SlideShare a Scribd company logo
1 of 21
THRILLER
COURSEWORK TASK – KRISTINE GULDEN
INDEX
-    Definition and aspects of classification
-    How does the film institution use genre?
-    How do audiences use genres?
-    History of thriller genre
-    Thriller and sub-genres
-    Codes and conventions
-    Famous thriller directors
-    Famous thriller films
-    Mood board
-    Use of research
-    Bibliography

Kristine Gulden 2012                                   «Welcome to Forbes», October 18, 2012.
                                                http://www.forbes.com/fdc/welcome_mjx.shtml.
DEFINITION AND ASPECTS OF
          CLASSIFICATION
          Genre in film is a method to classify and divide films into categories based on its
          content. Any film can primarily be divided into two genres; documentary or
          fiction. The difference between these genres is whether the film is supposed to
          document an event that is happening/has happened in reality. A fictional film has
          contents that are written by an author.




          Furthermore, films can be divided based mainly on four variables:                                                                                storyline,
          narratives, actors, production environment, mise en scene (costume, setting,
          props, lighting) and target audience. Some genres would be comedy, action,
          adventure, romance, science fiction and also thriller. However, a film can also be a
          categorized into multiple genres because its content has a wide range of
          elements that fits into multiple genres.
SOURCES
«Film genre - Wikipedia, the free encyclopedia», October 16, 2012. http://en.wikipedia.org/wiki/Film_genre.
«Filmsjanger - Wikipedia», October 16, 2012. http://no.wikipedia.org/wiki/Filmsjanger.
«What is Genre and Gulden Used in Film - Yahoo! Voices - voices.yahoo.com», October 16, 2012. http://voices.yahoo.com/what-genre-used-film-16152.html.
         Kristine How is it 2012
«Conventions of a Thriller - Brief History - Mood Board & 9 Shot Ana...», October 17, 2012. http://www.slideshare.net/UsmanShah2/conventions-of-a-thriller-brief-history-mood-board-9-shot-analysis.
HOW DOES THE FILM
         INSTITUTION USE GENRES?
         Genres makes it easier for film institutions to limit the range of producing films,
         as some genres are more expensive to produce than others. Some independent
         film producers might not even be able to produce films in the action/thriller
         genres because of a low budget, and such genres require expensive special
         effects to be able to compete at a certain level with other production companies
         which specializes within these genres.




         Genres also limits the audience and makes it easier for film institutions to focus
         on certain audiences. If they were to advertise a film they would show the trailer
         related to other films of the same genres, for example showing a comedy trailer in
         a cinema exhibiting a comedy film.

SOURCES
«Film genre - Wikipedia, the free encyclopedia», October 16, 2012. http://en.wikipedia.org/wiki/Film_genre.
         Kristine Gulden 2012
«Filmsjanger - Wikipedia», October 16, 2012. http://no.wikipedia.org/wiki/Filmsjanger.
«What is Genre and How is it Used in Film - Yahoo! Voices - voices.yahoo.com», October 16, 2012. http://voices.yahoo.com/what-genre-used-film-16152.html.
HOW DO AUDIENCES USE
         GENRES?
         Genres also help audiences choose the film they would like to view
         because genres the audiences will be familiar with the general
         situations of the film based on which genre it is in, and they would
         therefore immediately be able to tell whether or not the film would
         be of their liking, although the level of liking depends on the
         individual and film itself.




SOURCES
«Film genre - Wikipedia, the free encyclopedia», October 16, 2012. http://en.wikipedia.org/wiki/Film_genre.
«Filmsjanger - Wikipedia», October 16, 2012. http://no.wikipedia.org/wiki/Filmsjanger.
«What is Genre and Gulden Used in Film - Yahoo! Voices - voices.yahoo.com», October 16, 2012. http://voices.yahoo.com/what-genre-used-film-16152.html.
          Kristine How is it 2012
«Connection Café: My Audience is My Community», October 18, 2012. http://www.connectioncafe.com/posts/2011/08-august/my-audience-is-my-community.html.
«Conventions of a Thriller - Brief History - Mood Board & 9 Shot Ana...», October 17, 2012. http://www.slideshare.net/UsmanShah2/conventions-of-a-
HISTORY OF THE THRILLER
GENRE
           One of the very first thriller films was a comic by Harold Lloyd from 1923,




                                                                                           «Film genre - Wikipedia, the free encyclopedia», October 13, 2012. http://en.wikipedia.org/wiki/Film_genre.
           titled Safety Last!, but the breakthrough of the thriller as a film genre did
           not come until Alfred Hitchcock and Fritz Lang made films that set the
           standard of the modern thriller genre, starting with The Lodger (1926)




                                                                                           «Filmsjanger - Wikipedia», October 13, 2012. http://no.wikipedia.org/wiki/Filmsjanger.
           and M (1931).


           Throughout the decades, more thrillers were made, and in the 1950’s,
           Hitchcock added Technicolor to his films, casted big film stars and fancy




                                                                                           thriller-brief-history-mood-board-9-shot-analysis.
           locations which took the thriller genre to a whole another level.




           After the assassination of President J. F. Kennedy in 1963, political and
           paranoid thrillers became very popular.




                                                                                           SOURCES:
Kristine Gulden 2012
«Conventions of a Thriller - Brief History - Mood Board & 9 Shot Ana...», October 17, 2012. http://www.slideshare.net/UsmanShah2/conventions-of-a-
HISTORY OF THE THRILLER
GENRE




                                                                                       «Film genre - Wikipedia, the free encyclopedia», October 13, 2012. http://en.wikipedia.org/wiki/Film_genre.
            Throughout the 1970’s and the 1980’s the thriller genre in general
            became very popular, and suddenly the film industry had many new




                                                                                       «Filmsjanger - Wikipedia», October 13, 2012. http://no.wikipedia.org/wiki/Filmsjanger.
            thriller film directors, who’s behind some of today’s biggest thrillers over
            all, such as ‘Jaws’ (Steven Spielberg, 1975) and ‘Taxi Driver’ (Martin
            Scorsese, 1976).



            In the 1990’s, crime and mystery thrillers became more popular with




                                                                                       thriller-brief-history-mood-board-9-shot-analysis.
            serial killers and investigations.




                                                                                       SOURCES:
Kristine Gulden 2012
«Conventions of a Thriller - Brief History - Mood Board & 9 Shot Ana...», October 17, 2012. http://www.slideshare.net/UsmanShah2/conventions-of-a-
HISTORY OF THE THRILLER
GENRE




                                                                                     «Film genre - Wikipedia, the free encyclopedia», October 13, 2012. http://en.wikipedia.org/wiki/Film_genre.
         As of today, many thrillers borrow previous themes from earlier decades,




                                                                                     «Filmsjanger - Wikipedia», October 13, 2012. http://no.wikipedia.org/wiki/Filmsjanger.
         but many thrillers also borrow aspects from the horror genres with
         sadistic violence and terror. However, action thrillers and spy thrillers
         have also increased in popularity with thrillers such as ‘Batman: The
         Dark Night Rises’ (Christopher Nolan, 2012) and ‘Taken’(Pierre Morel,
         2008), ‘X-men: First Class, 2011’ (Matthew Vaughn) and ‘Casino Royale’




                                                                                     thriller-brief-history-mood-board-9-shot-analysis.
         (Martin Campbell, 2006)




                                                                                     SOURCES:
Kristine Gulden 2012
THRILLERS AND SUB-GENRES
          Thriller is a genre in film which emphasizes on suspense and leaving the

          audience ‘at the edge of their seats’ in excitement as they film they are viewing

          and the story they are following is reaching the climax. They often have a

          protagonist with a weakness which the antagonist is trying to exploit to prevent

          the protagonist from escaping a dangerous situation.




          Some main subgenres within the thriller genre could be conspiracy thriller,

          disaster thriller, legal thriller, medical thriller, psychological thriller, supernatural

          thriller, crime thriller, mystery thriller, and the list goes on.

SOURCES:
«.: Codes & Conventions Of A Thriller», October 18, 2012. http://jwhite-suttonmediaas.blogspot.co.uk/2008/11/codes-conventions-of-thriller.html.
          Kristine Gulden 2012
«Codes And Conventions Of Thrillers», October 18, 2012. http://www.slideshare.net/CharlotteEmmaVicki/codes-and-conventions-of-thrillers.
«Conventions of a Thriller - Brief History - Mood Board & 9 Shot Ana...», October 17, 2012. http://www.slideshare.net/UsmanShah2/conventions-of-a-thriller-brief-history-mood-board-9-shot-analysis..
CODES AND CONVENTIONS

          MISE EN SCENE
          Suburbs/urban cities: Thrillers often takes places in the suburbs or in urban

          cities as it makes it relatable for the audiences. Thrillers often takes places

          in the suburbs or in urban cities as it makes it relatable for the audiences.




          Low key lighting and shadows: Low key lightning causes shadows and dark

          colours can represent the inner darkness of a character, but can also add

          suspense as the darkness is ‘unknown’ in the sense that it is hard to know

          what is hiding in the dark and creates a mystic atmosphere.

SOURCES:
«.: Codes & Conventions Of A Thriller», October 18, 2012. http://jwhite-suttonmediaas.blogspot.co.uk/2008/11/codes-conventions-of-thriller.html.
«Codes And Conventions Of Thrillers», October 18, 2012. http://www.slideshare.net/CharlotteEmmaVicki/codes-and-conventions-of-thrillers.
          Kristine Gulden 2012
«Conventions of a Thriller - Brief History - Mood Board & 9 Shot Ana...», October 17, 2012. http://www.slideshare.net/UsmanShah2/conventions-of-a-thriller-brief-history-mood-board-9-shot-analysis..
«AS Thriller Film: Thriller Genre Codes and Conventions», October 28, 2012. http://asthrillerfilm.blogspot.co.uk/2012/04/thriller-genre-codes-and-conventions.html.
CODES AND CONVENTIONS

          MISE EN SCENE
          Flashbacks and black and white: Flashbacks create non-continuity in the
          storyline and can confuse the audience, but also clear things up as it allows the
          audience to understand more of the narrative. The black and white effect is a
          convention in the thriller genre as it gives greater contrast to lightness and
          darkness, but is also commonly used in flashbacks to inform the audience that
           this is not the present.


          Mirrors and stairs: Mirrors and stairs are conventions often used in psychological
          thrillers. The reflections in the mirrors can reflect the character’s inner self and
          can reveal the character’s hidden identity for the audience, which can for example
          be a dark identity, or a trapped identity. Stairs are used because it takes the
          character to a higher/lower level, and the stairs can also lead to something
          unknown.

SOURCES:
«.: Codes & Conventions Of A Thriller», October 18, 2012. http://jwhite-suttonmediaas.blogspot.co.uk/2008/11/codes-conventions-of-thriller.html.
«Codes And Conventions Of Thrillers», October 18, 2012. http://www.slideshare.net/CharlotteEmmaVicki/codes-and-conventions-of-thrillers.
          Kristine Gulden 2012
«Conventions of a Thriller - Brief History - Mood Board & 9 Shot Ana...», October 17, 2012. http://www.slideshare.net/UsmanShah2/conventions-of-a-thriller-brief-history-mood-board-9-shot-analysis..
«AS Thriller Film: Thriller Genre Codes and Conventions», October 28, 2012. http://asthrillerfilm.blogspot.co.uk/2012/04/thriller-genre-codes-and-conventions.html.
CODES AND CONVENTIONS

          CINEMATOGRAPHY
          Thriller films often have a recurring change in camera angles and an

          obtrusive editing with fast cutting rhythm to raise the tension in the current

          scene by giving the scene a quick movement.




SOURCES:
«.: Codes & Conventions Of A Thriller», October 18, 2012. http://jwhite-suttonmediaas.blogspot.co.uk/2008/11/codes-conventions-of-thriller.html.
«Codes And Conventions Of Thrillers», October 18, 2012. http://www.slideshare.net/CharlotteEmmaVicki/codes-and-conventions-of-thrillers.
          Kristine Gulden 2012
«Conventions of a Thriller - Brief History - Mood Board & 9 Shot Ana...», October 17, 2012. http://www.slideshare.net/UsmanShah2/conventions-of-a-thriller-brief-history-mood-board-9-shot-analysis..
«AS Thriller Film: Thriller Genre Codes and Conventions», October 28, 2012. http://asthrillerfilm.blogspot.co.uk/2012/04/thriller-genre-codes-and-conventions.html.
CODES AND CONVENTIONS

          MUSIC
          Thrillers use scores and soundtracks to raise the tension and suspense

          within a scene. A scene with action would include a score/soundtrack with

          fast rhythms, while a mystic scene would include a slow score/soundtrack

          with dark tones. The absence of music is also commonly used as it gives

          attention to the synchronous sounds parallel to the event on screen.




SOURCES:
«.: Codes & Conventions Of A Thriller», October 18, 2012. http://jwhite-suttonmediaas.blogspot.co.uk/2008/11/codes-conventions-of-thriller.html.
«Codes And Conventions Of Thrillers», October 18, 2012. http://www.slideshare.net/CharlotteEmmaVicki/codes-and-conventions-of-thrillers.
          Kristine Gulden 2012
«Conventions of a Thriller - Brief History - Mood Board & 9 Shot Ana...», October 17, 2012. http://www.slideshare.net/UsmanShah2/conventions-of-a-thriller-brief-history-mood-board-9-shot-analysis..
«AS Thriller Film: Thriller Genre Codes and Conventions», October 28, 2012. http://asthrillerfilm.blogspot.co.uk/2012/04/thriller-genre-codes-and-conventions.html.
FAMOUS THRILLER DIRECTORS
                                                                                                                                       ,
                                                                                        born 13th of August 1899, was an English
                                                                                        film director and started his career as a
                                                                                        title designer for silent films early in the
                                                                                        1920’s and debuted as a director in 1925
                                                                                        with The Pleasure Garden. Throughout the
                                                                                        1930’s he created a good image as a
                                                                                        director with lots of good thrillers. He has
                                                                                        got two stars on the Hollywood Walk of
                                                                                        Fame for his contributions in the film
                                                                                        industry. Alfred died April 29th 1980 in LA,
                                                                                        California.

        «Alfred Hitchcock - Television Tropes & Idioms», October 16th, 2012.
        http://tvtropes.org/pmwiki/pmwiki.php/Creator/AlfredHitchcock?from=Main.Alfre
        dHitchcock.

SOURCE:Kristine Gulden 2012TopTenREVIEWS», October 16th, 2012. http://movies.toptenreviews.com/directors/list_thriller_director.htm.
           «Best Thriller Directors -
«Alfred Hitchcock - Wikipedia», October 16, 2012. http://no.wikipedia.org/wiki/Alfred_Hitchcock.
FAMOUS THRILLER DIRECTORS
                                                                                                  ,

          born 18th of December, 1946, is one of the
          world’s most influential film directors. He
          started his career in the film industry as an
          assistant editor on ‘Wagon Train’ from
          1957, but his breakthrough as an




                                                                                                                                       «Steven Spielberg Style & Fashion / Coolspotters», October 16th, 2012.
          international film director wasn’t until 1975
          with ‘Jaws’. Some of his other bigger films




                                                                                                                                       http://coolspotters.com/directors/steven-spielberg.
          are ‘Schindler’s List’ (1993), ‘E.T.’ (1982)
          and ‘Saving Private Ryan’ (1998).




SOURCE:
          Kristine Gulden 2012
«Best Thriller Directors - TopTenREVIEWS», October 16th, 2012. http://movies.toptenreviews.com/directors/list_thriller_director.htm.
«Steven Spielberg - Biography», October 16, 2012. http://www.imdb.com/name/nm0000229/bio.
FAMOUS THRILLER DIRECTORS
                                                                                                                                                                                                                     , born
                                                                                                                                                                             March 27th, 1963, is an American film




                                                                                    «Quentin Tarantino’s Best and Worst Films of 2011 - Nerd Reactor», October 16th, 2012.
                                                                                                                                                                             director. As a 21-year old, he started to work




                                                                                    http://nerdreactor.com/2012/01/16/quentin-tarantino-best-and-worst-films-of-2011/.
                                                                                                                                                                             in a video-shop, and got into the world of
                                                                                                                                                                             film. After meeting a film producer at a
                                                                                                                                                                             Hollywood party, who encouraged him to
                                                                                                                                                                             write a script. The result was ‘Reservoir
                                                                                                                                                                             Dogs’ in 1992, which was a great success
                                                                                                                                                                             and his career as film director started with a
                                                                                                                                                                             boom. His most famous film came out two
                                                                                                                                                                             years later, ‘Pulp Fiction’ which won the
                                                                                                                                                                             Palme D’Or Award at the Cannes Film
                                                                                                                                                                             Festival, and was nominated for best picture,
                                                                                                                                                                             best director and best original screenplay at
SOURCE:
«Quentin Tarantino - Biography», October 16, 2012. http://www.imdb.com/name/nm0000233/bio.                                                                                   the 1995 Academy Awards.
«Quentin Tarantino -Gulden 2012
           Kristine Wikipedia», October 16, 2012. http://no.wikipedia.org/wiki/Quentin_Tarantino.
: «Best Thriller Directors - TopTenREVIEWS», October 16th, 2012. http://movies.toptenreviews.com/directors/list_thriller_director.htm.
FAMOUS THRILLER DIRECTORS
                                                                ,
   born November 17th, 1942 is a
   prestigious American film
   director. He debuted as a
   director with the film ‘What’s a
   nice girl like you doing in a
   place like this?’ in 1963, but he
   is most known for films like
   ‘Goodfellas’ from 1990, ‘Shutter
   Island’ from 2010 and ‘Taxi
   Driver’ from 1976. He has been
   nominated for over two
   hundred awards, whereas he
                                                                           «Martin Scorsese - Page - Interview
   have won 106 of them.                                                   Magazine», October 16th, 2012.
                                                                           http://www.interviewmagazine.com/film/marti
                                                                           n-scorsese-shutter-island/.

SOURCES:
          Kristine Gulden 2012
«Best Thriller Directors - TopTenREVIEWS», October 16th, 2012. http://movies.toptenreviews.com/directors/list_thriller_director.htm.
«Martin Scorsese - Biography», October 16, 2012. http://www.imdb.com/name/nm0000217/bio.
«Pictures & Photos      «Pictures & Photos       «Pictures & Photos
   from Jaws - IMDb»,      from Pulp Fiction -      from Psycho -
   October 18, 2012.       IMDb», October 18,       IMDb», October 18,
   http://www.imdb.com/    2012.                    2012.
   media/rm3161889792/     http://www.imdb.com/m    http://www.imdb.com
   tt0073195.              edia/rm3216480512/tt0    /media/rm24904724
                           110912.                  48/tt0054215.




   «Pictures & Photos     «Pictures & Photos from   «Pictures & Photos
   from The Dark Knight   Taken - IMDb», October    from Inception -



                                                                            FAMOUS
   Rises - IMDb»,         18, 2012.                 IMDb», October 16,
   October 18, 2012.      http://www.imdb.com/me    2012.                  «Pictures & Photos from V for Vendetta -
   http://www.imdb.com/   dia/rm1321833728/tt093    http://www.imdb.com/   IMDb», October 16, 2012.
   media/rm834516224/     6501.                     media/rm3426651392/    http://www.imdb.com/media/rm1691979008/tt04
   tt1345836.



                                                                     THRILLER FILMS
                                                    tt1375666.             34409.


Kristine Gulden 2012
«I’m Hunted by Shadow People Shadow People – The
                                                                                                                           Haunting of Sunshine Girl», October 18, 2012.
MOOD BOARD




                                                                                                                           http://hauntedsunshinegirl.com/shadow-
                                                                                                                           people/shadow4/.
   «Impossible world: Motion picture and animation films», October
   18, 2012. http://im-possible.info/english/art/films/inception.html.

                                                                         «Two Dollar Cinema: August 2011», October 18, 2012.
                                                                         http://twodollarcinema.blogspot.co.uk/2011_08_07_archive.html.
Kristine Gulden 2012
HOW WILL I USE THIS
RESEARCH IN THE FUTURE?
Now that I have analysed the thriller genre, and have improved my

knowledge of the genre in general, I will use this research to make a thriller

of high standards. My newly gained knowledge will be transferred to the

production of the film to make it with a professional quality as possible.




I will use many of the conventions such as fast cutting rhythms and music

to create further suspense in my production. The setting will be somewhere

the audience can relate and create a mystic thriller with low key lighting and

dark shadows.


Kristine Gulden 2012
BIBLIOGRAPHY
«Alfred Hitchcock - Wikipedia», October 16, 2012. http://no.wikipedia.org/wiki/Alfred_Hitchcock.
«Best Thriller Directors - TopTenREVIEWS», October 16, 2012.
http://movies.toptenreviews.com/directors/list_thriller_director.htm.
«Conventions of a Thriller - Brief History - Mood Board & 9 Shot Ana...», October 17, 2012.
http://www.slideshare.net/UsmanShah2/conventions-of-a-thriller-brief-history-mood-board-9-shot-analysis.
«Film genre - Wikipedia, the free encyclopedia», October 13, 2012. http://en.wikipedia.org/wiki/Film_genre.
«Filmsjanger - Wikipedia», October 13, 2012. http://no.wikipedia.org/wiki/Filmsjanger.
«IMDb: Genre: Thriller», October 13, 2012. http://www.imdb.com/genre/thriller.
«IMDb: Most Popular Thriller Feature Films», October 13, 2012.
http://www.imdb.com/search/title?genres=thriller&sort=moviemeter,asc&start=51&title_type=feature.
«.: Codes & Conventions Of A Thriller», October 18, 2012. http://jwhite-suttonmediaas.blogspot.co.uk/2008/11/codes-
conventions-of-thriller.html.
«Codes And Conventions Of Thrillers», October 18, 2012. http://www.slideshare.net/CharlotteEmmaVicki/codes-and-
conventions-of-thrillers.
«Martin Scorsese - Biography», October 16, 2012. http://www.imdb.com/name/nm0000217/bio.
«Quentin Tarantino - Biography», October 16, 2012. http://www.imdb.com/name/nm0000233/bio.
«Quentin Tarantino - Wikipedia», October 16, 2012. http://no.wikipedia.org/wiki/Quentin_Tarantino.
«Steven Spielberg - Biography», October 16, 2012. http://www.imdb.com/name/nm0000229/bio.
«What is Genre and How is it Used in Film - Yahoo! Voices - voices.yahoo.com», October 14, 2012.
http://voices.yahoo.com/what-genre-used-film-16152.html.
«AS Thriller Film: Thriller Genre Codes and Conventions», October 28, 2012.
http://asthrillerfilm.blogspot.co.uk/2012/04/thriller-genre-codes-and-conventions.html.




Kristine Gulden 2012

More Related Content

What's hot

Critical approaches list
Critical approaches listCritical approaches list
Critical approaches listNick Crafts
 
Studying Fight Club
Studying Fight ClubStudying Fight Club
Studying Fight ClubCCN Media
 
Lesson 3 - War of the Worlds Context
Lesson 3 - War of the Worlds ContextLesson 3 - War of the Worlds Context
Lesson 3 - War of the Worlds ContextSouth Sefton College
 
Film catalogue
Film catalogueFilm catalogue
Film cataloguebrett123
 
Fight club lesson 1
Fight club lesson 1Fight club lesson 1
Fight club lesson 1lgoodhew
 
Slavery Modle: Lesson Two
Slavery Modle: Lesson TwoSlavery Modle: Lesson Two
Slavery Modle: Lesson TwoTerri Weiss
 
Fight Club Booklet
Fight Club BookletFight Club Booklet
Fight Club BookletNaamah Hill
 
Introduction to single film critical studies page 385-386 413-418
Introduction to single film   critical studies page 385-386 413-418Introduction to single film   critical studies page 385-386 413-418
Introduction to single film critical studies page 385-386 413-418michellemorris3
 
Critical context research
Critical context researchCritical context research
Critical context researchharrydocwra
 
Slavery Module: Lesson three
Slavery Module: Lesson threeSlavery Module: Lesson three
Slavery Module: Lesson threeTerri Weiss
 
History of the thriller genre
History of the thriller genreHistory of the thriller genre
History of the thriller genreemmalouise01
 
Slavery Module: Lesson five
Slavery Module: Lesson fiveSlavery Module: Lesson five
Slavery Module: Lesson fiveTerri Weiss
 

What's hot (18)

Critical approaches list
Critical approaches listCritical approaches list
Critical approaches list
 
Studying Fight Club
Studying Fight ClubStudying Fight Club
Studying Fight Club
 
Lesson 3 - War of the Worlds Context
Lesson 3 - War of the Worlds ContextLesson 3 - War of the Worlds Context
Lesson 3 - War of the Worlds Context
 
Media research
Media researchMedia research
Media research
 
Film catalogue
Film catalogueFilm catalogue
Film catalogue
 
Fight club lesson 1
Fight club lesson 1Fight club lesson 1
Fight club lesson 1
 
Slavery Modle: Lesson Two
Slavery Modle: Lesson TwoSlavery Modle: Lesson Two
Slavery Modle: Lesson Two
 
Fight Club Booklet
Fight Club BookletFight Club Booklet
Fight Club Booklet
 
Introduction to single film critical studies page 385-386 413-418
Introduction to single film   critical studies page 385-386 413-418Introduction to single film   critical studies page 385-386 413-418
Introduction to single film critical studies page 385-386 413-418
 
Ledes2015
Ledes2015Ledes2015
Ledes2015
 
Final brain 2
Final brain 2Final brain 2
Final brain 2
 
Michael moore
Michael mooreMichael moore
Michael moore
 
Critical context research
Critical context researchCritical context research
Critical context research
 
Slavery Module: Lesson three
Slavery Module: Lesson threeSlavery Module: Lesson three
Slavery Module: Lesson three
 
Intertextuality
IntertextualityIntertextuality
Intertextuality
 
Research
ResearchResearch
Research
 
History of the thriller genre
History of the thriller genreHistory of the thriller genre
History of the thriller genre
 
Slavery Module: Lesson five
Slavery Module: Lesson fiveSlavery Module: Lesson five
Slavery Module: Lesson five
 

Viewers also liked

Planning - Pitch with focus group
Planning - Pitch with focus groupPlanning - Pitch with focus group
Planning - Pitch with focus groupkrigul
 
Evaluation question 3
Evaluation   question 3Evaluation   question 3
Evaluation question 3krigul
 
Focus Group Report Template
Focus Group Report TemplateFocus Group Report Template
Focus Group Report TemplateDemand Metric
 
Focus Group Presentation
Focus Group PresentationFocus Group Presentation
Focus Group Presentationsusanbergson
 
Hype vs. Reality: The AI Explainer
Hype vs. Reality: The AI ExplainerHype vs. Reality: The AI Explainer
Hype vs. Reality: The AI ExplainerLuminary Labs
 
Study: The Future of VR, AR and Self-Driving Cars
Study: The Future of VR, AR and Self-Driving CarsStudy: The Future of VR, AR and Self-Driving Cars
Study: The Future of VR, AR and Self-Driving CarsLinkedIn
 

Viewers also liked (6)

Planning - Pitch with focus group
Planning - Pitch with focus groupPlanning - Pitch with focus group
Planning - Pitch with focus group
 
Evaluation question 3
Evaluation   question 3Evaluation   question 3
Evaluation question 3
 
Focus Group Report Template
Focus Group Report TemplateFocus Group Report Template
Focus Group Report Template
 
Focus Group Presentation
Focus Group PresentationFocus Group Presentation
Focus Group Presentation
 
Hype vs. Reality: The AI Explainer
Hype vs. Reality: The AI ExplainerHype vs. Reality: The AI Explainer
Hype vs. Reality: The AI Explainer
 
Study: The Future of VR, AR and Self-Driving Cars
Study: The Future of VR, AR and Self-Driving CarsStudy: The Future of VR, AR and Self-Driving Cars
Study: The Future of VR, AR and Self-Driving Cars
 

Similar to Research thriller

MAFMP - Ellen A. Saputra 22051422 - Practice of Cross-Genre in 'Modern' Holly...
MAFMP - Ellen A. Saputra 22051422 - Practice of Cross-Genre in 'Modern' Holly...MAFMP - Ellen A. Saputra 22051422 - Practice of Cross-Genre in 'Modern' Holly...
MAFMP - Ellen A. Saputra 22051422 - Practice of Cross-Genre in 'Modern' Holly...Ellen Saputra
 
Auteur Theory And To What Extent Is Quentin Tarantino An Auteur
Auteur Theory And To What Extent Is Quentin Tarantino An AuteurAuteur Theory And To What Extent Is Quentin Tarantino An Auteur
Auteur Theory And To What Extent Is Quentin Tarantino An AuteurMonica Gero
 
A2 Media Studies (Evaluation) - The theory of trailers - Genre
A2 Media Studies (Evaluation) - The theory of trailers - GenreA2 Media Studies (Evaluation) - The theory of trailers - Genre
A2 Media Studies (Evaluation) - The theory of trailers - GenreNakora
 
A General Look On The Impact Of Turkish Horror Movies An Exploratory Study O...
A General Look On The Impact Of Turkish Horror Movies  An Exploratory Study O...A General Look On The Impact Of Turkish Horror Movies  An Exploratory Study O...
A General Look On The Impact Of Turkish Horror Movies An Exploratory Study O...Justin Knight
 
AssessmentWeighting 60Deadline WEDNESDAY 12 November by 1.docx
AssessmentWeighting 60Deadline WEDNESDAY 12 November by 1.docxAssessmentWeighting 60Deadline WEDNESDAY 12 November by 1.docx
AssessmentWeighting 60Deadline WEDNESDAY 12 November by 1.docxfredharris32
 
Final Project Part 2Cinematic Analysis of Schindler’s ListAlph
Final Project Part 2Cinematic Analysis of Schindler’s ListAlphFinal Project Part 2Cinematic Analysis of Schindler’s ListAlph
Final Project Part 2Cinematic Analysis of Schindler’s ListAlphChereCheek752
 
Readings, textbookChapters5, Mise en Scène11, Ho.docx
Readings, textbookChapters5,  Mise en Scène11, Ho.docxReadings, textbookChapters5,  Mise en Scène11, Ho.docx
Readings, textbookChapters5, Mise en Scène11, Ho.docxcatheryncouper
 
fmp project proposal
fmp project proposal fmp project proposal
fmp project proposal Synflame
 
Learning ObjectivesAfter reading this chapter, you should be abl.docx
Learning ObjectivesAfter reading this chapter, you should be abl.docxLearning ObjectivesAfter reading this chapter, you should be abl.docx
Learning ObjectivesAfter reading this chapter, you should be abl.docxsmile790243
 
FEDOROV, A. FILM CRITICISM. МOSCOW: ICO “INFORMATION FOR ALL”. 2015. 382 P.
FEDOROV, A.  FILM CRITICISM.  МOSCOW: ICO “INFORMATION FOR ALL”. 2015.  382 P.FEDOROV, A.  FILM CRITICISM.  МOSCOW: ICO “INFORMATION FOR ALL”. 2015.  382 P.
FEDOROV, A. FILM CRITICISM. МOSCOW: ICO “INFORMATION FOR ALL”. 2015. 382 P.Alexander Fedorov
 
The thriller and suspense genre
The thriller and suspense genreThe thriller and suspense genre
The thriller and suspense genreWillMotogp
 
A2 media group research
A2 media group researchA2 media group research
A2 media group researchZaahidAsvat
 
History and Conventions of the Biopic Genre
History and Conventions of the Biopic GenreHistory and Conventions of the Biopic Genre
History and Conventions of the Biopic GenreAngharad Wilkins
 

Similar to Research thriller (20)

MAFMP - Ellen A. Saputra 22051422 - Practice of Cross-Genre in 'Modern' Holly...
MAFMP - Ellen A. Saputra 22051422 - Practice of Cross-Genre in 'Modern' Holly...MAFMP - Ellen A. Saputra 22051422 - Practice of Cross-Genre in 'Modern' Holly...
MAFMP - Ellen A. Saputra 22051422 - Practice of Cross-Genre in 'Modern' Holly...
 
Auteur Theory And To What Extent Is Quentin Tarantino An Auteur
Auteur Theory And To What Extent Is Quentin Tarantino An AuteurAuteur Theory And To What Extent Is Quentin Tarantino An Auteur
Auteur Theory And To What Extent Is Quentin Tarantino An Auteur
 
A2 Media Studies (Evaluation) - The theory of trailers - Genre
A2 Media Studies (Evaluation) - The theory of trailers - GenreA2 Media Studies (Evaluation) - The theory of trailers - Genre
A2 Media Studies (Evaluation) - The theory of trailers - Genre
 
A General Look On The Impact Of Turkish Horror Movies An Exploratory Study O...
A General Look On The Impact Of Turkish Horror Movies  An Exploratory Study O...A General Look On The Impact Of Turkish Horror Movies  An Exploratory Study O...
A General Look On The Impact Of Turkish Horror Movies An Exploratory Study O...
 
AssessmentWeighting 60Deadline WEDNESDAY 12 November by 1.docx
AssessmentWeighting 60Deadline WEDNESDAY 12 November by 1.docxAssessmentWeighting 60Deadline WEDNESDAY 12 November by 1.docx
AssessmentWeighting 60Deadline WEDNESDAY 12 November by 1.docx
 
Final Project Part 2Cinematic Analysis of Schindler’s ListAlph
Final Project Part 2Cinematic Analysis of Schindler’s ListAlphFinal Project Part 2Cinematic Analysis of Schindler’s ListAlph
Final Project Part 2Cinematic Analysis of Schindler’s ListAlph
 
Films Essay
Films EssayFilms Essay
Films Essay
 
Readings, textbookChapters5, Mise en Scène11, Ho.docx
Readings, textbookChapters5,  Mise en Scène11, Ho.docxReadings, textbookChapters5,  Mise en Scène11, Ho.docx
Readings, textbookChapters5, Mise en Scène11, Ho.docx
 
fmp project proposal
fmp project proposal fmp project proposal
fmp project proposal
 
Genre media
Genre mediaGenre media
Genre media
 
Learning ObjectivesAfter reading this chapter, you should be abl.docx
Learning ObjectivesAfter reading this chapter, you should be abl.docxLearning ObjectivesAfter reading this chapter, you should be abl.docx
Learning ObjectivesAfter reading this chapter, you should be abl.docx
 
FEDOROV, A. FILM CRITICISM. МOSCOW: ICO “INFORMATION FOR ALL”. 2015. 382 P.
FEDOROV, A.  FILM CRITICISM.  МOSCOW: ICO “INFORMATION FOR ALL”. 2015.  382 P.FEDOROV, A.  FILM CRITICISM.  МOSCOW: ICO “INFORMATION FOR ALL”. 2015.  382 P.
FEDOROV, A. FILM CRITICISM. МOSCOW: ICO “INFORMATION FOR ALL”. 2015. 382 P.
 
Theories
TheoriesTheories
Theories
 
01film Studies
01film Studies01film Studies
01film Studies
 
The thriller and suspense genre
The thriller and suspense genreThe thriller and suspense genre
The thriller and suspense genre
 
A2 media group research
A2 media group researchA2 media group research
A2 media group research
 
Gender role in Titanic film
Gender role in Titanic filmGender role in Titanic film
Gender role in Titanic film
 
Genre Theory
Genre TheoryGenre Theory
Genre Theory
 
Genre research
Genre researchGenre research
Genre research
 
History and Conventions of the Biopic Genre
History and Conventions of the Biopic GenreHistory and Conventions of the Biopic Genre
History and Conventions of the Biopic Genre
 

Recently uploaded

Narcotic and Non Narcotic Analgesic..pdf
Narcotic and Non Narcotic Analgesic..pdfNarcotic and Non Narcotic Analgesic..pdf
Narcotic and Non Narcotic Analgesic..pdfPrerana Jadhav
 
4.11.24 Poverty and Inequality in America.pptx
4.11.24 Poverty and Inequality in America.pptx4.11.24 Poverty and Inequality in America.pptx
4.11.24 Poverty and Inequality in America.pptxmary850239
 
How to Fix XML SyntaxError in Odoo the 17
How to Fix XML SyntaxError in Odoo the 17How to Fix XML SyntaxError in Odoo the 17
How to Fix XML SyntaxError in Odoo the 17Celine George
 
Concurrency Control in Database Management system
Concurrency Control in Database Management systemConcurrency Control in Database Management system
Concurrency Control in Database Management systemChristalin Nelson
 
Daily Lesson Plan in Mathematics Quarter 4
Daily Lesson Plan in Mathematics Quarter 4Daily Lesson Plan in Mathematics Quarter 4
Daily Lesson Plan in Mathematics Quarter 4JOYLYNSAMANIEGO
 
How to Manage Buy 3 Get 1 Free in Odoo 17
How to Manage Buy 3 Get 1 Free in Odoo 17How to Manage Buy 3 Get 1 Free in Odoo 17
How to Manage Buy 3 Get 1 Free in Odoo 17Celine George
 
Oppenheimer Film Discussion for Philosophy and Film
Oppenheimer Film Discussion for Philosophy and FilmOppenheimer Film Discussion for Philosophy and Film
Oppenheimer Film Discussion for Philosophy and FilmStan Meyer
 
BIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptx
BIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptxBIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptx
BIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptxSayali Powar
 
ARTERIAL BLOOD GAS ANALYSIS........pptx
ARTERIAL BLOOD  GAS ANALYSIS........pptxARTERIAL BLOOD  GAS ANALYSIS........pptx
ARTERIAL BLOOD GAS ANALYSIS........pptxAneriPatwari
 
Textual Evidence in Reading and Writing of SHS
Textual Evidence in Reading and Writing of SHSTextual Evidence in Reading and Writing of SHS
Textual Evidence in Reading and Writing of SHSMae Pangan
 
How to Make a Duplicate of Your Odoo 17 Database
How to Make a Duplicate of Your Odoo 17 DatabaseHow to Make a Duplicate of Your Odoo 17 Database
How to Make a Duplicate of Your Odoo 17 DatabaseCeline George
 
CLASSIFICATION OF ANTI - CANCER DRUGS.pptx
CLASSIFICATION OF ANTI - CANCER DRUGS.pptxCLASSIFICATION OF ANTI - CANCER DRUGS.pptx
CLASSIFICATION OF ANTI - CANCER DRUGS.pptxAnupam32727
 
Active Learning Strategies (in short ALS).pdf
Active Learning Strategies (in short ALS).pdfActive Learning Strategies (in short ALS).pdf
Active Learning Strategies (in short ALS).pdfPatidar M
 
ICS2208 Lecture6 Notes for SL spaces.pdf
ICS2208 Lecture6 Notes for SL spaces.pdfICS2208 Lecture6 Notes for SL spaces.pdf
ICS2208 Lecture6 Notes for SL spaces.pdfVanessa Camilleri
 
Q-Factor General Quiz-7th April 2024, Quiz Club NITW
Q-Factor General Quiz-7th April 2024, Quiz Club NITWQ-Factor General Quiz-7th April 2024, Quiz Club NITW
Q-Factor General Quiz-7th April 2024, Quiz Club NITWQuiz Club NITW
 
Q4-PPT-Music9_Lesson-1-Romantic-Opera.pptx
Q4-PPT-Music9_Lesson-1-Romantic-Opera.pptxQ4-PPT-Music9_Lesson-1-Romantic-Opera.pptx
Q4-PPT-Music9_Lesson-1-Romantic-Opera.pptxlancelewisportillo
 
Grade Three -ELLNA-REVIEWER-ENGLISH.pptx
Grade Three -ELLNA-REVIEWER-ENGLISH.pptxGrade Three -ELLNA-REVIEWER-ENGLISH.pptx
Grade Three -ELLNA-REVIEWER-ENGLISH.pptxkarenfajardo43
 
4.16.24 Poverty and Precarity--Desmond.pptx
4.16.24 Poverty and Precarity--Desmond.pptx4.16.24 Poverty and Precarity--Desmond.pptx
4.16.24 Poverty and Precarity--Desmond.pptxmary850239
 
Tree View Decoration Attribute in the Odoo 17
Tree View Decoration Attribute in the Odoo 17Tree View Decoration Attribute in the Odoo 17
Tree View Decoration Attribute in the Odoo 17Celine George
 

Recently uploaded (20)

Narcotic and Non Narcotic Analgesic..pdf
Narcotic and Non Narcotic Analgesic..pdfNarcotic and Non Narcotic Analgesic..pdf
Narcotic and Non Narcotic Analgesic..pdf
 
4.11.24 Poverty and Inequality in America.pptx
4.11.24 Poverty and Inequality in America.pptx4.11.24 Poverty and Inequality in America.pptx
4.11.24 Poverty and Inequality in America.pptx
 
INCLUSIVE EDUCATION PRACTICES FOR TEACHERS AND TRAINERS.pptx
INCLUSIVE EDUCATION PRACTICES FOR TEACHERS AND TRAINERS.pptxINCLUSIVE EDUCATION PRACTICES FOR TEACHERS AND TRAINERS.pptx
INCLUSIVE EDUCATION PRACTICES FOR TEACHERS AND TRAINERS.pptx
 
How to Fix XML SyntaxError in Odoo the 17
How to Fix XML SyntaxError in Odoo the 17How to Fix XML SyntaxError in Odoo the 17
How to Fix XML SyntaxError in Odoo the 17
 
Concurrency Control in Database Management system
Concurrency Control in Database Management systemConcurrency Control in Database Management system
Concurrency Control in Database Management system
 
Daily Lesson Plan in Mathematics Quarter 4
Daily Lesson Plan in Mathematics Quarter 4Daily Lesson Plan in Mathematics Quarter 4
Daily Lesson Plan in Mathematics Quarter 4
 
How to Manage Buy 3 Get 1 Free in Odoo 17
How to Manage Buy 3 Get 1 Free in Odoo 17How to Manage Buy 3 Get 1 Free in Odoo 17
How to Manage Buy 3 Get 1 Free in Odoo 17
 
Oppenheimer Film Discussion for Philosophy and Film
Oppenheimer Film Discussion for Philosophy and FilmOppenheimer Film Discussion for Philosophy and Film
Oppenheimer Film Discussion for Philosophy and Film
 
BIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptx
BIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptxBIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptx
BIOCHEMISTRY-CARBOHYDRATE METABOLISM CHAPTER 2.pptx
 
ARTERIAL BLOOD GAS ANALYSIS........pptx
ARTERIAL BLOOD  GAS ANALYSIS........pptxARTERIAL BLOOD  GAS ANALYSIS........pptx
ARTERIAL BLOOD GAS ANALYSIS........pptx
 
Textual Evidence in Reading and Writing of SHS
Textual Evidence in Reading and Writing of SHSTextual Evidence in Reading and Writing of SHS
Textual Evidence in Reading and Writing of SHS
 
How to Make a Duplicate of Your Odoo 17 Database
How to Make a Duplicate of Your Odoo 17 DatabaseHow to Make a Duplicate of Your Odoo 17 Database
How to Make a Duplicate of Your Odoo 17 Database
 
CLASSIFICATION OF ANTI - CANCER DRUGS.pptx
CLASSIFICATION OF ANTI - CANCER DRUGS.pptxCLASSIFICATION OF ANTI - CANCER DRUGS.pptx
CLASSIFICATION OF ANTI - CANCER DRUGS.pptx
 
Active Learning Strategies (in short ALS).pdf
Active Learning Strategies (in short ALS).pdfActive Learning Strategies (in short ALS).pdf
Active Learning Strategies (in short ALS).pdf
 
ICS2208 Lecture6 Notes for SL spaces.pdf
ICS2208 Lecture6 Notes for SL spaces.pdfICS2208 Lecture6 Notes for SL spaces.pdf
ICS2208 Lecture6 Notes for SL spaces.pdf
 
Q-Factor General Quiz-7th April 2024, Quiz Club NITW
Q-Factor General Quiz-7th April 2024, Quiz Club NITWQ-Factor General Quiz-7th April 2024, Quiz Club NITW
Q-Factor General Quiz-7th April 2024, Quiz Club NITW
 
Q4-PPT-Music9_Lesson-1-Romantic-Opera.pptx
Q4-PPT-Music9_Lesson-1-Romantic-Opera.pptxQ4-PPT-Music9_Lesson-1-Romantic-Opera.pptx
Q4-PPT-Music9_Lesson-1-Romantic-Opera.pptx
 
Grade Three -ELLNA-REVIEWER-ENGLISH.pptx
Grade Three -ELLNA-REVIEWER-ENGLISH.pptxGrade Three -ELLNA-REVIEWER-ENGLISH.pptx
Grade Three -ELLNA-REVIEWER-ENGLISH.pptx
 
4.16.24 Poverty and Precarity--Desmond.pptx
4.16.24 Poverty and Precarity--Desmond.pptx4.16.24 Poverty and Precarity--Desmond.pptx
4.16.24 Poverty and Precarity--Desmond.pptx
 
Tree View Decoration Attribute in the Odoo 17
Tree View Decoration Attribute in the Odoo 17Tree View Decoration Attribute in the Odoo 17
Tree View Decoration Attribute in the Odoo 17
 

Research thriller

  • 2. INDEX - Definition and aspects of classification - How does the film institution use genre? - How do audiences use genres? - History of thriller genre - Thriller and sub-genres - Codes and conventions - Famous thriller directors - Famous thriller films - Mood board - Use of research - Bibliography Kristine Gulden 2012 «Welcome to Forbes», October 18, 2012. http://www.forbes.com/fdc/welcome_mjx.shtml.
  • 3. DEFINITION AND ASPECTS OF CLASSIFICATION Genre in film is a method to classify and divide films into categories based on its content. Any film can primarily be divided into two genres; documentary or fiction. The difference between these genres is whether the film is supposed to document an event that is happening/has happened in reality. A fictional film has contents that are written by an author. Furthermore, films can be divided based mainly on four variables: storyline, narratives, actors, production environment, mise en scene (costume, setting, props, lighting) and target audience. Some genres would be comedy, action, adventure, romance, science fiction and also thriller. However, a film can also be a categorized into multiple genres because its content has a wide range of elements that fits into multiple genres. SOURCES «Film genre - Wikipedia, the free encyclopedia», October 16, 2012. http://en.wikipedia.org/wiki/Film_genre. «Filmsjanger - Wikipedia», October 16, 2012. http://no.wikipedia.org/wiki/Filmsjanger. «What is Genre and Gulden Used in Film - Yahoo! Voices - voices.yahoo.com», October 16, 2012. http://voices.yahoo.com/what-genre-used-film-16152.html. Kristine How is it 2012 «Conventions of a Thriller - Brief History - Mood Board & 9 Shot Ana...», October 17, 2012. http://www.slideshare.net/UsmanShah2/conventions-of-a-thriller-brief-history-mood-board-9-shot-analysis.
  • 4. HOW DOES THE FILM INSTITUTION USE GENRES? Genres makes it easier for film institutions to limit the range of producing films, as some genres are more expensive to produce than others. Some independent film producers might not even be able to produce films in the action/thriller genres because of a low budget, and such genres require expensive special effects to be able to compete at a certain level with other production companies which specializes within these genres. Genres also limits the audience and makes it easier for film institutions to focus on certain audiences. If they were to advertise a film they would show the trailer related to other films of the same genres, for example showing a comedy trailer in a cinema exhibiting a comedy film. SOURCES «Film genre - Wikipedia, the free encyclopedia», October 16, 2012. http://en.wikipedia.org/wiki/Film_genre. Kristine Gulden 2012 «Filmsjanger - Wikipedia», October 16, 2012. http://no.wikipedia.org/wiki/Filmsjanger. «What is Genre and How is it Used in Film - Yahoo! Voices - voices.yahoo.com», October 16, 2012. http://voices.yahoo.com/what-genre-used-film-16152.html.
  • 5. HOW DO AUDIENCES USE GENRES? Genres also help audiences choose the film they would like to view because genres the audiences will be familiar with the general situations of the film based on which genre it is in, and they would therefore immediately be able to tell whether or not the film would be of their liking, although the level of liking depends on the individual and film itself. SOURCES «Film genre - Wikipedia, the free encyclopedia», October 16, 2012. http://en.wikipedia.org/wiki/Film_genre. «Filmsjanger - Wikipedia», October 16, 2012. http://no.wikipedia.org/wiki/Filmsjanger. «What is Genre and Gulden Used in Film - Yahoo! Voices - voices.yahoo.com», October 16, 2012. http://voices.yahoo.com/what-genre-used-film-16152.html. Kristine How is it 2012 «Connection Café: My Audience is My Community», October 18, 2012. http://www.connectioncafe.com/posts/2011/08-august/my-audience-is-my-community.html.
  • 6. «Conventions of a Thriller - Brief History - Mood Board & 9 Shot Ana...», October 17, 2012. http://www.slideshare.net/UsmanShah2/conventions-of-a- HISTORY OF THE THRILLER GENRE One of the very first thriller films was a comic by Harold Lloyd from 1923, «Film genre - Wikipedia, the free encyclopedia», October 13, 2012. http://en.wikipedia.org/wiki/Film_genre. titled Safety Last!, but the breakthrough of the thriller as a film genre did not come until Alfred Hitchcock and Fritz Lang made films that set the standard of the modern thriller genre, starting with The Lodger (1926) «Filmsjanger - Wikipedia», October 13, 2012. http://no.wikipedia.org/wiki/Filmsjanger. and M (1931). Throughout the decades, more thrillers were made, and in the 1950’s, Hitchcock added Technicolor to his films, casted big film stars and fancy thriller-brief-history-mood-board-9-shot-analysis. locations which took the thriller genre to a whole another level. After the assassination of President J. F. Kennedy in 1963, political and paranoid thrillers became very popular. SOURCES: Kristine Gulden 2012
  • 7. «Conventions of a Thriller - Brief History - Mood Board & 9 Shot Ana...», October 17, 2012. http://www.slideshare.net/UsmanShah2/conventions-of-a- HISTORY OF THE THRILLER GENRE «Film genre - Wikipedia, the free encyclopedia», October 13, 2012. http://en.wikipedia.org/wiki/Film_genre. Throughout the 1970’s and the 1980’s the thriller genre in general became very popular, and suddenly the film industry had many new «Filmsjanger - Wikipedia», October 13, 2012. http://no.wikipedia.org/wiki/Filmsjanger. thriller film directors, who’s behind some of today’s biggest thrillers over all, such as ‘Jaws’ (Steven Spielberg, 1975) and ‘Taxi Driver’ (Martin Scorsese, 1976). In the 1990’s, crime and mystery thrillers became more popular with thriller-brief-history-mood-board-9-shot-analysis. serial killers and investigations. SOURCES: Kristine Gulden 2012
  • 8. «Conventions of a Thriller - Brief History - Mood Board & 9 Shot Ana...», October 17, 2012. http://www.slideshare.net/UsmanShah2/conventions-of-a- HISTORY OF THE THRILLER GENRE «Film genre - Wikipedia, the free encyclopedia», October 13, 2012. http://en.wikipedia.org/wiki/Film_genre. As of today, many thrillers borrow previous themes from earlier decades, «Filmsjanger - Wikipedia», October 13, 2012. http://no.wikipedia.org/wiki/Filmsjanger. but many thrillers also borrow aspects from the horror genres with sadistic violence and terror. However, action thrillers and spy thrillers have also increased in popularity with thrillers such as ‘Batman: The Dark Night Rises’ (Christopher Nolan, 2012) and ‘Taken’(Pierre Morel, 2008), ‘X-men: First Class, 2011’ (Matthew Vaughn) and ‘Casino Royale’ thriller-brief-history-mood-board-9-shot-analysis. (Martin Campbell, 2006) SOURCES: Kristine Gulden 2012
  • 9. THRILLERS AND SUB-GENRES Thriller is a genre in film which emphasizes on suspense and leaving the audience ‘at the edge of their seats’ in excitement as they film they are viewing and the story they are following is reaching the climax. They often have a protagonist with a weakness which the antagonist is trying to exploit to prevent the protagonist from escaping a dangerous situation. Some main subgenres within the thriller genre could be conspiracy thriller, disaster thriller, legal thriller, medical thriller, psychological thriller, supernatural thriller, crime thriller, mystery thriller, and the list goes on. SOURCES: «.: Codes & Conventions Of A Thriller», October 18, 2012. http://jwhite-suttonmediaas.blogspot.co.uk/2008/11/codes-conventions-of-thriller.html. Kristine Gulden 2012 «Codes And Conventions Of Thrillers», October 18, 2012. http://www.slideshare.net/CharlotteEmmaVicki/codes-and-conventions-of-thrillers. «Conventions of a Thriller - Brief History - Mood Board & 9 Shot Ana...», October 17, 2012. http://www.slideshare.net/UsmanShah2/conventions-of-a-thriller-brief-history-mood-board-9-shot-analysis..
  • 10. CODES AND CONVENTIONS MISE EN SCENE Suburbs/urban cities: Thrillers often takes places in the suburbs or in urban cities as it makes it relatable for the audiences. Thrillers often takes places in the suburbs or in urban cities as it makes it relatable for the audiences. Low key lighting and shadows: Low key lightning causes shadows and dark colours can represent the inner darkness of a character, but can also add suspense as the darkness is ‘unknown’ in the sense that it is hard to know what is hiding in the dark and creates a mystic atmosphere. SOURCES: «.: Codes & Conventions Of A Thriller», October 18, 2012. http://jwhite-suttonmediaas.blogspot.co.uk/2008/11/codes-conventions-of-thriller.html. «Codes And Conventions Of Thrillers», October 18, 2012. http://www.slideshare.net/CharlotteEmmaVicki/codes-and-conventions-of-thrillers. Kristine Gulden 2012 «Conventions of a Thriller - Brief History - Mood Board & 9 Shot Ana...», October 17, 2012. http://www.slideshare.net/UsmanShah2/conventions-of-a-thriller-brief-history-mood-board-9-shot-analysis.. «AS Thriller Film: Thriller Genre Codes and Conventions», October 28, 2012. http://asthrillerfilm.blogspot.co.uk/2012/04/thriller-genre-codes-and-conventions.html.
  • 11. CODES AND CONVENTIONS MISE EN SCENE Flashbacks and black and white: Flashbacks create non-continuity in the storyline and can confuse the audience, but also clear things up as it allows the audience to understand more of the narrative. The black and white effect is a convention in the thriller genre as it gives greater contrast to lightness and darkness, but is also commonly used in flashbacks to inform the audience that this is not the present. Mirrors and stairs: Mirrors and stairs are conventions often used in psychological thrillers. The reflections in the mirrors can reflect the character’s inner self and can reveal the character’s hidden identity for the audience, which can for example be a dark identity, or a trapped identity. Stairs are used because it takes the character to a higher/lower level, and the stairs can also lead to something unknown. SOURCES: «.: Codes & Conventions Of A Thriller», October 18, 2012. http://jwhite-suttonmediaas.blogspot.co.uk/2008/11/codes-conventions-of-thriller.html. «Codes And Conventions Of Thrillers», October 18, 2012. http://www.slideshare.net/CharlotteEmmaVicki/codes-and-conventions-of-thrillers. Kristine Gulden 2012 «Conventions of a Thriller - Brief History - Mood Board & 9 Shot Ana...», October 17, 2012. http://www.slideshare.net/UsmanShah2/conventions-of-a-thriller-brief-history-mood-board-9-shot-analysis.. «AS Thriller Film: Thriller Genre Codes and Conventions», October 28, 2012. http://asthrillerfilm.blogspot.co.uk/2012/04/thriller-genre-codes-and-conventions.html.
  • 12. CODES AND CONVENTIONS CINEMATOGRAPHY Thriller films often have a recurring change in camera angles and an obtrusive editing with fast cutting rhythm to raise the tension in the current scene by giving the scene a quick movement. SOURCES: «.: Codes & Conventions Of A Thriller», October 18, 2012. http://jwhite-suttonmediaas.blogspot.co.uk/2008/11/codes-conventions-of-thriller.html. «Codes And Conventions Of Thrillers», October 18, 2012. http://www.slideshare.net/CharlotteEmmaVicki/codes-and-conventions-of-thrillers. Kristine Gulden 2012 «Conventions of a Thriller - Brief History - Mood Board & 9 Shot Ana...», October 17, 2012. http://www.slideshare.net/UsmanShah2/conventions-of-a-thriller-brief-history-mood-board-9-shot-analysis.. «AS Thriller Film: Thriller Genre Codes and Conventions», October 28, 2012. http://asthrillerfilm.blogspot.co.uk/2012/04/thriller-genre-codes-and-conventions.html.
  • 13. CODES AND CONVENTIONS MUSIC Thrillers use scores and soundtracks to raise the tension and suspense within a scene. A scene with action would include a score/soundtrack with fast rhythms, while a mystic scene would include a slow score/soundtrack with dark tones. The absence of music is also commonly used as it gives attention to the synchronous sounds parallel to the event on screen. SOURCES: «.: Codes & Conventions Of A Thriller», October 18, 2012. http://jwhite-suttonmediaas.blogspot.co.uk/2008/11/codes-conventions-of-thriller.html. «Codes And Conventions Of Thrillers», October 18, 2012. http://www.slideshare.net/CharlotteEmmaVicki/codes-and-conventions-of-thrillers. Kristine Gulden 2012 «Conventions of a Thriller - Brief History - Mood Board & 9 Shot Ana...», October 17, 2012. http://www.slideshare.net/UsmanShah2/conventions-of-a-thriller-brief-history-mood-board-9-shot-analysis.. «AS Thriller Film: Thriller Genre Codes and Conventions», October 28, 2012. http://asthrillerfilm.blogspot.co.uk/2012/04/thriller-genre-codes-and-conventions.html.
  • 14. FAMOUS THRILLER DIRECTORS , born 13th of August 1899, was an English film director and started his career as a title designer for silent films early in the 1920’s and debuted as a director in 1925 with The Pleasure Garden. Throughout the 1930’s he created a good image as a director with lots of good thrillers. He has got two stars on the Hollywood Walk of Fame for his contributions in the film industry. Alfred died April 29th 1980 in LA, California. «Alfred Hitchcock - Television Tropes & Idioms», October 16th, 2012. http://tvtropes.org/pmwiki/pmwiki.php/Creator/AlfredHitchcock?from=Main.Alfre dHitchcock. SOURCE:Kristine Gulden 2012TopTenREVIEWS», October 16th, 2012. http://movies.toptenreviews.com/directors/list_thriller_director.htm. «Best Thriller Directors - «Alfred Hitchcock - Wikipedia», October 16, 2012. http://no.wikipedia.org/wiki/Alfred_Hitchcock.
  • 15. FAMOUS THRILLER DIRECTORS , born 18th of December, 1946, is one of the world’s most influential film directors. He started his career in the film industry as an assistant editor on ‘Wagon Train’ from 1957, but his breakthrough as an «Steven Spielberg Style & Fashion / Coolspotters», October 16th, 2012. international film director wasn’t until 1975 with ‘Jaws’. Some of his other bigger films http://coolspotters.com/directors/steven-spielberg. are ‘Schindler’s List’ (1993), ‘E.T.’ (1982) and ‘Saving Private Ryan’ (1998). SOURCE: Kristine Gulden 2012 «Best Thriller Directors - TopTenREVIEWS», October 16th, 2012. http://movies.toptenreviews.com/directors/list_thriller_director.htm. «Steven Spielberg - Biography», October 16, 2012. http://www.imdb.com/name/nm0000229/bio.
  • 16. FAMOUS THRILLER DIRECTORS , born March 27th, 1963, is an American film «Quentin Tarantino’s Best and Worst Films of 2011 - Nerd Reactor», October 16th, 2012. director. As a 21-year old, he started to work http://nerdreactor.com/2012/01/16/quentin-tarantino-best-and-worst-films-of-2011/. in a video-shop, and got into the world of film. After meeting a film producer at a Hollywood party, who encouraged him to write a script. The result was ‘Reservoir Dogs’ in 1992, which was a great success and his career as film director started with a boom. His most famous film came out two years later, ‘Pulp Fiction’ which won the Palme D’Or Award at the Cannes Film Festival, and was nominated for best picture, best director and best original screenplay at SOURCE: «Quentin Tarantino - Biography», October 16, 2012. http://www.imdb.com/name/nm0000233/bio. the 1995 Academy Awards. «Quentin Tarantino -Gulden 2012 Kristine Wikipedia», October 16, 2012. http://no.wikipedia.org/wiki/Quentin_Tarantino. : «Best Thriller Directors - TopTenREVIEWS», October 16th, 2012. http://movies.toptenreviews.com/directors/list_thriller_director.htm.
  • 17. FAMOUS THRILLER DIRECTORS , born November 17th, 1942 is a prestigious American film director. He debuted as a director with the film ‘What’s a nice girl like you doing in a place like this?’ in 1963, but he is most known for films like ‘Goodfellas’ from 1990, ‘Shutter Island’ from 2010 and ‘Taxi Driver’ from 1976. He has been nominated for over two hundred awards, whereas he «Martin Scorsese - Page - Interview have won 106 of them. Magazine», October 16th, 2012. http://www.interviewmagazine.com/film/marti n-scorsese-shutter-island/. SOURCES: Kristine Gulden 2012 «Best Thriller Directors - TopTenREVIEWS», October 16th, 2012. http://movies.toptenreviews.com/directors/list_thriller_director.htm. «Martin Scorsese - Biography», October 16, 2012. http://www.imdb.com/name/nm0000217/bio.
  • 18. «Pictures & Photos «Pictures & Photos «Pictures & Photos from Jaws - IMDb», from Pulp Fiction - from Psycho - October 18, 2012. IMDb», October 18, IMDb», October 18, http://www.imdb.com/ 2012. 2012. media/rm3161889792/ http://www.imdb.com/m http://www.imdb.com tt0073195. edia/rm3216480512/tt0 /media/rm24904724 110912. 48/tt0054215. «Pictures & Photos «Pictures & Photos from «Pictures & Photos from The Dark Knight Taken - IMDb», October from Inception - FAMOUS Rises - IMDb», 18, 2012. IMDb», October 16, October 18, 2012. http://www.imdb.com/me 2012. «Pictures & Photos from V for Vendetta - http://www.imdb.com/ dia/rm1321833728/tt093 http://www.imdb.com/ IMDb», October 16, 2012. media/rm834516224/ 6501. media/rm3426651392/ http://www.imdb.com/media/rm1691979008/tt04 tt1345836. THRILLER FILMS tt1375666. 34409. Kristine Gulden 2012
  • 19. «I’m Hunted by Shadow People Shadow People – The Haunting of Sunshine Girl», October 18, 2012. MOOD BOARD http://hauntedsunshinegirl.com/shadow- people/shadow4/. «Impossible world: Motion picture and animation films», October 18, 2012. http://im-possible.info/english/art/films/inception.html. «Two Dollar Cinema: August 2011», October 18, 2012. http://twodollarcinema.blogspot.co.uk/2011_08_07_archive.html. Kristine Gulden 2012
  • 20. HOW WILL I USE THIS RESEARCH IN THE FUTURE? Now that I have analysed the thriller genre, and have improved my knowledge of the genre in general, I will use this research to make a thriller of high standards. My newly gained knowledge will be transferred to the production of the film to make it with a professional quality as possible. I will use many of the conventions such as fast cutting rhythms and music to create further suspense in my production. The setting will be somewhere the audience can relate and create a mystic thriller with low key lighting and dark shadows. Kristine Gulden 2012
  • 21. BIBLIOGRAPHY «Alfred Hitchcock - Wikipedia», October 16, 2012. http://no.wikipedia.org/wiki/Alfred_Hitchcock. «Best Thriller Directors - TopTenREVIEWS», October 16, 2012. http://movies.toptenreviews.com/directors/list_thriller_director.htm. «Conventions of a Thriller - Brief History - Mood Board & 9 Shot Ana...», October 17, 2012. http://www.slideshare.net/UsmanShah2/conventions-of-a-thriller-brief-history-mood-board-9-shot-analysis. «Film genre - Wikipedia, the free encyclopedia», October 13, 2012. http://en.wikipedia.org/wiki/Film_genre. «Filmsjanger - Wikipedia», October 13, 2012. http://no.wikipedia.org/wiki/Filmsjanger. «IMDb: Genre: Thriller», October 13, 2012. http://www.imdb.com/genre/thriller. «IMDb: Most Popular Thriller Feature Films», October 13, 2012. http://www.imdb.com/search/title?genres=thriller&sort=moviemeter,asc&start=51&title_type=feature. «.: Codes & Conventions Of A Thriller», October 18, 2012. http://jwhite-suttonmediaas.blogspot.co.uk/2008/11/codes- conventions-of-thriller.html. «Codes And Conventions Of Thrillers», October 18, 2012. http://www.slideshare.net/CharlotteEmmaVicki/codes-and- conventions-of-thrillers. «Martin Scorsese - Biography», October 16, 2012. http://www.imdb.com/name/nm0000217/bio. «Quentin Tarantino - Biography», October 16, 2012. http://www.imdb.com/name/nm0000233/bio. «Quentin Tarantino - Wikipedia», October 16, 2012. http://no.wikipedia.org/wiki/Quentin_Tarantino. «Steven Spielberg - Biography», October 16, 2012. http://www.imdb.com/name/nm0000229/bio. «What is Genre and How is it Used in Film - Yahoo! Voices - voices.yahoo.com», October 14, 2012. http://voices.yahoo.com/what-genre-used-film-16152.html. «AS Thriller Film: Thriller Genre Codes and Conventions», October 28, 2012. http://asthrillerfilm.blogspot.co.uk/2012/04/thriller-genre-codes-and-conventions.html. Kristine Gulden 2012