry and suit cuffs. • Brutus- Black and blue suit, professional look but not as sharp as Julius. But also unique since he is the hero of the tragedy. • Antony- one of the more “rat” like personalities. Skinny in size, and messy in attire and sharpness. • Cassius- lacks integrity, wears button up shirt and slacks. • Octavius- Son of Caesar, young adult doesn't dress in professional attire until he controls business after the death of his father. Button up shirt and jeans. • Calpurnia- Caesars wife, black dress. • Flavius, Cicero, and Decius are dressed more casual since there roles are of less authority.
  • 32. Relationship Among Characters • Caesar, Brutus, and Cassius all are of high authority and belong to their own group. Emblem sewn on ties resemble their authority and closeness. • Antony, Octavius, and Lepidus all are in the same “alliance” in the play, so are dressed more similarly. • Octavius has a unique look to him that makes him stand out, suggesting his importance in the play. • Flavius, Cicero, and Decius are dressed more casual since they don’t have leadership roles in the play.
  • 33. Sources Slide2: http://www.bestofsampleresume.com/wp-content/uploads/2014/07/office-manager-resume-sample.jpg Slide 3: http://img4.wikia.nocookie.net/__cb20130804075906/epicrapbattlesofhistory/images/2/25/Jstalin.jpg http://gdb.rferl.org/FF09854E-D037-4065-8862-6FDA10E01C9B_mw1024_s_n.jpg Slide 4: http://marieclaire.media.ipcdigital.co.uk/11116/00007caec/6f39_orh100000w440/leonardo-dicaprio-g.jpg http://pmchollywoodlife.files.wordpress.com/2014/01/house-of-cards-kevin-spacey-ftr.jpg?w=600&h=399&crop=1 http://www.theplace2.ru/archive/william_shatner/img/William_Shatner_102.jpg http://networthq.com/wp-content/uploads/2014/03/jon-cryer_384131.jpg Slide 5: http://www.real.com/resources/wp-content/uploads/2012/04/best-media-players-for-windows.jpg http://randywoodbury.files.wordpress.com/2013/08/building.jpg http://someinterestingfacts.net/wp-content/uploads/2013/01/Colosseum-in-Ancient-Rome.jpg Slide 6: http://blog.mylaw.net/wp-content/uploads/2013/08/Publicoffer_PrivateCompany.jpg Slide 7: http://www.ssninsider.com/wp-content/uploads/2013/08/mad-men-office-peggy.jpg http://thehotelchicago.com/wp-content/uploads/2014/04/business-meeting-by-window.jpg Slide 8: http://www.chicagobusinesslitigationlawyerblog.com/files/2014/10/Chicago-qui-tam-and-Whistleblower-attorneys-near-Lake-Forest-and-Highland-Park-Illinois.jpg http://www.orix.com/wp-content/uploads/2011/11/firm3.jpg Slide 9: http://3.bp.blogspot.com/-fyrt6Mprmno/Ugprzdbu55I/AAAAAAAAlnw/mWn3lD9sSLQ/s1600/celebrate-whistleblowers-600.jpg
  • 34. Slide11 http://www.allworldfurniture.com/blog/5-essential-modern-office-amenities/ Slide12 http://www.oovoodesign.com/minimalist-home-office-for-perfect-working-ambience/delightful-office-amp-workspace-home-office-table-arrangement-for-outsmarting/ http://coddeeweb.com/7140/stylish-and-minimalist-home-office-design-ideas-with-contemporary-furniture/ Slide13 http://today.uconn.edu/blog/2010/06/split-knuckle-theatre-production-of-endurance-premieres-in-nutmeg-summer-series/ Slide14 http://www.shindigz.com/party-supplies/theme-party-supplies/city-party/city-party-decorations http://www.wired.com/2013/11/silicon-valley-isnt-a-meritocracy-and-the-cult-of-the-entrepreneur-holds-people-back/ Slide15 http://www.blu-raystats.com/Stats/ScreenShot.php?ifb=OfficeSpace_24543563969&n=4 http://fixingitfancy.com/wp-content/uploads/2012/11/FixingItFancy_Office1.jpg Slide16 http://imperialantiques.biz/yahoo_site_admin/assets/images/DSCF0653.179211237.JPG http://gallery.yopriceville.com/Frames/Classical_Horizontal_Transparent_Frame#.VG15DPnF98E Slide17 http://graf1x.com/wp-content/uploads/2014/09/color-wheel-poster.jpg http://www.moultriemanufacturing.com/columns Slide18 http://www.ambiencedore.com/images/Modern_mobile_Desk/Mobile_Desk_tall.jpg http://faculty.randolphcollege.edu/Theatre/News/0203/02_1010.htm Sources
  • 35. Sources Slide 20: http://www.grandstage.com/ellipsoidals.html Slide 21: http://www.seleconlight.com/index.php?option=com_content&task=view&id=90 http://www.seleconlight.com/index.php?option=com_virtuemart&page=shop.product_details&flypage=flypage.p1&category_id=129&product_id=52 Slide 22: https://www2.highend.com/news_events/news/news_detail.asp?news_id=549 Slide 23: http://www.zinc.uk.com/?cat=6&paged=2 Slide 24,25: http://www.stagelightingprimer.com/index.html?slfs-left-frame.html&1 Slide 26: http://www.exhibitoronline.com/topics/article.asp?ID=685 http://www.spotonpm.com/work-comfort-with-comfort-office-desk/cool-white-wodoen-office-desk-equipepd-with-purple-swivgel-chair-in-bright-office-ideas-with-thrilling-window-aside/ Slide 27: http://www.color-wheel-pro.com/color-meaning.html https://www.google.com/search?q=back+of+business+man&es_sm=122&biw=1366&bih=659&source=lnms&tbm=isch&sa=X&ei=gCZtVPi0IND_sASqsIIQ&ved=0CAYQ_AUoAQ#tbm=isch&q=businessman+silhouette+front+back &spell=1&imgdii=_