Southeastasianmusic 120707180339-phpapp02


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Southeastasianmusic 120707180339-phpapp02

  1. 1. Aubrey R. Salonga
  2. 2.  Philippines Singapore Thailand Brunei Laos Indonesia Cambodia Myanmar Vietnam East timor Malaysia
  3. 3. Essential Question:How is culturereflected in SoutheastAsian music?
  4. 4. The music of Southeast Asiareflects different aspects ofAsian culture through itstimbre, rhythm, melody,texture, form and style.
  5. 5. Activity: Group workMake a report/collage for eachSoutheast Asian country usingpictures of fabrics, art work,architecture and other aspects ofculture. Relate how these aspectsof culture are influenced
  6. 6. by history such as foreign influences(Dutch in Indonesia, Chinese inLaos, Vietnam, Singapore andThailand, Spain and America in thePhilippines and India in Indonesia,Burma, Malaysia, Brunei).
  7. 7. ExploreActivity:“Concoctions andConnections”
  8. 8. Match the picture withthe music: Choosefrom which country(Philippines,Indonesia, Thailand)
  9. 9. Indonesia:Dutch influences in thekeroncong through the use ofthe cuk and cak and westerninstruments.
  10. 10. Thailand:Chinese influence can be seenin Thai architecture and Thaitonal language.Philippines:Rondalla were influenced bySpanish bandurilla.
  11. 11. The music of SoutheastAsia is diverse becauseof the differentgeographical, historicaland cultural influencesin the region.
  12. 12. Thailand, Burma, Laosand Cambodia haveChinese influences.While Indonesia,Malaysia and Bruneihave Hindu andArabic Influences.
  13. 13. Thai Pi Phat (Gong ensemble)Thai Khruang Sai ( String ensemble)Indonesia gamelan( gong ensemble)Philippine-gangsa-kulintangan-rondalla
  14. 14. Aside from monarchy, theinfluence of colonization isevident in the music of thePhilippine and Indonesia.Spanish influences inPhilippine music can beseen in the sarswela,rondalla and tiples( boy’schoir)
  15. 15. American influences inpopular music andbodabil theatre form.Dutch influences can beseen in keroncong, aninstrumental ensembleof Indonesia that is
  16. 16. composed mainly ofwesternized instrumentsuch as guitar,cuk(chuk) andcak(chak) which aresmall guitars, doublebass, violin and flute.
  17. 17. This evident in the use ofbamboo instrument( Philippine kalinggatongatong, patteteg,bungkaka and
  18. 18. Malabon musikongbumbong as well asIndonesian sumatranbamboo instrumentsuch as the anklung.
  19. 19.  LIC Angklung Ensemble - 2008 Performance atFBCE - YouTube.flv
  20. 20. Firm upActivity: Make a VenndiagramFind commonalities in terms ofhow the musical elementsshow similarities anddifferences in culture.
  21. 21. Chest and headtone, mixedtextures, diatonicmajor-minorscalesPlucked lute(rondalla,keroncong), chestand some headvoiceIndonesia(five/seven notescales)Gongs, gangsa,kulintang gamelan,piphat, jews harpkrung saiNasal voicepentatonicSpanish,American,JapanesecolonizersDutchcolonizerChineseinfluences
  22. 22. DEEPENActivity: “Experiencingthe music of SoutheastAsia throughPerformance”
  23. 23. Learn selected folk songsfrom Southeast Asiancountries:Thai festival song “Loi,Loi Khratong”
  24. 24. Wan pen__du-an sib song namkorNong tam ta-ling. Rao thangchai ying__sa-nuk kan chingwan loi gratongLoi-loi khratong loi-loikhratong loi gratong
  25. 25. kan laew-korchemnongkaew ogmarram wongRam wongwanloikhratong.ramvongwanloikhratong Boon ja song hairao suk jai boon ja songhai rao suk jai.
  26. 26. DAY5Discussion/Lecture
  27. 27. Pesindhen (localIndonesian singer) usingboth chest and headvoice. In the Philippines,there are many vocaltimbres ( chest and headvoice) associated withdifferent traditions
  28. 28. and functions such asindegenous epicsinging examplehudhud,pasyon, choralsinging in the tiples,kundiman or Philippineart song, popular orjazz singing.
  29. 29. In Thai, Lao andCambodian there is sucha thing as the mowlan ormolam vocal tradition, asort of epic singing similarto Philippine visayanbalitaw wherein a manand woman debate in asing –song manner.
  30. 30. Kulintang
  31. 31. Gamelanan ensemble oftunedpercussioninstrument thatincludemetallophones,drums, gong andbamboo flutes.
  32. 32.  The Gamelan Music Of Indonesia. -YouTube.flv
  33. 33. Pi Phat Ensembleis a kind ofensemble inthe classicalmusic of Thailand,which featureswind andpercussioninstruments
  34. 34.  Piphat Ensemble.flv
  35. 35.  Traditional music in Southeast Asia -YouTube.mp4
  36. 36. Philippines - kundiman,balitaw, salidummay /gangsa, kulintang,bamboo instruments,rondalla,marching band
  37. 37. Thailand, Laos, Cambodia,Vietnam –molam, mawlun/ kaen mouth organ, dantranh, dan co, dan ty ba, piphat, ching, ranat, ehru
  38. 38.  is a mouth organ of Lao originwhose pipes, which are usuallymade of bamboo, are connectedwith a small, hollowed-outhardwood reservoir into whichair is blown, creating a soundsimilar to that of the violin.
  39. 39. is aplucked zither of Vietnam.It has a wooden body andsteel strings, each of whichis supported by a bridge inthe shape of an inverted"V."
  40. 40. Malaysia, Singapore,Brunei, Indonesia –pesinden/ gamelan,keroncongMyanmar – music bearsIndian influences
  41. 41. Day6
  42. 42. Learn selected folk songsfrom Southeast Asiancountries;Philippine welcomesong “ Salidummay”
  43. 43. Tay bulan ti DiciembreNabomba-an ti kampyonheAy ay SalidommaySalidommay diwayKaasi ni darling koIntaray ti suldado
  44. 44. Ay ay SalidommaySalidommay diwayMarbakoma ti bantayParpabor-an a ti baybayAy ay SalidommaySalidommay diwayPareng no makitak payTi darling ko no di pay natay
  45. 45. Ay ay SalidommaySalidommay diwayKunak no U.S ArmyIn tagayam kabosormiAy ay SalidommaySalidommay diwayKunak no aniya ti aglibu-libom
  46. 46. In tagayam nga pikbomAy ay SalidommaySalidommay diwayIdinalpas iti gubatBabai ti kumamaAy ay SalidommaySalidommay diway
  47. 47. Kunak no U.S ArmyIn tagayam kabosormiAy ay SalidommaySalidommay diwayKunak no aniya ti aglibu-libomIn tagayam nga pikbomAy ay SalidommaySalidommay diway
  48. 48. Idinalpas iti gubatBabai ti kumamaAy ay SalidommaySalidommay diway(2x)
  49. 49.  SALIDOMMAY - Mabuhay Singers -YouTube.flv
  50. 50. DAY7
  51. 51. TRANSFER“Southeast AsianSoundscapes”Culminating ActivityPresent the individual andgroup performances ofsongs from SoutheastAsian country.
  52. 52. Criteria:Clear tone quality 20%Correct expression 20%Correct style 20%Correct pitch 20%Correct rhythm 20%100%
  55. 55. 1. Odmely2. nda trnha3. Gelanam4. Ablitwa5. dalRonla
  56. 56. 6. Khnae7. Pi atPh8. Sphtroic9. Micsu10. klanngu
  57. 57. 1. Which country bears theremusic more on Indianinfluences?Myanmar PhilippinesIndonesia Thailand
  58. 58. 2. A vocal tradition inThailand, Laos andCambodia.Strophic BalitawSlendro Molam
  59. 59. 3. A Philippine visayansong wherein a manand woman debate in asing –song manner.Strophic BalitawKundiman Molam
  60. 60. 4. A repeating tune ondifferent verses.Strophic BalitawKundiman Molam
  61. 61. 5. It is a Thai festivalsong.Palendag KalalengSalidummayLoi loi khratong
  62. 62. 6. 7.