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I dedicate this book to my passion for dance and
  those that have supported my love from the
                very beginning.




                       2
Dancing Stories




       3
Table of Contents
Class #1: Namaskar                                           Page 2
Class #2: Telling a Story                                    Page 4
Class #3: From 10 Fingers to Thousands of Gestures: Mudras   Page 6
Class #4: Is There A Face For That?                          Page 9
Class #5: When Bollywood Meets Tradition                     Page 12
Class #6: Hair, Makeup, & Costume—Beautify Yourself          Page 15
Class #7: Lights, Camera, Dance                              Page 20




                                        4
Indian Dance is a broad category of dance that
     incorporates many different styles and
   characteristics. While it is one of the most
ancient forms of dance, it is still very much alive
 today. Come and join me as I explore a dance
  form so dear to me, one that has traditional
        components with a modern flare.




                         5
Class #1: Namaskar
5…


     6…


            7…


                     8…




               Right Hand, Right Foot
                  Left Hand, Left Foot
     Bend at the knees, Touch the floor
            Pay your respects & POSE


              6
Dancing is an art of the god, Natraj—His gift to the
world. Before every dance, we give our respect to the
stage we dance on and to God, for gifting us with the
ability to dance. This is the time when we gather our
nerves, ask for protection, and muster up the courage
to do the best we can. As we engage in one of the
most ancient forms of dance, one with a history that
goes back centuries, we must be thankful for the
amazing gift of…

                       D       A   N   C   E!




                           7
Class #2: Telling a Story




When we dance, we tell a story. Our movement
  embodies the words of the songs we perform.
Through our facial expressions, hands, and body
 language we are able to recite ancient history,
tell love stories, show our devotion to God, and
     celebrate a special moment in our lives.




                       8
In dance, we use what we have. In dance, we
   speak to the audience. In dance, we share
 something with our audience that we love so
 dearly. Every movement matters. Every beat
                    counts.




 From head to toe, our body becomes the story;
 the passion is in our eyes, and the dedication is
  eminent in our bones. The audience feels the
emotions our bodies evoke and goes through an
  adventure that is not only passionate but fun
              and engaging as well.

                        9
Class #3: From 10 Fingers to Thousands of
               Gestures: Mudras




 What sets all forms of Indian dance apart from
other types of dance is the magical use of fingers
 and hands. Formally, these gestures are called
  Mudras. You can have mudras for dance and
     yoga. The careful formations created by
individual fingers and hands depict the intricate
 stories we wish to tell. While some mudras are
  specific to objects and feelings, others may be
  used for the enhancement of our movements.
                        10
It is important to choose the right hand
gestures for the message we wish to convey. As
we embark on these journeys with our audience,
  we give them a taste of our personal style of
  dance and our understanding of the story we
 wish to tell them. With our hands, we cannot
   only captivate the audience, but also share
 something personal, without the use of words,
    to those who may or may not know us.




                      11
Who would have
 thought our
  fingers and
 hands would
have so much to
     tell?
       12
Class #4: Is There A Face For That?




   Hand gestures play such an important role in
  telling our dancing stories, but along with that,
    our facial expressions are equally important.
   Throughout our stories, we are experiencing a
myriad of emotions. If we are telling a story of the
epic wars of Mahabharata and Ramayana, we may
 feel despair, fear, anger, and sadness. But each of
these emotions looks and feels different from one
 another. Through our facial expressions, we are
 able to connect our emotions and feelings to our
   movement. Together these give the audience a
better understanding of what we are sharing with
                        them.


                         13
Having good facial expressions is very
 important. We have to have full control of our
   eyes, lips, foreheads, and cheeks. Using the
thirty major muscles in our faces, we can display
  thousands of different emotions. By gaining
  control of our muscles and learning ways to
 make certain emotions evident, our stories are
                   more authentic.




                       14
How cool would
 it be, if you
  could tell a
story with your
  face and no
    words?
       15
Class #5: When Bollywood Meets Tradition




  When you watch a Bollywood (Indian) movie,
  one of the first things you notice is that it is a
   musical. The interplay between, song, dance,
   and movie storylines is very characteristic of
 Bollywood films. Many of these films are about
  love, the story of two star-crossed lovers who
face a rough patch in the middle, but fall deeply
 in love at the end. To express these events, the
actors in the movies will sing and dance a song.
    The dances in these films are very unique
because they incorporate traditional and modern
           elements of dance and music.


                         16
Kathak
                            Bharatnatyam




  In the olden days, many actors and actresses
were trained dancers in either Bharatanatyam or
  Kathak (two ancient forms of dance in India).
These dances not only incorporated traditional
  elements of these individual dance styles, but
    they also captured their essence. As time
 progressed, fewer actors were trained dancers,
but their choreographers were well trained and
 extremely talented. The dance form morphed
   into a more modern take on the traditional
       elements of classical Indian dance.



                       17
Today, many people have mastered the
  traditional forms of dance, giving it a modern
 flare that is flattering to the big screen and our
    stages at home. This form has also gained
       popularity as performances for special
celebrations and wedding parties and receptions.
It is a crowd pleaser and a very captivating form
  of dance—everyone feels as though they are a
           part of it from start to finish.




                        18
Class #6: Hair, Makeup, & Costume—Beautify
                  Yourself




  You have your dance ready, but what do you
   wear? India comes with an amazing fashion
  history. The fashion industry never seems to
take a break, which is every dancer’s dream. For
   this type of dance, you have many different
 costume options. You can wear a chaniya choli,
  a sari, or a salwar kameez. Some are easier to
   dance in than others, but all are extremely
  beautiful. Your options within these general
 types are endless. Any tailor in India can make
          you exactly what you envision.

                       19
A chaniya choli is a three-piece outfit that
 allows for great flexibility in movement. It
contains a blouse, a skirt, and a long scarf. In
wearing this outfit, you are to secure all three
parts so that your movement is free and fluid.




                       20
A sari is nine yards of beautiful fabric that can
   be wrapped around the body in a number of
different ways. It is also a three-piece outfit with
 a blouse, nine yards of fabric, and a liner skirt.
   With a sari, your movement is a little more
   restricted because of the way you wrap the
             fabric around your body.




                         21
A salwar kameez is a three-piece outfit that is
the easiest to wear. It contains pants, a top, and
a scarf. The pants come in many different styles:
skinny legged, wide legged, even legging style.
 It is kind of like buying a pair of jeans, with so
       many different styles to choose from.




                        22
Your make up is intended to define your facial
   features. You will usually see very dramatic
 makeup depending on the performance. Heavy
  eyeliner, eye shadow, blush, and lipstick are a
must. On our hands and feet, you may see some
 dancers wear mendhi. Mendhi is also known as
henna. It draws attention to the hands and feet,
     highlighting these body parts to give the
   mudras and body language more definition.
 Your hair is generally pulled back in a ponytail
   or bun to draw more attention to your facial
  features. The more the audience can see your
face, the better understanding they have of your
                  dancing story.




                       23
Class #7: Lights, Camera, Dance




Learning these elements is very important. It is
quite difficult to do all these things individually.
    It takes even more dedication to put them
 together. Our dances have a beginning, middle,
  and end. When we start our dances with our
  namaskar, we set the tone for the remainder.
We tell the audience that we are ready and that
 we are prepared to take them on an adventure.
  When the music plays, the story comes to life.
  The lights and stage become our best friends
and as we use the music to guide our movement,
            the audience is captivated.

                         24
It is extremely nerve wracking when you get
     onto the stage. Your heart is racing and
remembering to smile is so difficult because you
   are so nervous. But you just have to make it
    through the first beat. You brush it off the
second you pay your respects and then you just
  let the music enter your soul; dance from the
heart and you strut your stuff. Fall in love with
dance so everyone can experience your love for
     an art form so beautiful and ancient. Just
           remember, when you finish…



                       25
Strike a POSE
 (& Smile)!!




      26
Glossary
1. Natraj: The God of dance

2. Mudras: Hand gestures used in dance and yoga

3. Mahabharata: The epic war that determined who would rule
all of India. The side of good was guide by Lord Krishna.

4. Ramayana: The epic war between good and evil where Lord
Ram was the leader of the side of good.

5. Bollywood: The largest movie and music industry in the world.

6. Bharatanaytam: A form of classical Indian dance that
originated from the South Indian state of Tamil Nadu.

7. Kathak: A form of classical Indian dance that originated from
the North India state of Uttar Pradesh.

8. Chaniya Choli: A three-piece outfit traditionally worn in India.
It consists of a blouse, a skirt, and a long scarf.

9. Sari: A tradition garment worn by women that consists of
nine yards of fabric. It consists of fabric, a blouse, and a skirt.

10. Salwar Kameez: A three-piece pant outfit that is
traditionally worn my females. It consists of a top, pants, and a
scarf.

11. Mendhi: Also known as henna. This is a paste made of
eucalypts leaves that can be used as a temporary tattoo for the
hands and feet.
Acknowledgement: All of the imagines found in this book are from Google Images

                                         27
Want to watch a classical Indian dance?




                   Visit:

https://sites.google.com/site/dancingstories/




                     28
About the Author
                                      I’m Nisha Dullabh, a
                                  student at the University
                                      Of Georgia—a proud
                                  Georgia Bulldawg at that.
                                   Since I was a little girl, I
                                     have loved to dance. I
                                   would follow my cousin
                                 around, copying her cheers
                                  and dances she practiced
                                        around the house.
                                     Eventually I began to
                                  engage in classical Indian
                                  dance on my own. I never
                                    took any formal dance
                                  classes, but learned from
                                       the many Internet
                                  resources I could find and
                                   the people around me. I
                                  started teaching dance at
                                     the age of twelve and
                                  found a new appreciation
                                 for this beautiful art form.
Through this book, I hope to introduce an ancient art form
    that is not only beautiful to watch, but also tells
        wonderful stories in a unique way. Enjoy!




                              29

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Dancing stories

  • 1.
  • 2. I dedicate this book to my passion for dance and those that have supported my love from the very beginning. 2
  • 4. Table of Contents Class #1: Namaskar Page 2 Class #2: Telling a Story Page 4 Class #3: From 10 Fingers to Thousands of Gestures: Mudras Page 6 Class #4: Is There A Face For That? Page 9 Class #5: When Bollywood Meets Tradition Page 12 Class #6: Hair, Makeup, & Costume—Beautify Yourself Page 15 Class #7: Lights, Camera, Dance Page 20 4
  • 5. Indian Dance is a broad category of dance that incorporates many different styles and characteristics. While it is one of the most ancient forms of dance, it is still very much alive today. Come and join me as I explore a dance form so dear to me, one that has traditional components with a modern flare. 5
  • 6. Class #1: Namaskar 5… 6… 7… 8… Right Hand, Right Foot Left Hand, Left Foot Bend at the knees, Touch the floor Pay your respects & POSE 6
  • 7. Dancing is an art of the god, Natraj—His gift to the world. Before every dance, we give our respect to the stage we dance on and to God, for gifting us with the ability to dance. This is the time when we gather our nerves, ask for protection, and muster up the courage to do the best we can. As we engage in one of the most ancient forms of dance, one with a history that goes back centuries, we must be thankful for the amazing gift of… D A N C E! 7
  • 8. Class #2: Telling a Story When we dance, we tell a story. Our movement embodies the words of the songs we perform. Through our facial expressions, hands, and body language we are able to recite ancient history, tell love stories, show our devotion to God, and celebrate a special moment in our lives. 8
  • 9. In dance, we use what we have. In dance, we speak to the audience. In dance, we share something with our audience that we love so dearly. Every movement matters. Every beat counts. From head to toe, our body becomes the story; the passion is in our eyes, and the dedication is eminent in our bones. The audience feels the emotions our bodies evoke and goes through an adventure that is not only passionate but fun and engaging as well. 9
  • 10. Class #3: From 10 Fingers to Thousands of Gestures: Mudras What sets all forms of Indian dance apart from other types of dance is the magical use of fingers and hands. Formally, these gestures are called Mudras. You can have mudras for dance and yoga. The careful formations created by individual fingers and hands depict the intricate stories we wish to tell. While some mudras are specific to objects and feelings, others may be used for the enhancement of our movements. 10
  • 11. It is important to choose the right hand gestures for the message we wish to convey. As we embark on these journeys with our audience, we give them a taste of our personal style of dance and our understanding of the story we wish to tell them. With our hands, we cannot only captivate the audience, but also share something personal, without the use of words, to those who may or may not know us. 11
  • 12. Who would have thought our fingers and hands would have so much to tell? 12
  • 13. Class #4: Is There A Face For That? Hand gestures play such an important role in telling our dancing stories, but along with that, our facial expressions are equally important. Throughout our stories, we are experiencing a myriad of emotions. If we are telling a story of the epic wars of Mahabharata and Ramayana, we may feel despair, fear, anger, and sadness. But each of these emotions looks and feels different from one another. Through our facial expressions, we are able to connect our emotions and feelings to our movement. Together these give the audience a better understanding of what we are sharing with them. 13
  • 14. Having good facial expressions is very important. We have to have full control of our eyes, lips, foreheads, and cheeks. Using the thirty major muscles in our faces, we can display thousands of different emotions. By gaining control of our muscles and learning ways to make certain emotions evident, our stories are more authentic. 14
  • 15. How cool would it be, if you could tell a story with your face and no words? 15
  • 16. Class #5: When Bollywood Meets Tradition When you watch a Bollywood (Indian) movie, one of the first things you notice is that it is a musical. The interplay between, song, dance, and movie storylines is very characteristic of Bollywood films. Many of these films are about love, the story of two star-crossed lovers who face a rough patch in the middle, but fall deeply in love at the end. To express these events, the actors in the movies will sing and dance a song. The dances in these films are very unique because they incorporate traditional and modern elements of dance and music. 16
  • 17. Kathak Bharatnatyam In the olden days, many actors and actresses were trained dancers in either Bharatanatyam or Kathak (two ancient forms of dance in India). These dances not only incorporated traditional elements of these individual dance styles, but they also captured their essence. As time progressed, fewer actors were trained dancers, but their choreographers were well trained and extremely talented. The dance form morphed into a more modern take on the traditional elements of classical Indian dance. 17
  • 18. Today, many people have mastered the traditional forms of dance, giving it a modern flare that is flattering to the big screen and our stages at home. This form has also gained popularity as performances for special celebrations and wedding parties and receptions. It is a crowd pleaser and a very captivating form of dance—everyone feels as though they are a part of it from start to finish. 18
  • 19. Class #6: Hair, Makeup, & Costume—Beautify Yourself You have your dance ready, but what do you wear? India comes with an amazing fashion history. The fashion industry never seems to take a break, which is every dancer’s dream. For this type of dance, you have many different costume options. You can wear a chaniya choli, a sari, or a salwar kameez. Some are easier to dance in than others, but all are extremely beautiful. Your options within these general types are endless. Any tailor in India can make you exactly what you envision. 19
  • 20. A chaniya choli is a three-piece outfit that allows for great flexibility in movement. It contains a blouse, a skirt, and a long scarf. In wearing this outfit, you are to secure all three parts so that your movement is free and fluid. 20
  • 21. A sari is nine yards of beautiful fabric that can be wrapped around the body in a number of different ways. It is also a three-piece outfit with a blouse, nine yards of fabric, and a liner skirt. With a sari, your movement is a little more restricted because of the way you wrap the fabric around your body. 21
  • 22. A salwar kameez is a three-piece outfit that is the easiest to wear. It contains pants, a top, and a scarf. The pants come in many different styles: skinny legged, wide legged, even legging style. It is kind of like buying a pair of jeans, with so many different styles to choose from. 22
  • 23. Your make up is intended to define your facial features. You will usually see very dramatic makeup depending on the performance. Heavy eyeliner, eye shadow, blush, and lipstick are a must. On our hands and feet, you may see some dancers wear mendhi. Mendhi is also known as henna. It draws attention to the hands and feet, highlighting these body parts to give the mudras and body language more definition. Your hair is generally pulled back in a ponytail or bun to draw more attention to your facial features. The more the audience can see your face, the better understanding they have of your dancing story. 23
  • 24. Class #7: Lights, Camera, Dance Learning these elements is very important. It is quite difficult to do all these things individually. It takes even more dedication to put them together. Our dances have a beginning, middle, and end. When we start our dances with our namaskar, we set the tone for the remainder. We tell the audience that we are ready and that we are prepared to take them on an adventure. When the music plays, the story comes to life. The lights and stage become our best friends and as we use the music to guide our movement, the audience is captivated. 24
  • 25. It is extremely nerve wracking when you get onto the stage. Your heart is racing and remembering to smile is so difficult because you are so nervous. But you just have to make it through the first beat. You brush it off the second you pay your respects and then you just let the music enter your soul; dance from the heart and you strut your stuff. Fall in love with dance so everyone can experience your love for an art form so beautiful and ancient. Just remember, when you finish… 25
  • 26. Strike a POSE (& Smile)!! 26
  • 27. Glossary 1. Natraj: The God of dance 2. Mudras: Hand gestures used in dance and yoga 3. Mahabharata: The epic war that determined who would rule all of India. The side of good was guide by Lord Krishna. 4. Ramayana: The epic war between good and evil where Lord Ram was the leader of the side of good. 5. Bollywood: The largest movie and music industry in the world. 6. Bharatanaytam: A form of classical Indian dance that originated from the South Indian state of Tamil Nadu. 7. Kathak: A form of classical Indian dance that originated from the North India state of Uttar Pradesh. 8. Chaniya Choli: A three-piece outfit traditionally worn in India. It consists of a blouse, a skirt, and a long scarf. 9. Sari: A tradition garment worn by women that consists of nine yards of fabric. It consists of fabric, a blouse, and a skirt. 10. Salwar Kameez: A three-piece pant outfit that is traditionally worn my females. It consists of a top, pants, and a scarf. 11. Mendhi: Also known as henna. This is a paste made of eucalypts leaves that can be used as a temporary tattoo for the hands and feet. Acknowledgement: All of the imagines found in this book are from Google Images 27
  • 28. Want to watch a classical Indian dance? Visit: https://sites.google.com/site/dancingstories/ 28
  • 29. About the Author I’m Nisha Dullabh, a student at the University Of Georgia—a proud Georgia Bulldawg at that. Since I was a little girl, I have loved to dance. I would follow my cousin around, copying her cheers and dances she practiced around the house. Eventually I began to engage in classical Indian dance on my own. I never took any formal dance classes, but learned from the many Internet resources I could find and the people around me. I started teaching dance at the age of twelve and found a new appreciation for this beautiful art form. Through this book, I hope to introduce an ancient art form that is not only beautiful to watch, but also tells wonderful stories in a unique way. Enjoy! 29