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Two handstapping

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TwoHandsTapping

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Two handstapping

  1. 1. Two Hands & Tapping1/10= 120Standard tuning1Ex.1Diminua o número de notas palhetadas aos poucos, até ficar somente com os ligados3 5 7 5 37 5 3 5 7 5 35 4 2 4 5 4 25 4 2 4 5 4 25 3 2 3 5 3E-Gt3Ex: 1aSubstituição do dedo4 pelo do Tapping (indicador ou médio. As notas das casas 7 e 8 são3333em Two Hands, e a ace33 3325 3 2 3 5 3 2 3 3 5 7T3 5 7T4 5 7T4 5 7T5 7 8T5 7 8T7 58T7 57T6atenção.3333Ex:2bA inclusão de um dedo na 3 (ou 3b)acima da última nota da digitação.5 47T5 47T5 37T5 3 3 5 7 10T3 5 7 10T4 5 7 10T4 5 7 11T85 7 8 12T5 7 8 12T12T8 7 512T8 7 511T7 5 410T7 5 410T7 5 310T7 5 3
  2. 2. 2/1010Ex:2cUm movimento mais complexo da mão da escala.666610T5 10T7 10T5 10T3 10T5 10T7 10T3 3 10T3 5 7 10T3 10T3 5 7 10T4 10T4 5 7 10T4 11T4 5 7 11T1266665 12T5 7 8 12T5 12T5 7 8 12T5 12T5 7 8 12T4 11T4 5 7 11T13Ex:3aEncarando uma tríade de ``A´´ em uma só corda.6 6 6 612T9 5 0 5 9 12T9 5 0 5 9 12T9 5 0 5 9 12T9 5 0 5 914Ex:3bNuma só corda, mas com variações na mão do tapping6 6 6 615T9 5 9 14T9 5 9 12T9 5 9 14T9 5 9 15T9 5 9 14T9 5 9
  3. 3. 3/1015Ex. 3c:Variando a mão da escala. A corda solta (E),facilita muito este tipo de movimento.6 6 6 612T10 7 0 5 9 12T9 5 0 4 7 12T7 4 0 2 5 12T5 2 0 5 916Ex.3d:A escala de sol em progressão6 6 6 610T5 2 5 10T5 2 5 10T5 2 3 10T3 2 5 10T5 2 3 10T3 2 5176 6 6 612T7 3 7 12T7 3 7 12T7 3 5 12T5 3 7 12T7 3 7 12T7 3 7186 6 6 614T8 5 7 12T7 5 8 14T8 5 7 15T7 5 8 14T8 5 7 12T7 5 8
  4. 4. 4/1019Ex.3eVan Halen chapou o mundo com eruption (Van Halen1). Experimente um trecho12T8 5 8 12T8 5 8 12T8 5 8 12T8 5 8 12T8 5 8 12T8 5 8 12T8 5 8 12T8 5 82013T8 5 8 13T8 5 8 13T8 5 8 13T8 5 8 13T8 5 8 13T8 5 8 13T8 5 8 13T8 5 82113T10 7 10 13T10 7 10 13T10 7 10 13T10 7 10 13T10 7 10 13T10 7 10 15T10 7 10 15T10 7 102215T12 8 12 15T12 8 12 15T12 8 12 15T12 8 12 15T12 8 12 15T12 8 12 15T12 8 12 15T12 8 12
  5. 5. 5/1023Ex.4aUtilizando a penta blues na onda de Greg Howe66 6610T8 5 8T58 10T8 5 8T58 9T8 7 8T7 5 7T57 10T7 52466 67T57 10T7 6 7T6 5 6T58 10T8 5 8T5 3 525Ex.4bA variação do início da frase pode mudar tudo.6 6667 10 12T10 7 10T711 12T11 10 11T10 8 10T89 12T9 7 9T79 12T266 669 8 9T8 7 8T710 12T10 7 10T710 12T10 7 10 10T12T
  6. 6. 6/1027Ex.4cUm lick poderoso com blue note, slide e bend:6 60 3 5 0 7 10T12 10T7 10T711 12T11 10 11T10 82866610T89 12T9 7 9T7 4 7 48 9T8 7 8T7 5 7T571½2130Ex.4dAo estilo Paul Gilbert: arpejo em Em7. com saltode cordas e slide66 667 9 127 10 12 15T19T15T12 10 7 10 12 15T22T15T12 10 712 9 7 931Ex.5aExercício com escala cromática. Um bom caminho para praticar as técnicas de abafar.0 7 8 9 10 11T12T13T14T13T12T11T10 9 8 7
  7. 7. 7/1032( etc. )6 7 8 9 10 11T12T13T14T13T12T11T10 9 8 733Ex .5bDuas digitações da pentatônica e dedos diferentes8 10 12T15T7 10 12T15T15T12T10 715T12T10 834no tapping, nas cordas E e B8 10 12T15T7 10 12T15T15T12T10 715 12 10 835Ex.5eUtilizando 3 dedos da mão do tapping.13T5 8 5 12T5 7 5 10T5 7 5 12T5 7 5 13T5 8 5 12T5 7 5 10T5 7 5 12T5 7 5
  8. 8. 8/1036Ex. 5dSincronismo de dois dedos de mãos diferentesna mesma casa (T1 na mesma nota do dedo 3da mão da escala; T2 na mesma nota dodedo 4):8T5 8 5 7T5 7 5 8T5 8 5 7T5 7 5 8T5 8 5 7T5 7 5 8T5 8 5 7T5 7 537Ex.5eSincronia da duas mãos, mas com um dedo a maisisolado. (T4)12T9 12 9 11T9 11 9 12T9 12 9 14T9 12 9 12T9 12 9 11T9 11 9 12T9 12 9 14T9 12 938Ex.6aTríade Menor ( Cm )8 1110 15T17T1311 15 20T15 11 15T1113 16T1312 17T1213 17T1315 18T1515 20T1515 18T15133917T1312 17T1213 16T1311 15T11 15 20T15 111317T15T1011 8
  9. 9. 9/1040Ex.6bTríade Maior ( C )8 1210 15T17T1312 15 20T15 12 15T1213 17T1312 17T1214 17T1415 19T1515 20T1515 19T15144117T1412 17T1213 17T1312 15T12 15 20T15 121317T15T1012 842Ex.6cTríade diminuta ( C dim )8 119 15T16T1311 14 20T14 11 14T1113 16T1311 17T1113 16T1315 18T1514 20T1415 18T15134316T1311 17T1113 16T1311 14T11 14 20T14 111316T15T911 8
  10. 10. 10/1044Ex. 6dTríade Aumentada ( C5# )8 1211 15T18T1312 16 20T16 12 16T1213 17T1313 17T1314 18T1415 19T1516 20T1615 19T15144518T1413 17T1313 17T1312 16T12 16 20T16 121318T15T1112 8

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