Presto4U Overview @BAAC2014 in Riga

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Presto4U Overview @BAAC2014 in Riga

  1. 1. BAAC Annual Conference, Riga, 18 September 2014 The Presto4U project supported by the European Commission under the 7th Framework Programme (FP7) — Grant Agreement 600845 ! Presto4U: Suppor.ng the Adop.on of AV Preserva.on Research Results Marco Rendina Is.tuto Luce -­‐ Cineci4à
  2. 2. 2! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  3. 3. Why Presto4U? PRESTO4U PROMOTING PRESERVATION RESEARCH UPTAKE § Planets 2010: “Un.l the various research projects and ini.a.ves develop soMware that enters the commercial world understood only by IT staff, digital preserva.on technology will be limited to na.onal libraries and other major libraries that are big enough to have their own IT staff, recruited and trained specifically to implement technology needed by libraries.” 3! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  4. 4. Why Presto4U? PRESTO4U PROMOTING PRESERVATION RESEARCH UPTAKE § Despite the best efforts of past research projects, most AV archives, outside a small group of large specialist ones, are s.ll without roadmaps, strategy or tools for long-­‐term preserva.on. § They make choices based on expedience (or cost) ― and hope for the best in the form of possible future technical improvements. § Presto4U tries to really transfer an understanding of the principles, prac.ces, and poten.al tools of long-­‐term preserva.on for audiovisual media from research to members of all the AV communi.es of prac.ce. 4! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  5. 5. What we established: § Two years project: 1 January 2013 – 31 December 2014 § Supported by EU, FP7 programme (Coordina.on Ac.on) § 14 archives, research organisa.ons and industrial partners § Through and for PrestoCentre § With and for members, and anyone else PRESTO4U FACTS 5! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  6. 6. PRESTO4U PROJECT PARTNERS AV MEDIA ARCHIVES, RESEARCH, INDUSTRIAL PLAYERS 6! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  7. 7. PRESTO4U PROJECT PARTNERS OUR TRIPLE HELIX: AV MEDIA ARCHIVES, RESEARCH, INDUSTRY 7! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  8. 8. Coordina.on Ac.on, to § Create a series of AV Communi.es of Prac.ce § Develop a body of knowledge on the status PRESTO4U PROJECT OBJECTIVES of digital preserva.on prac.ce, outstanding problems and needs for access to research results and new technologies § Iden.fy useful results of research, new and old, in the digital audiovisual preserva.on domain § Promote the take-­‐up of promising research results by users, technology vendors and service providers § Sustain and maintain the resul.ng knowledge, tools and services 8! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  9. 9. PRESTO4U SHORT AND LONG TERM ACTIONS AND RESULTS • Establishment of Communi.es of Prac.ce, expert groups, and compara.ve analysis, use cases • Techwatch (ongoing, first report January 2014) • Development of test dataset of AV objects and formats • First assessment of research output • DraM standards register • Series of report on AV Technology take-­‐Up: barriers, impact of standards, cases • Assessment of research results • Recommenda.ons on Rights Technology • Recommenda.ons on Standards • Market Place: a set of community services for how to use what soMware, where to find the right tools, and where to find partners to develop joint projects • Impact analysis and further planning to assist the AV community 9! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  10. 10. PRESTO4U 1. IDENTIFY COMMUNITIES WITH PRESERVATION CHALLENGES § Video Art, Art Museums and Galleries – Tate Gallery, UK § Music and Sound Archives – INA, FR § Video Produc.on and Postproduc.on – TV2, DK § Footage Sales Libraries – LUCE, IT § Film Collec.ons and Filmmakers – DFI, DK § Research and Scien.fic Collec.ons – CNR, IT § TV, Radio and New Media Broadcas.ng – B&G, NL § Learning and Teaching Repositories – KCL, UK § Personal Audiovisual Collec.ons – INA, FR 10! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  11. 11. PRESTO4U 2. IDENTIFY THE SPECIFIC AV PRESERVATION CHALLENGES § Create expert groups for each community § Meet, discuss, share, work, learn, collect § Involve wider community: test, check assump.ons § Structure results, compare results § Develop mechanisms for solving, suppor.ng, tackling 11! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  12. 12. PRESTO4U 3. DEFINE SCENARIOS, TEST CASES AND TEST DATA What are the major common challenges for each community: § Related to the specific context and formats § Related to (available) technology § Related to (available) standards § Related to rights § Related to (available) knowledge 12! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  13. 13. PRESTO4U 4. IDENTIFY RELEVANT TECHNOLOGIES AND RESEARCH RESULTS § Digital audiovisual produc.on: Euromedia, Amici.a; § Film and video restora.on: Diamant, Aurora, Brava; § Analogue media digi.sa.on: Presto, PrestoSpace; § Long-­‐term preserva.on of informa.on objects: SHAMAN and digital media: PrestoPRIME. § Other projects: Caspar, Planets, Aparsen, Arcomem, LiWA, Keep, Protage, Scape and Timbus. § Other research outcomes at na.onal and interna.onal levels. § Already available tools and frameworks, e.g. Archivema.ca, P4 13! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  14. 14. PRESTO4U 5. MAP AVAILABLE TECH WITH PRESERVATION CHALLENGES 14! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  15. 15. Raw problems become refined problems PRESTO4U TWO WAY CONNECTION Commun.es Research of Prac.ce & technology Raw solu.ons become refined solu.ons 15! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  16. 16. § Promote the take-­‐up of promising research results PRESTO4U FINAL OBJECTIVES § Support the applica.on of standards-­‐based tools and services § Establish a brokerage and tailoring mechanism 16! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  17. 17. PRESTO4U 6. PROMOTE THE TAKE-­‐UP OF PROMISING RESEARCH RESULTS § Analysing economic models: business models for product or service based approaches, including SaaS, tradi.onal product models, development by the user community itself, and different varie.es of open-­‐source; § Tech watch: Presen.ng research results to technology developers and service providers on the supply side; and presen.ng research outputs to poten.al users in the communi.es iden.fied. 17! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  18. 18. PRESTO4U 7. SUPPORT THE APPLICATION OF STANDARDS-­‐BASED TOOLS § Analysing the needs for-­‐ and applicability of-­‐ audiovisual and preserva.on standards by each community; § Recommenda.ons to the supply side for adop.ng technologies that employ standards relevant for the specific communi.es; § Providing recommenda.ons to Standards Bodies. 18! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  19. 19. PRESTO4U 8. ESTABLISHING A BROKERAGE AND TAILORING MECHANISM § A set of services targe.ng the specific communi.es and their associated technology and service providers; § Bringing them together around needs and answers; demand and supply; clustering requirements and thus new markets (economies of scale); § Aimed at supply side, community stakeholders, the research and industry communi.es, and standards bodies. 19! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  20. 20. § PrestoCentre Library PRESTO4U SERVICES OFFERED (1) § A wide range of free downloadable resources have been collated within the PrestoCentre Library to fulfill the various needs of users. Different resources for various levels of learning. www.prestocentre.org/library § Webinars § Presto4U offers an on-­‐going free webinar series on diverse topics related to audiovisual digi.sa.on and digital preserva.on. Each webinar is focused on a specific topic and hosted by experts within the field. www.prestocentre.org/4u/publica.on-­‐services § Preservathons § PrestoCentre Preservathons are two-­‐day hands-­‐on events developed around main themes and challenges in audiovisual digi.sa.on, preserva.on and long-­‐term access. 20! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  21. 21. § Standards Register PRESTO4U SERVICES OFFERED (2) § The Standards Register incorporates informa.on on standards for content and metadata used across all communi.es involved in audiovisual digital preserva.on, with further input from experts in audiovisual preserva.on. www.prestocentre.org/standards § Tools catalogue § As well as open source and commercial tools, the catalogue incorporates tools and other emerging research results used at different stages of the lifecycle in long-­‐term preserva.on of digital audiovisual media. www.prestocentre.org/library/toolscatalogue § PrestoPlaza § This will be the place where users can express their audiovisual preserva.on needs and be presented with tailored solu.ons. Presto4U is currently scoping func.onal requirements and technical build of the brokerage environment for launch later this year. 21! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  22. 22. § Originates from Presto, PrestoSpace, MISSION AND ROLE (1) PrestoPRIME PRESTOCENTRE § Membership-­‐driven organisa.on § Brings together a global community of stakeholders in audiovisual digi.sa.on and digital preserva.on to share, work and learn. § PrestoCentre works with experts, researchers, advocates, businesses, public services, educa.onal organisa.ons and professional associa.ons to enhance the audiovisual sector's ability to provide long-­‐term access to cultural heritage. § As intermediary, PrestoCentre Founda.on offers a valuable placorm by connec.ng and facilita.ng interac.ons between these groups. 22! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  23. 23. § For smaller PRESTOCENTRE MISSION AND ROLE (2) archives, PrestoCentre provides services to connect, share experiences and learn from early adop.ng organisa.ons. § For larger archives, PrestoCentre offers structured ways to collaborate and share knowledge more effec.vely. § For research and commercial organisa.ons, PrestoCentre func.ons as a market and technology watch and helps in the evalua.on and transfer of new R&D and commercial output. § PrestoCentre also works with advocates, public services and professional associa.ons, to forge closer .es with government, industry, and academia. 23! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  24. 24. PRESTOCENTRE VALUES E Responsive Energizer Tools & Services T O C E Outcome Driven Trusted Proac.ve P R Passionate R E Caring Networking S Strategic N T 24! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  25. 25. PRESTOCENTRE 100 ARCHIVAL AND AFFILIATE MEMBERS, 270 INDIVIDUALS • Europeana Founda.on • Bridgeman Art Library • Brown University • Centre Pompidou • Austrian Filmarchiv • HBO • Irish Film Archive • Jazz at Lincoln Center • Finnish Na.onal Audiovisual Archive • MGM Studios • Na.onal Library of Norway • RTE • Smithsonian • New Zealand Film Archive • Serbian Broadcas.ng Corpora.on • Na.onal Archives of Singapore • And others 25! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  26. 26. PRESTOCENTRE 20 COMMERCIAL MEMBERS • Audiovisual Pres. Solu.ons • Booz & Company do Brasil • Cambridge Imaging • Deluxe • Doremi • Front Porch Digital • Hollywood Vaults • hVault • Media Ma4ers • Memnon • MWA Nova • Nirvanix • NVT Digital • Oracle • Thought Equity Mo.on • MediaPreserve • And others. 26! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  27. 27. PRESTOCENTRE INTERNATIONAL AND EUROPEAN 27 44 1 2 3 2 71 1 27! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  28. 28. 28! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  29. 29. PRESTOCENTRE THE CORE IDEA All about sharing, working and learning together: 29! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!
  30. 30. § www.presto4u.eu § Contact us at: office@prestocentre.org § Skype: prestocentre The PrestoCentre Communi.es of Prac.ce are s.ll open, so come and join us: www.prestocentre.org/communi.es PRESTO4U MORE INFORMATION 30! Presto4u - Technology for Digital Audiovisual Media Preservation: www.presto4u.eu / www.prestocentre.org!

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