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Design
of
an
Apprecia/on
Support
System
for
Public
Art
Using
Mobile
Phones■ Kiyoka
Fushimi

Hiroshima
Kokusai
Gakuin
Unive...
2/10

Evolu/on
of
the
Study  ■
2003:    Using
PDA
mobile
devices    ■
Test:
Nagoya
City
Art
Museum    ■
2005:      Using
m...
3/10

Characteris/cs
of
the
System                                     7581"()&%")                                      (%...
4/10

Implementa/on
of
our
System  ■
QR   Quick
Response Code   ■ Login
page
4/10

Implementa/on
of
our
System    ■
QR   Quick
Response Code       ■ Login
page■ Art
work
information
page          ■ R...
5/10

Public
Art
Loca/on
City                       ■Childrens
Peace
Monument   ■Arch
                       □
Completed:
...
6/10

Chosen
pieces
  ■Peace
Bridge                ■Memorial
Monument
for
Hiroshima,
   ■Memorial
Cathedral
for
  □
Comple...
7/10

Gauging
Success                                      0&-*)1"%&$+-&+    !"#$%&()*#$+      ,-#*.)#/$+     -2#+$3$-#4+
8/10

Group
Interview
Results

□
Contribu/ng
to
Prepared
Artworks  


versus
Discovered
Artworks□Advantages
and
Disadvanta...
8/10

Group
Interview
Results

                                                                          :,#+&$#7(;265,#,-...
9/10

Contribu/ons
to
the
System   
■157
contribu/ons
over
the
course
10/10


Concluding
Thoughts             □Ac/ve
apprecia/on
can
be
encouraged
through
the
experience
of
adding

           ...
MW2011: K. Fushimi, Design of an Appreciation Support System for Public Art Using Mobile Phones
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MW2011: K. Fushimi, Design of an Appreciation Support System for Public Art Using Mobile Phones

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The purpose of this study is the development of a navigation system that will help enhance appreciation for urban art by connecting viewers with other people’s thoughts and opinions of art pieces. Hiroshima, located in western Japan, has many works of public art that have assumed a theme of peace. However, in Japan, it seems that the appreciation of art is restricted to the elite, and the majority of people do not seem interested enough to visit art museums. We have designed a system that allows users to share an appreciation of public art in urban spaces by using their mobile phones.

The main characteristics of this study were to build a system that:

induced a positive appreciation among users
enabled the sharing of text and images
heightened user-experience through involvement
was based on User-centered design and had provisions for color blindness.
The system which we have designed has been tested and improved on three occasions to date and is targeted at those who have few opportunities to appreciate art. The repetition of this experiment within the confines of Hiroshima City, found that the experience of public art was enhanced through the use of this mobile phone system. These results would seem to indicate that public art pieces do benefit the average person who rarely visits museums in a positive way.

A presentation from Museums and the Web 2011 (MW2011).

MW2011: K. Fushimi, Design of an Appreciation Support System for Public Art Using Mobile Phones

  1. 1. Design
of
an
Apprecia/on
Support
System
for
Public
Art
Using
Mobile
Phones■ Kiyoka
Fushimi

Hiroshima
Kokusai
Gakuin
University,
Japan
■ Karin
Barac








Griffith
University,
Australia Hirokazu
Yoshimura

:Hosei
University,
Japan Hiromi
Sekiguchi

:
Oita
Prefectural
College
of
Arts
and
College,
Japan Hiroyuki
Une

:
Hiroshima
Kokusai
Gakuin
University,
Japan

 Takahiro
Anasako
:
Hiroshima
Kokusai
Gakuin
University,
Japan




  2. 2. 2/10

Evolu/on
of
the
Study ■
2003: Using
PDA
mobile
devices ■
Test:
Nagoya
City
Art
Museum ■
2005: Using
mobile
phones
loaned
to
viewer ■
Test:
Toyota
Municipal
Museum
of
Art ■
2006: Using

mobile
phones
owned
by
viewers
 ■
Test:
Hiroshima
City
Museum
of
Contemporary
Art ■
2007:
 Using

mobile
phones
owned
by
viewers,
loca/on
undefined ■
Test:
Hiroshima
City
  3. 3. 3/10

Characteris/cs
of
the
System 7581"()&%") (%5+#$)/9) &",&)54) #25$"() !"#$%&"() *("+) ",-"+#".") &%+/*$%) #0/10"2"&) 34*."()5) -/(#60") 5--+".#56/) 52/$)&%") *("+() :11/;()9/+) 5.."((#8#1#&<))
  4. 4. 4/10

Implementa/on
of
our
System ■
QR Quick
Response Code ■ Login
page
  5. 5. 4/10

Implementa/on
of
our
System ■
QR Quick
Response Code ■ Login
page■ Art
work
information
page ■ Retrieval
page ■ Contribution
page ■ category ■ details
 ■ navigation

  6. 6. 5/10

Public
Art
Loca/on
City ■Childrens
Peace
Monument ■Arch
 □
Completed:
1954 □
Completed:
1958 □Sculptor
 Kazuo
Kikuchi □Sculptor
 
Henry
Spencer
Moore
  7. 7. 6/10

Chosen
pieces
 ■Peace
Bridge ■Memorial
Monument
for
Hiroshima,
 ■Memorial
Cathedral
for
 □
Completed:
1952 City
of
Peace World
Peace □
Sculptor Isamu
NOGUCH □
Completed:
1952 □
Completed:
1954 □
Architect Kenzo
TANGE □
Architect Togo
MURANO ■Old
Branch
Office
of
 ■West
Fire
Station ■MITISHIRUBE:
Guidepost Nippon
Ginko
Hiroshima □
Completed:
200 □Completed:
1995 □
Completed:
1920
 □Architect Riken
YAMAMOTO
 □Sculptor
 Kyubee
KIYOMIZU □
Architect Uheiji
NAGANO

  8. 8. 7/10

Gauging
Success 0&-*)1"%&$+-&+ !"#$%&()*#$+ ,-#*.)#/$+ -2#+$3$-#4+
  9. 9. 8/10

Group
Interview
Results

□
Contribu/ng
to
Prepared
Artworks 


versus
Discovered
Artworks□Advantages
and
Disadvantages
of
 

outdoor
viewing□Advantages
of
sharing
experiences
 

with
many
people□Problems
with
the
design
  10. 10. 8/10

Group
Interview
Results

 :,#+&$#7(;265,#,-#□
Contribu/ng
to
Prepared
Artworks :,#+&$#.&$(.#,-#+(,.#9-# 6)7.$,&)7#-,%.#1.-15.<$# 


versus
Discovered
Artworks ,%.#+->$#:#7($2-B..7# 2-33.),$#+%.)#-).#%&$# ,%&)#,%.#-).$#()#,%.#$,67"!! 5(=5.#>)-+5.7*.#-9#&,# C,#B(.+()*#()#-6,7--# ???(31.$$(-)$#2&)#8.# &@.2,.7#8"#A3.#-9#7&"#&)7#□Advantages
and
Disadvantages
of
 $1&2.$#($#3-.#2&.9..#&$# +.&,%.#$-#.&7()*#-,%.# "-6#2&)#,&>.#&#8.&>#()#&# 

outdoor
viewing 2-),(86A-)$#9-3#,%.$.# 2-@..#$%-1#(9#"-6#8.2-3.# 7(@..),#$(,6&A-)$#&77.7# A.7# B&56.#,-#3"#.01.(.)2.# !"#$%&()*#+(,%#-,%.$/# 4%.#%63&)#&$1.2,#-9#□Advantages
of
sharing
experiences
 ,%.#.01.(.)2.#%&$#3-.# 2-),(86A-)$#3&>.$#,%.# 

with
many
people 3.&)()*# .01.(.)2.#3-.#.&5# 4%.#$.&2%#5($,#+-657#8.# :,#+&$#%&7#,-#&=&2%#&# .&$(.#(9#(,#7($15&".7# 5&8.5#,-#&)#(3&*.#,%&,#:#□Problems
with
the
design (3&*.$#&,%.#,%&)#,.0,# &77.7#,-#$%&.#+(,%#-,%.$#
  11. 11. 9/10

Contribu/ons
to
the
System 
■157
contribu/ons
over
the
course
  12. 12. 10/10


Concluding
Thoughts □Ac/ve
apprecia/on
can
be
encouraged
through
the
experience
of
adding

 artworks
especially
with
public
art ■We
have
to
extend
our
system
to
allow
access
from
these
smartphones 

to
achieve
a
wider
user
base
for
our
system.
 ■We
aim
to
realize
a
support
system
that
is
stress‐free 

and
makes
art
apprecia/on
an
ac/ve,
social
experience. ■Please
try hcp://seiryu.id.hkg.ac.jp/pa/ Password
:
hiroshima ■Thank
you.


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