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The S.C.A.R. Project—Surviving
Cancer:
But Absolute? And Whose Reality?
Portraits: Emily
Constructing an alternative rhetoric
• “Breast cancer is not a pink ribbon.”
• Visual rhetoric of shock vs central construct of
family and friends of Komen
•
Visual Rhetoric of the Photographs
• Activate demanding reciprocity of direct
interaction with viewer
• Female embodiment which resists
containment within conventional and
exclusionary physical standards of female
display.
• Acts of “somatic cultural resistance” and
“defiance” in face of disfiguring disease
Scar vs pink ribbon
• Incorporation of terms into narratives of
women
• Reflects extent to which dominant ideology of
project is reflected in way they have come to
see themselves and their disease
Challenge to representational
practices
• Normative eroticized breast with scarred chest
• Jay’s focus is on what is not there
• Women out of conformity with traditional
standards yet not defeminized or desexualized
• Jay’s manipulation of cultural conventions
surrounding female display
New Meaning to post mastectomy
bodies
• Teach women what to expect
• Enlarge cultural imaginary
• Provide alternative that equates breasts with
central construct in definition of womanhood
• Expands and enlarges cultural conversations
around issues of femininity, beauty, and
female embodiment
Alternative to Komen
• Reifies what is generally hidden
• Re vises understanding of post mastectomy
bodies
• Wake up call to young women
• Constructs form of emboidiment that assigns
new meaning to scars
• Stigma becomes source of empowerment and
beauty

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SCAR project for pca 2015

  • 1. The S.C.A.R. Project—Surviving Cancer: But Absolute? And Whose Reality?
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11. Constructing an alternative rhetoric • “Breast cancer is not a pink ribbon.” • Visual rhetoric of shock vs central construct of family and friends of Komen •
  • 12. Visual Rhetoric of the Photographs • Activate demanding reciprocity of direct interaction with viewer • Female embodiment which resists containment within conventional and exclusionary physical standards of female display. • Acts of “somatic cultural resistance” and “defiance” in face of disfiguring disease
  • 13. Scar vs pink ribbon • Incorporation of terms into narratives of women • Reflects extent to which dominant ideology of project is reflected in way they have come to see themselves and their disease
  • 14. Challenge to representational practices • Normative eroticized breast with scarred chest • Jay’s focus is on what is not there • Women out of conformity with traditional standards yet not defeminized or desexualized • Jay’s manipulation of cultural conventions surrounding female display
  • 15. New Meaning to post mastectomy bodies • Teach women what to expect • Enlarge cultural imaginary • Provide alternative that equates breasts with central construct in definition of womanhood • Expands and enlarges cultural conversations around issues of femininity, beauty, and female embodiment
  • 16. Alternative to Komen • Reifies what is generally hidden • Re vises understanding of post mastectomy bodies • Wake up call to young women • Constructs form of emboidiment that assigns new meaning to scars • Stigma becomes source of empowerment and beauty