We've updated our privacy policy. Click here to review the details. Tap here to review the details.
Activate your 30 day free trial to unlock unlimited reading.
Activate your 30 day free trial to continue reading.
Download to read offline
Facebook and other social media have been hailed as delivering the promise of a new socially engaged education learning and educational experiences for undergraduate, self-directed and other sectors. A theoretical and historical analysis of these media in the light of earlier media transformations however puts this into question. Specifically, the analysis provided here questions whether social media platforms satisfy a crucial component of learning – fostering the capacity for debate and disagreement. Using mMedia theorist Raymond William's analytical frame that emphasisesis on advertising in his analysis of the content and form of the medium, television, allows us towe weigh the structural conditions of dominant social networking sites as constraints for learning, using his critical analytical frame(?). Williams’ critique focuses on the structural characteristics of sequence, rhythm and flow of television as a cultural form. Our critique proposes information design, architecture and above all algorithm as similar structural characteristics that apply to social networks as a different but related cultural form. We shed new light on media influencing non-commercial television content (as Williams's terms sequence, rhythm and flow account for) by proposing that the operation of commerce in non-commercial Web 2.0 content can be correspondingly accounted for by informational design, architecture and algorithm. Illustrating the ongoing salience of media theory for researchstudying on-line learning, the article updates Williams work while leveraging it in a critical discussion of the suitability of some social media for education.
Facebook and other social media have been hailed as delivering the promise of a new socially engaged education learning and educational experiences for undergraduate, self-directed and other sectors. A theoretical and historical analysis of these media in the light of earlier media transformations however puts this into question. Specifically, the analysis provided here questions whether social media platforms satisfy a crucial component of learning – fostering the capacity for debate and disagreement. Using mMedia theorist Raymond William's analytical frame that emphasisesis on advertising in his analysis of the content and form of the medium, television, allows us towe weigh the structural conditions of dominant social networking sites as constraints for learning, using his critical analytical frame(?). Williams’ critique focuses on the structural characteristics of sequence, rhythm and flow of television as a cultural form. Our critique proposes information design, architecture and above all algorithm as similar structural characteristics that apply to social networks as a different but related cultural form. We shed new light on media influencing non-commercial television content (as Williams's terms sequence, rhythm and flow account for) by proposing that the operation of commerce in non-commercial Web 2.0 content can be correspondingly accounted for by informational design, architecture and algorithm. Illustrating the ongoing salience of media theory for researchstudying on-line learning, the article updates Williams work while leveraging it in a critical discussion of the suitability of some social media for education.
You just clipped your first slide!
Clipping is a handy way to collect important slides you want to go back to later. Now customize the name of a clipboard to store your clips.The SlideShare family just got bigger. Enjoy access to millions of ebooks, audiobooks, magazines, and more from Scribd.
Cancel anytime.Unlimited Reading
Learn faster and smarter from top experts
Unlimited Downloading
Download to take your learnings offline and on the go
You also get free access to Scribd!
Instant access to millions of ebooks, audiobooks, magazines, podcasts and more.
Read and listen offline with any device.
Free access to premium services like Tuneln, Mubi and more.
We’ve updated our privacy policy so that we are compliant with changing global privacy regulations and to provide you with insight into the limited ways in which we use your data.
You can read the details below. By accepting, you agree to the updated privacy policy.
Thank you!