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How aesthetics / beauty and usability influence each other in web design

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How aesthetics / beauty and usability influence each other in web design

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I've gone through a whole list of scientific papers to understand what science knows today about the influence aesthetics / beauty and usability have on each other. I then tried to turn those horrendously boring papers into something that resembles an entertaining format, cut it down to a 20 min presentation and presented it at IxDA Sydney in September 2014.
You might even learn something here - so please tread lightly ;-)

I've gone through a whole list of scientific papers to understand what science knows today about the influence aesthetics / beauty and usability have on each other. I then tried to turn those horrendously boring papers into something that resembles an entertaining format, cut it down to a 20 min presentation and presented it at IxDA Sydney in September 2014.
You might even learn something here - so please tread lightly ;-)

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How aesthetics / beauty and usability influence each other in web design

  1. 1. Beauty / aesthetics and usability What does one have to do with the other? MATTHIAS SCHRECK • SENIOR DESIGNER • ATLASSIAN • @SARDIONERAK
  2. 2. Why am I in front of you today?
  3. 3. •Volunteer for IxDA talks • Only facts, no opinions • Pick a topic, pray for a narrative
  4. 4. Why a talk on this topic?
  5. 5. VS. Heidi Klum Jakob Nielsen
  6. 6. What you will learn today
  7. 7. • A selective timeline of the history of research • Frustrations with academic papers • Defining and measuring web site aesthetics • What we really KNOW today about how aesthetics and usability influence each other • How to spell the word “aesthetics”
  8. 8. • What is beautiful is good; Dion K., Berscheid, E., Walster, E., 1972 • What is good is beautiful - face preference reflects desired personality; Little, A. C., Burt, D. M., Berrett, D. I., 2006 • Apparent usability vs. inherent usability - Experimental analysis on the determinants of the apparent usability. Kurosu, M. and Kashimura, K., 1995 • Aesthetics and apparent usability: empirically assessing cultural and methodological issues; Tractinsky, N., 1997 • What is beautiful is usable; Tractinsky, N., Katz, A. S., Ikar, D., 2000. • The Beauty of Simplicity; Karvonen, K., 2000. • Emotional design; Norman, D., 2003. • Assessing dimensions of perceived visual aesthetics of web sites; Lavie, T., Tractinsky, N., 2003. • The Interplay of Beauty, Goodness, and Usability in Interactive Products, Hassenzahl, M., 2004. • Organizational website usability and attractiveness effects on viewer impressions, Braddy, P. W., Meade A. W., Kroustalis, C. M., 2005. • Attention web designers: you have 50 milliseconds to make a good first impression; Lindgaard, G. et al., 2006. • Aesthetics and credibility in web site design; Robins, D. and Holmes, J., 2007. • The influence of prototype fidelity and aesthetics of design in usability tests: effects on user behaviour, subject evaluation and emotion; Sauer, J. and Sonderegger, A., 2008. • The influence of design aesthetics in usability testing: Effects on user performance and perceived usability; Sonderegger, A., Sauer, J. 2009. • Is beautiful really usable? Toward understanding the relation between usability, aesthetics, and affect in HCI; Tuch, A., 2012. • User interface design and the halo effect: some preliminary evidence; Soper, D. S., 2014 • … and a few others I just leaved through.
  9. 9. Don’t worry. ! I summarized. ! A bit, at least.
  10. 10. About academic papers
  11. 11. 1. Original study is wild and ‘out there’ 2. Some researchers run with it 3. Egos arise and fight each other • Everybody wants to make it simple • Everybody wants the best headline • Someone, at some point, will do it properly • Most use ‘convenience samples’, i.e. their students
  12. 12. Beauty as a research concept
  13. 13. http://www.reliefjournal.com/2014/04/07/socratic-dialogue-whats/ If something fulfils its function, it’s inherently beautiful ” SOCRATES (470-399 BC) - not an actual quote “ Philosophical approach Objective perception
  14. 14. “ ” Beauty is within the subject, not the object IMMANUEL KANT(1724-1804) - once again, not a quote, I’m just paraphrasing here Philosophical approach Subjective perception http://upload.wikimedia.org/wikipedia/commons/4/43/Immanuel_Kant_(painted_portrait).jpg
  15. 15. Empirical - experimental 1 beauty property + 1 beauty property = 2 x the beauties
  16. 16. Empirical - exploratory Beauty as a subjective stimulus of a complete item
  17. 17. Where it all began:
  18. 18. What is beautiful is good Dion, Berscheid, Walster 1972
  19. 19. The study: • Preliminary study: 50 ‘stimulus objects’ rated on ‘unattractive’, ‘moderately attractive’ and ‘attractive’ • 60 participants: rate each stimulus on various character traits
  20. 20. The outcome: Attractive people: • had more socially desirable traits • were expected to get better jobs • have happier marriages • were possibly NOT better parents for some reason
  21. 21. The halo effect http://www.tutor2u.net/blog/images/uploads/6a00d83451b74a69e20120a5dbb520970c.jpg Cognitive bias where one particular trait, especially good characteristics, influences or extends to other qualities of the person. Biases one’s decision with a tendency to focus on the good.
  22. 22. Where it began to get interesting for us designers
  23. 23. Apparent usability vs. inherent usability Kurosu and Kashimura, 1995
  24. 24. The study: • Generated 26 ATM layouts. Experts assessed them as high or low beauty and high or low usability. • 252 students were asked: how beautiful are they? how easy are they to use?
  25. 25. The outcome: • High correlation between apparent usability and apparent beauty • This correlation was higher than between beauty and usability as judged by experts • Therefore: beauty influences apparent usability more than actual usability does
  26. 26. VS. 1 0
  27. 27. “Go on…?”
  28. 28. Aesthetics and apparent usability - empirically assessing cultural and methodological issues Tractinsky, 1997
  29. 29. With guns ablazin’ • Strongly criticised Jakob Nielsen and Don Norman for their exclusive focus on usability • Are usability tests distracting from what really influences purchase decisions and user acceptance?
  30. 30. The study: • Adjusted the Japanese ATM layouts for Israeli audience • Ran them past some folks in Israel in 3 study setups
  31. 31. Overall result Aesthetics strongly affect perceived usability
  32. 32. VS. 2 0
  33. 33. What is beautiful is usable Tractinsky, Katz, Ikar, 2000
  34. 34. Claims • Usability and aesthetics influence each other due to • Popular stereotyping • Halo effect • Affective immediate response So his questions were: • Is anything else influenced apart from usability? • What happens after actually testing it?
  35. 35. The study • 9 ATM layouts and 3 scales (‘aesthetics’, ‘ease of use’, ‘amount of information on screen’) • Participants rated, then tested, and then rated again
  36. 36. Result • ‘Real’ usability performance was not influenced by aesthetics • Post-use satisfaction = post-use perceived usability + post-use perceived aesthetics • Real usability performance didn’t influence post-use assessment in any way. Only aesthetics did.
  37. 37. VS. 3 0
  38. 38. Assessing dimensions of perceived visual aesthetics of web sites Lavie and Tractinsky, 2003
  39. 39. The study: • 5-part study series • Generate a bunch of reliable scales • Test them by applying them and number crunching the outcome • … and see what else he could learn about causality
  40. 40. Results about metrics Two groups that measure aesthetics: Classical aesthetics: • aesthetic • pleasant • clean • clear • symmetrical Expressive aesthetics: • creative • using special effects • original • sophisticated • fascinating
  41. 41. Results about causality • Perceived usability is correlated to classical aesthetics, not so much to expressive aesthetics • ‘Clear design’ is part of both ‘classical aesthetic’ and the general understanding of ‘usability’ • This in turn shows that users struggle to clearly distinguish between the two concepts
  42. 42. Someone, at some point, will do it properly, and disagree
  43. 43. The interplay of beauty, goodness and usability on interactive products Hassenzahl, 2004
  44. 44. His product model Product attributes: features, beauty, goodness, likability, etc. Product character: • Pragmatic qualities (PQ) • Usability • Utility • Hedonic qualities • Stimulation (HQS) • Identification (HQI)
  45. 45. AttrakDiff 2 questionnaire http://www.isti.tu-berlin.de/fileadmin/fg41/pictures/projekte/joy_of_use/attrakdiff_word_pairs_k.gif
  46. 46. The study • 2 very ugly and 2 very beautiful MP3 skins • Study 1: participants looked at them and assessed them with AttrakDiff 2 • Study 2: looked at them, assessed them, then used them, and assessed them again.
  47. 47. Overall results • Pragmatic qualities (like usability) predict ‘goodness’, but NOT beauty • HQI (and a bit of HQS) predicts beauty • Beauty is not strongly affected by using the product
  48. 48. Isn’t that contradi… • Tractinsky had proven that beauty influenced usability • Hassenzahl had proven that beauty and usability were completely independent
  49. 49. What had happened? Hassenzahl: Tractinsky’s usability manipulation was not successful. Tractinsky: not available for comment
  50. 50. VS. 3 1
  51. 51. <Interesting interlude> …because it’s interesting but doesn’t fit into the narrative… cut me some slack.
  52. 52. Attention web designers: you have 50 milliseconds to make a good first impression Lindgaard et al. 2006
  53. 53. The study • Study 1: Showed ugly and beautiful web sites for 500ms each, participants rated them from ‘very unattractive’ to ‘very attractive’ • Study 2: showed the same images, but only for 50ms
  54. 54. The overall result • 50ms exposure is enough to form an opinion • 50ms opinions are more variable than 500ms opinions • This opinion can then persist for some time after • She claims although the reaction is ‘visceral’ in the Norman sense, it’s not ‘visceral beauty’ because the judgement is more a “I like or I don’t like”
  55. 55. </ Interesting interlude> Thank you for your patience
  56. 56. Let’s wrap this up. ! With one more study. ! A REALLY BIG ONE.
  57. 57. Is beautiful really usable? Toward understanding the relation between usability, aesthetics and affect in HCI Tuch et al. 2012
  58. 58. His problems with studies • Researchers assume they know the direction of causality • Manipulating one condition without the other is hard • Resarchers used completely different measuring scales • Researchers looked for dumb causalities, not for boundary conditions
  59. 59. With boundary conditions, we describe the possibility that different degrees of usability and aesthetics manipulation may affect the aesthetics-usability relationship differently. TUCH ET AL., 2012 ” “
  60. 60. • Displayed an online shop • Tasks were to buy items • The fastest would get iPods
  61. 61. What made his study different • Manipulation of usability: simple IA changes, no change to aesthetics at all • Manipulation of aesthetics: different colours, use of imagery, no change to usability at all
  62. 62. 7 questionnaires including: SUS, AttrakDiff 2, ASQ, WOOS, SAM, and 3 unnamed ones 54 measuring scales
  63. 63. Results 1/3 Aesthetics Usability • Aesthetics did NOT influence perceived usability BEFORE use. No halo effect. • Aesthetics did also NOT influence perceived usability AFTER use. No ‘what is beautiful is usable’ effect. • Perceived usability was only affected by the actual experienced usability.
  64. 64. Results 2/3 Usability Aesthetics • Experienced usability DID influence perceived aesthetics AFTER use, particularly HQI and classical aesthetics. So it’s ‘What is usable is beautiful’. • Experienced usability did NOT impact HQS or expressive aesthetics after use
  65. 65. Results 3/3 Pre and post test comparison • Pre and post perceived usability ratings are not related • Usability only affects aesthetics AFTER use
  66. 66. … but … • The change in the usability condition was strong, while the aesthetic change might have been weak • They used a goal-oriented task in a pressure situation. What if: • Goal-directed pressure tasks put emphasis on usability? • Open, ‘relaxed’ tasks put emphasis on aesthetics?
  67. 67. VS. 3 2
  68. 68. or rather
  69. 69. VS. ? ?
  70. 70. So, what have we learned • In cognitive psychology, boundary conditions for phenomena are more likely than simple causalities • Be aware of task bias: • Goal-oriented tasks = participants put more attention on usability • Open tasks = participants put more attention on aesthetics • Usability influences overall perception of the product, but so does affective response to good (or bad) aesthetics - so improve both!
  71. 71. And some things to remember in general
  72. 72. • When you’re testing usability, you probably also test aesthetics • When you ask about aesthetics, you probably also get answers about usability • When you ask about overall experiences, you get a mix of both and people will not be able to distinguish properly
  73. 73. Thank you! MATTHIAS SCHRECK • SENIOR DESIGNER • ATLASSIAN • @SARDIONERAK ! SLIDES AVAILABLE AT WWW.SLIDESHARE.NET/MATTYSCHRECK
  74. 74. Image resources Confused dog: http://i.huffpost.com/gen/1575677/thumbs/o-SHOCK-COLLAR-facebook.jpg Atomic explosion: http://img2.wikia.nocookie.net/__cb20130921014959/fabianpedia/images/5/5a/20080321033750!Explosion.jpg Confused cat: http://www.coophlm.org/wp-content/uploads/2014/09/grumpy-confused-cat.jpg

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