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Metallica kill em all drum book

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Metallica kill em all drum book

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Metallica kill em all drum book

  1. 1. DRUM EDITION l '€M AI. I. Transcriptions and Introduction by Howard Fields
  2. 2. 4‘t:1§fi'<Ir-‘: §.L: -;*i': ’_: i9.'-"r-331333‘, . ‘E-'. ~.“.2‘«""-£§r¢ftf~’v-‘*3? . -x As recorded by Metallica on ELEKTRA Records 5; ‘$4 Management: Q Prime, Inc. Transcribed by Howard Fields Edited by Jon Chappell Copy Editor: Cathy Cassinos-Carr Music Engraving by W. R. Music Production Manager: Daniel Rosenbaum Art Direction: Kerstin Fairbend Administration: Monica Corton Director of Music: Mark Phillips
  3. 3. CONTENTS 3 . . . .The Drumming Debut Of l_arsUIrich by Howard Fields 5 . . . . . . . Drum Setup Diagram and Key 6 . . . . . . . . Drum Notation Explanation 7 . . . . . . . . . . . . . . . Hit The Lights 12 . . . . . . . . . . . . The Four Horsemen 19 . . . . . . . . . . . . . . Jump In The Fire 25 . . . . . . . . . . . . . . . . No Remorse 32 . . . . . . . . (Anesthesia)— Pulling Teeth 35 . . . . . . . . . . . . . . . . . Whiplash 39 . . . . . . . . . . . . . . . . . Blitzkrieg 44 . . . . . . . . . . . . . . . . Metal Militia 49 . . . . . . . . . . . . . . . Phantom Lord 54 . . . . . . . . . . . . . . . . Motorbreath 57 . . . . . . . . . . . . . . Seek & Destroy 63 . . . . . . . . . . . . . . . . . Am I Evil?
  4. 4. -. ¢=do-i=9‘ KILL ’EM ALL: The Drumming Debut Of Lars Ulrich Ki/ I ’Em All contains the first nine songs ever written by Metallica. Now widely recognized as a milestone in American heavy metal, this 1983 debut album was recorded by a group of 18- and 19-year-olds who weren't even convinced of their own musical competencies. 7-3 “We formed the band before we could really play, ” admits drummer Lars Ulrich, ”but a lot o” people really liked the honesty, directness, innocence and ignorance on that album. ” Indeed that youthful energy and naiveté may have had everything to do with the group's somewhat premature success. ”There was just this energy there, ” explains Ulrich. ”It was like, “I'm not gonna sit around and take drum lessons and guitar lessons for the next five years so I can be is a band. I wanna be in a band now! ”’ Metallica was, in fact, Ulrich’s first band. Just a few years before the group’s formation in 198‘. he was enjoying success as a 16-year-old Top IO-ranked tennis player in his native Denmark But after moving to Los Angeles and hooking up with James Hetfield, a guitarist who shared h fervor for the likes of Iron Maiden, Def Leppard and Motorhead, the nucleus of Metallica xx as formed. Soon thereafter, Megaforce Records signed the group. Their debut album, Kill ’Em All, came out in 1983 with the lineup of Ulrich, Hetfield, guitar virtuoso Kirk Hammett and the late Cliff Burton on bass. At this point, Ulrich had only been playing drums seriously for three vears. ‘We really jumped in the deep end, ” admits Ulrich. ”We started writing these songs and whe" people heard them they freaked out. If we had not written them the way we did, maybe we would've had five years on the L. A. club circuit to get our chops together. ” L'| rich is the first to admit his playing on Ki/ I ’Em All was less than polished. ”Obviously the drumming style on the album is very basic. |t’s representative of a kid who, very much from .2 fan point of view, started playing air drums to his favorite Judas Priest and Motorhead I‘€COtCl~ and then one day substituted a real drum kit. I just started by pretending I was Ian Paice or P“ Taylor [Motorhead] or whoever. Then all of a sudden we started writing these songs and pla . ing them with our very limited musical ability. ” Certainly, elements of Ulrich’s current drumming style are conspicuously absent on Ki/ I ’Em 4 For one, there's a lack of variety in the hi-hat, snare, kick patterns on the up-tempo songs. "(fir the fast tempos I felt very restricted, ” said Ulrich. ”’Hit the Lights, ’ ’Motorbreath, ’ ‘Whiplash. ‘Phantom Lord, ’ ‘No Remorse, ’ ’Metal Militia'—all those songs were just straight 4's. At the time I just couldn't grasp doing a lot of variations on the high speed stuff those tempos called for. " The same was true of the fills Ulrich gravitated toward—”basically eighth notes and straightforward stuff, ” as he put it-——which are a far cry from the flamboyant, high-velocitx pa. ’- lerns for which he is now well known.
  5. 5. More noticeably absent are the various double bass drum licks found in ample supply on all l post-Ki/ I ’Em All Metallica albums. Ulrich rumbles the bass drums on the power chords at the l beginning and end of ”Hit the Lights” and at the ends of ”Phantom Lord” and ”No Remorse, ” ' but the only double bass time pattern on the album is on ”The Four Horsemen. ” The following 1 excerpt from that song hints at the kind of precision-like patterns that Ulrich plays on subsequent records. “The Four Horsemen” 1st, 2nd, 3rd Verses: bars 3-4 raise your ears. There is, however, one technique on Kill ’Em All that has continued to carry over into Ulrich’s drum work: the single bass drum triplets. (They may sound like single bass drum doubles, but they're not! ) ”Motorbreath, ” the fastest song on the record, provides an excellent example: “Motorbreath” 1st, 2nd, 3rd Verses: bars 1-2 laugh- ing and cry- ing. Commenting on the use of single bass drum triplets, Ulrich said, ’’It’s basically the same pattern in all the fast songs—one on the bass drum, snare, triplet on the bass drum, snare. I guess the idea of throwing in those triplets in the up-tempo stuff came from Phil Taylor. He was a big inspiration in my early days. ”
  6. 6. By the time Master of Puppets was recorded, Ulrich had begun to play these triplets with two bass drums (RLR) to ensure an intensity in volume. But despite his ability on double bass. Ulrich still makes frequent use of the single bass triplet. Here's another excerpt in which the triplets are relentless, continuing for more than 24 bars: “Jump in the Fire” Outro: 12 bars before end Begin fade Kill ’Em All may not be Lars Ulrich’s tour de force as a drummer, but it clearly reflects the po- tential that would soon be realized. By listening to this album as well as Metallica’s subsequent releases, any drummer will likely be impressed and inspired by Ulrich’s ongoing musical meta- morphosis. —Howard Fields Lars Ulrich’s Drum Setup D - Tom Tom 3 (14") E - Tom Tom 4 (15") F - Floor Tom (18") G - Bass Drum 1 (24") H - Bass Drum 2 (24") A - Snare Drum B - Tom Tom 1 (12") C - Tom Tom 2 (13") Composite Music Key
  7. 7. DRUM NOTATION EXPLANATION HI-HAT OPEN AND CLOSED HI-HAT: strike the open hi-hat on notes labeled with on a. strike the closed hi-hat on unlabeled notes. 0 HI-HAT WITH FOOT: Clap hi-hal cymbals together with foot pedal. HI-HAT WITH SLUR: The open hi-hat is struck and then closed with the foot on the beat indicated by the hi-hatw/ loot notation below, creating a snoop sound. 0 l—'lA ___XK_ CYMBALS CHOKE: Hit the crash cymbal and catch it immediately with the other hand, producing a short, choked crash sound. me BELL OF CYMBAL: Hit the cymbal near the center, directly on the cup or bell portion. CYMBAL ROLL: Play a roll on the cymbal rapidly enough to produce a sustained, uninterrupted shhh sound lasting for the number of beats indicated. at DRUMS CROSS STICK: Anchor the lip end of the slick on the snare drum skin at the eight o'clock position, lwo to three inches from the rim. Then raise and lower the butt end, striking the rim at the lwo o'clock position, producing a cllcky woodblock- lype sound. FLAM: Hit the drum with both sticks, one slightly after the other, producing a single, lhick—sounding note. RUFF: Play the grace notes rapidly and as close to the principal note as possible. The grace notes are unaccenled and should be played slightly belore the beat. The principal note is accented and played directly on the beat. III III CLOSED ROLL: Play a roll on the snare drum creating a sustained, uninterrupted fshhh sound lasting for the duration of the rhythm indicated and with no break belween the two lied notes. HI-HAT BARK: The open hi-hat is struck and is immediately, almost simultaneously closed so that the snoop sound is severely clipped. :5
  8. 8. HIT THE LIGHTS Words and MUSIC D‘, James Hetfield and Lars Ulric" Moderate Rock J= 144 Free time E '- a tempo ‘These 3 beats played from 6“ to 8“ to 10“ melodic toms ITITITTCPWPTITICITTCITITITITITTCTVICITTCITTCHVFTITFCITICUTITIT TV. WPV"C"W'TDW"U"""""'VTW'T"'TVFV"W. 'T. FW'T"V—- J
  9. 9. 1st, 2nd, 3rd Verses A I 9 I 51. - II! ’ . _ m Q’ 1. No life till leath - er. We’re gon - na kick some ass- to - night. 2.3. See additional lyrics I ' ‘I ‘ = =."'— -—-'— jjj " ' “ "III -Ij I I Z’ If _ V —IZ_III"2—. 'XV1 -If’ 1 II II —- I II II 3 3 3 3 3 ‘3rd time play J’? on ride on beat 2. 3 3 3 D3 3 '2nd and 3rd times play on ride on beat 2. ‘ / 9: _ I= - V . _ _ . - II--T ‘_1 I 1 —"—T_ L _ — Got the met-al mad -ness. When our fans start scream-in’ it‘s right. Well at - t I — ll— ___ ________gg; -- I ' Ei= =c= : 7_IIPVj—I. -‘V- -I jIIII7——jI! V_Z—I-ZV_ II I II I- -. . ___ __ . .._ __ 3 3 '2nd time ride rests 0 beat 2. 3 I A / 75.! = : - 3E_'—- [V —-—--'— ‘ right, _ yeah. When we start to rock- we nev — er- will stop a -gain. _ ———-lI4'. '--lb-
  10. 10. __ . A ll‘ .1 A I _ —’-. - ' — I I. ___ ‘ A‘: “' --I£_— I I Mir. .- j ‘III In I. ‘ E lights. T Hit the- lights. III III E I Ii — -' ~ 4- : - -' . A‘ «' ~' ~' . ~- -' -‘ ~' = ~' -‘ -‘ . '.l'. ' -= =.: ::. ———: : r = = L ’ _ PF? ‘-'i'—F-I IiimiIlljtliijllijjlfflijjZIll I i_3_r i_3_o | ._3_J HI Interlude I
  11. 11. Guitar solo I —_"-E——III“IIlV—— 10
  12. 12. l llhjllhjlItYjIIr'jl: Zm: "jjmVZ i lIfV‘IIl"—III"—ZIlI"IlI_— Additional Lyrics 2. Know our fans are insane. We’re gonna blow this place away With volume higher Than anything today. The only way. When we start to rock we never, etc. 3. With all out screamin’ We’re gonna rip right through your brain. We got the lethal power. It's causin’ you sweet pain. Oh, sweet pain. When we start to rock we never, etc. a tempo it
  13. 13. Ti. -EE FQUR HQRSEMEEH. Words and Music by James Hetfield, Lars Ulrich, and Dave Mustaine ) Fast Rock J= 204 in ‘JFJT . i . i . i . l . i . l.l. l.l. l lst, 2nd, 3rd Verses 1. By the last 2.3. See additional lyrics '2nd and 3rd times play U on bass drum on beat I. door. _ knock at your The sound of hooves-
  14. 14. ‘3rd time ploy J on crash on beat 3. r e . h r. a . P n 0 life. to take- your They ’ve come 13
  15. 15. On through the dead- of night- with the Four Horse-men ride- or choose your . LL. i_3i. i%. i:E#ii. §:Lygi ‘2nd and 3rd times play ‘IV on bass drum on beats 2 and 3. 3rd time to Coda fie *3;-— +§i4:E%_—- n: _-—: i¢é Q» , l’3lJ§, _J, ’— L; .i. i ‘3rd time play on bass drum on beats 2 and 3. +‘J3JL’3_i_J Ll E ’2nd time play 75f on bass ‘2nd time play 3 on bass drum on beats 2 and 3. drum on beats and 3. 14
  16. 16. Faster J = 164 Straight eighths feel ‘2nd time play? won bass drum on beat 1. L, .1 Bridge The lines that crack_your face. _.. : . With-ered in ev through. _ it has torn your bad - y
  17. 17. J J 5. al C odz_1 J . i.ii. iJ Coda t . i
  18. 18. Play 3 times Additional Lyrics 2. You’ve been dying since the day you’ve been born. You know it’s all been planned. The quartet of deliverance rides. A sinner once, a sinner twice, No need for confession now. ‘Cause now you’ve got the fight of your life. 3. So gather round young warriors now And saddle up your steeds. Killing scores with demon swords. Now is the death of doers of wrong. Swing the judgment hammer down. Safely inside armor, blood, guts and sweat. 18
  19. 19. JUMP IN THE FIRE Words and Music by James Hetfield, Lars Ulrich. and Dave Mustaine Moderate Rock J= 176 0Play 8 crimes lst Verse ‘ A / . A = '-'= =—--= =-- '= :al: =. * -— —- ie-. ‘— = II--«— . _ f€». ..= -_-—= .:_j: Down in the depths_ of my tire - y home, ._ the sum-mons bell- will chime. _ ' j--j — i—: - 1 1 1 I n z — — E ! ! - - - f f -hvjjj j ' 1 "1%%%—I%— —1 Iu= '-i-ii : — = -j —-— "v j r— jjjmjé T Tempt-ing you and all the earth- to join our sin -ful kind. _ ’I'here’s a is
  20. 20. A’%fi'§fT3;” fog‘ Lwmgg job to be done_ and I’m the one, _. you peo-ple make me do it. Now it’s Lil; 4 A? sl_j3g3_LJ getiadufi: AE-Q to pull you down in-to this pit. So come on! _ and I won't hes -i — tate time for your fate fire! _ Jump in the El’; _. m‘J“J. —7 2nd time substitute Drum Pat. 1; A 3rd time substitute Drum Pat. 2/ fi E .313] So come on! _ ‘2nd fime play ‘Q on .3", time Play $3 3 4' crash & hi-hat on beat 1. on snare on beat 2_
  21. 21. D. S. al Coda I So come on! _ ‘2nd time play on snare on beat 4. and from their souls- with-in. search you out _ child, ._ to 2nd time to Coda 1; 3rd time to Coda ll Fol-low me now, my of men_ minds shout _ _ S n .1 e V the on and with death in my Feed - ing My dis - ci-ples all CYCSA . .1a . m S w w a 2nd Verse hell in my meek or the
  22. 22. E’. Iljj—— ' ’ _ fi: §?£-1'1-%J% $'EIj£1J% KI‘ — 'j— _ Try-ing to keep the hell-fire lit, _ I’m stalk - ing you as prey. _'_jjT"j. ——j‘j—ZT_j Z‘ I A I E E I E I 22
  23. 23. as Liv-ing your life , grab my hand, _ walk with reach down 0. S part of me D. S al Coda [I So come on! - long. 8 b u 0 V. m h w through the land, __ come home Jump in the fire!
  24. 24. Come on, jump, _ ba - by, now; 24
  25. 25. NO REMORSE Words and Music by James Hetfield and Lars Ulrich 'l'I‘3 FT BD2 H H Music Key C Ride 2*)‘ TT1 0 . —-———Ao- so a T" TT4 0 BDI O . 25
  26. 26. lst, 2nd, 3rd Verses thought to e - ven mer - cy for what we're do - ing. l. No 2.3. See additional lyrics .1 what we’ve done. __
  27. 27. Pte-chorus (Gtrs. out) 5 5 I3 . No re- morse for the help Eran bass drum 7 v. M D. . 92 mt . ... a db ran woo J '1IK‘ZH1_'Z‘—1j1 ‘3rd time playwon bass drum on beat 2. Chorus what it meant. No re - morse. sor - row, An -oth - er an-oth-er ‘2nd time play 3 fan bass drum on beats l and 2 27
  28. 28. We don’t care what it meant. An-oth- er day, 3rd time to Coda 2nd time substitute Drum Pat. 1; 3rd time substitute Drum Pat. 2 ‘ an - oth - er death. An - oth - er sor - row, an - oth - er breath. *—.7—i Triplet feel in = J J‘)
  29. 29. Slower¢I = 152 Straight eighths feel D. S. (Tempo 1) al Coda Double time feel #1:? I 5%‘ I .
  30. 30. I w -V1_ ‘ I‘ —W- | = I . —-um lZ 1.2 uc-gm: jm—= rjmvjgjm—= vZmvjjmv1 T 1 Bul-lets are fly — ing. Peo — ple are dy - ing. Mad-ness sur-round-ing. All war ma — chines go- ing. Blood starts to flow ~ ing. No mer « cy giv - en to hell's break - ing loose. Sol-diers are hound-ing. Bod - ies are mount-ing. an — y - one here. The fu - ri - ous fight-ing. Swords are like light-’ning. It Can -nons are shout - ing to take their a - buse. _ all be — comes fright -’ning. Youknowdeath is near. _ 3 3 ’2nd time playn on crash on beat 1.
  31. 31. In timeJ = 144 , ___ J’“3 1.4 .4 J J _; :_. _ Additional Lyrics 2. Blood feeds the war machine As it eats a way across the land. We don’t need to feel the sorrow. No remorse is the one command. ( To Pre-chorus) 3. Only the strong survive. No will to save the weaker race. We’re ready to kill all comers. Like a loaded gun right at your face. ( T 0 Pre-chorus)
  32. 32. (. !§= ..E‘. !E3'E'E-iESE. @t)~ -H PULRENG TEETH Music by Cliff Burton Free time Intime J= I52
  33. 33. .4 : l—*J4LE= J—JJL: .~LIJ §l~'é‘: %___l’: ‘r": K ‘/ '1’! -:_"1 3.4-9 =13 }i_i1=J= .L= i %—4 Lie- —*§I§'L‘: E*‘ Hj'= '*w= *'—u+J= r:r~t'* , J,§. J4L. lga. Ll. l_l_. l_§l §~—J—34LJL3l, =l 414% l= J41=Ji= le £444 g .14 . J_; LTJj. }.l_; . E]'r? :g¢
  34. 34. .. ... ~.. ._. .~. .. . ..v—. ._. . -d(—'—. -~n-v. s‘; u_wr'—-in . :=. w;. .x—. r'. s;a. ~.>—= :s= oaa. n:: =.»1=. n.. »5.nu-q; >¢=7.g.
  35. 35. WHIPLASH Words and Moe : :. James Hetfield and Lars L; ' : ' Moderate Rock J= 168 Play 3 “mm 51°W°"J = 160 3 3 - t s +— JT. s. s 5 f ngf 3 “ [ii i X W
  36. 36. .Late at night, ._ all sys-tems go, you‘vecome to see_ the show. We do our best, _you‘re the rest, _you make it real you know. There’s a feel -ing deep in- side- that drives you fuck-in‘ mad. A 2nd time substitute Drum Pat. 1; 3rd & 4th tirnes substitute Drum Pat. 2 Chorus «-13
  37. 37. «L dren— a -line starts to flow. You’re thrash- ing all a » round. t 3rd time to Coda I; 4112 time to Coda II —‘III'7—III7I1 Interlude E E Guitar solo may games _ . T > W _7# - - -
  38. 38. ._ 9‘ ~ - T‘ Whip — lash! D. S. a1 Coda ll —= ".E7Ui3i5=. =.. ..« 2 7‘ A dditional Lyrics [J . Bang your head against the stage like you never did before. Make it ring. make it bleed, make it really sore. In a frenzied madness with your leather and your spikes, Heads are bobbing around, it’s lzot as hell tonight. (To Chorus) 3. Here on stage the Marshall noise is piercing through your cars. It kicks your ass. kicks your face, exploding feeling nears. Now’s the time to let it rip, to let it fuckin’ loose. We’re gathered here to maim and kill ‘cause this is what we choose. (To Chorus) 4. Show is through, the metal’s gone, it’s time to hit the road. Another town, another gig, again we will explode. Hotel rooms and motorways, life out here is raw. But we’ll never stop, we’ll never quit ’cause we’re Metallica. (To Chorus)
  39. 39. BLITZKRIEG rds and Music by Ia nes, Brian ith. and James ' tto
  40. 40. :‘; ‘.. s£4., .', ‘,¢. —.C- -A. . . .-. ‘ , xjji I'- ll . .l. iL
  41. 41. - krieg. The blitz _ _ T ___ I jjjj U mi jjfi j mi jjujfij j Save us from fate, save us from hate. _ Save our - selves_ be-l‘ore_ it’s too late. _ 1 —‘2 _’‘-—‘i -'V— Y _ “j——1"‘j-Vjfl‘ / - Z Z- -fore_ the earth bleeds. _. be - selves _ Save our hear our plea. _ Come to our need, .1 The day is dawn-ing. the blitz - - vive Can we sur Al - i - ens com - ing. 4a
  42. 42. Guitar solo 42
  43. 43. 4 Jastiagggmmn .1 . l .1 4 lggg o i?3—’t -J
  44. 44. METAL MILITIA Words and Music by James Hetfield, Lars Ulrich, and Dave Mustaine Fast Rock J = 168 es? Intro I m 3 ‘L 2nd time substitute Drum Pat. l: 3rd time substitute Drum Pat. 2
  45. 45. lst, 2nd. 3rd Verses M1 r—‘*-3 +~, rsaxxl %,3———] [rs __‘ -ajj ‘ "j‘ I —”'Z. ’.‘ IV’ ir°_: r—: r: _+& 4% l. Thun -der and light - ning. The gods take re — vange. Sense - less de - struc ~ tion. 2.3. See additional lyrics = :,. , . -.-. .=. I1 — =2" 5': 5: 2'5"‘ * 3 3 3 3 3 3 ‘2nd time play non ride on beat 2. . _ F = r — +T Tax r J? L‘fie*l~. '1'$: eeee ma ' ' of fu - ry are cow- ard - Iy now. 751%] +1.; - . . —e 3 ‘2nd time playvllon ride on beat 2. F"-‘3:fi F 3- i ’ ‘ —- 1 1' —_—; J D Run —ning for safe - ty. Stab -bing the har — lot to : i____ —§l§‘“*l grit EH’ W’ J J 7: 4;} ~~- J , 1 EEE I , 1 . _t: }:: ;___1 _ _. ___L, . 7"‘ I _ J_ r T E E, $7 3 3 3 r_3fi “T”? . TTJT "Wk; "3 fr 1-‘-F’: -V’ TLJ3 1‘ +_j ; /. * Su - i - cide run - ning as if it were free. ’
  46. 46. Pr/ e—: horus bi F‘ = W 1 = Oh! _ Through the mist and the mad - ness. We’re try ing to get the mes — sage to you. . . + x - ‘ ‘ _ . -.! .=. I-I-= _3 -. " 7I’I -1 II I —I. IZ": IIlI. I‘I'I‘Z‘jI'fIZ‘j II II II ! I 3 3 3 3 3rd time to Coda I1 ' 3: '_
  47. 47. is 11!-I. ‘ D. S. al Coda I Guitar solo I- ~ I-K. ?‘~’—"I'Zl‘ _. . . . . .. . . w I . 1 . . m . .. . . I w _. I. .. .. jl_ . . . . tn _ . . . _ . .. .n . _ m _ I . . . . . n . , . . II 3 T I 1- 12- : II II~L‘2—
  48. 48. Slower J = 160 Interlude . J _ J Play 12 times ‘Splash cymbal Cod; II 1'‘ _ II I U! ” —- jj jl '63-" L‘ ‘£1-——": 11- ha‘ Met -al mi- —— I I """"lI T4445 I __II(. ‘Z—I'L‘ZC—I'L‘Z—III. '—I_‘—'IIC—I-IIIYZ——I I . II : :: E! E! E‘ __ _ ‘E 3 Repeat and fade 3 *1 Met - al mi- Additional Lyrics 2. Chained and shadowed to be left behind, Nine and one thousand. Metal militia for your sacrifice, Iron-clad soldiers. Join or be conquered, the low of the land. What will befall you? The metalization of your inner soul, Twisting and tuming. ( To Pre-chorus) 3. We are one as we all are the same, Fighting for one cause. Leather and metal are our uniforms, Protecting what we are. Joining together to take on the world With our heavy metal. Spreading the message to everyone here. Come let yourself go. ( To Pre—chorus)
  49. 49. PHANTOM LORD Words and Music by James Hetfield, Lars Ulrich and Dave Mustaine Music Key HH Ride * 1'11 o m_. ___. ._ so o TT4__-__m. _'FT am a BM Moderate Rock J = 108 Intro (Synth) J 3 J -' v T - . =.= .=. -§E= :; ’% i‘ 1. Sound is rip - ping through your 2.3. See additional lyrics Drum Pat. l ‘I 49
  50. 50. 3rd time substitute Drum Pat. 1 bod-y’s wait-ing for his whips. .. The taste of leath-er on your lips. ‘3rd time play? ” on bass drum on Chorus __ con ~ trol the
  51. 51. 2nd time to Coda 1; 3rd time to Coda 11 3rd time substitute Drum Pat. 2 Coda 1 Guitar solo '/ ‘I 3 3 S| owerJ = 66 ’_3_' _3__‘ '_3fi Interlude «ff 1-5 5% :5“ Drum Pat. 2
  52. 52. J 313 ii 3T= "§'“‘i fir a'“+"u'i: 'flis*ui@*~ 3 3 3 3 -3 Play 3 times | ’—j3C—l i a#T%§3§3 3 3 3 r-3 ‘.3 : :— : : -I < ‘i ‘J * 3‘: ‘-‘-! -i‘I! =E! i§§. - K _! C', ' _ 1 = , 1 1 1 1 1 Z r 1 Z r 1 j r 1 1 j D. S. al Coda ll 2? " ; ; ""JLf” - }— r . TLi , L_J]__EE - 1 7 if 9? . Ei %i5Z%£§i 5%. -a %# is
  53. 53. Additional L_i'rI'('5 2. Victims falling under chains. You hear them crying dying pains. Fists of terror breaking through. Now there's nothing you can do. (To Chorus) 3. The leathered armies have prevailed, The Phantom Lord has never failed. Smoke is lifting from the ground, The rising volume metal sound. (To Chorus) 53
  54. 54. MOTORBREATH Words and Music by James Hetfield . lusic Key Rm 6 HH Crash * "V '8“ melodic tom 1 l0“ melodic tom (Gtr. ) ‘2nd time snare plays ofi on beat 3(no crash) 2nd time substitute Drum Pat. 2 ing and dy ' ' . Once you have seen it 2.3. See additional lyrics
  55. 55. 2nd and 3rd times substitute Drum Pat. 1 Ch°"“5 3 3 3 3 3 3rd time to Coda A ' 0 sign of liv - ing fast. _ It is go -ing to take your breath a - way. '- 3 3 3 3 55
  56. 56. Additional Lyrics 2. Don’t stop for nothin', it’s full speed or nothin’. I'm takin‘ down you know whatever’s in my way. Getting your kicks as you’re shooting the line. Sending the shivers up and down my spine. ( To Chorus) 3. Those people who tell you not to take chances, They are all missing on what life's about. You only live once so take hold of the chance. Don’t end up like others, same song and dance. ( To Chorus)
  57. 57. SEEK & DESTROY Words and Music by James Hetfield and Lars Ulrich Music Key h Ride Cris. HH 1 — .3 j I, —7—Ij-Ij7j I ' '—= "—j-1? 2/ Al - right. : :: : :: : :: : :: J . . . . . - . . . - . - . - . ‘ _ . < —-"iii--7 -—‘2lIfV'jC: ——-lIf_ —-— --- -" l -" __ __ L. .. l L.3_I
  58. 58. 3g lst, 2nd, 3rd Verses 1.Scan-ning the scene__ in the cit - y to~night. you. _. .3. See additional lyrics ‘N11 511525 My 0.1 2 L.3._J ;3_J 2nd time substitute Drum Pat. 1 Pre-chorus / ' at L 32%; ; 5% 0. noth-ing new. You know it drives us in - sane. _ Run-ning. On our way. t 3 J 1 1 1 U31 - ‘2nd time play {on bass drum on beat 3. r -a l-lid - ing. You will pay. Dy -ing one thou -sand deaths. l iigliflifl . DEJI1 . ”"’~F—*“i; J: 4" 2. Chorus I I Z‘ —" “ Q E Search - mg. n 21-5331-Efi J 3 3 9 J E 3 ‘. L u_3_. Drum Pat. 1 _3.J
  59. 59. l_3_l 3 3 ‘3rd time play ron bass drum on beat 1. -9. ZTJT '? ‘3j‘ E 1 - ‘ .1 Search— ing Seek and de - stroy. I! ll —-— J . 2 . - . ... I _""—'—i! '!'"'| "_— ' 2nd time to Coda I; 3rd time to Coda ll (II It
  60. 60. . V. . n _ . 4.. ..-- m ,
  61. 61. 5 , -ran: -mm; :- 'an-. . 3.1. . :1 . , 11 int j‘T'T‘jTT' m"
  62. 62. [O i stroy, ha ha ha ha. Play 4 times ‘2nd, , rd and 4th times play in '3 '49‘ 5-319 PHI)’ 7 Q °" him °" M“ 1' on bass drum on beat3. 2 537537 Additional Lyrics 2. There is no escape and that’s for sure. This is the end we won't take anymore. Say goodbye to the world you live in. You’ve always been taking, but now you’re giving. ( To Pre-chorus) 3. Our brains are on fire with the feeling to kill. And it won’t go away until our dreams are fulfilled, There is only one thing on our minds. Don‘t try running away ’cause you're the one we will find. (To Pre-chorus) 62
  63. 63. AM i EVEL? Words and Music by Brian Tatler and Sean Lindon Harris Moderate RockJ = 100 .1 I'll Intro J Play 9 times 22 JJJJJJJJ (Gtr. )
  64. 64. lst, 2nd Verses e- a -5:55! i "‘i"*"’i' KT 0 l. My moth-er was a witch, she was J — watched my moth-er die, I J. .l_ st . L ! ’_- 1]. _ -L . L st _. . . l_ _j_ Il -' ' I I I I I :9 7 . . I « 4"; 4‘ 2 — -:2 r o 3 7 1-Iafifii I ~— I ICV -‘- I fl I bumed a - live. Thank-less lit - tle bitch for the lost my head. _____ Re- venge now I sought to . L_. l_3.i_. l 1 L343 ‘2nd time play 7 on bass drum on beat 2. V Take her down now, bread. Tak - in’ no chan — ces, tears I cried break with my 144 ms 5 g_—L_%, ‘7fi—‘F~—= t don't want to see her face. ___ All . / blis -tered and burnt, l’ll split you to the bone, help set you free. Pre-chorus / Q: 5 it g - sev—en, ev-'ry - one was nice. :_j_ EL . l%. l Fmfr casein Seiqfrfig ‘2nd time play 7 g ‘2nd time play ‘I fi on bass drum on beat 3. on bass drum on beat 2.
  65. 65. i jjj j Got — ta see ‘em, make ‘em pay their price. .m_ See their bod - ies out on .1 g .1 ii 3 g i i . l % ll 1 ’ 5 E; ‘I ‘I ‘2nd time play 7 ‘2nd time on bass dnim on beat 2. play‘! g on bass drum on beat 4. A ; IX _ "" . . I e g , 3L 5 Iiijr ' '-9 i Z I the i Take_ my time. 1 .1 J .1 . l ‘.1 i E I 2 I. - '2nd time play 7 5 ‘2nd time play 7 p on bass drum on beat 2. on bass drum on beat 2. Chorus I I : [K V / ‘ : : - _ . = | A _ ‘ r as - I/ as ‘ ‘ KIV I I - I Am I e - V Yes. I am. _ . ti= .l; li. _l. l,tL4.i_; . .- _~ - 3 ‘2nd time bass drum rests on beat 1. 65
  66. 66. FasterJ= 192 in = TT)
  67. 67. 1. On with- the ac 2.3. See additional lyrics ‘ = A ~' . A ___ I —‘1—TL_§ -5-}: ' "I iigr: ’.! .:! g=%’= "-'% ‘ll spread_ your blood a — round, I’ll see_ you ride. T311 _. 11%. ; _, L .1, _, ___, . . ._. _=_ ‘3rd time play -J on china cymbal on beat 1. Your face_ is scarred__ with steel, _ wounds deep- and neat. _ 3 ‘3rd time playJ- on crash on beat 2. 3rd "me to Coda ‘3rd time play-J on crash on beat 2. ‘2nd time play n on hi-hat and tom-tom 3 on beat 2. Chorus II ‘V fljfi I I . 67
  68. 68. % :1 %- 1‘_ - twig‘ .1 i’J—§ J§L'i—§L j3””§f‘°= J #14 a %4 A gjw 2% as E i .4 J. J W L*Jé %‘; %T41r; i JT. J_ 4 , L_3LJ§L, J_i_, L $4.; 1fl‘§L7’: J'% 9 1:5: ; :w; r:. ;;m: #,, 54% “As %_JfiJJ_§§= i 3; . J_3.J_. t}JL _J£flJi-J _; ;g, J%,4;. J%, Ji W W-¢: %W~a% W 68
  69. 69. E'--—'%T%. ¥-5% --—-? -— _—. _ —— C E — 69
  70. 70. Play 3 times yeah} (sing 1st time only) SlowerJ = 160 Additional Lyrics 2. P11 make my residence, l’ll watch your fire. You can come with me, sweet desire. My face is long forgot, my face not my own. Sweet and timely whore, take me home. ( To Chorus II) 3. My soul is longing for, await my heir, Sent to avenge my mother, sleep myself. My face is long forgot, my face not my own. Sweet and timely whore, take me home. ( To Chorus III)
  71. 71. ..4.. lul. h.nm. Jt. fin . .Iu. .n. «fl. ... !,. ... ..u. fi.. ... V..
  72. 72. ElAl. I.I l ’EM All €DRUM EDITION} HIT THE LIGHTS THE FOUR HORSEMEN MOTORBREATH JUMP IN THE FIRE (ANESTHESIA) - PULLING TEETH WHIPLASH PHANTOM LORD NO REMORSE SEEK & DESTROY METAL MILITIA BLITZKRIEG AM I EVIL?

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