Dover Beach


Published on

  • من طالبات سنة رابعة جامعة شغبة 281
    انت قلت يادكتور ان
    theme مجرد عنوان وانت طرحت من ضمن الاختبار ممكن تراعينا فية
    Are you sure you want to  Yes  No
    Your message goes here
  • best one
    Are you sure you want to  Yes  No
    Your message goes here
No Downloads
Total views
On SlideShare
From Embeds
Number of Embeds
Embeds 0
No embeds

No notes for slide

Dover Beach

  1. 1. DOVER BEACH Matthew Arnold Dr. M. Fahmy Raiyah
  2. 2. THE POETMatthew Arnold (1822-1888)
  3. 3. Dover BeachThe sea is calm to-night.The tide is full, the moon lies fairUpon the straits; on the French coast the light Gleams and isgone; the cliffs of England stand;Glimmering and vast, out in the tranquil bay. calmCome to the window, sweet is the night-air!Only, from the long line of sprayWhere the sea meets the moon-blanched land, whitenedListen! you hear the grating roar sounding harshOf pebbles which the waves draw back, and fling, 10 throwAt their return, up the high strand, shorelineBegin, and cease, and then again begin,With tremulous cadence slow, and bring shaking or quiveringThe eternal note of sadness in.straits: a narrow passage of water connecting two seas or other large areas of water.Gleam: shine glimmer: shine faintly with a wavering light
  4. 4. Sophocles long ago 15Heard it on the Agaean, and it brought The sea between Greece and Turkey.Into his mind the turbid ebb and flow cloudy, muddy, opaqueOf human misery; weFind also in the sound a thought,Hearing it by this distant northern sea.The Sea of FaithWas once, too, at the full, and round earths shoreLay like the folds of a bright girdle furled. Belt surrounding the waistBut now I only hear furl: fold upIts melancholy, long, withdrawing roar, 25Retreating, to the breath roar: full, deep prolonged soundOf the night-wind, down the vast edges drear dull, depressingAnd naked shingles of the world. Gravel on the beach
  5. 5. Ah, love, let us be trueTo one another! for the world, which seems 30To lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain;And we are here as on a darkling plain darkSwept with confused alarms of struggle and flight,Where ignorant armies clash by night.
  6. 6. Explanation The first stanza opens with a happy mood. Thespeaker invites his beloved to come to the windowto enjoy with him the calm sea and the sweet air ona beautiful night. The speaker, however, cannot resist the sadnessthat he feels by the repetitive sound of the waves onthe shore pebbles. The sound reminds the speakerof the ever-changing fortunes of people. In the second stanza, the speaker imagines thatthe same sound heard by the Greek dramatistSophocles made him think of the recurrence ofhuman suffering.
  7. 7. In the third stanza, the speaker compares thereceding waves to the decay of spiritual faith.Religion that used to be like a sash or belt,surrounding humanity and protecting it fromdoubt and despair, is now removed, leavingbehind a faithless humanity. In the fourth stanza, the speaker turns to hisbeloved, saying that it is in our sincerity and lovethat we can find solace in a world full ofdeception and uncertainty.
  8. 8. FORM Elegy: Arnolds "Dover Beach" is considered an elegy lamenting the worlds loss of religious faith, during a time of progress in science and industry. Dramatic Monologue: Matthew Arnolds "Dover Beach" is a dramatic monologue because the poet is addressing a silent audience. The effect is of one person directly addressing another, while the reader listens in.
  9. 9.  Stanza form: The poem is divided into 4 stanzas. Free Verse: The poem is written in free verse with no particular meter or rhyme scheme, although some of the words do rhyme.
  10. 10. THEME Decline of Religious Faith in the Modern World In Arnold’s world, religious faith was receding under the impact of modern materialism, the industrial revolution, and the new scientific ideas such as the theory of evolution. Consequently, spiritual values and religious beliefs were cast in doubt. Arnold laments the dying of the light of faith, symbolized by the gleaming light on the French coast. To his ears, the sound of the waves become the "melancholy, long, withdrawing roar" of the Sea of Faith. The receding waters leave behind a world bereft of any spiritual values, a world which offers: "Nor certitude, nor peace, nor help for pain."