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Music accessibility for visual impaired

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Music Accessibility for Visual Impaired,
at Workshop ABF Challenges, Pisa, 2012,
Workshop of Andrea Bocelli Foundation

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Music accessibility for visual impaired

  1. 1. Workshop ABF Challenges, Pisa, 2012 Music Accessibility for Visual Impaired Paolo Nesi, Giuseppe Nicotra University of Florence Department of Systems and InformaticsDistributed Systems and Internet Technology Lab, DISIT Lab Paolo.nesi@unifi.it tel: 0039-335-5668674 http://www.disit.dsi.unifi.it 06-July-2012, Pisa, Italy 1
  2. 2. Music Domains Music is a multifaceted and multidomain space Audible Space is the effective valuable result of a long and heavy work of the artists: composers and performers  intepreting a representation / description (the original work) with the aim of transmitting the intentions and emotions of the composer  Almost «visual representation» The transmission of music as sound is quite recent since the recording technology is recent. On the other hand the music representations on physical «visual» support is quite old. Workshop ABF Challenges, Pisa, 2012 2
  3. 3. Music Coding Workshop ABF Challenges, Pisa, 2012 3
  4. 4. Braille Music Notation from the Valentin Haüy work of coding for music reading, in 1925 Louis Braille placed the basis for coding/writing music on dots rather than on lines Brailles music notation (and not only music) allows a visually impaired teacher to teach at sighted and visually impaired students Workshop ABF Challenges, Pisa, 2012 4
  5. 5. Esempio nota brailleThe same music in print and in Braille Workshop ABF Challenges, Pisa, 2012 5
  6. 6. ICT as Enabling Technology  Symbolic Music coding can be rendered in:  Classical notation  Braille notation  Spoken Musicscorepart1 part2 … part nmeas1 meas2 … measure nvoice1 voice2 … voice nevent1 event2 … event3 note chord rest Measure change … … note note 1 … note n Workshop ABF Challenges, Pisa, 2012 6
  7. 7. . Paolo Nesi – DSI - DISIT- 2011 7
  8. 8. Paolo Nesi – DSI - DISIT- 2011 8
  9. 9. The Coding Problem European Commission extablished the MUSICNETWORK NOE chaired by University of Florence, Italy (2000) Study and development of international standard for music coding supporting different rendering and multimedia on the basis of several activities as:  WEDELMUSIC ICT project  MUSIC XML coding  BRAILLE XML coding  Finale coding  Sibelius coding  … Workshop ABF Challenges, Pisa, 2012 9
  10. 10. Symbolic Music Representation MPEG SMR as MPEG-4 part 23 WEDELMUSIC format from EC project of European Commission Workshop ABF Challenges, Pisa, 2012 10
  11. 11. MPEG SMR as MPEG-4 Distribution School Server Archive Distributor Producer … For music education at home, at school For entertainment in theaters, archives, Fruition at home, at school Devices Applications 11
  12. 12. Optical Music Recognition, OMR I-Maestro project of the European Commission: http://www.i-maestro.org  OMR: generating Symbolic Music coding from music scores in different paper based “visual” notations to symbolic music representation coding!  Technologies developed: Image and Video processing, augmented violin  Collaborative work for music teaching and learning, heterogeneous pupils  Technologies developed: distributed systems, music coding, competitive work Workshop ABF Challenges, Pisa, 2012 12
  13. 13. Transcoding Problem Challenge Passing from sounds (monophonic and polyphonic ) to a symbolic music representation coding via Signal Processing  Technologies developed: Polyphonic Transcoding, instrument independent….  Developed algorithms: winner for piano and in the firsts three for generic at the MIREX international research competition among algorithms for transcoding of polyphonic music Workshop ABF Challenges, Pisa, 2012 13
  14. 14. BMML (Braille Music Markup Language) Aligned with MPEG SMR model Contrapunctus EC project to develop tools and to draw benefit from this new format Resonare Tool help to:  navigate on notation, rendered on Braille devices  memorize and understand  personalize / bookmark  play… Workshop ABF Challenges, Pisa, 2012 14
  15. 15. Braille Music Markup Language and toolsThe Contrapunctus multidisciplinary team produced:• conversion modules (back and forward), aimed at facilitating access to existing music in digital formats Workshop ABF Challenges, Pisa, 2012 15
  16. 16. ECLAP performing arts European Libraryhttp://www.eclap.eu Automated Back office -PC, MACos, linux, … -iPhone, iPod, Windows Mobile, ….… ANY content Agg. Content ANY content Content Content archive Content ServicesLibrary archive Content Library archive partner Library partner 16
  17. 17. ECLAP is a best practice collaborative network onperforming arts:• distributing over 90 thousand content objects• 35 prestigious European institutions,• Traditional music, Braille Music, video, audio, etc.• Access via PC and mobile devices. Workshop ABF Challenges, Pisa, 2012 17
  18. 18. Conclusions & Future Work  Research activity on MUSICNETWORK, WEDELMUSIC, IMUTUS, CONTRAPUNTUS, MIREX R&D projects opened the doors to social inclusion, thus reducing not only technological barriers, but also cultural ones.  Enabling technologies such music coding and signal processing, etc., allowed to create specific Braille coding models and new tools, thus:  reducing the gap for accessing to music,  Increasing the access to music for visually impaired  increasing the amount of accessible music  Increasing the number of possible tools for producing correctly coded music  New generation of solutions and tools has been provoked by MPEG SMR work  Additional work is needed on:  Collaborative tools for music training and composition, annotations  Making MPEG SMR & BMML more accessible on multiple devices  ….. Workshop ABF Challenges, Pisa, 2012 18
  19. 19. References F. Argenti, P. Nesi, G. Pantaleo, "Automatic Transcription of Polyphonic Music Based on The Constant-Q Bispectral Analysis", IEEE Transactions on Audio, Speech and Language Processing, IEEE Computer Society press, Vol.19, n.6, pp.1610-1630, Aug. 2011. P. Bellini, I. Bruno, P. Nesi, ``Assessing Optical Music Recognition Tools, Computer Music Journal, MIT Press, Boston, USA, Vol.31, N.1, pp.68-94, Spring 2007 P. Bellini, P. Nesi, G. Zoia, ``Symbolic Music Representation in MPEG, IEEE Multimedia, IEEE Computer Society press, ISSN 1070-986X, Vol.12, N.4, pp.42-29, October-December 2005 P. Bellini, I. Bruno, P. Nesi, ``Automatic formatting of music sheets through MILLA rule-based language and engine, Journal of New Music Research, Routledge, Vol.34, N.3, ISSN 0929-8215, pp.237-257, September 2005 P. Bellini, P. Nesi, ``Automatic Justification and Line Breaking of Music Sheets, International Journal of Human Computer Studies (IJHCS), Harcourt press, ISSN 1071-5819, Vol.61, Issue 1, pp.104-137, July 2004. P. Bellini, F. Fioravanti, P. Nesi, ``Managing Music in Orchestras, IEEE Computer, IEEE Press, pp.26-34, Settembre 1999. ….. …. Workshop ABF Challenges, Pisa, 2012 19
  20. 20. Projects and Links MOODS: http://www.dsi.unifi.it/~moods/ WEDELMUSIC: http://www.wedelmusic.org/ IMAESTRO: http://www.i-maestro.org/ MUSICNETWORK MPEG SMR: http://www.interactivemusicnetwork.org/mpeg-ahg/ CONTRAPUCTUS: http://www.punctus.org/ BMML ArchiBraille: http://braillemusic.eu/ ECLAP: http://www.eclap.eu Other projects: IMUTUS, VARIAZIONI Workshop ABF Challenges, Pisa, 2012 20
  21. 21. Workshop ABF Challenges, Pisa, 2012 Music Accessibility for Visual ImpairedPaolo NesiUniversity of FlorenceDepartment of Systems and InformaticsDistributed Systems and Internet Technology Lab, DISIT LabTel: 0039-3355668674Paolo.nesi@unifi.ithttp://www.disit.dsi.unifi.it 21

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