17. Dale Chihuly,
glass,
creates designs, lost
one eye vision in car
accident, studied in
Venice on Fulbright
Fellowship, has MFA
from Rhode Island
School of Design
18. Define These Terms
• Primary color -
• Secondary color -
• Tertiary color -
• Tint -
• Tone -
• Shade -
• Hue -
• Chroma -
• Blind Contour Drawing -
• Contour -
19. • Primary color - (red, yellow, blue) colors that can not
be made by mixing other colors
• Secondary color - (orange, green, purple) two
primaries mixed, red + yellow = orange
• Tertiary color - a primary and secondary mixed, red +
orange = red orange
• Tint - color plus white, red + white = pink
• Tone - color plus grey
• Shade - color plus black, orange + black = brown
• Hue - the color itself
• Chroma - the brightness or dullness of a color
• Blind Contour Drawing - a drawing TECHNIQUE
where you focus entirely on the object, do not look at
the page, and do not lift your pencil from the paper
• Contour - the silhouette or outline
20. Define These Terms
• Value Study -
• Vanishing point
• Horizon line -
• Still life -
• Media -
• Principles of Design -
21. • Value Study - a process of drawing where the artist
attempts to develop the tonal quality of the image,
highlights, middle values, and shadows
• Vanishing point - in man made setting, the point at which
all parallel receding lines appear to converge
• Horizon line - in natural settings, where the sky meets the
ground
• Still life - an arrangement of inanimate objects
• Media - the materials used to create art, I.e. paints, clay,
oil pastels, colored pencils, etc
• Principles of Design - Unity, Pattern, Balance,
Emphasis, Rhythm, Movement, Contrast
22. Name the artist, title, year made, media used, one
fact about the artist, and one fact about the painting
23. Vincent van Gogh, Red Vineyard, 1888, Oil paints,
Only painting sold during van Gogh’s lifetime
Vincent van Gogh was a
complicated man, he had
wanted to be a pastor but
was not hired. He became a
painter and his brother
Theo helped support him
monetarily. He suffered
from mental illness and
eventually committed
suicide. We know a great
deal about him from his
letters to Theo, and today is
concerned one of the most
famous painters in history.
25. Charles Willson Peale,
“Portrait of Yarrow
Mamout”, 1819, Peale
was also scientist and
founded the Peale
Museum in Maryland, the
sitter was a former slave
who had earned his
freedom and achieved
financial stability and
longevity. Painting hangs
in our Philadelphia
Museum of Art.
27. • Kiln - the oven that fires ceramics, bisque fire to turn hard clay
into ceramics, and glaze fire to turn the painted glaze into the
glass finish
• Printing press - a machine that distributes pressure to prints into
order to transfer the ink to the paper
• Slip - watered down clay used to help join two pieces of clay
together
• Score - cutting into the clay in order to help join two pieces of
clay together
• Paper Mache - a process of using adhesive and various
materials to build up a form or sculpture
• Installation work - a piece of artwork that is made to fit in a
specific space
• Critique - a method of analyzing work, faults or merits
• Composition - the placement or arrangement of elements in art
28. Name the artist, title, year, and how contrast
creates mood and emphasis in this painting
29. Francisco Goya, “The 3rd of May, 1808” the dark
background sets a somber mood, and illuminates
the light figures, focusing the viewers eye on the
action, and the main figure with arms up also wears
the lightest clothing to attract the viewers attention.
31. Horace Pippin
Mr. Prejudice, 1943, about
segregation during WWII,
Pippin paints himself in his
WWI uniform, front leftJohn Brown Going to His
Hanging, 1942, Horace
Pippin’s grandmother painted
into lower right corner
32. Name the artist, title, year, discuss the
paintings purpose, and how the artist uses
color, shape, and size to support this purpose
33. Pablo Picasso, “Guernica”, 1937, atrocities of war, from
bombing of Guernica (in Spain) by the Germans, because the
colors are grey they feel somber and covered in dust,
because the shapes are jagged and overlapping they feel
chaotic and jarring, and because the painting is 11 feet tall
and 25 feet long it appears to be a world in which the viewer
could walk in and become part of. This painting became a
symbol of a powerful anti war message.