Interactive Storytelling

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Introduction to interactive storytelling for Doc Next Network's Remapping Europe workshop in Istanbul, March 14 - 17th 2013

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Interactive Storytelling

  1. 1. InteractiveStorytelling by Paulina Tervo
  2. 2. InteractiveStorytelling by Paulina Tervo Remapping Europe
  3. 3. From linear to interactive narratives ? ? ? ?
  4. 4. From linear to interactive narratives ? ? ? ? Remapping Europe
  5. 5. From linear to interactive narrativesLINEAR NARRATIVE ? ? ? ? Remapping Europe
  6. 6. From linear to interactive narrativesLINEAR NARRATIVE Pre-scripted ? ? ? ? Remapping Europe
  7. 7. From linear to interactive narrativesLINEAR NARRATIVE Pre-scripted Audience has no control ? ? ? ? Remapping Europe
  8. 8. From linear to interactive narrativesLINEAR NARRATIVE Pre-scripted Audience has no control Storyteller has all the control ? ? ? ? Remapping Europe
  9. 9. From linear to interactive narrativesLINEAR NARRATIVE Pre-scripted Audience has no control Storyteller has all the control most common way ? ? to consume stories ? ? Remapping Europe
  10. 10. From linear to interactive narrativesLINEAR NARRATIVE Pre-scripted Audience has no control Storyteller has all the control most common way ? ? to consume stories most films and books follow this narrative style ? ? Remapping Europe
  11. 11. From linear to interactive narrativesLINEAR NARRATIVE INTERACTIVE NARRATIVE Pre-scripted Audience has no control Storyteller has all the control most common way ? ? to consume stories most films and books follow this narrative style ? ? Remapping Europe
  12. 12. From linear to interactive narrativesLINEAR NARRATIVE INTERACTIVE NARRATIVE Pre-scripted Linear Interactive > video Audience has no games, digital newspapers, control interactive books Storyteller has all the control most common way ? ? to consume stories most films and books follow this narrative style ? ? Remapping Europe
  13. 13. From linear to interactive narrativesLINEAR NARRATIVE INTERACTIVE NARRATIVE Pre-scripted Linear Interactive > video Audience has no games, digital newspapers, control interactive books Storyteller has all Multiple ending narrative the control most common way ? ? to consume stories most films and books follow this narrative style ? ? Remapping Europe
  14. 14. From linear to interactive narrativesLINEAR NARRATIVE INTERACTIVE NARRATIVE Pre-scripted Linear Interactive > video Audience has no games, digital newspapers, control interactive books Storyteller has all Multiple ending narrative the control Branching path narrative > most common way ? user has several choices ? to consume stories most films and books follow this narrative style ? ? Remapping Europe
  15. 15. From linear to interactive narrativesLINEAR NARRATIVE INTERACTIVE NARRATIVE Pre-scripted Linear Interactive > video Audience has no games, digital newspapers, control interactive books Storyteller has all Multiple ending narrative the control Branching path narrative > most common way ? user has several choices ? to consume stories User as a ‘player’ within the most films and narrative books follow this narrative style ? ? Remapping Europe
  16. 16. From linear to interactive narrativesLINEAR NARRATIVE INTERACTIVE NARRATIVE Pre-scripted Linear Interactive > video Audience has no games, digital newspapers, control interactive books Storyteller has all Multiple ending narrative the control Branching path narrative > most common way ? user has several choices ? to consume stories User as a ‘player’ within the most films and narrative books follow this Users create the narrative narrative style through participation ? ? Remapping Europe
  17. 17. DEFINITIONS ?? ? ?
  18. 18. DEFINITIONS ?? ? ? Remapping Europe
  19. 19. DEFINITIONSINTERACTIVE ? ? ? ? Remapping Europe
  20. 20. DEFINITIONSINTERACTIVE• The audience is able to do something that alters either the experience of the story or the story itself ? ? ? ? Remapping Europe
  21. 21. DEFINITIONSINTERACTIVE• The audience is able to do something that alters either the experience of the story or the story itself• The audience is an active ? ? participant, not a passive viewer ? ? Remapping Europe
  22. 22. DEFINITIONSINTERACTIVE CROSSMEDIA/TRANSMEDIA• The audience is able to do something that alters either the experience of the story or the story itself• The audience is an active ? ? participant, not a passive viewer ? ? Remapping Europe
  23. 23. DEFINITIONSINTERACTIVE CROSSMEDIA/TRANSMEDIA• The audience is able to • The narrative is told on do something that alters multiple platforms or either the experience of devices: either the same the story or the story content or variations of itself the story customised for• The audience is an active ? different platforms ? participant, not a passive viewer ? ? Remapping Europe
  24. 24. DEFINITIONSINTERACTIVE CROSSMEDIA/TRANSMEDIA• The audience is able to • The narrative is told on do something that alters multiple platforms or either the experience of devices: either the same the story or the story content or variations of itself the story customised for• The audience is an active ? different platforms ? participant, not a passive • The story may or may not viewer be interactive ? ? Remapping Europe
  25. 25. The role of technologyHow many do you use on a daily basis?
  26. 26. The role of technologyHow many do you use on a daily basis? Remapping Europe
  27. 27. Remapping Europe
  28. 28. Social media revolutionHow many social media platforms are you on?
  29. 29. Social media revolutionHow many social media platforms are you on? Remapping Europe
  30. 30. Different ways to tell interactive stories
  31. 31. Different ways to tell interactive stories Immersive
  32. 32. Different ways to tell interactive stories Immersive • Panoramic photography
  33. 33. Different ways to tell interactive stories Immersive • Panoramic photography • 3D (IMAX)
  34. 34. Different ways to tell interactive stories Immersive • Panoramic photography • 3D (IMAX) • Virtual and augmented reality (Second life)
  35. 35. Different ways to tell interactive stories Immersive • Panoramic photography • 3D (IMAX) • Virtual and augmented reality (Second life) • Highrise project: One Millionth Tower
  36. 36. Different ways to tell interactive stories Immersive • Panoramic photography • 3D (IMAX) • Virtual and augmented reality (Second life) • Highrise project: One Millionth Tower • Condition One (ipad) Remapping Europe
  37. 37. Different ways to tell interactive stories
  38. 38. Different ways to tell interactive stories Remapping Europe
  39. 39. Different ways to tell interactive stories Locative Remapping Europe
  40. 40. Different ways to tell interactive stories Locative • Cave paintings Remapping Europe
  41. 41. Different ways to tell interactive stories Locative • Cave paintings • Geo-location Remapping Europe
  42. 42. Different ways to tell interactive stories Locative • Cave paintings • Geo-location • Google Streetview Remapping Europe
  43. 43. Different ways to tell interactive stories Locative • Cave paintings • Geo-location • Google Streetview • Wilderness Downtown music video Remapping Europe
  44. 44. Different ways to tell interactive stories Locative • Cave paintings • Geo-location • Google Streetview • Wilderness Downtown music video • Ushahidi crowd-mapping Remapping Europe
  45. 45. Different ways to tell interactive stories
  46. 46. Different ways to tell interactive stories Remapping Europe
  47. 47. Different ways to tell interactive stories Participatory Remapping Europe
  48. 48. Different ways to tell interactive stories Participatory • Kino Eye, Dziga Vertov, 1924 Remapping Europe
  49. 49. Different ways to tell interactive stories Participatory • Kino Eye, Dziga Vertov, 1924 • Mobile phone cameras Remapping Europe
  50. 50. Different ways to tell interactive stories Participatory • Kino Eye, Dziga Vertov, 1924 • Mobile phone cameras • Youngmenowme Remapping Europe
  51. 51. Different ways to tell interactive stories Participatory • Kino Eye, Dziga Vertov, 1924 • Mobile phone cameras • Youngmenowme • The Johnny Cash Project Remapping Europe
  52. 52. Different ways to tell interactive stories Participatory • Kino Eye, Dziga Vertov, 1924 • Mobile phone cameras • Youngmenowme • The Johnny Cash Project • One Day on Earth Remapping Europe
  53. 53. Different ways to tell interactive stories
  54. 54. Different ways to tell interactive stories Remapping Europe
  55. 55. Different ways to tell interactive stories Interactive Remapping Europe
  56. 56. Different ways to tell interactive stories Interactive • Games Remapping Europe
  57. 57. Different ways to tell interactive stories Interactive • Games • TV game shows Remapping Europe
  58. 58. Different ways to tell interactive stories Interactive • Games • TV game shows • Interactive Documentaries Remapping Europe
  59. 59. Different ways to tell interactive stories Interactive • Games • TV game shows • Interactive Documentaries • Thanatorama Remapping Europe
  60. 60. Different ways to tell interactive stories Interactive • Games • TV game shows • Interactive Documentaries • Thanatorama • Gaza-Sderot Remapping Europe
  61. 61. Different ways to tell interactive stories Interactive • Games • TV game shows • Interactive Documentaries • Thanatorama • Gaza-Sderot • Codebarre Remapping Europe
  62. 62. Different ways to tell interactive stories
  63. 63. Different ways to tell interactive stories Remapping Europe
  64. 64. Different ways to tell interactive stories Data Visualisation Remapping Europe
  65. 65. Different ways to tell interactive stories Data Visualisation • Polynesian Woven Maps > information about islands, winds, water swells and tides. Remapping Europe
  66. 66. Different ways to tell interactive stories Data Visualisation • Polynesian Woven Maps > information about islands, winds, water swells and tides. • Flight paths video: http:// vimeo.com/5369286 Remapping Europe
  67. 67. Different ways to tell interactive stories Data Visualisation • Polynesian Woven Maps > information about islands, winds, water swells and tides. • Flight paths video: http:// vimeo.com/5369286 • We Feel Fine Remapping Europe
  68. 68. Different ways to tell interactive stories Data Visualisation • Polynesian Woven Maps > information about islands, winds, water swells and tides. • Flight paths video: http:// vimeo.com/5369286 • We Feel Fine • Sexperience Remapping Europe

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