The Cinematographic Principle and the Ideogram Film Theory  Jackie M, Darien,  Melissa, Casey and Jackie C.
Define Ideogram <ul><li>&quot;The ideogram provides a means for the laconic imprinting of an abstract concept.&quot; </li>...
Eisenstein's use of Ideograms in Film
Ideogram Binded to Cinematographic Principle <ul><li>&quot;Cinematography is, first and foremost, montage.&quot; </li></ul...
 
 
 
 
     Collision or Linkage?  <ul><li>  </li></ul>
Sergei’s Collision Method <ul><li>• Battleship Potemkin was the film that displayed Sergei’s new age idea of synthetic col...
EXAMPLE USING 3 SEPARATE IMAGES  1.
2.
3.
Together, they form new meaning  
Eisenstein Ideogram and Montage <ul><li>In response to the idea of the ideogram, Eisenstein </li></ul><ul><li>  concluded ...
The following examples of the hieroglyphs are used by Eisenstein to illustrate a process of meaning generation which can b...
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The cinematographic principle_and_the_ideogram

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The cinematographic principle_and_the_ideogram

  1. 1. The Cinematographic Principle and the Ideogram Film Theory Jackie M, Darien,  Melissa, Casey and Jackie C.
  2. 2. Define Ideogram <ul><li>&quot;The ideogram provides a means for the laconic imprinting of an abstract concept.&quot; </li></ul><ul><li>  </li></ul><ul><li>A written symbol that represents an idea or object directly rather than a particular word or speech sound, as a Chinese character </li></ul>
  3. 3. Eisenstein's use of Ideograms in Film
  4. 4. Ideogram Binded to Cinematographic Principle <ul><li>&quot;Cinematography is, first and foremost, montage.&quot; </li></ul><ul><li>&quot;Combine shots that are depictive , single in meaning, neutral in content -- into intellectual contexts and series.&quot; </li></ul>
  5. 9.      Collision or Linkage?  <ul><li>  </li></ul>
  6. 10. Sergei’s Collision Method <ul><li>• Battleship Potemkin was the film that displayed Sergei’s new age idea of synthetic collisions. </li></ul><ul><li>• Sergei would use his collision method by pairing up image and subsequent image. To show the audience what was going on but in a different way.  </li></ul>
  7. 11. EXAMPLE USING 3 SEPARATE IMAGES 1.
  8. 12. 2.
  9. 13. 3.
  10. 14. Together, they form new meaning  
  11. 15. Eisenstein Ideogram and Montage <ul><li>In response to the idea of the ideogram, Eisenstein </li></ul><ul><li>  concluded that montage is “an idea that DERIVES </li></ul><ul><li>  from the collision between two shots that are </li></ul><ul><li>independent of one another”. </li></ul><ul><li>  </li></ul><ul><li>  </li></ul>
  12. 16. The following examples of the hieroglyphs are used by Eisenstein to illustrate a process of meaning generation which can be adopted by the cinema, in the service of ‘intellectual montage’. <ul><li>  </li></ul><ul><li>eye + water = crying </li></ul><ul><li>door + ear = eavesdropping </li></ul><ul><li>child + mouth = screaming </li></ul><ul><li>mouth + dog = barking </li></ul><ul><li>mouth + bird = singing </li></ul><ul><li>knife + heart = anxiety   </li></ul><ul><li>  </li></ul>

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