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Paolo Coen, Giovanni Battista Piranesi artista, archeologo e mercante d'arte

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Paper delivered to a conference held at the Museum Pushkin, Moscow. It was held during an exhibition on Giovanni Battista Piranesi.

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Paolo Coen, Giovanni Battista Piranesi artista, archeologo e mercante d'arte

  1. 1. Paolo Coen Da Roma all'Europa: Piranesi artista, archeologo e mercante d'arte www.paolocoen.blogspot.it 1
  2. 2. Pietro Labruzzi, Giovanni Battista Piranesi, Roma, Museo di Roma www.paolocoen.blogspot.it 2
  3. 3. L’azienda di Piranesi, in base all’inventario del 1778 • Arte dell’incisione su rame • Produzione di testi • Mercante d’arte www.paolocoen.blogspot.it 3
  4. 4. Struttura della conferenza • Il contesto. Roma, centro tradizionale del mercato dell’arte in Europa • Il protagonista di oggi: Piranesi nel mercato d’arte • La proposta di Piranesi per Roma: il ruolo del mercato in una concezione organica, globale del ‘sistema’ dell’arte www.paolocoen.blogspot.it 4
  5. 5. Capitolo # 1 Il contesto. Roma, tradizionale centro del mercato dell’arte in Europa www.paolocoen.blogspot.it 5
  6. 6. Roma, Una domanda forte e costante di arte, fin dal Medioevo • Domanda esterna e domanda interna di oggetti d’arte • Arte sacra e arte profana, spesso di età classica www.paolocoen.blogspot.it 6
  7. 7. Piazza dei Miracoli, Pisa www.paolocoen.blogspot.it 7
  8. 8. Pisa, Camposanto monumentale www.paolocoen.blogspot.it 8
  9. 9. Arte romana imperiale, Sarcofago, Pisa, Camposanto www.paolocoen.blogspot.it 9
  10. 10. Pieter Paul Rubens, Autoritratto, Vienna, Kunsthistorisches Museum www.paolocoen.blogspot.it 10
  11. 11. Caravaggio, Morte della Vergine, Parigi, Louvre www.paolocoen.blogspot.it 11
  12. 12. Chiesa di Santa Maria della Scala, Roma www.paolocoen.blogspot.it 12
  13. 13. Caravaggio, Morte della Vergine, Parigi, Louvre www.paolocoen.blogspot.it 13
  14. 14. Il mercato dell’arte a Roma nel Settecento: la forza della domanda interna • Il ceto medio-basso • I nuovi ricchi • Il clero e l’aristocrazia • I papi e lo Stato www.paolocoen.blogspot.it 14
  15. 15. Giovanni Battista Piranesi, Prima parte di architetture e prospettive, Frontespizio www.paolocoen.blogspot.it 15
  16. 16. Giovanni Paolo Panini, Galleria del cardinale Silvio Valenti Gonzaga, Hartford, Wadsworth Athenaeum www.paolocoen.blogspot.it 16
  17. 17. Andrea Mantegna, Cristo sorretto da due angeli, Copenhagen, Statens Museum for Kunst www.paolocoen.blogspot.it 17
  18. 18. Filippo Barigioni, Cortile del Palazzo Nuovo, Roma, Musei Capitolini www.paolocoen.blogspot.it 18
  19. 19. Il mercato dell’arte a Roma nel Settecento: l’impatto del Grand Tour • Regno Unito • Francia • Impero d’Austria-Ungheria • Spagna • Scandinavia • Stati germanici • Polonia • Stati baltici • Impero russo www.paolocoen.blogspot.it 19
  20. 20. Ivan Argunov, Ritratto di Caterina II, San Pietroburgo, Ermitage www.paolocoen.blogspot.it 20
  21. 21. Gregorio Guglielmi, Bozzetto per l’Apoteosi di Caterina di Russia, San Pietroburgo, Ermitage www.paolocoen.blogspot.it 21
  22. 22. Anton Raphael Mengs, Perseo e Andromeda, San Pietroburgo, Ermitage www.paolocoen.blogspot.it 22
  23. 23. Roma nel XVIII secolo • Centro di scambio artistico di portata internazionale • Vi convergevano e spesso risiedevano centinaia di artisti, da ogni parte d’Europa, spesso ripartiti in ‘colonie’ • Gli artisti erano interessati a conoscere la città, l’Antico e il Rinascimento • Ancor più volevano entrare nel circuito delle commissioni e del mercato dell’arte www.paolocoen.blogspot.it 23
  24. 24. Roma nel XVIII secolo, un mercato d’arte particolare • Un mercato ‘liquido’, privo di strutture visibili, come per esempio le case d’asta • Il controllo dell’Accademia di San Luca • Il ruolo del Commissario alle Antichità e Belle Arti nel regolare il mercato, in particolare i flussi in uscita • L’esistenza di un modello preciso di fare mercato e ancor più di artista-mercante, fedele al dettato dell’estetica e delle quotazioni del Classicismo www.paolocoen.blogspot.it 24
  25. 25. Carlo Maratta, Autoritratto, Firenze, Uffizi www.paolocoen.blogspot.it 25
  26. 26. Capitolo # 2 Il protagonista: Piranesi nel mercato d’arte www.paolocoen.blogspot.it 26
  27. 27. Felice Polanzani, Ritratto di G.B. Piranesi www.paolocoen.blogspot.it 27
  28. 28. Giovanni Battista Piranesi, Facciata di Santa Maria del Priorato, Roma www.paolocoen.blogspot.it 28
  29. 29. Giovanni Battista Piranesi da Guercino, Madonna con Bambino e san Giovannino www.paolocoen.blogspot.it 29
  30. 30. Arte romana del II secolo, Ercole, Londra, British Museum www.paolocoen.blogspot.it 30
  31. 31. www.paolocoen.blogspot.it 31
  32. 32. Giovanni Battista Piranesi, Vaso, San Pietroburgo, Ermitage www.paolocoen.blogspot.it 32
  33. 33. Arte romana del II secolo, Vaso Boyd, (Vaso Piranesi), Londra, British Museum www.paolocoen.blogspot.it 33
  34. 34. www.paolocoen.blogspot.it 34
  35. 35. Giovanni Battista Piranesi, Candelabri Newdigate, Oxford, Ashmolean Museum www.paolocoen.blogspot.it 35
  36. 36. Giovanni Battista Piranesi, Camino, Stamford, Burghley House www.paolocoen.blogspot.it 36
  37. 37. Giovanni Battista Piranesi, Camino, Amsterdam, Rijksmuseum www.paolocoen.blogspot.it 37
  38. 38. www.paolocoen.blogspot.it 38
  39. 39. La Piccola Galleria di Gustavo III, Stoccolma, Palazzo Reale www.paolocoen.blogspot.it 39
  40. 40. Giovanni Battista Piranesi, Due orologi e una sedia; Commode, Due fiancate di una portantina, da Vasi, candelabri (…) www.paolocoen.blogspot.it 40
  41. 41. Giovanni Battista Piranesi, Candelabri Newdigate, Oxford, Ashmolean Museum www.paolocoen.blogspot.it 41
  42. 42. Giovanni Battista Piranesi, Vaso Warwick, Glasgow, Collezione Burrell www.paolocoen.blogspot.it 42
  43. 43. Capitolo # 3 La proposta di Piranesi per Roma: il ruolo del mercato in una concezione organica, globale del ‘sistema’ dell’arte www.paolocoen.blogspot.it 43
  44. 44. Anton Raphael Mengs, Ritratto di Winckelmann, New York, Metropolitan Museum of Art www.paolocoen.blogspot.it 44
  45. 45. www.paolocoen.blogspot.it 45
  46. 46. J. Stuart – N. Revett, The Antiquities of Athens, 1762 www.paolocoen.blogspot.it 46
  47. 47. La reazione di Piranesi a Winckelmann e al partito filo-ellenico • Incisioni che sostengono il ‘primato’ di Roma • Testi di carattere polemico • Tentativo di farsi nominare Commissario alle antichità e belle Arti al posto di Winckelmann www.paolocoen.blogspot.it 47
  48. 48. www.paolocoen.blogspot.it 48
  49. 49. La reazione di Piranesi a Winckelmann e al partito filo-ellenico • Incisioni che sostengono il ‘primato’ di Roma • Testi di carattere polemico • Tentativo di farsi nominare Commissario alle antichità e belle Arti al posto di Winckelmann www.paolocoen.blogspot.it 49
  50. 50. Il Commissario alle Antichità e Belle Arti • agiva agli ordini diretti del Cardinale Camerlengo • era l’archeologo e lo storico dell’arte ufficiale del pontefice • applicava la normativa di tutela • concedeva le licenze di scavo • esaminava e valutava gli oggetti esportati fuori Roma • In sintesi, era l’arbitro del ‘sistema’ dell’arte www.paolocoen.blogspot.it 50
  51. 51. Conclusione www.paolocoen.blogspot.it 51
  52. 52. Conseguenza: Lord Elgin trasferisce in Inghilterra i marmi del Partenone www.paolocoen.blogspot.it 52
  53. 53. Giuseppe Sacconi, Monumento a Vittorio Emanuele II, Roma www.paolocoen.blogspot.it 53

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