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Innovating Through Passion. Design & Passione

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Innovating Through Passion. Design & Passione

Innovating trough passion
The ability to innovate is the way to ensure the competitiveness. Businesses need innovation and the ability to be proactive. The designer needs, today, to become a figure of a complex system, integrator of functions, connector of roles and skills.
School and education can not be intended (and are not more) as containers of knowledge, but spaces where to develop new hypotheses and new qualities, nodes which society and the manufacturing can be connected.
Through a series of examples, examining projects of industrial design and research projects, an overview of experiences (Piaggio, BMW, Bugatti, Grcic...) with a common ground: the multidisciplinary approach, and passion as the main driver towards new visions and innovations. From product design to communication, from new markets to new products, old and new myths, old and new design roles.
Where the transfer of competencies, different knowledge and technologies becomes the true strength of the project.

La capacità di innovare è l'unico modo per garantire competitività. Le imprese hanno bisogno di innovazione. Il designer, oggi, è una figura che opera in un sistema complesso, integratore di funzioni, connettore di ruoli e competenze.
La formazione non può essere quindi un contenitore di conoscenza, ma uno spazio in cui tendere a nuove visioni e nuove ipotesi, connessioni attraverso le quali società e impresa possano essere collegate.
Attraverso una serie di esempi, progetti di design industriale e di ricerca, designer e progettisti, una panoramica di esperienze (Piaggio, BMW, Bugatti...) accomunati dall'approccio multidisciplinare e dalla passione, motore principale verso nuove visioni e innovazione. Dalla progettazione del prodotto alla comunicazione, da nuovi mercati per nuovi prodotti, vecchi e nuovi miti.
Dove il trasferimento di competenze, conoscenze e tecnologie diventa il vero punto di forza del progettare.

Innovating trough passion
The ability to innovate is the way to ensure the competitiveness. Businesses need innovation and the ability to be proactive. The designer needs, today, to become a figure of a complex system, integrator of functions, connector of roles and skills.
School and education can not be intended (and are not more) as containers of knowledge, but spaces where to develop new hypotheses and new qualities, nodes which society and the manufacturing can be connected.
Through a series of examples, examining projects of industrial design and research projects, an overview of experiences (Piaggio, BMW, Bugatti, Grcic...) with a common ground: the multidisciplinary approach, and passion as the main driver towards new visions and innovations. From product design to communication, from new markets to new products, old and new myths, old and new design roles.
Where the transfer of competencies, different knowledge and technologies becomes the true strength of the project.

La capacità di innovare è l'unico modo per garantire competitività. Le imprese hanno bisogno di innovazione. Il designer, oggi, è una figura che opera in un sistema complesso, integratore di funzioni, connettore di ruoli e competenze.
La formazione non può essere quindi un contenitore di conoscenza, ma uno spazio in cui tendere a nuove visioni e nuove ipotesi, connessioni attraverso le quali società e impresa possano essere collegate.
Attraverso una serie di esempi, progetti di design industriale e di ricerca, designer e progettisti, una panoramica di esperienze (Piaggio, BMW, Bugatti...) accomunati dall'approccio multidisciplinare e dalla passione, motore principale verso nuove visioni e innovazione. Dalla progettazione del prodotto alla comunicazione, da nuovi mercati per nuovi prodotti, vecchi e nuovi miti.
Dove il trasferimento di competenze, conoscenze e tecnologie diventa il vero punto di forza del progettare.

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Innovating Through Passion. Design & Passione

  1. 1. VENEZIA 12.04.13 MAXPINUCCI@MBVISION.IT
  2. 2. Innovation Phonetic spelling [ˌinəˈvā sh ən] noun 1.  the action or process of innovating. a new method, idea, product, etc. Cambridge Dictionary VENEZIA 12.04.13
  3. 3. VENEZIA 12.04.13 September, 1935
  4. 4. VENEZIA 12.04.13 July, 1942 (7 years later)
  5. 5. Crea©tivity Museo Piaggio, Pontedera, 2004
  6. 6. Customers Satisfied Core Source: Abell D.F. (1980), Defining the business: the starting point of strategic planning, Englewood Cliffs, N.J., Prentice-Hall Non Customers Notsatisfied Needs Technology non core Innovation Typology of customers Innovation > Out of the Cube…VENEZIA 12.04.13
  7. 7. Frederick van Amstel Designer s role in a Free Design world M A R K E T Innovation > new attitudesVENEZIA 12.04.13
  8. 8. Far from the stereotype of a creative genius, pencil in the pocket, baggy jacket and eyes away. This is history. In the twenty-first century the designer is a connector of skills, professional capable of directing an orchestra of specialists and a pool of companies towards an idea, a product, a sign, a moment. Max Pinucci Introduction to the International Design Education Award Catalogue, 2009 VENEZIA 12.04.13
  9. 9. Design tra le nuvole ISIA, Firenze, 2003 Pegasus Museo Piaggio, Pontedera, 2004 Imaginair ISIA, Firenze, 2003
  10. 10. Isao Hosoe Origin: Japan Studies: Aeronautical Engineer Profession: designer, stylist Pegasus Museo Piaggio, Pontedera, 2004Passion VENEZIA 12.04.13
  11. 11. Isao Hosoe Origin: Japan Studies: Aeronautical Engineer Profession: designer, stylist Pegasus Museo Piaggio, Pontedera, 2004Passion VENEZIA 12.04.13
  12. 12. Pegasus Museo Piaggio, Pontedera, 2004 Marc Newson Origin: Australia Studies: Jeweler Profession: designer, stylistPassion VENEZIA 12.04.13
  13. 13. Pegasus Museo Piaggio, Pontedera, 2004 Marc Newson Origin: Australia Studies: Jeweler Profession: designer, stylistPassion VENEZIA 12.04.13
  14. 14. Passion Phonetic spelling [/ˈpæʃ.ən/] noun 1.  a very powerful feeling, for example of sexual attraction, love, hate, anger or other emotion 2.  an extreme interest in or wish for doing something, such as a hobby, activity, etc Cambridge Dictionary VENEZIA 12.04.13
  15. 15. Flying High Warsaw 12.05.12 VENEZIA 12.04.13
  16. 16. " VENEZIA 12.04.13 M A X P I N U C C I
  17. 17. The request of the Brazilian tycoon Alberto Santos Dumont, aviation pioneer, to can read the time in flight... VENEZIA 12.04.13 M A X P I N U C C I
  18. 18. Cartier did not try to adapt the pocket watch to the wrist, but managed to design an object where innovation and functionality blended harmoniously, surviving the changing until today VENEZIA 12.04.13
  19. 19. First the logo Warsaw 12.05.12 VENEZIA 12.04.13
  20. 20. •  Fokker Flugzeug Werke •  Fighter •  Empty weight 700 kg •  6 cylinder engine with compressor, liquid- cooled, 185 hp power •  Speed max. 200 kmh •  Ceiling 7.000 meters VENEZIA 12.04.13 M A X P I N U C C I
  21. 21. VENEZIA 12.04.13 M A X P I N U C C I
  22. 22. VENEZIA 12.04.13
  23. 23. The logo of B.M.W. was born togheter with the Company, in 1917, and arrived today virtually unchanged. The propeller and its disc, the blue sky, even now betrays the aeronautical origins of the Bavarian Company Design tra le Nuvole - Massimiliano Pinucci, ISIA VENEZIA 12.04.13
  24. 24. I envied skies Warsaw 12.05.12 VENEZIA 12.04.13
  25. 25. VENEZIA 12.04.13 M A X P I N U C C I
  26. 26. Ettore Bugatti (1881, Milano, 1947, Paris) was an Italian automobile designer and manufacturer. M A X P I N U C C I
  27. 27. VENEZIA 12.04.13 M A X P I N U C C I
  28. 28. VENEZIA 12.04.13
  29. 29. VENEZIA 12.04.13 M A X P I N U C C I
  30. 30. Designed by the office of Bugatti Design in Paris in 1938, intended as a racer, it was a plane incredibly futuristic with solutions that are still current. Two 400hp surcharged engines, counter-rotating propellers, the airplane, designed by Louis de Monge survived the WWII and is now on display at Oshkosh (USA)
  31. 31. M A X P I N U C C I
  32. 32. Dropping wings Warsaw 12.05.12 VENEZIA 12.04.13
  33. 33. The Piaggio PC7 was designed to participate in the famous Schneider Trophy competition in 1929 VENEZIA 12.04.13
  34. 34. The Piaggio PC7 was designed to participate in the famous Schneider Trophy competition in 1929 VENEZIA 12.04.13
  35. 35. Piaggio P.108
  36. 36. VENEZIA 12.04.13
  37. 37. Ing. Corradino D Ascanio
  38. 38. VENEZIA 12.04.13
  39. 39. VENEZIA 12.04.13
  40. 40. VENEZIA 12.04.13
  41. 41. VENEZIA 12.04.13
  42. 42. Glass cockpit Warsaw 12.05.12 VENEZIA 12.04.13
  43. 43. CAD VS. REAL Warsaw 12.05.12 VENEZIA 12.04.13
  44. 44. VENEZIA 12.04.13
  45. 45. VENEZIA 12.04.13
  46. 46. Near the sky Warsaw 12.05.12 VENEZIA 12.04.13
  47. 47. Firenze, 13.09.11 01/ Il Progetto Idintos In 2004 I participated in the design of the interior of the Pipistrel Taurus, self-launched two-seater microlight 15 meter glider working on the cockpit
  48. 48. In 2009/12 the Interior design and styling for the high-performance four seat Pipistrel Panthera (presented during Aero12 in Friedrichshafen)
  49. 49. Achille Castiglioni Warsaw 12.05.12 VENEZIA 12.04.13
  50. 50. Parentesi (1970) VENEZIA 12.04.13
  51. 51. Gaetano Pesce Warsaw 12.05.12 VENEZIA 12.04.13
  52. 52. Up (1969)
  53. 53. Bruno Munari Warsaw 12.05.12 VENEZIA 12.04.13
  54. 54. Falkland (1964)
  55. 55. De Pas, D Urbino, Lomazzi Warsaw 12.05.12 VENEZIA 12.04.13
  56. 56. Paolo Ulian Warsaw 12.05.12 VENEZIA 12.04.13
  57. 57. VENEZIA 12.04.13
  58. 58. Back to roots Warsaw 12.05.12 VENEZIA 12.04.13
  59. 59. Design and realization of an innovative prototype, based on the Prandtlplane configuration, of a light seaplane, with the aim to create an aeronautical pole in Tuscany. Back to the roots...
  60. 60. [" ]"
  61. 61. VENEZIA 12.04.13
  62. 62. Max Pinucci www.mbvision.it www.isiadesign.fi.it maxpinucci@mbvision.it VENEZIA 12.04.13 Massimiliano Pinucci Designer since 1987, ranging between the expressive languages of form, image and research. CEO of MBVision, he has dealt with the creative direction in communication, product design (particularly aircraft interiors) and research projects. Since 1993, he conducts courses and seminars in Academies and Universities both public and private. In particular, he is professor of Strategies of Communication and Digital Media Integration at the ISIA Florence. Board member of the European League of Institutes of the Arts, he conceives and coordinates events and projects like Fiabesque, Crea@tivity, AIM (Alinari Image Museum). He has some publications related to design, research and fiction. In his free time he is a sport pilot.

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