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On Samuel Beckett
On Samuel Beckett
On Samuel Beckett
On Samuel Beckett
On Samuel Beckett
On Samuel Beckett
On Samuel Beckett
On Samuel Beckett
On Samuel Beckett
On Samuel Beckett
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On Samuel Beckett

  1. 1. from A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html by José Ángel GARCÍA LANDA (University of Zaragoza, Spain) ON SAMUEL BECKETT Biography Bair, Deirdre. Samuel Beckett: A Biography. New York: Harcourt, 1978.* Cronin, Anthony. Samuel Beckett: The Last Modernist. London: HarperCollins-Flamingo, 1996.* Gussow, Mel. "An Intimate Look at Beckett the Man." New York Times (31 Dec. 1989): 3H, 28H. In The Critical Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 414-16.* Knowlson, James. Damned to Fame: The Life of Samuel Beckett. London: Bloomsbury, 1996.* _____. Beckett. Biography. Trans. Oristelle Bonis. Actes Sud, 1999. Criticism Abbott, H. Porter. "Farewell to Incompetence: Beckett's How It Is and Imagination Dead Imagine." Contemporary Literature 11.1 (Winter 1970): 36-47. In The Critical Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 166-76.* _____. The Fiction of Samuel Beckett: Form and Effect. Berkeley: U of California P, 1973.* _____. "The Harpooned Notebook: Malone Dies and the Conventions of Intercalated Narrative." In Beja, Gontarski and Astier 71-79.* _____. "Late Modernism: Samuel Beckett and the Art of the Oeuvre." In Around the Absurd. Ed. Enoch Brater and Ruby Cohn. Ann Arbor: U of Michigan P, 1990. 73-96.* _____. "Beckett and Autobiography." In Beckett Translating / Translating Beckett. Ed. Alan Warren Friedman, Charles
  2. 2. Rossman and Dina Sherzer. University Park: Pennsylvania State UP, 1987.* _____. Beckett Writing Beckett: The Author in the Autograph. Ithaca: Cornell UP, 1996.* _____. "Immersions in the Cognitive Sublime: The Textual Experience of the Extratextual Unknown in García Márquez and Beckett." Narrative 17.2 (May 2009): 131-42.* Abirached, R. "La voix tragique de Samuel Beckett." Etudes 109 (1964). Acheson, James. "Murphy' s Metaphysics." Journal of Beckett Studies 5 (1979). Rpt. inThe Beckett Studies Reader. Ed. S. E. Gontarski. Gainesville: UP of Florida, 1992. 78-93. _____. "The Art of Failure: Samuel Beckett's Molloy." Southern Humanities Review 17.1 (1983): 1-18. _____. "Chess with the Audience: Samuel Beckett's Endgame." In Critical Essays on Samuel Beckett. Ed. Patrick A. McCarthy. Boston: G. K. Hall, 1986. _____. Samuel Beckett's Artistic Theory and Practice: Criticism, Drama, and Early Fiction. Basingstoke: Macmillan, 1995. Acheson, James, and Katherina Arthur, eds. Beckett's later Fiction and Drama. Hong Kong: Macmillan, 1987. Adorno, Theodor W. "Versuch das Endspiel zu verstehen." In Adorno, Noten zur Literatur. Frankfurt: Suhrkamp, 1958. 4th ed., 1974. _____. "Pour comprendre Fin de partie." In Adorno, Notes sur la littérature. Paris: Flammarion, 1984. 201-38.* Alber, Jan. "The 'Moreness' or 'Lessness' of 'Natural' Narratology: Samuel Beckett's 'Lessness' Reconsidered." Style 36 (2002): 54-75. Albérès, René Marie. Métamorphoses du roman. Paris: Albin Michel, 1966. _____. Metamorfosis de la novela. Madrid: Taurus, 1971.* Albert-Astre, G. "L'humanisme de la poussière." Action (7-13 May 1951). Rpt. in Samuel Beckett, Molloy. Paris: UGE, 1963. 279-81 Albright, Daniel. Representation and the Imagination: Beckett, Kafka, Nabokov, and Schoenberg. Chicago: U of Chicago P, 1981. Alter, Robert. "Playing Host to the Doppelgänger." TLS (24 sept. 1986): 1190. Alvarez, A. Samuel Beckett. New York: Viking, 1973. _____. Beckett. 1973. Glasgow: Fontana, 1981. Amiran, Eyal. Wandering and Home: Beckett's Metaphysical Narrative. Pennsylvania State UP. Anders, Günther. "Being without Time: On Beckett's Play Waiting for Godot." In Samuel Beckett: A Collection of Critical Essays. Ed.
  3. 3. Martin Esslin. Englewood Cliffs (NJ): Prentice-Hall, 1965. 140-51.* Trans. of "Sein ohne Zeit. Zu Becketts Stück En attendant Godot." Neue Schweizer Rundschau (January 1954). Andonian, Cathleen Culotta. "Conceptions of Inner Landscapes: The Beckettian Narrator of the Sixties and Seventies." Symposium 36.1 (Spring 1982): 3-13. In The Critical Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 357-66.* _____, ed. The Critical Response to Samuel Beckett. (Critical Responses in Arts and Letters, 30). Greenwood P, 1998.* Anzieu, Didier. "Le théâtre d'Echo dans les récits de Beckett." In Chabert 39-43. _____. Beckett et le psychanalyste. Paris: Mentha / Archimbauld, 1992. Armstrong, Gordon S. Samuel Beckett, W. B. Yeats and Jack B. Yeats: Images and Words. Lewisburg (PA): Bucknell UP/Associated UPs, 1990. Arrabal, Fernando. "Samuel Beckett." In Arrabal, Genios y figuras. Madrid: Espasa-Calpe, 1993. 23-27. As No Other Dare Fail: For Samuel Beckett on his Eightieth Birthday. London: Calder; New York: Riverrun, 1989. Astro, Alan. "Le nom de Beckett." Critique 46 (1990): 737-54. Atkinson, Brooks. Review of Engame. New York Times (29 January 1958): 32. Rpt. in Samuel Beckett: The Critical Heritage. Ed. Lawrence Graver and Raymond Federman. London: Routledge, 1979. 171-172. Aubarède, Gabriel de. "En attendant Beckett." Entrevista con Beckett. Nouvelles littéraires (16 February 1961); 1, 7. English trans. in Samuel Beckett: The Critical Heritage. Ed. Lawrence Graver and Raymond Federman. London: Routledge, 1979. 216-217. Axelrod, Max. The Poetics of Novels: Fiction and Its Execution. Houndmills: Macmillan, 1999. Alain Badiou, Beckett, l'increvable désir. Paris : Hachette, 1995 Bair, Deirdre. "No-Man's Land, Hellespont or Vacuum: Samuel Beckett's Irishness." The Crane Bag 1.2 (1977): 14-20. Baker, Philip. "The Stamp of the Father in Molloy." Journal of Beckett Studies 5.1 (1996). _____. Beckett and the Mythology of Psychoanalysis. Basingstoke: Macmillan, 1997. Baril, Germaine. "From Characters to Discrete Events: The Evolving Concept of Dramatis Personae in Beckett's Radio Plays." Review of Contemporary Fiction 7.2 (Summer 1987): 112-19.* _____. "From Characters to Discrete Events: The Evolving Concept of Dramatis Personae in Beckett's Radio Plays." In The Critical
  4. 4. Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 211-19.* Barone, Rosangela. "On the Route of a Walking Shadow: Samuel Beckett's Come and Go." Etudes Irlandaises 10 (Dec. 1985): 117-28. In The Critical Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 262-73.* Barrault, Jean-Louis. "Artaud, Blin, Beckett: ou le plus grand auteur dramatique des temps modernes." In Chabert 175-178. Barth, John. "The Literature of Exhaustion." The Atlantic Monthly (August 1967): 29-34. Bataille, Georges. "Le silence de Molloy." Review of Molloy. Critique 48 (Paris: Minuit, 15 May 1951): 387-96. English trans. in Samuel Beckett: The Critical Heritage. Ed. Samuel Beckett: The Critical Heritage. Ed. Lawrence Graver and Raymond Federman. London: Routledge, 1979.. 55-64. _____. "Le Silence de Molloy." Critique 48 (Paris: Minuit, 1951); select. "La Vérité dont nous sommes malades" in Les Critiques de notre temps et Beckett. Ed. Dominique Nores. Paris: Garnier, 1971. 42-51.* Beausang, M. "L'exil de Samuel Beckett: la Terre et le texte." Critique 38 (1982). Beckerman, Bernard. "Beckett and the Act of Listening." In Brater, Beckett at 80 146-167. Beckett: WAITING FOR GODOT. (Brodie's Notes). Houndmills: Macmillan. Beckett: WAITING FOR GODOT. (Macmillan Master Guides). Houndmills: Macmillan. Begam, Richard. "Splitting the Différance: Beckett, Derrida and the Unnnamable." MFS 38.4 (1992).* _____. Samuel Beckett and the End of Modernity. Stanford: Stanford UP, dist. Cambridge UP, c. 1998. Bersani, Leo. Balzac to Beckett. New York: Oxford UP, 1970. Beja, Morris, S. E. Gontarski and Pierre Astier, eds. Samuel Beckett: Humanistic Perspectives. Columbus (Ohio): Ohio State UP, 1983.* Ben-Zvi, Linda. "Phonetic Structure in Beckett: From Mag to Gnaw." In Beckett Translating / Translating Beckett. Ed. Alan Warren Friedman, Charles Rossman, and Dina Sherzer.University Park: Pennsylvania State UP, 1987. 155-64.* _____, ed. Women in Beckett: Performance and Critical Perspectives Urbana: University of Illinois P, 1990. Bentley, Eric. Review of Waiting for Godot. New Republic (14 May 1956): 20-21. Reimp. con un comentario in Samuel Beckett: The
  5. 5. Critical Heritage. Ed. Lawrence Graver and Raymond Federman. London: Routledge, 1979. 104-111. Berelis, Guntis. "Beckett is Alive: Texts to Myself." Review of Contemporary Fiction 18.1(1998): 17-45.* Bernal, Olga. Langage et fiction dans les romans de Beckett. (Le Chemin). Paris: Gallimard, 1969. _____. Lenguaje y ficción en las novelas de Beckett. Barcelona: Lumen, 1969.* _____. ["Rien au-dehors, pénurie en dedans"] and ["La tentation des mots."] From Langage et fiction dans les romans de Beckett. In Les Critiques de notre temps et Beckett. Ed. Dominique Nores. Paris: Garnier, 1971. 85-87, 174-79.* _____. "Le glissement hors du langage." In Samuel Beckett. (Cahier de L'Herne). Ed. Tom Bishop and Raymond Federman. 213-225.* Berne, Jacques. "Murphy en attendant." Critique 46 (1990): 701-7.* Bersani, Leo, and Ulysse Dutoit. "Beckett's Sociability." The Raritan 12.1 (Summer 1992): 1-19. In The Critical Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 176-89.* Bigot, Michel. "Adamov, Beckett, Ionesco: Les incertitudes de la communication." Magazine Littéraire 290 (1991): 47-50.* Billington, Michael. "Rockaby / Ohio Impromptu." The Guardian 23 March 2006. Birkenhauer, Klaus. Samuel Beckett in Selbstzeugnisse und Bilddokumente. Reinbeck bei Hamburg: Rowohlt, 1971. _____. Samuel Beckett. Madrid: Alianza, 1976. (Trans. of Samuel Beckett in Selbstzeugnisse und Bilddokumente). Bishop, Lloyd. "The Fullness of Chaos: Beckett's Trilogy." In Bishop, Romantic Irony in French Literature. Nashville: Vanderbilt UP, 1991. 185-204.* Bishop, Tom. "Le Penultième monologue." In Bishop and Federman 249-55. _____. "Beckett Transposing, Beckett Transposed: Plays on Television." In Beckett Translating / Translating Beckett. Ed. Alan Warren Friedman, Charles Rossman, and Dina Sherzer.University Park: Pennsylvania State UP, 1987. 167-73.* Bishop, Tom, and Raymond Federman, eds. Samuel Beckett. (Cahiers de L'Herne 31). Paris: Editions de L'Herne, 1976. (rpt. Cahier de L'Herne: Samuel Beckett. Paris: Le Livre de Poche).* Bisschops, Ralf. "Entropie et élan vital chez Beckett." In Beckett & la psychanalyse & Psychoanalysis. Ed Sjef Houppermans. (Samuel Beckett Today / Aujourd'hui 4). Amsterdam: Rodopi, 1996. Bjornerud, Andreas. "Beckett's Subject." TLS (14 June 1991): 23-24.
  6. 6. Blackman, Maurice. "Mise en forme d'une pièce de Beckett: Play." Cahiers Renaud-Barrault 110. Paris: Gallimard, 1985. Blanchot, Maurice. "Où maintenant? Qui maintenant?" Review of L'Innommable. Nouvelle Revue Française (1 Oct. 1953): 678-686. English trans. in Samuel Beckett: The Critical Heritage. Ed. Laurence Graver and Raymond Federman. 116-121.* _____. "Où maintenant? Qui maintenant?" In Blanchot, Le Livre à venir. Paris: Gallimard, 1959. _____. ["Le vide et l'appel de l'œuvre."] From "Où maintenant?..." In Les Critiques de notre temps et Beckett. Ed. Dominique Nores. Paris: Garnier, 1971. 118-25.* _____. "Oh tout finir." Critique 46 (1990): 635-7. Blau, Herbert. "The Bloody Show and the Eye of Prey: Beckett and Deconstruction." Theatre Journal 39 (1987): 5-19. _____."The Oversight of Ceaseless Eyes." In Around the Absurd. Ed. Enoch Brater and Ruby Cohn. Ann Arbor: U of Michigan P, 1990. 279-92.* (Beckett, spectacle). Blin, Roger. "Conversation avec Linda Peskine." In Samuel Beckett. Special issue of Revue d'Esthétique, ed. Chabert 159-69. Bloom, Harold. "Beckett . . . Joyce . . . Proust . . .Shakespeare." In Bloom, The Western Canon. 1994. London: Macmillan, 1995. 493-514.* Bode, Christoph. "'Dies zeigt sich': A Wittgensteinian Reading of Samuel Beckett's Dramatic Art." In Twentieth-Century Theatre and Drama in English: Festschrift for Heinz Kosok on the Occasion of His 65th Birthday. Ed. Jürgen Kamm. Trier: Wissenschaftlicher Verlag. Bonnefoi, Geneviève. "Textes pour Rien?" Les Lettres nouvelles 36 (March 1956): 424-30. Select.: "Le tombeau-refuge." In Les Critiques de notre temps et Beckett. Ed. Dominique Nores. Paris: Garnier, 1971. 132-36.* _____. Review of Nouvelles et textes pour rien. English trans. in Samuel Beckett: The Critical Heritage. Ed. Laurence Graver and Raymond Federman 139-145. Bordewijk, Cobi. "The Integrity of the Playtext: Disputed Performances of Waiting for Godot." In Samuel Beckett: 1970-1989. (Samuel Beckett Today / Aujourd'hui 1). Ed. Marius Buning et al. Amsterdam: Rodopi, 1992. Bosquet, Alain. Review of Le Dépeupleur. Combat (29 March 1971): 10. English trans. in Samuel Beckett: The Critical Heritage. Ed. Lawrence Graver and Raymond Federman. London: Routledge, 1979. 316-321.
  7. 7. Bové, Paul A. "Beckett's Dreadful Postmodern: The Deconstruction of Form in Molloy." In De-Structing the Novel: Essays in Applied Postmodern Hermeneutics. Troy (NY): Whitston, 1982. 185-222.* Bowles, Patrick. "How to Fail: Notes on Talks with Samuel Beckett." PN Review 96, 20.4 (March-April 1994). Boyd, Michael. "Joyce into Beckett: Prolegomena to Any Future Fictions." In Boyd, The Reflexive Novel. London: Associated UPs, 1983. 118-45. Brak, Dorothée. "Krapp à la lueur manichéenne." In Chabert 316-28. Brater, Enoch. "Not Going Places." Rev. of Mercier and Camier. By Samuel Beckett. New Republic 172.10 (8 March 1975): 25-26. In The Critical Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 51-54.* _____. "Fragments and Beckett's Form from That Time and Footfalls." Journal of Beckett Studies 2 (London: John Calder, 1977). _____. "The Company Beckett Keeps: The Shape of Memory and One Fablist's Decay of Lying." In Samuel Beckett: Humanistic Perspectives. Ed. Morris Beja, S. E. Gontarski and Pierre Astier. Columbus (Ohio): Ohio State UP, 1983. 156-171.* _____. "Introduction: The Origins of a Dramatic Style." In Brater, Beckett at 80 3-10. _____. "Voyelles, Cromlechs and the Special (W)rites of Worstward Ho." In Acheson and Arthur. _____. The Drama in the Text: Beckett's Late Fiction. Oxford: Oxford UP, 1994.* _____, ed. Beckett at 80 / Beckett in Context. New York: Oxford UP, 1986. Bray, Barbara. "The New Beckett." Rev. of Play. The Observer 16 June 1963: 29. In The Critical Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 245-47.* Brederoo, Nico. "Beckett's Film: An Essay." In Samuel Beckett: 1970-1989. (Samuel Beckett Today / Aujourd'hui 1). Ed. Marius Buning et al. Amsterdam: Rodopi, 1992. Breuer, Lee. "Un théâtre narratif." In Chabert 95-98. Brick, Alan. "The Madman in his Cell: Joyce, Beckett, Nabokov and the Stereotypes." Massachusetts Review (Fall 1959): 40-55. Brienza, Susan. (UCLA) "Sam No. 2: Shepard Plays Beckett with an American Accent." In Beckett Translating / Translating Beckett. Ed. Alan Warren Friedman, Charles Rossman, and Dina Sherzer.University Park: Pennsylvania State UP, 1987. 181-96.*
  8. 8. Brunstein, Robert. Review of Krapp's Last Tape. New Republic (22 February 1960): 21. Rpt. in Samuel Beckett: The Critical Heritage. Ed. Lawrence Graver and Raymond Federman. London: Routledge, 1979. 192-3. Bryden, Mary. Women in Samuel Beckett's Prose and Drama: Her Own Other. Houndmills: Macmillan, 1993. _____. "Balzac to Beckett via God(eau/ot)." In Intertexts in Beckett's Work / Intertextes de l'œuvre de Beckett. (Samuel Beckett Today / aujourd'hui 3). Ed. Marius Buning and Sjef Houppermans. Amsterdam: Rodopi, 1994. _____. "Quad: Dancing Genders." In The Savage Eye / L'Œil fauve: A Collection of Critical Essays on Samuel Beckett's Film and Television Plays. Ed. Catharina Wulf. (Samuel Beckett Today / Aujourd'hui 4). Amsterdam: Rodopi, 1995. _____. "The Schizoid Space: Beckett, Deleuze, and L'épuisé." In Beckett & la psychanalyse & Psychoanalysis. Ed Sjef Houppermans. (Samuel Beckett Today / Aujourd'hui 4). Amsterdam: Rodopi, 1996. _____. Samuel Beckett and the Idea of God. Basingstoke: Macmillan, 1997. Buning, Marius. "Allegory's Double Bookkeeping: The Case of Samuel Beckett." In Samuel Beckett: 1970-1989. (Samuel Beckett Today / Aujourd'hui 1). Ed. Marius Buning et al. Amsterdam: Rodopi, 1992. Buning, Marius, Sjef Houppermans and Danièle de Ruyter, eds. Samuel Beckett: 1970-1989. (Samuel Beckett Today / Aujourd'hui 1). Amsterdam: Rodopi, 1992. Buning, Marius, and Lois Oppenheim, eds. Beckett in the 1990s: Selected Papers from the Second International Beckett Symposium held in The Hague, 8-12 April, 1992. (Samuel Beckett Today / Aujourd'hui 2). Amsterdam: Rodopi, 1993. Buning, Marius, and Sjef Houppermans, eds. Intertexts in Beckett's Work / Intertextes de l'œuvre de Beckett. (Samuel Beckett Today / aujourd'hui 3). Amsterdam: Rodopi, 1994. Bureu Ramos, Nela. "Looking Forward to the End. /ou topos/: An Approach to the Art of Samuel Beckett." Miscelánea 34 (2006): 31-40.* Burgess, Anthony. The Novel Now. London: Faber and Faber, 1967. Burkman, Katherine, ed. Myth and Ritual in the Plays of Samuel Beckett. Rutherford: Farleigh Dickinson UP, 1987. Burroughs, William. "Beckett and Proust." Review of Contemporary Fiction 7.2 (1987): 28-32.* Butler, Christopher. After the Wake: Essays on the Contemporary Avant-Garde. Oxford : Oxford UP, 1980.
  9. 9. Butler, Lance St. John. "Two Darks: A Solution to the Problem of Beckett's Bilingualism." In Intertexts in Beckett's Work / Intertextes de l'œuvre de Beckett. (Samuel Beckett Today / aujourd'hui 3). Ed. Marius Buning and Sjef Houppermans. Amsterdam: Rodopi, 1994. _____, ed. Critical Essays on Samuel Beckett. Aldershot: Scolar, 1993. Butler, Lance St. John, and Robin J. Davis, eds. Rethinking Beckett: A Collection of Critical Essays. London: Macmillan, 1990. Calder, John, ed. Beckett at 60: A Festschrift. London: Calder and Boyars, 1967. _____. A Samuel Beckett Reader. London: Calder and Boyars, 1967. Calder-Marshall, Arthur. "Dubliners." Rev. of More Pricks than Kicks, by Samuel Beckett. The Spectator 152 (1 June 1934): 863. In The Critical Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 14-15.* Cano Vara, Cristina. "Samuel Beckett's Stage Text in Translation: A Revision of Two Spanish Translations of Not I." In Fifty Years of English Studies in Spain […] Actas del XXVI Congreso de AEDEAN, ed. Ignacio Palacios et al. Santiago de Compostela: U de Santiago de Compostela, 2003. 717-23.* Carr, Jay. "Bare Bones: As a Lady Slips her Moorings, Beckett Sounds a Hopeful Note." Rev. of Rockaby. The Detroit News 19 April 1985. In The Critical Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 273-75.* Carrera de la Red, María José. "Las novellas de Samuel Beckett: 'the dark he had struggled to keep under'." In Estudios de literatura en lengua inglesa del siglo XX, 3. Ed. P. Abad, J. M. Barrio and J. M. Ruiz. 1996. _____. "'Thought words Words inane Thought inane': Samuel Beckett's Critique of Language in his Four Novellas." In Proceedings from the 31st AEDEAN Conference. Ed. M. J. Lorenzo Modia et al. CD-ROM: A Coruña: Universidade da Coruña, 2008. 723-32.* Castro, Fernando. "Apología del nihilismo." El Urogallo 47 (April 1990): 44. Catanzaro, Mary. "Recontextualizing the Self: The Voice as Subject in Beckett's Not I." The South Central Review 7.1 (Spring 1990): 36-49. In The Critical Response to Samuel Beckett. Ed. Cathleen Culotta Andonian. Westport (CT): Greenwood Press, 1998. 287-302.* Chabert, Pierre. "Pourquoi la télé: Entretien avec Pierre Chabert." In The Savage Eye / L'Œil fauve: A Collection of Critical Essays on Samuel Beckett's Film and Television Plays. Ed. Catharina
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