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3495

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3495

  1. 1. ‫ﺃﻗﺎﻟﻴﻢ ﺍﻟﻠﻬﺐ ﻭﻣﺮﺍﻳﺎ‬ ‫ﺍﻟﻘﻠﺐ ﺍﻷﺧﻀﺮ‬ ‫ﳏﻤﺪ ﳏﻤﺪ ﺍﻟﺸﻬﺎﻭﻱ‬
  2. 2. ‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
  3. 3. ‫ﺍﻹﻫﺩﺍﺀ‬ ‫ﺇﻟﻲ‬ ‫ﻡ. ﻡ. ﺵ ﻋﻨﺩﻤﺎ ﻨﺘﻔﻕ‬ ‫ﻤﺤﻤﺩ‬
  4. 4. ‫ﻓﻬﺭﺱ‬ ‫ﺍﻟﻤﺠﺫﻭﺏ ﻭﺍﻟﺒﺤﺭ ................................................... ٦‬ ‫ﻤﻥ ﺃﻭﺭﺍﻕ ﺠﻤﻴل ﺒﻥ ﻤﻌﻤﺭ ........................................ ٣١‬ ‫ﺭﺴﺎﻟﺔ ﺇﻟﻰ ﻗﻭﺱ ﻗﺯﺡ ............................................ ٨١‬ ‫ﺍﻟﻤﺭﺃﺓ ﺍﻟﻠﻬﺏ ﻭﺍﻟﺸﺎﻋﺭ ﺍﻟﻔﺭﺍﺸﺔ ................................... ٢٢‬ ‫ﺃﺴﻴﺭ ﺍﻟﺠﻠﻨﺎﺭ ..................................................... ٠٣‬ ‫ﺘﺘﻌﺩﺩ ﺍﻷﺴﻤﺎﺀ ﻭﺍﻟﻤﺤﺒﻭﺏ ﻭﺍﺤﺩ ................................... ٢٣‬ ‫ﻫﻜﺫﺍ ﻗﺎل ﺤﺎﺒﻲ ﻫﻜﺫﺍ ﻗﺎﻟﺕ ﺇﺯﺍﺩﻭﺭﺍ ............................... ٥٣‬ ‫ﺍﻟﺩﺭﻭﻴﺵ ﻭﺍﻟﻤﻭﺕ ﻋﺸﻘﺎ .......................................... ٩٤‬ ‫ﺨﻠﻴل ﺤﺎﻭﻱ ﻭﺍﻟﻘﺭﺍﺭ ﺍﻷﺨﻴﺭ ....................................... ١٥‬ ‫ﺁﺨﺭ ﻤﺎ ﻗﺎﻟﻪ ﺍﻟﻔﺘﻰ ﻤﻬﺭﺍﻥ ........................................ ٤٥‬ ‫ﺍﻟﻐﺭﻭﺏ .......................................................... ٧٥‬ ‫ﺍﻟﻘﺭﺍﺒﻴﻥ.......................................................... ٠٦‬ ‫ﻭﻗﺕ ﺒﻴﻥ ﺍﻟﻔل ﻭﺍﻟﻴﺎﺴﻤﻴﻥ ......................................... ١٦‬ ‫ﻓﻲ ﺍﻟﺒﺩﺀ ﻜﺎﻥ ﺍﻟﻨﻴل ............................................... ٨٦‬
  5. 5. ‫ﻓﻴﺭﻭﺯ ﺯﻫﺭﺓ ﺍﻟﻤﺩﺍﺌﻥ ............................................. ٣٧‬ ‫ﺒﺭﺍﻋﻡ ﺍﻟﺠﻤﺭ ..................................................... ٦٧‬ ‫ﻫﻜﺫﺍ ﺍﻟﺤﺠﺭ ﻴﻘﻭل ................................................ ٩٧‬ ‫ﻤﺤﻤﺩ ﺍﻟﺩﺭﺓ ﻴﻭﻟﺩ ﻤﻥ ﺠﺩﻴﺩ........................................ ١٨‬ ‫ﺭﺴﺎﻟﺔ ﻤﻥ ﺃﻓﻐﺎﻨﻲ ................................................ ٥٨‬ ‫ﻗﺎﺘﻠﺔ ﻫﻲ ﺍﻟﻐﺯﺍﻟﺔ ................................................. ٩٨‬
  6. 6. ‫ﺍﻟﻤﺠﺫﻭﺏ ﻭﺍﻟﺒﺤﺭ‬ ‫- ﺼﻔﺤﺔ ﺍﻟﺒﺤﺭ ﺃﻓﻕ.. ﺃﻡ ﺍﻷﻓﻕ ﺒﺤﺭ ﺒﺤﺠﻡ ﺍﻟﻤﺩﻯ؟‬ ‫ُﹾ ﹸ َ ‪ ِ  َ ِ  ‬ﹾ َ َ‬ ‫َ ﹾ َ ﹸ ﹾَ ‪ ُ ِ ‬ﹾ ﹲ‬ ‫- ﻭﺘﺒﺎﺭﻴﺢ ﻗﻠﺒﻙ ﺼﻭﺕ ﺍﻟﻬﻴﻭﻟﻲ – ﺘﺭﻯ – ﺃﻡ ﺼﺩﻯ ﻨـﺒﺽ‬ ‫ِ‬ ‫ََ‬ ‫ﹸَ‬ ‫‪  َ َ ‬ﹸ ﹾ َ‪ ‬ﹶ‬ ‫ﻤﻤﻠﻜﺔ ﺍﻟﻐﻴﺏ ﺘﻤﻠﻰ ﻋﻠﻰ ﺃﺼﻐﺭﻴﻙ ﺍﻷﻨﺎﺸـﻴﺩ؟ ﻭﺍﻟﺤـﺭﻑ‬ ‫ﹸ‬ ‫َ‬ ‫ِ َ‪ ‬ﹶ ‪َ ‬‬ ‫ِ ‪ ِ ‬ﹸِ‬ ‫ﺴﻭﺴﻨﺔ ﺍﻟﺤﺎﻟﻤﻴﻥ ﻓﻜﻴﻑ ﻏﺩﺍ ﻓـﻲ ﻴـﺩﻴﻙ ﺒﺭﺍﻗـﺎ ﻴﺠـﻭﺏ‬ ‫‪‬‬ ‫ﹰ‬ ‫َ‬ ‫ﹶَ‬ ‫َ‬ ‫َ ‪َ ‬ﹶ ﹸ‬ ‫ﺍﻟﻭﺠﻭﺩ.. ﻭﻴﺴﺒﺭ ﺃﻏﻭﺍﺭﻩ ﺍﻟﻤﻌﺠﻤﺔ؟‬ ‫َ‪ ‬ﹾ ‪ َ َ  ‬ﹾ‬ ‫َ َ ‪ ‬‬ ‫- ﺇﻨﻪ ﺍﻟﺒﺤﺭ / ﻤﺒﺘﺩﺃ ﺍﻟ ّـﺭ: ﻤﻔ ﹶـﺘﺢ ﻟﻠﺼـﺒﺎﺒﺎﺕ ﻤﺠﹸـﻭﺓ،‬ ‫ِ َ ‪‬ﻠ ‪ ‬ﹰ‬ ‫‪   ‬ﹶ َُ ﺴ َ ‪ ‬ﹾﺘ ﹶ ‪‬‬ ‫َ ّ‬ ‫ﻭﺍﻟﻨﻭﺍﺭﺱ ﻤﻐﺴﻭﻟﺔ ﺒﺎﻟﻨـﺩﻯ ﻭﺍﻟـﺭﺫﺍﺫ ﺘﻭ ّـﻡ ﺃﺴـﻤﺎﺀﻫﺎ‬ ‫ََ‬ ‫ِ ﹸ َﺸ ‪‬‬ ‫ﹶ‬ ‫ﹰ‬ ‫ِ‬ ‫ﻭﺤﻜﺎﻴﺎﺘﻬﺎ ﻓﻭﻕ ﻤﺭﺁﺓ ﻋﺭﺵ ﺍﻟﻤﻴﺎﻩ ﺼـﻼﺓ ﻫـﻭ ﺍﻟﻤـﻭﺝ‬ ‫‪‬‬ ‫ﹰ‬ ‫ِ‬ ‫ِ‬ ‫ِ‬ ‫َِ‬ ‫ﻤﺤﺭﺍﺒﻬﺎ.. ﻭﺍﻟﻤﺩﻯ / ﻫﻭﺩﺝ ﺍﻟﺭﻭﺡ / ﻗﺒﺔ ﺒﻴـﺕ ﺍﻟﻭﻻﻴـﺔ:‬ ‫َ ‪ ِ   َ ‬ﹸ‪ ‬ﹸ ‪ِ ‬‬ ‫ِ ‪ََ ‬‬ ‫ﻴﺒﺴﻁ‬ ‫َ‪  ‬ﹸ‬ ‫- ﻤﻥ ﺭﺍﺤﺘﻴﻪ ﻟﻜل ﺍﻟﻤﺤﺒﻴﻥ ﻤﺄﺩﺒﺔ ﺩﺍﺌﻤﺔ.‬ ‫ﹾ‬ ‫‪ َ ْ َ َ ‬ﹰ‬ ‫ِ‬ ‫ﺇﻨﻪ ﺍﻟﺒﺤﺭ/ ﺴﻴﺩ ﻜل ﺍﻟﻤﻴﺎﻩ: ﺘﺴﺎﺒﻴﺢ ﻁﺎﻓﺤـﺔ ﺒﺎﻟﻤﻭﺍﺠﻴـﺩ‬ ‫ِ‬ ‫ﹲ‬ ‫‪‬‬ ‫ِ‬ ‫َ ‪َّ  ‬‬ ‫ﻴﺭﺴﻠﻬﺎ ﻗﺼﺩ ﻭﺠﻪ ﺍﻟﺴﻤﺎﺀ ﻟﺘﺭ ِـﻊ ﻤﻌ ِـﺯﺓ ﺍﻟﺨﻠـﻕ ﻭﺍﻵﻴـﺔ‬ ‫ﹶ‬ ‫ِ‬ ‫ِ ِ ﹶ ‪‬ﺠ َ ‪ ‬ﺠ َ ﹶ‬ ‫‪ِ  ‬ﹸ ﹶ ﹶ ‪ِ  َ َ ‬‬ ‫ﺍﻟﻤﺘﺌﻤﺔ.‬ ‫‪ِ ‬ﹾ َ ﹾ‬ ‫ﺇﻨﻪ ﺍﻟﺒﺤﺭ/ ﺸﺒﺎﺒﺔ ﺍﻟﻭﻗﺕ/ ﻤﻌﺯﻑ ﻗﻠﺏ ﺍﻟﻭﺠﻭﺩ ﺍﻟﻤﺭ ‪‬ـﻊ‬ ‫ِ ﹾﹸ َ ﺼ ‪‬‬ ‫ِ ِ‪ َ‬ﹸ ِ‬ ‫‪  ‬ﹸ‬ ‫ﺒﺎﻟﺩﺭ ﻭﺍﻟﺴﺤﺭ: ﺩﻴﻤﻭﻤﺔ ﺍﻷﻏﻨﻴﺎﺕ ﻭﺠﻠﻭﺘﻬﺎ ﺍﻟﻤﺒﻬﻤﺔ.‬ ‫ِ َ َﹾ َﹸ َ ﹾ ‪ َ َ  ‬ﹾ‬ ‫ﹸ‬ ‫ِ‬ ‫َ‬ ‫ّ‬
  7. 7. ‫ﺇﻨﻪ ﺍﻟﺒﺤﺭ/ ﺫﺍﻜﺭﺓ ﺍﻟﺤﺏ ﻭﺍﻟﻌﺸﻕ ﻭﺍﻟﺸﻌﺭ ﻭﺍﻟﺒﻭﺡ: ﺴﺠﺎﺩﺓ‬ ‫ِ ‪ ‬ﹸ‬ ‫ّﹶ ‪ِ ‬‬ ‫ِ‬ ‫ﹸ ‪َ ‬‬ ‫ّ‬ ‫ﺍﻟﻭﻟﻪ ﺍﻟﻤﺘﺭﻗﺭﻕ، ﻭﺍﻟﻤﺎﺀ/ ﺃﺭﺤﻭﺤﺔ ﺍﻟﻤﺩ ﻭﺍﻟﺠﺯﺭ: ﺨﻴل ﻤﺠﻨﺤﺔ‬ ‫ِ ﹶ ‪َ  ٌ ‬ﹼ َ ﹸ‬ ‫ٌ‬ ‫‪َ   ُ ‬ﹸ َ‬ ‫ّ‬ ‫ِ‬ ‫ﹾﹶ َ ِ‬ ‫ﺘﺘﻭﺍﻓﺩ ﻤﻥ ﺤﻠﺒﺔ ﺍﻟﺯﺭﻗﺔ ﺍﻟﻼﻨﻬﺎﺌﻴﺔ ﺍﻟﻭﺜﺏ ﻭﺍﻟﺭﻗﺹ ﻭﺍﻟﺤﻤﺤﻤﺔ.‬ ‫ِ ﹾ َ‪ََ ‬ﹾ‬ ‫ِ‬ ‫ِ‬ ‫ِ ‪ ‬ﹶ ِ‬ ‫‪‬‬ ‫ﺇﻨﻪ ﺍﻟﺒﺤﺭ/ ﺫﺍﻜﺭﺓ ﺍﻟﺤـﺏ ﻭﺍﻟﻌﺸـﻕ ﻭﺍﻟ ّـﻌﺭ ﻭﺍﻟﺒـﻭﺡ‬ ‫ِ‬ ‫ِ ﺸ ‪ِ‬‬ ‫ﹶ‬ ‫َ‬ ‫ّ‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻭﺍﻟﻤﻭﺕ: ﻤﺴﺒﺤﺔ ﺘﺘﻭﺤﺩ ﺤﺒﺎﺘﻬﺎ ﻤﻨﺫ ﺠﺌﻨﺎ ﺇﻟﻰ ﺍﻷﺭﺽ ﺼـﻴﺩﺍ‬ ‫ﹰ‬ ‫ِ‬ ‫‪ َ  ‬ﹸ َ‬ ‫ﹲ‬ ‫ِ‬ ‫ﻴﻜﺎﺒﺩ ﺃﺸﺭﺍﻙ ﻗﺒﻀﺘﻬﺎ ﺍﻟﻤﺤﻜﻤﺔ‬ ‫‪ َ ‬ﹾ َ َ ﹶ ‪ َ َِ ‬ﹾ ‪  ‬ﹶ َ‬ ‫) ﺃﻭﻗﻔﻨﻲ ﻓﻲ ﺍﻟﺒﺤﺭ ﻭﻗﺎل ﻟﻲ:‬ ‫َ ‪ ‬ﹶ ﹶِ‬ ‫ﻻ ﻴﺴﻠﻡ ﻤﻥ ﺭﻜﺏ.‬ ‫َ ‪‬ﹶ ‪ َ ‬‬ ‫ﻭﻗﺎل ﻟﻲ:‬ ‫ﺨﺎﻁﺭ ﻤﻥ ﺃﻟﻘﻰ ﺒﻨﻔﺴﻪ ﻭﻟﻡ ﻴﺭﻜﺏ.‬ ‫ﹶ َ َ ‪َ ‬ﹾ ﹶ‬ ‫ﻭﻗﺎل ﻟﻲ:‬ ‫ﻓﻲ ﺍﻟﻤﺨﺎﻁﺭﺓ ﺠﺯﺀ ﻤﻥ ﺍﻟﻨﺠﺎﺓ.‬ ‫‪‬‬ ‫ﻭﻗﺎل ﻟﻲ:‬ ‫ﻅﺎﻫﺭ ﺍﻟﺒﺤﺭ: ﻀﻭﺀ ﻻ ﻴﺒﻠﻎ،‬ ‫‪  ‬ﹶ‬ ‫ِ‬ ‫‪‬‬ ‫ﻭﻗﻌﺭﻩ: ﻅﻠﻤﺔ ﻻ ﺘﻤﻜﻥ،‬ ‫ﹶ ‪   ‬ﹸﹾ َ ﹲ ﹸ ‪ ‬ﹶ‬ ‫ﻭﺒﻴﻨﻤﺎ: ﺤﻴﺘﺎﻥ ﻻ ﺘﺴﺘﺄﻤﻥ.‬ ‫‪ ‬ﹸ ‪‬ﹶ ْ َ‬ ‫ﻭﻗﺎل ﻟﻲ:‬
  8. 8. ‫ﻓﻲ ﺍﻟﺒﺤﺭ ﺤﺩﻭﺩ ﻓﺄﻴﻬﺎ ﻴﻘﻠﻙ.‬ ‫)1(‬ ‫ﻭﻗﺎل ﻟﻲ ﻏﺸﺸﺘﻙ ﺇﻥ ﺩﻟﻠﺘﻙ ﻋﻠﻰ ﺴﻭﺍﻯ (‬ ‫ﹶ ﹶ ﹾﹸ َ‬ ‫ﻤﺎﻨﺤﺎ ﻭﺠﻬﻪ ﺍﻟﻤﻭﺝ ﻤﻨﺘﺸﻴﺎ ﺒﻌﺫﺍﺒﺎﺘﻪ ﺍﻟﻤﺠﻬﺸﺎﺕ ﻴﻐـﻭﺹ‬ ‫‪‬‬ ‫ﹰ‬ ‫ﹰ َ ‪َ  َ‬‬ ‫ﺒﺄﻋﻤﺎﻕ ﺃﻋﻤﺎﻕ ﻴﻡ ﺍﻟﻤﺠﺎﻫﻴل ﺫﻭ ﺍﻟﻨﻭﻥ / ﻗﻠﺒﻲ ﻤﺫ ﺃﻭﻗﻔﺘﻨﻲ َـﺩ‬ ‫ﻴ ‪‬‬ ‫ِ‬ ‫ََ‬ ‫ّ‬ ‫ﺍﷲ ﻓﻲ ﻤﻭﻗﻑ ﺍﻟﺒﺤﺭ ﻭﺍﻟﻜﻠﻤﺔ / ﺍﻟﺯﻤﺯﻤﺔ.‬ ‫‪ََ ‬ﹾ‬ ‫ِ ﹾ ﹾَِ‬ ‫ِ‬ ‫ﻤﺴﻠﻤﺎ ﻜل ﻜﻠﻲ ﻟﻠﻤـﻭﺝ ﺃﻫ‪‬ـﺒﻁ ﻓـﻭﻕ ﺴـﻼﻟﻡ ﺭﻏﺒﺘـﻲ‬ ‫َ‬ ‫َِ ِﹸ‬ ‫‪ ِ ‬ﹰ ﱠ ﹸّﹶ َ‬ ‫ﺍﻟﻌﺎﺭﻤﺔ..‬ ‫ﹾ‬ ‫ﺒﺎﺤﺜﺎ ﻋﻥ ﻋﺭﻭﺱ ﻴﺨﺒﺌﻬﺎ ﺍﻟﺒﺤﺭ ﻓﻲ ﻤﻜﻤﻥ ﺍﻟﺴﺭ ﻋﻥ ﻜل‬ ‫ﹸ َّ‬ ‫َﹾَ ِ َ َ‬ ‫ّّ‬ ‫‪‬‬ ‫ٍ‬ ‫ﹰ‬ ‫ﻋﻴﻥ ﻟﺘﺒﻘﻰ ﻟﻪ ﻭﺤﺩﻩ ﺍﻟﻤﻠﻬﻤﺔ‬ ‫َ ‪  َ ‬ﹾ ‪‬ﹾ ِ َ ﹾ‬ ‫ٍ ﹶ ‪‬ﹶ‬ ‫ﻴﺎ ﺍﺒﻨﺔ ﺍﻟﺒﺤﺭ/ ﻴﺎﺩﺭﺓ ﺍﻟﻤﺴﺘﺤﻴل ﺍﻤﻨﺤﻴﻨﻲ، ﻓﻘﺩ ﻋﺸﺕ ﻋﻨﻙ‬ ‫ِ‬ ‫ﹸ‬ ‫ِ‬ ‫ِ ‪ ‬ﹶ‬ ‫ﹶ‬ ‫ﺃﻓﺘﺵ ﻜل ﺍﻟﻤﺤﺎﺭﺍﺕ، ﻓﺭﺼﺔ ﺭﺅﻴﺔ ﻁﻠﻌﺘﻙ ﺍﻟﻤﻨﻌﻤﺔ..‬ ‫ِ ِِ ﹾ ‪ ‬ﹾ ِ َ ﹾ‬ ‫ِ ﹸ ‪َ ‬ﹶ‬ ‫ﱠ‬ ‫ﻭﺍﻨﻅﺭﻱ:‬ ‫ﺒﻴﻥ ﻗﻭﺴﻴﻥ ﻤﻥ ﻗﻠﻕ ﻭﺍﻏﺘﺭﺍﺏ‬ ‫ٍ‬ ‫ٍ‬ ‫ﺩﻤﻲ / ﺍﻟﺭﻴﺢ‬ ‫‪‬‬ ‫َِ‬ ‫ﻻ ﻴﺴﺘﺭﻴﺢ‬ ‫‪‬‬ ‫)1(‬ ‫ﺍﻟﻨﻔﺭﻱ: ﻤﻭﻗﻑ ﺍﻟﺒﺤﺭ.‬
  9. 9. ‫ﺩﻤﻲ..‬ ‫َِ‬ ‫ﻓﺭﺱ ﺠﺎﻤﺢ ﺃﺜﺨﻨﺘﻪ ﺍﻟﺠﺭﻭﺡ / ﺍﻟﻤﻘﺎﻤﻊ،‬ ‫‪‬‬ ‫‪‬‬ ‫‪ َ ‬ﹾ ﹶﹶ ﹾ ‪‬‬ ‫ﹶَ ‪‬‬ ‫ﻭﺍﻟﻘﻴﻤﻭﻥ/ ﺍﻟﻘﺭﻭﺡ‬ ‫ﹸ‪ ‬‬ ‫ﹶ‪ ‬‬ ‫ﺩﻤﻲ:‬ ‫َ‬ ‫ِ‬ ‫ﺨﺎﺭﺠﻲ ﻴﺒﻴﺢ ﺩﻤﻪ..‬ ‫ََ‪‬‬ ‫‪‬‬ ‫ﺴﺤﻥ ﺴﺒﺔ‬ ‫ِ َ ‪ ‬ﹲ‬ ‫ﻭﻭﺠﻭﻩ ﻋﻤﻪ‬ ‫‪ََ ‬‬ ‫ﻓﺎﻓﺘﺤﻲ – ﻴﺎ ﺍﺒﻨﺔ ﺍﻟﺒﺤﺭ – ﺒﻭﺍﺒﺔ ﺍﻟﻤﺎﺀ ﻟﻠﻌﺎﺸﻕ ﺍﻟﻤﺘـﺩﺜﺭ‬ ‫ِ‬ ‫ِ‬ ‫ﹶ‬ ‫ﺒﺎﻟﻨﺎﺭ.. ﻻ ﺘﺤﺭﻤﻴﻪ ﻨﺩﻯ ﺭﺍﺤﺘﻴﻥ ﻫﻤﺎ:‬ ‫‪َ ِ ‬‬ ‫ﹶَ‬ ‫ِ‬ ‫ﺍﻟﺠﻭﺩ ﻭﺍﻟﻤﺭﺤﻤﺔ‬ ‫‪ ‬ﹾَ ‪ََ ‬ﹾ‬ ‫) ﻭﺨﺎﻁﺒﻨﻲ:‬ ‫ﻴﺎ ﻋﺒﺩ‬ ‫ﺍﻟﺤﺭﻑ ﻨﺎﺭﻱ،‬ ‫ﺍﻟﺤﺭﻑ ﻗﺩﺭﻱ،‬ ‫ﺍﻟﺤﺭﻑ ﺨﺯﺍﻨﺔ ﺴﺭﻱ‬ ‫ﻴﺎ ﻋﺒﺩ..‬
  10. 10. ‫ﻻ ﺘﺩﺨل ﺍﻟﺤﺭﻭﻑ ﺇﻻ‬ ‫ﹶ ﱠ‬ ‫ﹶ‪ ‬ﹸ ِ‬ ‫ﻭﻨﻅﺭﻱ ﻓﻲ ﻗﻠﺒﻙ،‬ ‫َ‬ ‫ﻭﻨﻭﺭﻱ ﻋﻠﻰ ﻭﺠﻬﻙ،‬ ‫َ‬ ‫ﻭﺍﺴﻤﻲ، ﺍﻟﺫﻱ ﻴﻨﻔﺴﺢ ﻟﻪ‬ ‫‪ِ‬‬ ‫ﻗﻠﺒﻙ، ﻋﻠﻰ ﻟﺴﺎﻨﻙ‬ ‫ﻴﺎ ﻋﺒﺩ‬ ‫ﻻ ﺃﻗﻭل ﻟﻙ: ﺃﻟﻕ ﺍﻟﻤﻔﺎﺘﻴﺢ ﺒﻴﻥ ﻴﺩﻱ ﺤﻀﺭﺘﻲ ﺃﻜﺭﻤﻙ ﺒﻬﻤﺎ‬ ‫ﻓﻲ ﺴﺭﻴﺭﺘﻙ، ﻓﻤﻘﺎﻤﻙ ﻤﻥ ﻭﺭﺍﺀ ﺍﻟﺤﺭﻭﻑ ﻟـﺩﻱ ﻭﻤـﻥ ﻭﺭﺍﺀ‬ ‫ﻤﻔﺎﺘﻴﺢ ﺍﻟﺤﺭﻭﻑ، ﻓﺈﺫﺍ ﺃﺭﺴﻠﺘﻙ ﺇﻟﻰ ﺍﻟﺤﺭﻭﻑ ﻓﻠﺘﻘﺘﺒﺱ ﺤﺭﻓﺎ ﻤﻥ‬ ‫ﺤﺭﻑ ﻜﻤﺎ ﺘﻘﺘﺒﺱ ﻨﺎﺭﺍ ﻤﻥ ﻨﺎﺭ، ﺃﻗﻭل ﻟﻙ:‬ ‫ﺃﺨﺭﺝ ﺃﻟﻔﺎ ﻤﻥ ﺒﺎﺀ،‬ ‫َ ﹾ ِ ‪ َِ ‬ﹰ‬ ‫ﺃﺨﺭﺝ ﺒﺎﺀ ﻤﻥ ﺒﺎﺀ،‬ ‫َﹾِ ‪ ‬‬ ‫)2(‬ ‫ﺃﺨﺭﺝ ﺃﻟﻔﺎ ﻤﻥ ﺃﻟﻑ (‬ ‫َ ﹾ ِ ‪ َِ ‬ﹰ‬ ‫ﺃﻤﻡ ﺘﺘﺨﻠﻕ – ﻤﻥ ﻟﺤﻤﺔ ﺍﻟﻘﻠﺏ ﺃﻋﻀﺎﺅﻫﺎ –‬ ‫ِ‬ ‫ِ‬ ‫ُ َ ‪ ‬ﹶ ﹶ ﹶﱠ ﹸ‬ ‫ﺃﻴﻬﺎ ﺍﻟﺸﻌﺭ / ﻴﺎ ﺨﺎﻤﺔ ﺍﻟﻤﻌﺠﺯﺍﺕ‬ ‫ِ‬ ‫ﹶ‬ ‫َ ‪ّ َ ‬ﹶ ‪ ‬‬ ‫)2(‬ ‫ﺍﻟﻨﻔﺭﻱ : ﻤﺨﺎﻁﺒﺔ ٣٥‬
  11. 11. ‫ﺸﻬﺩﻨﺎ‬ ‫ﹶ ِ ‪‬ﹶ‬ ‫ﻟﻐﺔ / ﻫﺠﺭﺓ،‬ ‫ﹲ‬ ‫ﹸ ﹶﹲ‬ ‫ﺃﺤﺭﻑ / ﺤﻴﺭﺓ..‬ ‫ﹲ َ ‪َ ‬ﹲ‬ ‫ﺃﻴﻬﺎ ﺍﻟﺸﻌﺭ/ ﻴﺎ ﻗﺩﺭ ﺍﻟﻌﺎﺸﻘﻴﻥ‬ ‫َ‬ ‫ّﹶ ‪  ‬ﹶ َ َ‬ ‫ﺍﺘﺤﺩﻨﺎ‬ ‫ﱠ َ ‪‬ﹶ‬ ‫ﻁﺭﻕ / ﺠﺫﻭﺓ‬ ‫ﹸ ‪ ‬ﹲ َ ﹾ َﹲ‬ ‫ﺴﻔﺭ / ﺠﻤﺭﺓ‬ ‫َﹶ ‪َ  َ ‬ﹲ‬ ‫ﺃﻴﻬﺎ ﺍﻟﺸﻌﺭ /‬ ‫ّﹶ ‪ ‬‬ ‫ﻴﺎ ﻤﻬﻤﻪ ﺍﻟﻔﺎﺘﺤﻴﻥ‬ ‫َ‬ ‫َ ‪ََ‬‬ ‫ﻤﺸﻴﻨﺎ‬ ‫ﻭﺠﻊ / ﻓﺭﺡ‬ ‫ﻏﻴﺒﺔ/ ﺤﻀﺭﺓ‬ ‫ﺃﻴﻬﺎ ﺍﻟﺸﻌﺭ/ ﻴﺎ ﺩﻤﻨﺎ ﺍﻟﻤﺘﻤﻭﺴﻕ‬ ‫ﹶ‬ ‫َ َﹶ‬ ‫ﱢ‪‬‬ ‫ﻤﺎ ﺃﺠﻤل ﺍﻟﻤﻭﺕ ﺒﻴﻥ ﻴﺩﻴﻙ‬ ‫َ‬ ‫ﹶ‬ ‫ﻓﺩﻯ ﻤﻘﻠﺘﻴﻙ‬ ‫َ‬ ‫ﻭﻤﺎ ﺃﻋﻅﻤﻪ!‬ ‫َ ‪ ‬ﹶَ‪‬‬
  12. 12. ‫ﻤﻥ ﺃﻭﺭﺍﻕ ﺠﻤﻴل ﺒﻥ ﻤﻌﻤﺭ‬ ‫)١(‬ ‫ﻓﻲ ﺍﻟﺒﺩﺀ..‬ ‫ِ‬ ‫ﻟﻡ ﻴﻙ ﻏﻴﺭ ﻭﺠﻬﻙ،‬ ‫ﹶ‪ِ ِ  َ  ‬‬ ‫ﻭﺍﻓﺘﺭﺍﺭ ﺍﻟﺤﻠﻡ ﺜﺎﻨﻴﺔ،‬ ‫ِ ﹰ‬ ‫ِ‬ ‫ﻭﻋﻭﺩﺓ ﺫﺍﺘﻲ ﺍﻷﻭﻟﻰ ﺇﻟﻲ،‬ ‫‪‬‬ ‫ِ ِ‬ ‫ﻭﺃﻭﺒﺔ ﺍﻟﻔﺭﺡ / ﺍﻟﺒﻭﺍﻜﻴﺭ ِ/ ﺍﻟﻁﻠﻭﻉ‬ ‫‪‬‬ ‫ِ‬ ‫ِ‬ ‫ﻫﺫﺍ ﺠﻤﺎﻟﻙ – ﻴﺎ ﺍﺒﻨﺔ ﺍﻵﺭﺍﻡ – ﺨﺸﻔﺎ ﻴﺭﺘﻌﻲ‬ ‫ِ ِﹾﹰ‬ ‫ﹶ‬ ‫ََﹸ ِ‬ ‫ﺼﻔﻭ ﺍﻟﻀﻴﺎﺀ، ﻭﻴﺠﺘﻨﻲ ﺯﻫﻭ ﺍﻟﺴﻁﻭﻉ‬ ‫َ‪  َ‬‬ ‫ِ‬ ‫َﹾ َ‬ ‫ﻤﻥ ﺒﺤﺭ ﻋﻴﻨﻴﻙ ﺍﺯﺭﻗﺎﻕ ﺍﻟﺒﺤﺭ ﻴﺄﺨﺫ ﺴﻤﺘﻪ ﺍﻟﺼﻭﻓﻲ،‬ ‫‪‬‬ ‫ِ ﹸ َ ‪‬ﹶ ‪‬‬ ‫ﹸ‬ ‫ِ‬ ‫ِ‪ِَ‬‬ ‫ﻤﻥ ﺒﺴﺘﺎﻥ ﺴﺤﺭﻙ ﺘﻔﻌﻡ ﺍﻷﻁﻴﺎﺏ ﺃﻭﻋﻴﺔ ﺍﻟﻤﺩﻯ،‬ ‫ﹶ‬ ‫‪‬‬ ‫ِ ﹸﹾ ِ ‪‬‬ ‫ﻭﺘﻨﻤﻨﻡ ﺍﻷﺯﻫﺎﺭ ﺃﻭﺸﺤﺔ ﺍﻟﺭﺒﻭﻉ‬ ‫‪‬‬ ‫ﹶ‬ ‫‪‬‬ ‫ﻻ.. ﻟﻴﺱ ﻫﺫﺍ ﺍﻟﺤﺴﻥ – ﻭﻫﻭ ﺍﻟﻤﺴﺘﺤﻴل –‬ ‫ُ‬ ‫ﺴﻭﻯ ﻋﺭﺍﺭ ﺍﻟﺭﻭﺡ ﻴﻨﻔﺙ ﻓﻲ ﺩﻤﻲ ﻋﻁﺭ ﺍﻟﻭﻟﻭﻉ‬ ‫‪‬‬ ‫َِ ِ ﹾ َ‬ ‫ﹸ‬ ‫ََ ِ‬ ‫ﻻ.. ﻟﻴﺱ ﻫﺫﺍ ﺍﻟﺤﺴﻥ ﻏﻴﺭ ﺃﻴﺎﺌل ﺍﻟﻨﻴﺭﺍﻥ‬ ‫ِ‬
  13. 13. ‫ﺘﻁﻠﻘﻬﺎ ﻴﺩ ﺍﻷﻗﺩﺍﺭ ﻓﻲ ﻋﺭﺼﺎﺕ ﺃﻏﻭﺍﺭﻱ‬ ‫ِ‬ ‫ِ‬ ‫‪‬‬ ‫ﻓﺘﻨﺒﺠﺱ ﺍﻟﺼﺒﺎﺒﺔ ﻓﻲ ﺠﺫﻭﺭ ﺼﺒﺎﺒﺘﻲ، ﻭﺘﻭﺸﺢ‬ ‫ﱢ‪‬‬ ‫‪َِ َ‬‬ ‫‪ َ َ ‬ﹸ‬ ‫ﺍﻷﻓﺭﺍﺡ ﺃﻤﺸﺎﺠﻲ ﻭﺘﺄﺘﻠﻕ ﺍﻟﻔﺭﻭﻉ‬ ‫‪‬‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻤﺎ ﺃﻨﺕ ﻓﻲ ﻨﻭﻡ، ﻭﻟﺴﺕ ﻤﻐﻴﺒﺎ‬ ‫ﹶ ‪ ‬ﹶ ‪ ‬ﹶ‪ ‬ﹰ‬ ‫ﹶ‬ ‫ﻟﺘﻅﻥ ﻨﻔﺴﻙ: ﺤﺎﻟﻤﺎ ﺃﻭ ﻭﺍﻫﻤﺎ‬ ‫ﹰ‬ ‫ﹰ‬ ‫َ‬ ‫‪‬‬ ‫ﻴﻘﻅﺎﻥ ﺃﻨﺕ، ﻓﻜﻴﻑ ﺘﺤﺴﺏ ﻤﺎ ﺠﺭﻯ‬ ‫‪ ‬ﹶ‬ ‫ﺃﻀﻌﺎﺙ ﺃﺤﻼﻡ ﺘﺨﺎﻤﺭ ﻨﺎﺌﻤﹰ؟‬ ‫ﺎ‬ ‫ﹶ‬ ‫)٢(‬ ‫ﻓﻲ ﺍﻟﺒﺩﺀ ﻜﻨﺕ،‬ ‫ِ‬ ‫ﻭﻜﺎﻨﺕ ﺍﻟﺴﻨﺔ: ﺍﻨﺒﻼﺝ ﺍﻟﻨﻭﺭ ﻓﻲ ﺃﺭﺠﺎﺀ ﺫﺍﺘﻲ، ﻭﺍﻨﺒﺠﺎﺱ‬ ‫َ‬ ‫َ‬ ‫‪‬ﹶ ﹸ‬ ‫ﺍﻟﻤﺎﺀ ﻓﻲ ﺨﻠﺠﺎﻥ ﻋﻤﺭ ﻜﺎﺩ ﻴﻁﻭﻴﻪ ﺍﻷﻓﻭل‬ ‫ْ‬ ‫ٍ‬ ‫ﻗﻠﺒﺎﻥ ﻗﺩ ﻤﺯﺠﺎ ﻤﻌﺎ ﻓﻲ ﻟﺤﻅﺔ ﻗﺩﺭﻴﺔ: ﻫﻲ‬ ‫ٍ ‪ٍ‬‬ ‫ﹶﹾَ ِ ‪  ِ ‬ﹰ‬ ‫ﺨﻁﻭﺓ ﺃﻭﻟﻰ ﻋﻠﻰ ﺍﻟﺩﺭﺏ ﺍﻟﻁﻭﻴل‬ ‫ْ‬ ‫ﹲ‬ ‫ﺭﻭﺤﺎﻥ ﻤﻨﺫ ﺘﻼﻗﻴﺎ ﻜﺎﻥ ﺍﻟﻭﻟﻭﺝ ﻟﺤﻀﺭﺓ‬ ‫ِ‬ ‫‪‬‬ ‫ﹰ‬ ‫‪ِ َ‬‬ ‫ﺍﻟﻌﻤﺭ ﺍﻟﺠﻤﻴل‬ ‫ْ‬ ‫ِ‬ ‫ﻭﻟﺩ ﻭﺒﻨﺕ – ﻤﻥ ﺠﺩﻴﺩ – ﻴﻭﻟﺩﺍﻥ: ﻜﻤﺎ‬ ‫ِ‬ ‫ٍ ‪‬‬ ‫ﹲ‬ ‫َﹶ ‪‬‬
  14. 14. ‫ﺃﺭﺍﺩﻫﻤﺎ ﺍﻟﻬﻭﻯ ﺍﻟﻤﺸﺒﻭﺏ،‬ ‫‪‬‬ ‫َ َ َ‪َ‬‬ ‫ﻭﺍﻟﻌﺸﻕ/ ﺍﻟﺴﻴﻭل‬ ‫ْ‬ ‫ﹸ‬ ‫ﻨﺎﺭ ﻤﺅﺠﺠﺔ..‬ ‫ﹲ‬ ‫‪‬‬ ‫ﻫﻲ ﺍﻷﺸﻭﺍﻕ ﻤﻠﺅﻫﻤﺎ،‬ ‫ﹸ‬ ‫ﻭﺃﻟﻑ ﺤﻜﺎﻴﺔ ﻋﻥ ﻁﺎﺌﺭﻴﻥ ﺘﻭﺤﺩﺍ‬ ‫‪ ِ ‬ﹶ َ ‪َ‬‬ ‫ٍ‬ ‫ﹸ‬ ‫ﻭﺍﻟﺠﻤﺭ..‬ ‫َ‬ ‫ﻭﺍﻟﻭﺠﺩ / ﺍﻟﺫﻫﻭل‬ ‫ْ‬ ‫َ‬ ‫ﻤﺎﺫﺍ ﻴﻘﻭل ﺍﻟﻨﺎﺱ ﺇﻻ ﺃﻥ ﻴﻘﻭﻟﻭﺍ:‬ ‫‪‬‬ ‫ﺼﺒﺎﻥ ﻤﺩ ﺴﻤﺎﻁﺔ ﻟﻬﻤﺎ ﺍﻟﺫﻫﻭل‬ ‫ُ‬ ‫‪ َ ِ َ ِ ‬ﹶﹸ ﹶ ‪َ ‬‬ ‫ﻓﻬﻤﺎ – ﺘﻨﺎﺠﻴﺎ – ﺍﻟﻨﻤﻭﺫﺝ ﺴﻜﺭﺓ‬ ‫ﱠ ‪ ‬ﹶ ‪ َ ‬ﹾ َﹰ‬ ‫ﹶ‪َ‬‬ ‫ﻭﻫﻤﺎ – ﺼﺒﺎﺒﺔ -: ﺍﻟﻤﺜﺎل ﺍﻟﻤﺴﺘﺤﻴل؟‬ ‫ُ‬ ‫ُ‬ ‫ﹰ‬ ‫)٣(‬ ‫ﻓﻲ ﺍﻟﺒﺩﺀ..‬ ‫ِ‬ ‫ﻜﻨﺕ ﻭﻜﺎﻨﺕ ﺍﻟﺴﻨﺔ: ﺍﻟﺒﺩﺍﻴﺔ ﻻﺭﺘﺠﺎﻉ‬ ‫ِ‬ ‫ﹶ‬ ‫‪‬ﹶ ﹸ‬ ‫ِ‬ ‫ﺍﻟﺸﻌﺭ ﻭﺍﻟﺸﺩﻭ ﺍﻟﺒﺩﻴﻊ‬ ‫‪‬‬ ‫ّﹶ ‪ ِ ‬ﱠ ‪ِ ‬‬ ‫ﻓﻲ ﺃﻓﻕ ﺫﺍﺘﻲ ﺃﺸﺭﻗﺕ ﺸﻤﺱ ﻤﻘﺼﺒﺔ ﺍﻟﺴﻨﺎ‬ ‫‪  ‬ﹶ ‪ َ‬ﹸ ‪‬ﹶ‬ ‫ﹾ‬ ‫ُﹾ ِ‬
  15. 15. ‫ﻓﺎﻨﺠﺎﺏ ﻋﻥ ﺴﻨﻭﺍﺕ ﺸﻌﺭﻱ ﻤﺎ ﺘﺭﺍﻜﻡ ﻤﻥ ﺠﺒﺎل‬ ‫ِ‬ ‫ِ‪‬‬ ‫‪‬ﹶ َ‬ ‫ﺍﻟﺜﻠﺞ،‬ ‫ِ‬ ‫ﻭﺍﻨﻘﺸﻌﺕ ﻀﺭﺍﻭﺍﺕ ﺍﻟﺼﻘﻴﻊ‬ ‫‪‬‬ ‫ﹾ ََ َ ﹸ‬ ‫ﻴﺎ ﻭﺠﻬﻬﺎ ﺍﻟﺸﻤﺴﻲ ﺇﻨﻙ ﻓﻲ ﺩﻤﻲ: ﺍﻟﺴﻴﻤﻴﺎﺀ،‬ ‫َ‪ َ ‬‬ ‫ّ‬ ‫‪‬‬ ‫ﻭﺍﻟﺴﺤﺭ ﺍﻟﻤﻤﻭﺴﻕ،‬ ‫َ ‪  ‬ﹾ‪ َ  َ‬ﹸ‬ ‫ّ‬ ‫ﻭﺍﻨﻬﻤﺎﺭ ﺍﻟﺩﻑﺀ،‬ ‫ِ‬ ‫‪‬‬ ‫ﻭﺍﻟﻭﻫﺞ ﺍﻟﻤﻘ ﱠﺭ‬ ‫ﹾ َ َ ‪ ‬ﹾ ‪ ‬ﹶﻁ ‪‬‬ ‫ﻭﺍﻟﻨﺼﻭﻉ‬ ‫‪‬‬ ‫ﺼﻴﻎ ﺍﻟﺯﻤﺎﻥ – ﺒﻨﺎﻅﺭﻱ – ﺼﻴﺎﻏﺔ ﺃﺨﺭﻯ،‬ ‫ﹰ‬ ‫‪‬‬ ‫‪‬‬ ‫َِ‬ ‫ﻭﺤﺎل ﺒﺨﺎﻁﺭﻱ – ﻤﻨﺫ ﺍﻟﺘﻘﺘﻴﺘﻙ – ﺠﺩﺏ‬ ‫َ‪ ‬‬ ‫ﻗﻴﺜﺎﺭﻱ‬ ‫ﺒﺴﺎﺘﻴﻨﺎ ﺘﻀﻭﻉ‬ ‫‪‬‬ ‫ﹰ‬ ‫ﻓﺭﺡ ﻁﻔﻭﻟﻲ ﻴﺭﺍﻗﺼﻨﻲ ﻜﺄﻥ ﺍﻟﻘﻠﺏ‬ ‫َ‬ ‫‪‬‬ ‫‪‬‬ ‫ﹶَ‪‬‬ ‫ﻋﺼﻔﻭﺭ ﻴﺒﺎﻜﺭﻩ ﺍﻟﺭﺒﻴﻊ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻟﻲ ﺃﻥ ﺃﺼﻴﺭ ﺍﻟﺒﻠﺒل ﺍﻟﻐﺭﻴﺩﺍ‬ ‫َ‬ ‫ﻭﺃﺤﻴل ﺼﻤﺘﻲ ﺠﻭﻗﺔ ﻭﻨﺸﻴﺩﺍ‬ ‫ﹰ‬
  16. 16. ‫ﻟﻲ ﺃﻥ ﺃﻗﻴﻡ ﺍﻟﻴﻭﻡ ﺃﻋﺭﺍﺱ ﺍﻟﻤﺩﻯ‬ ‫ﻭﺃﺭﻯ ﺍﻟﻭﺠﻭﺩ ﻭﻗﺩ ﺘﺸﻜل ﻋﻴﺩﺍ‬ ‫)٤(‬ ‫) ﺨﻠﻴﻠﻲ ﺇﻥ ﻗﺎﻟﺕ ﺒﺜﻴﻨﺔ: ﻤﺎﻟﻪ‬ ‫ﹸ‬ ‫‪‬‬ ‫ﺃﺘﺎﻨﺎ ﺒﻼ ﻭﻋﺩ؟ ﻓﻘﻭﻻ ﻟﻬﺎ: ﻟﻬﺎ‬ ‫ﺃﺘﻰ ﻭﻫﻭ ﻤﺸﻐﻭل ﻟﻌﻅﻡ ﺍﻟﺫﻱ ﺒﻪ‬ ‫َﹶ َ ‪ َ َ ‬ﹾ ﹸ ‪  ِ ٌ ‬ﹾ ِ‬ ‫ﻭﻤﻥ ﺒﺎﺕ ﻁﻭل ﺍﻟﻠﻴل ﻴﺭﻋﻰ ﺍﻟﺴﻬﺎ ﺴﻬﺎ‬ ‫‪ََ َ‬‬ ‫َ‪َ‬‬ ‫ﺒﺜﻴﻨﺔ ﺘﺯﺭﻱ ﺒﺎﻟﻐﺯﺍﻟﺔ ﻓﻲ ﺍﻟﻀﺤﻰ‬ ‫ِ‬ ‫ﹸﹸ‪ِ‬‬ ‫ﺇﺫﺍ ﺒﺭﺯﺕ ﻟﻡ ﺘﺒﻕ ﻴﻭﻤﺎ ﺒﻬﺎ ﺒﻬﺎ‬ ‫ﹾ ﹸ‪ ِ ‬ﹰ ِ َ َ‬ ‫ﻟﻬﺎ ﻤﻘﻠﺔ ﻜﺤﻼﺀ ﻨﺠﻼﺀ ﺨﻠﻘﺔ‬ ‫‪ ‬ﹰ‬ ‫‪‬‬ ‫ﹸ‬ ‫)*(‬ ‫ﻜﺄﻥ ﺃﺒﺎﻫﺎ ﺍﻟﻅﺒﻲ، ﺃﻭﺃﻤﻬﺎ ﻤﻬﺎ (‬ ‫ﱠ‪َ َ َ  ُ  ‬‬ ‫)*(‬ ‫ﺍﻷﺒﻴﺎﺕ ﺍﻟﺘﻲ ﺒﻴﻥ ﺍﻟﻘﻭﺴﻴﻥ ﻟﺠﻤﻴل ﺒﻥ ﻤﻌﻤﺭ.‬
  17. 17. ‫ﺭﺴﺎﻟﺔ ﺇﻟﻰ ﻗﻭﺱ ﻗﺯﺡ‬ ‫ﻜﺄﻨﻙ ﻟﻡ ﺘﺒ‪‬ﺤﺭﻱ ﻓﻲ ﻓﺅﺍﺩﻱ‬ ‫ِ ﹸ‬ ‫ﻤﻨﺫ ﺍﻟﺘﻘﻴﻨﺎ..‬ ‫ﻷﻭل ﻤﺭﺓ‬ ‫َ‪‬‬ ‫ﻜﺄﻨﻙ ﻟﻡ ﺘﺴﻜﻨﻲ‬ ‫ﻓﻲ ﺩﻤﻲ‬ ‫ﻤﻨﺫ ﺃﻭل ﻨﻅﺭﺓ‬ ‫ﻜﺄﻨﻙ ﻟﻡ ﺘﻌﺭﻓﻲ‬ ‫ﺃﻥ ﻭﺠﻬﻙ ِ‬ ‫ﺼﺎﺭ ﻨﺸﻴﺩﻱ‬ ‫ﻭﺃﻥ ﻭﺠﻭﺩﻙ ﺃﻤﺴﻰ ﻭﺃﻀﺤﻰ‬ ‫ﻭﺠﻭﺩﻱ‬ ‫ﻭﺃﻨﻙ ﺴﺤﺭ‬ ‫‪‬‬ ‫ﻴﻤﺎﺯﺝ ﻓﻲ ﺠﺴﺩﻱ ﻜل ﺫ ‪‬ﺓ‬ ‫ﱠ ﹶﺭ‬ ‫ﻜﺄﻨﻙ ﻟﻡ ﺘﻌﺭﻓﻲ‬ ‫ﻜﺄﻨﻙ ﻟﻡ ﺘﻌﺭﻓﻲ‬
  18. 18. ‫ﻫﻭ ﺍﻟﺤﺏ – ﺴﻴﺩﺘﻲ:‬ ‫ﺠﻤﺭﺓ ﺒﺎﺘﺴﺎﻉ ﺍﻟﻤﺩﻯ،‬ ‫ﹲ‬ ‫ﻭﻤﺤﺎﺼﺭﺓ ﻻ ﺘ ﹶﺎﺩﺭ..‬ ‫ﹲ ﹸﻐ ِ ‪‬‬ ‫ﻋﺼﺎﻓﻴﺭ ﺭﻓﺭﺍﻓﺔ ﺘﺄﺨﺫ ﺍﻟﻘﻠﺏ‬ ‫ﹲ‬ ‫‪‬‬ ‫ﺜﻡ ﺘﺴﺎﻓﺭ..‬ ‫ﻤﺤﻠﻘﺔ‬ ‫ﹰ‬ ‫ﻓﻲ ﺍﻟﻔﻀﺎﺀ ﺍﻟﺒﻌﻴﺩ ﺍﻟﺒﻌﻴﺩ:‬ ‫ِ‬ ‫ِ‬ ‫ﺃﻫﺎﺯﻴﺞ ﻤﻭﺍ ‪‬ﺓ،‬ ‫َ ‪ ‬ﹶﺭ‬ ‫ﻭﻨﻭﺍﻓﻴﺭ ﺩ ﱠﺎ ﱠﺔ،‬ ‫َﻓ ﻗ‬ ‫ﻭﻟﻬﻴﺒﺎ ﻴﻐﺎﻤﺭ‬ ‫‪‬‬ ‫ﹰ‬ ‫ﻭﺃﻨﺕ ﻤﻥ ﺍﻟﻜﻭﻥ‬ ‫ِ‬ ‫ِ‬ ‫ﻗﻭ‪‬ﺱ ﻗﺯﺡ‬ ‫ﹸَ ‪‬‬ ‫ﹶ‬ ‫ﻭﻤﻥ ﻏﻤﺭﺓ ﺍﻟﻭﺠﺩ‬ ‫ﺩﻤﻊ ﺍﻟﻔﺭ‪‬ﺡ‬ ‫ﹾﹶ ﹶ‬ ‫ﻭﻤﻥ ﻴﻘﻅﺔ ﺍﻟﺤﻠﻡ ﻜل ﺍﻟﺒﺸﺎﺌﺭ‬ ‫‪‬‬ ‫ﱡ‬ ‫ﻭﺴ ‪‬ﺍﺤﺔ ﺃﻨﺕ ..‬ ‫ﻭ َﹲ ِ‬
  19. 19. ‫ﺴ ‪‬ﺍﺤﺔ ﻓﻲ: ﻓﻲ ﻴﻘﻅﺘﻲ‬ ‫َﻭ َ ﹲ ‪‬‬ ‫ﻭﻫﺠﻭﺩﻱ‬ ‫ﻭﻏ ‪‬ﺍﺀﺓ!‬ ‫َ ﹶﺩ َ ﹲ‬ ‫- ﻴﺎ ﺃﻤﻴﺭ ﺤﺒﻲ –‬ ‫‪َ َ‬‬ ‫ّ‬ ‫ﻓﻲ ﻤﻘﻠﺘ ‪،‬‬ ‫ﻲ‬ ‫ﻭﺭ ّﺍﺤﺔ ﻓﻲ ﻭﺭﻴﺩﻱ‬ ‫َ ﹸ‬ ‫ﻭ َ‬ ‫ﻭﺭﻏﻡ ﺠﻤﻴﻊ ﺍﻟﺤﻭﺍﺠﺯ‬ ‫ِ‬ ‫ﻟﻡ ﺘﺴﺘﻁﻊ ﺤﺠﺏ ﻁﻴﻔﻙ ﻋﻨﻲ‬ ‫َ ‪ّ َ ِ ِ َ ‬ﹶ َ‬ ‫ﻜل ﺍﻟﺴﺩﻭﺩ‬ ‫ِ‬ ‫ﱡ‬ ‫ﻭﻋﻴﻨﺎﻙ …‬ ‫ِ‬ ‫ﻫل ﻏﻴﺭ ﻋﻴﻨﻴﻙ‬ ‫ﻤﻥ ﺸﺩﻨﻲ ﻟﻠﺒﺤﺎﺭ ..‬ ‫‪‬‬ ‫ﻭﻨﻭﺭﺱ ﻗﻠﺒﻲ ﻟﻴل ﻨ َﺎﺭ ..‬ ‫ﹶ ‪ َ ‬ﹶﻬ‬ ‫ﻭﺼﻴﺭﻨﻲ ﺴﻨﺩﺒﺎﺩ ﺍﻟﺘﺒﺎﺭﻴﺢ‬ ‫ِ‬ ‫َ‬ ‫ﻭﺍﻟ َﻟ ِ ﺍﻟﻤﺴﺘﺤﻴلْ؟‬ ‫ﹾﻭﹶﻪ‬ ‫ﻭﻫل ﻏﻴﺭ ﻋﻴﻨﻴﻙ‬ ‫ِ‬ ‫ﹶ‪ ‬‬
  20. 20. ‫ﻤﻥ ﺃﺴﻜ َ ﺍﻟﺭﺃﺱ ﻫﺫﺍ ﺍﻟﺩ َﺍﺭ ﺍﻟﺠﻤﻴل ..‬ ‫ْ‬ ‫‪‬ﻭ َ‬ ‫َ ‪  َ ‬ﹶﻥ ‪َ ْ ‬‬ ‫ﻭﻤﻥ ﻓﺠ َ ﺍﻟﻭﺠﺩ ﻓﻲ ﺨﺎﻓﻘﻲ‬ ‫‪َ‬‬ ‫َ َ ‪ ‬ﹶ ‪‬ﺭ‬ ‫ﻟ َﺠﺎ‬ ‫ﹸﺠ‬ ‫ﻭﻋﻴﻭﻨﺎ ﻤﺅﺠﺠﺔ‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﻭﻴﻨﺎﺒﻴﻊ ﻨﺎﺭ..‬ ‫َ ‪‬‬ ‫ﺃﻴﺎ ﺍﻤﺭﺃﺓ ﻤﻥ‬ ‫ﺃﺜﻴﺭﻴﺔ‬ ‫‪ٍ‬‬ ‫ﻭﺸﻔﺎﻓﻴﺔ‬ ‫ٍ‬ ‫ﻭﺸﺫﺍ‬ ‫ﹰ‬ ‫ﻭﹶﻅﻰ‬ ‫ﻟ ‪‬‬ ‫ﻭﺍﺒﺘﻜﺎﺭ ؟!‬ ‫‪‬‬
  21. 21. ‫ﺍﻟﻤﺭﺃﺓ ﺍﻟﻠﻬﺏ ﻭﺍﻟﺸﺎﻋﺭ ﺍﻟﻔﺭﺍﺸﺔ‬ ‫" ﻤﻥ ﺃﻭﺭﺍﻕ ﺍﺒﻥ ﺯﻴﺩﻭﻥ "‬ ‫ﺃﺠل:‬ ‫ََْ‬ ‫ﺃﻨﺕ ﺍﻟﺴ ﹶﺎ ﻴﺴ ِﻲ‬ ‫ِ ‪‬ﻨ َ ‪‬ﺒ‬ ‫ﻭﻟﻜﻥ ﻜﻴﻑ ﺼﺎﺭ ﻓﺭﺍﺸﺔ ﻗﻠﺒﻲ؟‬ ‫ﹰ‬ ‫ﺘﺒﺎﺭﻙ ﺴﺤﺭﻙ ﺍﻟﹶﻬﺒﻲ‬ ‫ِ‪ ِ ‬ﻠ ِ‬ ‫ﻭﺠل ﺴﻌﻴﺭ ﺤﺴﻨﻙ ﻴﺎ ﺍﺒﻨﺔ ﺍﻟ ﱡﻬﺏ‬ ‫ﹶ ﺸ ِ‬ ‫‪ِ ِ  ‬‬ ‫َﱠ‬ ‫ﻭﻴﺎ ﻤﻥ ِﺸﺕ ﻋﻤﺭﻙ ﺴﺎﺭﻕ ﺍﻟﻨﺎﺭ‬ ‫ﹶ ِ‬ ‫َ ‪ ‬ﻋ ﹾ ﹶ ‪َ َ‬‬ ‫ﻟﻘﺩ ﺃﺼﺒﺤﺕ ﻤﺴﺭﻭﻗﺎ‬ ‫ﹰ‬ ‫ﹶ‬ ‫ﺘﻌ ‪ ‬ﻜﺌﻭﺱ ﺴﻬﺩﻙ ﻜ ﱠ ﻟﻴ ٍ‬ ‫َ ‪ َ ِ  ‬ﹸل ﹶ ‪‬ل‬ ‫ﹶ ‪‬ﺏ‬ ‫ﻭﺍﻟﻨﻬﺎﺭ ﺘﻌﻴﺸﻪ ﻨﻬ‪‬ﺒﺎ ِﻤﺎ ﻴﻌ ‪‬ﻭﻙ‬ ‫ﹶ ﹰ ﻟ ﹶ َ ‪‬ﺭ َ‬ ‫َ‬ ‫ﻤﻥ ﻭﺠﺩ‬ ‫ِ‪ٍ ‬‬ ‫ﻭﺇﻁﺭﺍﻕ‬ ‫ِ‬ ‫ﺃﻗﻭل ﺍﻟﺤﻕ: ﺇﻨﻙ ﻭﺍﻟﻠﻅﻰ‬ ‫ِ‬ ‫- ﻴﺎ ﻓﺘﻨﺘﻲ -‬
  22. 22. ‫ﻗﺩ ِﻱ ..‬ ‫ﺭ‬ ‫ﻓﻼ ﺘﺘﻭ ‪‬ﻋﻲ ﺃﻥ ﺘﺸﻌﻠﻲ ﺘ ﱡﻭﺭ ﺃﺸﻭﺍﻗﻲ‬ ‫ﹶﻨ َ‬ ‫ﺭ‬ ‫ﻭﺤﻴﻥ ﺘﺭﻴﻨ ِﻲ ﺒﻌﻀﺎ ﻤﻥ ﺍﻟﺸﺭﺭ ..‬ ‫ﱠَِ‬ ‫ﹰ‬ ‫ﹶ َ ‪ ‬ﹶﻨ‬ ‫ﻓﺘﻠﻙ ﻁﻴﻭﺭ ﻗﻠﺒﻲ ﺒﻌﺩﻤﺎ ﺤﻁﻤﺕ‬ ‫َ ﱠ‪ِ ‬‬ ‫ﺃﻁﻭﺍﻗﻲ‬ ‫ﻭُﻗﺴﻡ – ﻴﺎ ﺃﻤﻴﺭﺓ ﻋﻤﺭﻱ ﺍﻟﺒﺎﻗﻲ.‬ ‫ﹶ ‪َ ِ‬‬ ‫ﺃﹾ ِ‪‬‬ ‫ﺒﺄﻨﻲ ) ﻤﻨﺫ ﺃﻭل ﻨﻅﺭﺓ (‬ ‫ٍ‬ ‫ﺃﺩﺭﻜﺕ: ﺃﻨﻙ ﻭﺍﻟﻠﻅﻰ ﻗ َ ِﻱ،‬ ‫ﹶ ﺩﺭ‬ ‫ﹸ ِ‬ ‫ﻭﺃﻥ ﺍﺒﻥ ﺍﻟﻤﻠﻭ ِ‬ ‫‪ َ  ‬ﹾ ‪‬ﹶ ‪‬ﺡ‬ ‫ﻟﻡ ﻴﺯل ﻴﺤ َﺎ ﺒﺄﻋﻤﺎﻗﻲ‬ ‫َ َ ْ َ ‪‬ﻴ‬ ‫" ﺃﺤ ‪‬ﻙ ؟" …‬ ‫ُ ِﺒ ِ‬ ‫ﻜﻴﻑ ﻻ ﺘﺩﺭﻱ ﺍﻟﺤﺭﺍﺌﻕ‬ ‫ﹸ‬ ‫ﺤﺎﺠﺔ ﺍﻟﻤﻘﺭﻭﺭ‪‬؟‬ ‫ﹶ‬ ‫" ﺃﺤﺒﻙ ؟" ..‬ ‫ُ ِ‪ِ ‬‬ ‫ﻜﻴﻑ ﻻ ﺃﻫ َﻯ ﺍﻨﻬﻤﺎﺭ ﺍﻟﺸﻤﺱ ﺇﺫ …‬ ‫ِ‬ ‫َ‬ ‫َ ‪‬ﻭ‬ ‫ﺘﻨﺼﺏ ﻓﻲ ﻗﻨﻴﻨﺔ ﻤﺴﺤﻭﺭﺓ ﺍﻟﺒﻠﻠﻭﺭ‪‬؟‬ ‫ِ‬ ‫ٍ‬ ‫‪‬‬
  23. 23. ‫" ﺃﺤﺒﻙ ؟" ..‬ ‫ُ ِ‪ِ ‬‬ ‫ﻜﻴﻑ ﻻ ﺃﺼﺒﻭ ﺇﻟﻰ ﺩﻑﺀ ﺍﻟﺤﻴﺎﺓ‬ ‫ﻭﻨﺒﻀﻬﺎ‬ ‫َِ‬ ‫ﻭﺍﻟﺭﻭﺡ‬ ‫ِ‬ ‫ﻭﺍﻟﻔ َ ِ ﺍﻟﻤﺒﺎﻏﺕ ..‬ ‫ﹶﺭﺡ‬ ‫ﻭﺍﻨﺩﻓﺎﻕ ﺍﻟﻨﻭﺭ‪‬؟‬ ‫ِ‬ ‫" ﺃﺤﺒﻙ ؟" ..‬ ‫ُ ِ‪ِ ‬‬ ‫ﻜﻴﻑ ﻻ ﺃﺭ َﻰ‬ ‫َ ‪‬ﻀ‬ ‫- ﻭﺇﻨﻲ ﻁﺎﺌﺭ ﺍﻟﻔﻴﻨﻴﻕ –‬ ‫ِ‬ ‫ﺇﺤﺭﺍﻗﻲ؟‬ ‫..‬ ‫…‬ ‫ﻭﻴﺎ ﺨﻤﺭ ﺍﻨﺼﻬﺎﺭﺍﺘﻲ‬ ‫ﻓﺭﻴﺩﺍ‬ ‫ﹰ‬ ‫ﻤﻔﺭﺩﺍ‬ ‫ﹰ‬ ‫ﻓﺭﺩﺍ‬ ‫ﹰ‬
  24. 24. ‫ﻭﺤﻴﺩﺍ‬ ‫ﹰ‬ ‫ﻭﺍﺤﺩﺍ‬ ‫ﹰ‬ ‫ﺃﺤﺩﺍ‬ ‫ﺃﻨﺎ ﺍﻟﻤﺴﻘﻲ‬ ‫‪‬‬ ‫ﻭﺍﻟﺴﺎﻗﻲ!‬ ‫..‬ ‫…‬ ‫…‬ ‫ﻟ ِ ﺍﻟﻌﺘ َﻰ‬ ‫ﹶﻙ ﹾ ‪ ‬ﹾﺒ‬ ‫ﻭﺃﻟﻑ ﻗﺼﻴﺩﺓ ﻓﻲ ﺍﻟﻘﻠﺏ ﺃﺨﻔﻴﻬﺎ‬ ‫ِ‬ ‫ٍ‬ ‫َﹾ ﹸ‬ ‫ﻋﻥ ﺍﻟﺩﻨﻴﺎ‬ ‫ﻭﻤﻥ ﻓﻴﻬﺎ:‬ ‫ﻤﺘﻰ ﺘﺩﺭﻴﻥ ﺃﻥ ﺍﻟﺤ ‪ ‬ﺃﻜﺒﺭ ﻤﻥ ﺘﺠﺎﻫﻠﻨﺎ‬ ‫ﹾ ‪‬ﺏ‬ ‫ﻭﺃﻗﻭﻯ ﻤﻥ ﺘﻐﺎﺒﻴﻨﺎ ؟‬ ‫ﻟ ِ ﺍﻟﻌﺘ َﻰ:‬ ‫ﹶﻙ ‪ ‬ﹾﺒ‬ ‫ﻟ ِ ﺍﻟﻌﺘ َﻰ:‬ ‫ﹶﻙ ‪ ‬ﹾﺒ‬
  25. 25. ‫ﻟ ِ ﺍﻟﻌﺘ َﻰ:‬ ‫ﹶﻙ ‪ ‬ﹾﺒ‬ ‫ﻤﺘﻰ ﺘﺩﺭﻴﻥ ﺃﻥ ﺍﻟﻌﺸﻕ‬ ‫ﹶ‬ ‫- ﻴﺎ ﺃﻴﻘﻭﻨﺘﻲ -‬ ‫ﺤﺎل ، ﻭﺃﻥ ﻗﻠﻭﺒﻨﺎ‬ ‫ٌ‬ ‫ﻟﻴﺴﺕ ﺒﺄﻴﺩﻴﻨﺎ؟‬ ‫ﻟ ِ ﺍﻟﻌﺘ َﻰ:‬ ‫ﹶﻙ ‪ ‬ﹾﺒ‬ ‫ﻟ ِ ﺍﻟﻌﺘ َﻰ:‬ ‫ﹶﻙ ‪ ‬ﹾﺒ‬ ‫ﻭﻴﺎ ﻜل ﺍﻟﻤﻭﺍﻭﻴل‬ ‫ِ‬ ‫ﱠ‬ ‫ﻫﻲ ﺍﻷﺸﻭﺍﻕ .. ﻫل ﺘﺒﹶﻰ‬ ‫ﹶ ‪‬ﻠ‬ ‫ﻭﻓﻲ ﺍﻷﻋﹶﻰ‬ ‫َ ‪‬ﻠ‬ ‫) ﻭﺤﻴﺙ ﻋ ﹶﺎﺭﺩ ﻴﻔ ِﻲ ﺇﻟﻰ ﺍﻟﺯﻫﺭﺓ‬ ‫‪َ َ ‬ﹾ‬ ‫‪‬ﻁ ِ ‪  ‬ﹾﻀ‬ ‫ﺒﺄﺴﺭﺍﺭﻩ …‬ ‫‪‬‬ ‫ﻭﻴﻭﺩﻉ ﻗﻠﺒ َﺎ ﻤﻜﻨﻭﻥ ﺃﻏﻭﺍﺭﻩ ( …‬ ‫‪  ِ ‬ﹶ ﹾ َﻬ‬ ‫ﻫﻨﺎﻙ ﺍﺴﻤﺎﻥ‬ ‫َ‬ ‫َﻭ ﹸﻭﻤﺎﻥ ﻓﻭﻕ ﻤﻨﺎﺭﺓ ﺍﻷ ﹸﻕ‬ ‫ُﻓ‬ ‫ﻤ ﺸ‬ ‫ﺘﺤﻭﻁﻬﻤﺎ ﻤﻼﺌﻜﺔ ﺍﻟﺴﻤﻭﺍﺕ ﺍﻟﻌﻼ ﻭﺍﻟﺤﻭﺭ ..‬
  26. 26. ‫ﻭﻜل ﻋﺭﺍﺌﺱ ﺍﻷﻟ ِ،‬ ‫ِ َﹶﻕ‬ ‫ﱡ‬ ‫ﻭﺃﻨﻬﺎﺭ ﻤﻥ ﺍﻷﻁﻴﺎﺏ ﺘﺭﻓﺩ َﺎ‬ ‫ﹶ ‪ ‬ﹸ ‪‬ﻫ‬ ‫‪‬‬ ‫ﻴﻨﺎﺒﻴﻊ ﻤﻥ ﺍﻟﺭﻴﺤﺎﻥ‬ ‫‪‬‬ ‫ﻭﺍﻟﻨﺴﺭﻴﻥ‬ ‫ِ‬ ‫ﻭﺍﻟﻜﺎﻓﻭﺭ‪،‬‬ ‫ﻭﺃﺭﻭﺍﺡ ﻤﺠﻨﺤ ﹲ، ﻭﺃﻋﻼ ‪ ،‬ﻭﺃﻨﻐﺎﻡ،‬ ‫‪‬‬ ‫ﻡ‬ ‫ﺔ‬ ‫‪‬‬ ‫ﻭﺒﺎﻗﺎﺕ ﻤﻥ ﺍﻷﺯﻫﺎﺭ ﻴﺤﻤﻠﻬﺎ:‬ ‫ﹸ‬ ‫ٌ‬ ‫ﺠ ِﻴل ﺒﺜﻴ ﹶﺔ،‬ ‫َﻤ ُ ‪ ‬ﹶ ‪‬ﻨ‬ ‫ﻭﺍﻟﺒﺤﺘﺭﻱ،‬ ‫‪‬‬ ‫ﻭﻗﻴﺱ ﻟﺒﻨﻰ ،‬ ‫ﹸ‬ ‫ﻭﺍﺒﻥ ﻜﻠﺜﻭ ٍ،‬ ‫ﻡ‬ ‫‪‬‬ ‫ﻭﻋﻨﺘﺭﺓ ﺒﻥ ﺸ ‪‬ﺍ ٍ،‬ ‫ﹸ ‪  ‬ﺩﺩ‬ ‫ﻭﻋﻠﻘﻤﺔ،‬ ‫ﻭﺒﺸﺎﺭ ﺒﻥ ﺒﺭ ٍ،‬ ‫‪   ‬ﺩ‬ ‫ﻭﺍﺒﻥ ﺤﻠﺯ ٍ،‬ ‫‪ِ ‬ﱢ ﺓ‬ ‫ﻭﻗﻴﺱ ﺒﻥ ﺍﻟﻤﻠﻭ ِ،‬ ‫‪‬ﺡ‬ ‫‪ ‬‬
  27. 27. ‫ﻭﺍﻟﻤﻬﻠﻬ ُ،‬ ‫ﹾ ‪ َ ‬ﹾ ِل‬ ‫ﻭﺍﻟﻤﻨﺨ ُ،‬ ‫ﹾ ‪ ‬ﹶ ﱠل‬ ‫ﻭﺍﺒﻥ ﻋ ‪‬ﺎ ٍ،‬ ‫ﺒﺩ‬ ‫ﻭﺩﻴﻙ ﺍﻟﺠﻥ،‬ ‫‪‬‬ ‫ﻭﺍﺒﻥ ﺃﺒﻲ ﺭﺒﻴﻌ ﹶ،‬ ‫ﺔ‬ ‫ﻭﺍﻟﻔﺭﺯﺩ ﹸ،‬ ‫ﻕ‬ ‫ﻭﺍﻟﺸﺭﻴ ﹸ،‬ ‫ﻑ‬ ‫ﻭﻋﺭ َﺓ ﺒﻥ ﺍﻟﻭﺭ ِ،‬ ‫‪  ‬ﻭ ‪ ‬ﹾ َ ‪‬ﺩ‬ ‫ﻭﺍﻟﻌ ‪‬ﺎ ‪،‬‬ ‫ﺒﺱ‬ ‫ﻭﺍﻟﺤﻼ ‪،‬‬ ‫ﱠﺝ‬ ‫ﻭﺍﻷﻋﺸﻰ …‬ ‫ﻭﻏﻠﻤﺎﻥ َﺒﺎﺡ ﻴﺤﻤﻠﻭﻥ ﻤﺒﺎﺨﺭﺍ ﻗﺯﺤﻴﺔ ﺍﻷﻟﻭﺍﻥ ﻴﻠﺘ ﱡﻭﻥ‬ ‫ﻔ‬ ‫‪‬ﺼ ‪‬‬ ‫ﺤﻭل ﺃﺭﻴﻜﺔ ﺫﻫﺒﻴﺔ ﻗﺩ ﻫﻴﺌﺕ:‬ ‫‪ َ ‬ﹾ‬ ‫ﻋﺭﺸﺎ‬ ‫ﻭﻜﺭﺴﻴﺎ ﺃﺜﻴﺭﻴﺎ …‬ ‫‪‬ﹰ‬ ‫ﺃﻋ ‪‬ﺘﻪ ﻴﺩﺍ ﺍﻷﺸﻭﺍﻕ ﻻﺜﻨﻴﻥ:‬ ‫َ َﺩ ﹾ ‪‬‬
  28. 28. ‫ﺍﺒﻥ ﺯﻴﺩﻭﻥ‬ ‫ٍ‬ ‫ِ‬ ‫ﻭ ﻭﻻ ﺩﺓ‬ ‫َ َ ﱠ َﹸ‬ ‫ﻴﺎ ﺃﻫل ﻭﺩﻱ ﻭﺍﻷﻴﺎﻡ ﺘﻁﻭﻴﻨﺎ‬ ‫‪‬‬ ‫َ ‪َ َ‬‬ ‫ّ‬ ‫ﻭﻤﻨﺠل ﺍﻟﺩﻫﺭ ﻴﺒﻠﻴﻜﻡ ﻭﻴﺒﻠﻴﻨﺎ‬ ‫ُ ‪ِ‬‬ ‫ﺤﺘﻰ ﻤﺘﻰ ﻨﺘﻭﺍﺭﻯ ﻋﻥ ﺤﻘﻴﻘﺘﻨﺎ‬ ‫ﺼﻤﺘﺎ .. ﻭﻓﻴﻨﺎ ﻤﻥ ﺍﻷﺸﻭﺍﻕ ﻤﺎﻓﻴﻨﺎ؟‬ ‫ﹰ‬ ‫ﻴﺎ ﺃﻫل ﻭﺩﻱ ﺇﻥ ﺍﻟﻌﻤﺭ ﻟﻴﺱ ﺴﻭﻯ‬ ‫‪ َ َ‬‬ ‫ّ‬ ‫ﻁﻴﻑ ﻴﻤ ‪ ‬ﺴﺭﻴﻌﺎ ﻤﻥ ﺃﻴﺎﺩﻴﻨﺎ‬ ‫ﹰ‬ ‫ٍ َ ‪‬ﺭ‬ ‫ﻓﺄﺒﻠﻐﻭﻨﺎ ﻤﻥ ﺍﻹﻨﺼﺎﻑ ﻤﺄﻤﻠﻨﺎ‬ ‫ﻓﻘﺩ ﻨﻤﻭﺕ ﻭﻟﻡ ﻨﺒﻠﻎ ﺃﻤﺎﻨﻴﻨﺎ‬
  29. 29. ‫ﺃﺴﻴﺭ ﺍﻟﺠﻠﻨﺎﺭ‬ ‫ﻤﺎ ﺍﻟﺫﻱ ﻓﻴﻙ‬ ‫- ﻴﺎ ﺠﻠ ﹶﺎﺭ ﺍﻟﻬﻭﻯ‬ ‫‪‬ﱠﻨ َ‬ ‫ﻭﺃﻗﺎﺤﻲ ﺭﻭﺽ ﺍﻟﻔﺘﻭﻥ –‬ ‫ِ‬ ‫ِ‬ ‫‪‬‬ ‫ﻤﺎ ﺍﻟﺫﻱ ﻓﻴﻙ ﻏﻴﺭ ﺍﻷﻨﻭﺜﺔ‬ ‫ِ‬ ‫ِ ﹶ‪ ‬‬ ‫ﻭﺍﻟﺴﺤﺭ‬ ‫َ‪ِ‬‬ ‫ّ‬ ‫ﻭﺍﻟﺠﺎﺫﺒﻴﺔ‬ ‫ِ‬ ‫ﻜﻲ ﺘﺄﺴﺭﻴﻨﻲ؟ ..‬ ‫ﻤﺎ ﺍﻟﺫﻱ ﻓﻴﻙ ﻏﻴﺭ ﺠ َﺎل‬ ‫ﹶ ‪َ  ‬ﻤ ٍ‬ ‫ﻫﻭ ﺍﻟﻼﺯﻭﺭﺩ ﻤﺤﹶﻁﺎ ﺒﻤﺤﻤﻴﺔ ﻤﻥ‬ ‫ﱠ َ َ ‪  ‬ﺎ ﹰ‬ ‫ﺒﻬﻴﺞ ﺍﻟﺭﻴﺎﺤﻴﻥ‬ ‫ﻭﺍﻟﻔل‬ ‫ﻭﺍﻟﻴﺎﺴﻤﻴﻥ؟‬ ‫ﻭﻟﻙ ﺍﻟﺤ ‪،‬‬ ‫َ ﺏ‬ ‫ﺇﻥ ﻜﻨﺕ ﻻ ﺘﻌﺭﻓﻴﻥ ﺍﻹﺠﺎﺒﺔ ﻓﻠﺘﺨﺒﺭﻴﻨﻲ:‬ ‫ِ‬ ‫ﻟﻤﺎﺫﺍ ﺇﺫﺍ ﻤﺎ ﺭﺃﻴﺘﻙ ﺘﺨﻀﺭ ﺃﻴﺎﻡ ﻋﻤﺭﻱ،‬
  30. 30. ‫ﻭﺘﺭﻗﺹ ﺃﻁﻴﺎﺭ ﻗﻠﺒﻲ،‬ ‫ﻭﺘﻭﺭﻕ ﺃﺸﺠﺎﺭ ﺸﻌﺭﻱ،‬ ‫ﻭﺘﺯﻫﺭ ﻜل ﻏﺼﻭﻨﻲ ..‬ ‫ﻓﺈﻥ ﻏﺒﺕ ﻋﻨﻲ ﻟﻡ ﻴﺒﻕ ﻟﻲ ﻏﻴﺭ‬ ‫ﹶ‪ ‬‬ ‫ِ َ ّﹶ َ‬ ‫ﻨﺎﺭ ﺠﻭﺍﻱ‬ ‫ِ‬ ‫ﻭﺠﻤﺭ ﺤﻨﻴﻨﻲ؟‬ ‫ِ‬
  31. 31. ‫ﺘﺘﻌﺩﺩ ﺍﻷﺴﻤﺎﺀ ﻭﺍﻟﻤﺤﺒﻭﺏ ﻭﺍﺤﺩ‬ ‫ﺃﻏﻨﻴﻙ ﺤﺒﻲ‬ ‫ِ ‪َ َ‬‬ ‫ّ‬ ‫ﻻ .. ﻟﺴﺕ ﺃﻗﺩﺭ ﺃﻻ ﺃﻏ ّﻲ‬ ‫ُ ﹶﻨ‬ ‫ﹶ‬ ‫ﻭﺃﺭﺴل ﻗﻠﺒﻲ ﺭﻤﺎﻨﺔ ﻫﻲ‬ ‫ﻜل ﺍﻷﻨﺎﺸﻴﺩ‬ ‫ِ‬ ‫ﱡ‬ ‫ﻜل ﺍﻟﻤﻭﺍﺠﻴﺩ‬ ‫ِ‬ ‫ﱡ‬ ‫ﻜل ﺍﺤﺘﺸﺎﺩﺍﺕ ﺃﻓﺭﺍﺡ ‪‬ﻭﺡ ﺍﻟﻤﻐ ﱢﻲ‬ ‫ِ ﺭ ِ ﹾ ‪ ‬ﹶﻨ‬ ‫ِ‬ ‫ﻭﺤﻴﻥ ﺃﺒﺎ ِﻟ ِ ﺍﻟﺤ ‪:‬‬ ‫‪‬ﹶﺩﹸﻙ ﹾ ‪‬ﺏ‬ ‫ﻨﺎﺭﺍ ﺒﻨﺎﺭ‬ ‫ﹰ ِ‬ ‫ﻭﺃﻗﻁﻑ ﻤﻥ ﺭﻭﺽ ﺴﺤﺭﻙ‬ ‫ِ‬ ‫َﹾ ِ ﹸ‬ ‫ﺒﻌﺽ ﺍﻟﺜﻤﺎﺭ‬ ‫ِ‬ ‫َ‬ ‫ﻓﻼ ﺘﺫﻜﺭﻱ:‬ ‫ﻏﻴﺭ ﺃﻨﺎ ..‬ ‫ﻭﻟﺩﻨﺎ‬ ‫ﻤﺴﺎﺀ ﺍﻟﺘﻘﻴﻨﺎ‬ ‫ﻭﺃﻥ ﻜﻠﻴﻨﺎ‬
  32. 32. ‫ﻴﻜﺎﺒﺩ ﻓﻲ ﺍﻟﺒﻌﺩ ﺃﺼﻔﺎﺩﻩ ﻭﺍﻋﺘﻘﺎﻟﹾﻪ‬ ‫‪ ِ ‬ﹶﹶ‬ ‫ﻭﺃﻨﻙ ﺒﺴﺘﺎﻥ ﺴﻜﺭ ..‬ ‫‪‬ﱠ ‪‬‬ ‫ﻴﺫﻭﺒﻪ ﺍﻟﻭﺠﺩ‬ ‫‪‬‬ ‫ﺤﺘﻰ ﺍﻟﺜﻤﺎﻟﺔ‬ ‫ﹾ‬ ‫ﻭﺃﻨﻲ – ﺒﺩﻭﻨﻙ –‬ ‫ِ‬ ‫ﻤﺤﺽ ﻓﺭﺍﻍ‬ ‫َ‪ ‬‬ ‫ﻴﻌﺎﻨﻲ ﺘﺼﺤﺭ ‪،‬‬ ‫ﹶ َ ‪َ ‬ﻩ‬ ‫ﻓﻠﻨﻌﺵ ﻜﻭﻜﺒﻴﻥ ﻴﻀﻤﻬﻤﺎ‬ ‫ﻓﻠﻙ / ﻗﺩﺭ ﻭﺍﺤﺩ،‬ ‫‪‬‬ ‫ﻭﻟﻨﻤﺕ‬ ‫ﻭﺍﻗﻔﻴﻥ‬ ‫ِ‬ ‫ﻨﺩﺍﻓﻊ ﻋﻥ ﺤﺒﻨﺎ‬ ‫ﻴﺎ ﻏﺯﺍﻟﺔ‬ ‫ﹾ‬ ‫ﻭﺴﻤﻴﺘﻙ: ﺍﻟﺒﺤﺭ ..‬ ‫َ‬ ‫َ ‪ ‬ﹸ ِ‬ ‫ﺴﻤﻴﺘﻙ: ﺍﻟﺸﻌﺭ .. ..‬ ‫َ ‪  ‬ﹸ ِ ّﹶ ‪َ ‬‬ ‫ﺴﻤﻴﺘﻙ: ﺍﻷﻏﻨﻴﺎﺕ‬ ‫ﹾ‬ ‫َ ‪ ‬ﹸ ِ‬
  33. 33. ‫ﻭﺴﻤﻴﺘﻙ: ﺍﻟﻭﻁﻥ ﺍﻟﻤﺘﺴ َﺩ ﻓﻲ ﺠﻤﻴﻊ ﺍﻟﺠﻬﺎﺕ‬ ‫ﹾ‬ ‫َ‬ ‫‪‬ﻴ ‪‬‬ ‫َ‬ ‫َ ‪ ‬ﹸ ِ‬ ‫ﻭﺴﻤﻴﺘﻙ: ﺍﻟﺭﻭ َ، ﺴﻤﻴﺘﻙ ﺍﻟﺭﻭﺡ/ ﻤﻌﺠﺯﺓ ﺍﻟﻤﻌﺠﺯﺍﺕ‬ ‫ﹾ‬ ‫ﹶ‬ ‫َ‬ ‫ﺡ َ ‪ ‬ﹸ ِ‬ ‫َ ‪ ‬ﹸ ِ‬ ‫ﻭﺴﻤﻴﺘﻙ: ﺍﻟﻭﺍﺤﺩ/ ﺍﻟﻜل‬ ‫ﱠ‬ ‫َ‬ ‫َ ‪ ‬ﹸ ِ‬ ‫ﻭﺍﻟﻜل ﻓﻲ ﻭﺍﺤﺩ‬ ‫ِ‬ ‫ﱠ‬ ‫ﻭﻗﻠﺕ:‬ ‫ﹸ‬ ‫ﻫﻭ ﺍﻟﺤﺴﻥ ﺩﺭﺒﻲ ﺇﻟﻰ‬ ‫‪‬‬ ‫ﻭﻜﻨﺎﺕ ﺍﻟﻭﻻﻴﺔ ..‬ ‫ِ‬ ‫ﻭﺃﻟ ِﻟ ِ ﺍﻟ ﹶﺎﻟﺩ‬ ‫ﹾﻭﹶﻪ ﹾﺨ ِ ِ‬ ‫ﻭﺃﺸﻬﺩﺕ ﻗﻠﺒﻲ ﻋﻠﻰ ﻤﺎ ﺘﻭﺜﻕ‬ ‫ﱠﹶ‬ ‫ﹸ‬ ‫ﺒﻴﻥ ﺩﻤﻴ ﹶﺎ‬ ‫َ ‪ َ َ َ ‬ﻨ‬
  34. 34. ‫ﻫﻜﺫﺍ ﻗﺎل ﺤﺎﺒﻲ‬ ‫ﻫﻜﺫﺍ ﻗﺎﻟﺕ ﺇﺯﺍﺩﻭﺭﺍ‬ ‫ﺼﻔﺤﺔ ُﺍﻟﻤﺎﺀ‬ ‫ِ‬ ‫ﻜﺘﺎﺏ ﺘﺘﺠﻠﻰ ﻓﻴﻪ ﺃﺴﺭﺍﺭ ﺍﻟﻔﺼﻭل‬ ‫ْ‬ ‫‪‬‬ ‫‪ ‬ﱠ‬ ‫ﻭﺨﻁﻰ ﺍﻟﻤﻭﺝ‬ ‫ِ‬ ‫ﹸﹶ‬ ‫ﺨﻴﻭل ﺭﺍﻗﺼﺎﺕ‬ ‫ﹲ‬ ‫ٌ‬ ‫ﻭﺍﻟﺤﻘﻭل ……‬ ‫ْ‬ ‫ﺨﻀﺭﺓ ﺘﻨﺴﺎ ‪،‬‬ ‫ﺏ‬ ‫ﹸ ‪َ ‬ﹲ‬ ‫ﺃﻁﻴﺎﺭ ﺘﻐ ﱢﻲ‬ ‫‪ ‬ﹸ ﹶﻨ‬ ‫ﻜل ﺸﻲﺀ ﻫﺎﻫﻨﺎ‬ ‫ٍ‬ ‫ﱡ‬ ‫ﺒﺎﻟﻔ َ ِ ﺍﻟﻜﻭﻨﻲ ‪‬ﻭ ِﻰ‬ ‫‪‬ﻴ ﺤ‬ ‫ﹾ ﹶﺭﺡ‬ ‫ﻓﻠﻤﺎﺫﺍ ﻻ ﺃﺭﻯ ﻏﻴ َ ﺍﻟﺠﺭﻭ ِ؟‬ ‫ﺡ‬ ‫ﹶ ‪‬ﺭ‬ ‫ﺃﻴﻬﺎ ﺍﻟﻨﻬﺭ ﺍﻟﺫﻱ ﻴﺴ ﹸﻥ ‪‬ﻭ ِﻲ‬ ‫َ ‪‬ﻜ ‪ ‬ﺭ ﺤ‬ ‫ﻫﺎ ﺃﻨﺎ ﺒﻴﻥ ﻴﺩﻴﻙ‬ ‫‪‬‬ ‫ﺃﺘﻤﱠﻰ ﻀﻔﺘﻴﻙ‬ ‫‪‬‬ ‫ﻠ‬
  35. 35. ‫- ﻅﺎﻤﺊ ﺍﻟﻨﻔﺱ -‬ ‫ِ‬ ‫َ‬ ‫ﺃﻨﺎﺠﻴﻙ ﻭﺤﻴﺩﺍ:‬ ‫ﻫل ﻟﻤﺎ ﻗﺩ ﻀﺎﻉ‬ ‫َ‬ ‫ﻤﻨﺎ ﺘﺤﺕ ﺃﻨﻘﺎﺽ ﺍﻟﻠﻴﺎﻟﻲ‬ ‫ﺃﻥ ﻴﻌﻭﺩﺍ؟‬ ‫....‬ ‫....‬ ‫…..‬ ‫ﻟﻡ ﻻ ﺃﺴﻤﻊ – ﻴﺎ ﻨﻬﺭ –‬ ‫ﹶ‪‬‬ ‫‪‬‬ ‫َِ‬ ‫ﺠﻭﺍﺒﹶ؟‬ ‫ﺎ‬ ‫ﻻ ﺘﺩﻋ ِﻲ ﺃﻗﻁﻊ ﺍﻟﻌﻤﺭ ﺴﺭﺍﺒﺎ‬ ‫ﹰ‬ ‫َ‬ ‫ﹶ َ ‪‬ﻨ َ ﹾ ﹶ ‪‬‬ ‫ﻓﺴﺭﺍﺒﺎ …‬ ‫ﹶ‬ ‫ﻭﺃﺠﺒﻨﻲ:‬ ‫ﻫل ﻟﻬﺫﺍ ﺍﻟﻤﺎﺀ‬ ‫ِ‬ ‫ﺃﻥ ﻴﻁﻔﺊ ﻓﻲ ﺍﻷﻋﻤﺎﻕ ﺠﻤﺭﺓ‬ ‫َ ‪َ ‬ﹾ‬ ‫ﺃﻡ‬
  36. 36. ‫- ﺘﺭﻱ -‬ ‫ﺃﻥ ﺍﻟﺫﻱ ﺨﻠ ﹶﺎﻩ ﺸﻬﺩﺍ‬ ‫ﹰ‬ ‫ِ ﹾﻨ ‪‬‬ ‫ﻜﺎﻥ ﺼﺎﺒﺎ ؟‬ ‫ﹶ‬ ‫………‬ ‫……..‬ ‫……..‬ ‫ﺃﻴﻬﺎ ﺍﻟﻨﻬﺭ ﺍﻟﺫﻱ ﻴﻌﺭﻑ ﻤﺎ ﺒﻲ‬ ‫ﻟﻴﺱ ﺤﺎﺒﻲ‬ ‫ﻏﻴ َ ﻗﻴﺜﺎﺭ ﺴﺒﺘﻪ ﻤﻘﻠﺘﺎﻥ‬ ‫ِ‬ ‫ٍ ََ ﹾ ‪‬‬ ‫ﹶ ‪‬ﺭ‬ ‫ﻓﻴﻬﻤﺎ ﺃﺒﺼﺭﺕ ﻗﻠﺒﻲ‬ ‫ﹸ‬ ‫ﻭ ﹶﺭﺍ ﻴﻨﺩﺍﺡ ﻓﻲ ﻭﺍﺩﻱ ﺍﻷﻤﺎﻨﻲ‬ ‫َﺘ ﹰ‬ ‫ﻭﺍﻷﻏﺎﻨﻲ‬ ‫ﻤﺴﺘﺯﻴ َﺍ‬ ‫ﺩ‬ ‫…‬ ‫…..‬ ‫....‬
  37. 37. ‫ﺃﻴﻬﺎ ﺍﻟﻨﻬﺭ ﺍﻟﺫﻱ ﻴﺩﺭﻱ ﻋﺫﺍﺒﻲ‬ ‫"ﺤﻴﺭﺓ ﺘﺘﺸﻅﻰ ﻓﻲ ﺍﻟﻤﻨﺎﻓﻲ‬ ‫ﺘﺄﻜل ﺍﻟﻨﺎﺭ ﺭﻏﻴﻔﺎ‬ ‫ﹰ‬ ‫ﻭﺍﻟﺠﻭﺍﺤﻴﻡ ﺜﺭﻴﺩﺍ"‬ ‫ﹰ‬ ‫ﻫﻜﺫﺍ‬ ‫ﻗﺩ ﺼﺎﺭ ﺤﺎﺒﻲ …‬ ‫ﻴﺎ ﻜﻭﺍﺒﻴﺱ ﺫﻫﻭﻟﻲ‬ ‫ﻭﺍﻨﺘﺒﺎﻫﻲ!‬ ‫ﺃﻱ ﺇﻟﻬﻲ ……‬ ‫َ ‪‬‬ ‫ﺇﻨﻨﻲ:‬ ‫ﻻ .. ﻟﺴﺕ ﺃﺒﻜﻰ ﻻﻨﺴﺤﺎﻗﻲ‬ ‫ﹸ‬ ‫ﻭﺭﺩﺓ ﻟﻡ ﺘﺠ ِ ﺫﻨﺒﺎ …..‬ ‫َ ‪ َ ‬ﹰ ﹶ ‪‬ﻥ‬ ‫ﻜﻲ ﺘﻼﻗﻲ‬ ‫ﻤﺎ ﺘﻼﻗﻲ‬ ‫ﺇﻨﻤﺎ:‬ ‫ﺃﺒﻜﻰ ﺒﻼﺩﻱ‬
  38. 38. ‫ﻭﻫﻲ ﺘﻬ ِﻯ‬ ‫َ ‪ َ ‬ﹶ ‪‬ﻭ‬ ‫ﺘﺤﺕ ﺃﻗﺩﺍﻡ ﻀﺭﺍﻭﺍﺕ ﺯﻤﺎﻥ‬ ‫ﺃﻋﺠﻤﻲ ﺍﻟﻭﺠﻪ ﻭﺍﻟﻭﺠﻬﺔ‬ ‫ﹾ َ ‪ ِ‬ﹾ ِ ‪َِ‬‬ ‫ﻤﻤﺴﻭﺥ ﺍﻟﺴﺭﺍﺌﺭ …‬ ‫‪‬‬ ‫ِ‬ ‫ﻴﺒﺼﺭ ﺍﻟﻤﺼﺭﻱ‬ ‫‪‬‬ ‫ﺴﺨﺭﺓ ..‬ ‫‪ ‬ﹾ َﹾ‬ ‫ﻭﻴﺭﻯ ﺍﻟﺸﻌﺏ:‬ ‫ﱠ‪َ ‬‬ ‫ﻨﻭﺍﻁﻴﺭﺍ‬ ‫ﹰ‬ ‫ﻭﺒﻌﻀﺎ ﻤﻥ ﺸﻴﺎﻩ!‬ ‫ِ‬ ‫ﹰ‬ ‫ﺃﻱ ﺇﻟﻬﻲ …‬ ‫ﺁﻩ ﻤﻤﺎ ﻨﺤﻥ ﻓﻴﻪ:‬ ‫ﻏﺭﺒﺔ ﺘﺴﻜﻥ ﻏﺭﺒﺔ‬ ‫ﹲ‬ ‫ﻭﻤ ﹶﺎﻩ َﺘ َﺎ َﻰ‬ ‫َﺘ ‪ ‬ﻴ ﹶﻤ ﻫ‬ ‫ﻓﻲ ﻤﺘﺎﻩ‬ ‫ِ‬ ‫ﻭﺍﻟﻀﻭﺍ ِﻱ‬ ‫ﺭ‬ ‫ﻭﺍﻟﺤ َﺍ ِﻲ‬ ‫ﹾ َﺭ ﺒ‬
  39. 39. ‫ﻭﺍﻟﺘﻨﺎﻨﻴﻥ‬ ‫‪‬‬ ‫ﻤ ‪‬ﻯ ﺴﺎﺩﻴﺔ‬ ‫ﹲ‬ ‫‪‬ﺩ‬ ‫ﺘﻨﻬﺎل ﻓﺭ َﻰ‬ ‫ُ ﹶ ‪‬ﺤ‬ ‫ﻓﻭﻕ ﺃﻭﺩﺍﺝ ﺍﻟﻀﺤﺎﻴﺎ‬ ‫ﻓﻲ ﻋﺘ ‪ ‬ﻫﻤﺠﻲ ﺍﻟﺯﻫﻭ‬ ‫‪ ‬ﹸﻭ َ َ ِ ‪ِ   ‬‬ ‫ﻤﺄﻓﻭﻥ ﺍﻟﺘﺒﺎﻫﻲ!‬ ‫ِ‬ ‫ﺃﻱ ﺇﻟﻬﻲ ……‬ ‫ﻫﺫﻩ ﺍﻷﺭﺽ‬ ‫‪‬‬ ‫- ﺍﻟﺘﻲ ﺃﺤﻤﻠﻬﺎ ﻤلﺀ ﺩﻤﺎﺌﻲ‬ ‫ﻭﺸﻡ ﺤ ‪‬ﻲ،‬ ‫َ ﹾ َ ‪‬ﺒ‬ ‫ﻭﻤﻭﺍﺜﻴﻕ ﺍﻨﺘﻤﺎﺌﻲ –‬ ‫ﹶ‬ ‫ﻟﻡ ﺼﺎﺭﺕ ﻷﻤﺎﻨﻲ:‬ ‫‪‬‬ ‫َِ‬ ‫ﺴﺠﻭﻨﺎ ؟‬ ‫ﻭﻷﺤﻼﻤﻲ:‬ ‫َ‬ ‫ﺃﻏﻼﻻ ....‬ ‫ﻭﻜﻼﻟﻴﺏ ....‬ ‫َ‬
  40. 40. ‫ﻭﻭﺃ َﺍ؟‬ ‫ﺩ‬ ‫ﻭﻟﻤﺎﺫﺍ ﺃﺴﻠﻤﺘﻨﻲ ﻟﻤﻨﺎﻓﻴﻬﺎ ﺍﻟﺼﻭﺍﺩﻱ‬ ‫ﻭﺃﻨﺎ ﺠﻨﺩﻴﻬﺎ ﺍﻟﻤﻨﺫﻭﺭ‬ ‫ﻟﻠﺤﺭ‬ ‫‪‬‬ ‫ﻭﻟﻠﻘﺭ‬ ‫‪‬‬ ‫ﻭﻟﻠﻜﺭ‬ ‫‪‬‬ ‫ﻓﺅﺍﺩﻱ …‬ ‫ﻭﺠﻭﺍﺩﻱ،‬ ‫ﻭﺃﻨﺎ ﺤﺭﺒﺘﻬﺎ ﺍﻟﻨﺠﻼﺀ‬ ‫‪‬‬ ‫ﻓﻲ ﻴﻭﻡ ﺍﻟ ِﻼﺩ‬ ‫َ ‪ ِ ‬ﹾﺠ ِ‬ ‫ﻭﺃﻨﺎ ﺍﻟﻔﺄﺱ ﺍﻟﺘﻲ ﺘﻔ ﹶﻰ ﻟﺘﺨﻀﺭ:‬ ‫‪‬‬ ‫ﹶ ﹾﻨ‬ ‫ﺼﺨﻭﺭ‬ ‫‪‬‬ ‫ﻭﺒﻭﺍﺩﻱ‬ ‫ﻭﺃﻨﺎ ﺍﻟﺸﺎﺩﻭﻑ‬ ‫ﻭﺍﻟﻨﻭ َﺝ ُﺩ ‪‬ﺍﺭﺍ‬ ‫ﱠ ‪‬ﺭ َﻭ ﹰ‬ ‫ﻭﺃﻓﺭﺍﺡ ﺍﻟﺒﻴﺎﺩﺭ‬ ‫‪‬‬ ‫‪‬‬
  41. 41. ‫ﻭﺃﻨﺎ:‬ ‫ﻤﻥ ﻅﻬﺭﻩ‬ ‫ﹶ ‪ ‬‬ ‫ﻴﻤﺘﺩ ﺠﺴﺭﺍ ﻟﺨﻁﺎﻫﺎ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﺃ َ َ ﺍﻟﺩﻫﺭ‬ ‫َﺒ ﺩ ‪ِ  ‬‬ ‫ﻭﻓﻲ ﻜل ﺍﺘﺠﺎﻩ!‬ ‫ِ‬ ‫َّ‬ ‫…..‬ ‫……‬ ‫ﺃﻱ ﺇﻟﻬﻲ‬ ‫ﺫﻟﻙ ﺍﻟﻭﺠﻪ ﺍﻟﺫﻱ‬ ‫ﻤﻥ ﺃﺠﻠﻪ‬ ‫ﺃﻗ ِﻴﺕ ﻗﻬﺭﺍ‬ ‫ُ ﹾﺼ ﹸ ﹰ‬ ‫ﻓﺘﻠﻅﻰ ﺍﻟﻘﻠﺏ ﻭﺠ‪‬ﺩﺍ … ﻭﺍﻟﻤﺸﺎﻋﺭ‬ ‫‪‬‬ ‫‪ َ ‬ﹰ‬ ‫ﻤﺎ ﺍﻟﺫﻱ‬ ‫- ﻤ ﻥ ﺒﻌ ﺩ ﻩ -‬ ‫ِ ‪ِِ  َ ‬‬ ‫ﻴﻤﻜﻥ ﻟﻠﻌﺎﺸﻕ‬ ‫ِ‬ ‫ﺇﻻ ﺃﻥ ﻴﻬﺎﺠﺭ ..‬ ‫‪‬‬
  42. 42. ‫ﻤﻥ ﻋﺭﺍﻗﻴل ﺍﻟﺠﺴﺩ ..‬ ‫‪‬‬ ‫ﻜﻲ ﺘﺭﻯ ﺍﻷﺤﺒﺎﺏ ‪‬ﻭ ‪‬ﻪ …‬ ‫َﺭ ﺤ‬ ‫ﺒﻌﺩﻤﺎ ﻴﺜﻭﻯ‬ ‫ﺒﺘﺎﺒﻭﺕ ﺍﻷﺒﺩ ....‬ ‫ﻤﺴﺘﺭﻴﺤﹰ؟!‬ ‫ﺎ‬ ‫) ﺼﻭﺕ ﻴﻨﺸﻕ ﻋﻨﻪ ﺍﻟﻤﺎﺀ‬ ‫ﻫﻭ ﺼﻭﺕ ﺇﺯﺍﺩﻭﺭﺍ (:‬ ‫………‬ ‫………‬ ‫ﺃﻴﻬﺎ ﺍﻟﺴﻬﺩ ﺍﻟﻤﻭﺸﻰ ﺒﺎﻨﺘﺤﺎﺒﻲ‬ ‫ﺇﻥ ﺤﺎﺒﻲ‬ ‫ﺴﻤﻬﺭﻱ ﻓﺎﺭﻉ‬ ‫‪‬‬ ‫ﻴﺘﺤﺩﻯ ﻁﻭﻟﻪ ﺃﻴﺔ ﻨﺨﻠﺔ‬ ‫ﻭﺸﺒﺎﺏ ﻁﺎﻟﻊ‬ ‫‪‬‬ ‫ﻴﺘﻤﻨﻰ ﺍﻟﻭﺭﺩ ﻭﺼﻠﻪ‬ ‫َ ‪‬ﹶ‬ ‫ﻭﺃﺩﻴﻡ ﻟﻔﺤﺘﻪ ﺍﻟﺸﻤﺱ ﺤﺘﻰ ﻗﺩ ﺘﻭﻗﺩ‬ ‫ﱠ‬ ‫‪‬‬ ‫ﹶﹶ َ ﹾ ‪‬‬
  43. 43. ‫ﻭﺠﻬﻪ ﺍﻟﺨﻤﺭﻱ:‬ ‫‪‬‬ ‫َ ‪‬‬ ‫ﻭ ﻋﺩ‬ ‫َ ‪‬‬ ‫ﻭﺒﺸﺎﺭﺍﺕ ﻭﻓﺘﻭﺤﺎﺕ‬ ‫ﹲ‬ ‫ﹲ‬ ‫ﻭﺴﺅﺩﺩ‬ ‫‪‬‬ ‫ﺘﺘﻼﻗﻰ ﻤلﺀ ﻋﻴﻨﻴﻪ‬ ‫ِ‬ ‫ﻤﻌﺎﻥ ﺴﺎﺤﺭﺍﺕ ﺘﺠ َﻊ ﺍﻷﻟﻔﺔ‬ ‫ﹲ ﹶ ‪‬ﻤ ‪ ُ ‬ﹾ ﹶ ﹶ‬ ‫ٍ‬ ‫ﻭﺍﻟﻌﻔﺔ‬ ‫ﹾ ِﱠ ﹶ‬ ‫ﻭﺍﻟﺼﺩﻕ ﺍﻟﻤﻘﻁﺭ‬ ‫ﹶ ﹾ ‪‬ﹶ ﱠ ‪‬‬ ‫ﺸﺩﻨﻲ ﻓﻴﻪ ﺇﻟﻴﻪ ﻜل ﺸﻲﺀ‬ ‫‪‬‬ ‫ﻜل ﺸﻲﺀ!‬ ‫ﻭﻜﺄﻨﻲ ﻋﻨﺩﻤﺎ ﺃﺒﺼﺭﺘﻪ‬ ‫ﹸ‪‬‬ ‫ﺃﺒﺼﺭﺕ ﺃﺤﻼﻤﻲ ﺠﻤﻴﻌﺎ ﺘﺘﺠﺴﺩ‬ ‫‪‬‬ ‫ﹰ‬ ‫ﹸ‬ ‫ﻭﺭﺃﻴﺕ ﺍﻟﻜﻭﻥ ﻜﻠﻪ‬ ‫ﹸﱠ ‪‬‬ ‫ﻴﺘﺠﺩﺩ …‬ ‫‪‬‬ ‫ﻗل: ﻫﻭ ﺍﻟﻨﻴ ُ،‬ ‫ل‬ ‫ﻭﺩﻭﻥ ﺍﻟﻨﻴل ﻋﻨﺩﻱ ﺃﻟﻑ ﻗﻴﺼﺭ‬ ‫‪‬‬ ‫َﹾ ﹸ‬
  44. 44. ‫ﺃﻴﻬﺎ ﺍﻟﻼﺌﻤﻨﻲ … ﻭﺍﻟﺤﺏ ﺃﻜﺒﺭ:‬ ‫‪ ‬‬ ‫ﺇﻨﻪ ﺍﻟﻌﺸﻕ‬ ‫ﺘﻭﻻﻨﻲ‬ ‫ﻋﺘﻴﺎ‬ ‫ﻭﺠﻤﻭﺤﺎ‬ ‫ﻭﺴﻘﺎﻨﻲ‬ ‫ﺨﻤﺭﺓ ﺍﻟﻭﺠﺩ‬ ‫ﻏﺒﻭﻗﺎ‬ ‫ﹰ‬ ‫ﻭﺼﺒﻭﺤﺎ‬ ‫ﻜﻴﻑ‬ ‫ﻻ ﻴﺜﻤل ﻗﻠﺒﻲ؟‬ ‫ﺃﻴﻬﺎ ﺍﻟﻼﺌﻤﻨﻲ‬ ‫ﻻ ..‬ ‫ﻻ ﺘﺤﺎﻭل ﻏﻴ َ ﻤﺎ ﺸﺎﺀ ﺍﻟﻬﻭﻯ ﺤﻜ ‪‬ﺎ ﻭﻗﺩﺭ‬ ‫‪ ‬ﹾﻤ َ ﹶ ‪ ‬‬ ‫َ‬ ‫ْ ﹶ ‪‬ﺭ‬ ‫ﺃﻴﻬﺎ ﺍﻟﻭﻗﺕ ﺍﻟﻤﺭﺍﺒﻲ‬ ‫ﺇﻥ ﺤﺎﺒﻲ‬
  45. 45. ‫ﺴﺭﻭﺓ ﺍﻟﻘﻠﺏ‬ ‫ِ‬ ‫َ ‪َ ‬ﹸ‬ ‫ﻭﻤ ‪‬ﺍل ﻗﻤﺎﺭﻱ ﺍﻟﺠﻭﺍﻨﺢ‬ ‫‪‬‬ ‫َﻭ ﹶ ُ ِ ‪‬‬ ‫ﻭﺍﻟﺤﺴﺎﺴﻴﻥ ﺍﻟﺼﻭﺍﺩﺡ‬ ‫‪‬‬ ‫ﻓﻠﻤﺎﺫﺍ‬ ‫- ﻤﺭﻏﻤﺎ -‬ ‫ﹰ‬ ‫ﻴﺤﻴﺎ ﺸﺭﻴﺩﺍ‬ ‫ﹰ‬ ‫ﻭﺠﺭﻴﺤﺎ‬ ‫ﺼﻤﺘﻪ :‬ ‫ﻤﻭﺕ‬ ‫َ‪ ‬ﹲ‬ ‫ﻭﻤﻭﺕ ﺃﻥ ﻴﺒﻭﺤﺎ؟!‬ ‫ﺃﻴﻬﺎ ﺍﻟﻭﺠﻪ ) ﺍﻟﺫﻱ ﻤﻥ ﺃﺠﻠﻨﺎ‬ ‫ﺃﻗ ِﻴﺕ ﻗﻬﺭﺍ ( ……‬ ‫ُ ﹾﺼ ﹶ‬ ‫ﻓﺘﻨﺯﻱ ﺍﻟﻘﻠﺏ ﻭﺠﺩﺍ ﻤﺴﺘﻁﻴﺭﺍ‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﻟﻴﺱ ﻟﻠﻌﺎﺸﻕ ﺇﻻ ﺃﻥ ﻴﺼﻴﺭﺍ‬ ‫ﺠﻠ ﹶﺎﺭﹰ‬ ‫‪‬ﱠﻨ ﺍ‬ ‫ﻭﻨ ﹶﺎﺭﹰ‬ ‫ﹸﺜ ﺍ‬
  46. 46. ‫ﻭﺩﻤﺎ ﻴﺤﻤﻠﻪ ﺍﻟﻤﻭﺝ ﺸﻬﻴﺩﺍ‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﺃﻴﻬﺎ ﺍﻟﻭﺠﻪ ﺍﻟﺫﻱ ﻗﺩ ﻜﺎﻥ ﺭﻭﺤﻲ‬ ‫ﻫﺎ ﺃﻨﺎ ﺠﺌﺘﻙ‬ ‫ﺭ‬ ‫ﻭ‬ ‫ﺡ‬ ‫ﺍ‬ ‫ﺍﻟﺭﺍﻭﻱ‬ ‫ﺴﻴﺩﺍﺘﻲ …‬ ‫ﺁﻨﺴﺎﺘﻲ ....‬ ‫ﺴﺎﺩﺍﺘﻲ:‬ ‫ﻋﻤﺘﻡ ﻤﺴﺎﺀ‬ ‫ﻭﺇﺫﺍ ﻜﻨﺘﻡ ﺒﺼﺒﺢ‬ ‫ٍ‬ ‫) ﺴﻴﺩﺍﺘﻲ‬ ‫ﺁﻨﺴﺎﺘﻲ‬ ‫ﺴﺎﺩﺘﻲ ( …‬
  47. 47. ‫ﻋﻤﺘﻡ ﺼﺒﺎﺤﺎ:‬ ‫ﹰ‬ ‫ﻗﺩ ﻴﻜﻭﻥ ﺍﻟﻜﺄﺱ ﺸﻜ ﹰ ﻗﺩ ﺘﻐﻴﺭ‬ ‫ﹶ ﹾﻼ ﹶ ﹶ ‪ ‬‬ ‫ﺇﻨﻤﺎ ﺍﻟﺸﻲﺀ ﺍﻷﻜﻴﺩ‬ ‫‪‬‬ ‫ﺃﻥ ﻤﺎ ﻨﺸﺭﺒﻪ ﺍﻵﻥ‬ ‫َ‬ ‫ﺘﻤﺎﻤﺎ:‬ ‫ﹰ‬ ‫ﻫﻭ ﻤﺎ ﻜﺎﻥ ﻓﻲ ﺍﻟﻤﺎﻀﻲ ﺍﻟﺒﻌﻴﺩ‬ ‫‪‬‬ ‫ﺴﻴﺩﺍﺘﻲ‬ ‫ﺁﻨﺴﺎﺘﻲ‬ ‫ﺴﺎﺩﺘﻲ:‬ ‫ﻋﻤﺘﻡ ﻤﺴﺎﺀ ﻭﺼﺒﺎﺤﺎ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﻭﺍﺴﺘﻼﺒﺎ ﻭﺍﺠﺘﻴﺎﺤﺎ‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﻭﺍﻨﺤﻁﺎﻤﺎ ﻭﺠﺭﺍﺤﺎ‬ ‫ﹰ‬ ‫ﻭﺍﻟﺘﻴﺎﻋﺎ ﻭﻨﻭﺍﺤﹰ،‬ ‫ﺎ‬ ‫ﹰ‬ ‫ﺇﻨﻪ ﺍﻟﺘﺎﺭﻴﺦ ﻤﻜﺭﻭﺭﺍ‬ ‫ﹰ‬ ‫ﻭﻻ ﺸﻲﺀ ﺠﺩﻴﺩ …..‬ ‫‪‬‬
  48. 48. ‫ﺍﻟﺩﺭﻭﻴﺵ ﻭﺍﻟﻤﻭﺕ ﻋﺸﻘﺎ‬ ‫ﻜﺄﻨﻲ ﻗﺩ ﺨﻠﻘﺕ ﻟﻜﻲ ﺃﻅﻼ‬ ‫َﱠ ﹶ‬ ‫ﹸِ ﹾ ﹸ‬ ‫ﺃﺴﻴﺭ ﺼﺒﺎﺒﺘﻲ: ﻁﻔﻼ ﻭﻜﻬﻼ‬ ‫ﹰ‬ ‫ﻜﺄﻨﻲ ﻟﻡ ﺃﺠﺊ ﻟﻠﻜﻭﻥ ﺇﻻ‬ ‫ﻷﻓﻨﻰ ﻓﻲ ﺍﻟﻬﻭﻯ: ﻗﻠﺒﺎ ﻭﻋﻘﻼ‬ ‫ﻜﺄﻨﻲ ﻜل ﺃﻫل ﺍﻟﻌﺸﻕ ﺤﻠﻭﺍ‬ ‫َﱡ‬ ‫ﺒﻭﺠﺩﺍﻨﻲ ﻭﺭﻭﺤﻲ ﺤﻴﺙ ﺤﻼ‬ ‫ﻭﺇﻥ ﻴﻙ ﺫﺍﻕ ﻏﻴﺭﻱ ﺍﻟﺤﺏ ﻗﻭﻻ‬ ‫ﻓﺈﻨﻲ ﻋﺸﺘﻪ: ﻗﻭﻻ ﻭﻓﻌﻼ‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﻭﻋﻨﺩﻱ ﺍﻟﺤﺏ، ﻜل ﺍﻟﺤﺏ: ﺫﺍﺕ‬ ‫ﹲ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺘﺒﺎﺭﻙ ﻭﺠﻬﻬﺎ – ﺃﺒﺩﺍ – ﻭﺠﻼ‬ ‫ﻫﻲ ﺍﻟﻜل ﺍﻟﺫﻱ ﺃﺴﻠﻤﺕ ﻨﻔﺴﻲ‬ ‫ﻟﻪ ﻭﺍﻨﻘﺩﺕ: ﺃﺒﻌﺎﻀﺎ ﻭ ﹸﻼ‬ ‫ﹰ ﻜ‬ ‫ﹾﹶ ‪ ‬ﹸ‬ ‫ﻭﺩﺭﻭﻴﺵ ﻟﻪ ﻓﻲ ﻜل ﻴﻭﻡ‬ ‫ٍ‬ ‫ٍ‬ ‫ﻤﻊ ﺍﻷﺸﻭﺍﻕ ﺤﺎل ﻟﻴﺱ ﺘﺒﻠﻰ‬ ‫ﹶ ‪‬ﹶ‬ ‫ﻴﻬﻴﻡ ﻤﻭﱠﻬﺎ ﻓﻲ ﻜل ﺩﺭﺏ‬ ‫ٍ‬ ‫‪َ ‬ﻟ‬
  49. 49. ‫ﻨﻬﺎﺭﺍ .. ﺸﺎﺨﺹ ﺍﻟﻌﻨﻴﻥ ﻟﻴﻼ‬ ‫ﹰ‬ ‫ﻟﻪ ﺼﺎﺭ ﺍﻟﻬﻭﻯ ﻭﻁﻨﺎ ﻭﺃﻫﻼ‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﻭﻤﺎ ﺃﺤﻠﻰ ﺍﻟﻬﻭﻯ: ﻭﻁﻨﺎ ﻭﺃﻫﻼ‬ ‫ﻭﻴﺎ ﻤﺤﺒﻭﺒﻲ ﺍﻟﻔﺭﺩ ﺍﻷﺠﻼ‬ ‫َ‬ ‫ﻭﻜﻡ ﻟﻠﺤﺏ ﻤﻥ ﺼﺭ َﻰ ﻭﻗﺘﹶﻰ‬ ‫َ ‪‬ﻋ ﹶ ﹾﻠ‬ ‫ﺒﺒﺎﺒﻙ – ﻭﺍﻗﻔﺎ ﻴﺭﺠﻭﻙ – ﻭﺼﻼ‬ ‫ﻓﺅﺍﺩ ﻓﻴﻪ ﻨﻭﺭﻙ ﻗﺩ ﺘﺠﻠﻰ‬ ‫ﺸﻬﻴﺩ ﻫﻭﺍﻩ – ﻤﻨﺫ ﺃﺤﺏ – ﻗﻠﺏ‬ ‫َ َ ‪ ‬ﹶﹾ ‪‬‬ ‫ﺃﺒﻰ ﺇﻻ ﻫﻭﻯ ﺍﻟﻤﺤﺒﻭﺏ ﺸﻐﻼ‬ ‫ﹸﹾ ﹰ‬
  50. 50. ‫ﺨﻠﻴل ﺤﺎﻭﻱ ﻭﺍﻟﻘﺭﺍﺭ ﺍﻷﺨﻴﺭ‬ ‫ﻫﺫﻱ ﺒﻼﺩﻱ‬ ‫ﻜﻴﻑ ﺃﻗﻭﻯ ﺃﻥ ﺃﺭﺍﻫﺎ‬ ‫ﻭﻫﻲ ﺘﺤﻔﺭ ﻗﺒﺭﻫﺎ ﺒﻴﺩﻴﻥ ﻤﻥ‬ ‫ﻤﺤﻥ‬ ‫ٍ‬ ‫ﻭﻋﺎﺭ‬ ‫‪‬‬ ‫ﺒﻴﺭﻭﺕ / ﻴﺎ ﺃﻨﺜﻰ ﺍﻟﺩﻤﺎﺭ‬ ‫ﻗﻠﺒﻲ ﻋﻠﻰ ﻗﻠﺒﻲ ﻭﺃﻨﺕ ﺘﻤﺎﺭﺴﻴﻥ‬ ‫ﻁﻘﻭﺱ ﻤﻭﺘﻙ‬ ‫َ ِِ‬ ‫ﻓﻲ ﺍﻨﺒﻬﺎﺭ ..‬ ‫‪‬‬ ‫ﻤﺴﻠﻭﺒﺔ ﺍﻟﻠﺏ‬ ‫ﹶ ﱡ ‪‬‬ ‫ﻭﺒﻨﻭﻙ / ﺤﺭﺒﻙ ﻴﻭﺭﺩﻭﻨﻙ‬ ‫ِ‬ ‫َ ‪ِ ‬‬ ‫- ﻜل ﺜﺎﻨﻴﺔ -‬ ‫ٍ‬ ‫ﺤﻤﻴﻡ ﺠﻬﻨﻡ ﺍﻟﺤﺭﺏ‬ ‫‪ِ ‬‬ ‫ِ‬ ‫َ‬ ‫ﻤﺴﺘﻤﺘﻌﻴﻥ ﺒﺫﻟﻙ ﺍﻟﻌﺒﺙ ﺍﻟﺨﺭﺍﻓﻲ ﺍﻟﺒﻭﺍﺭ‬
  51. 51. ‫ﺒﻴﺭﻭﺕ / ﻴﺎ‬ ‫ﺃﻤﻲ ﺍﻟﺠﺭﻴﺤﺔ‬ ‫ﻭﺍﻟﻬﻭﻯ‬ ‫ﻭﺍﻟﺤﺴﻥ ﻜﻠﻪ‬ ‫ﹸﱠ‬ ‫ﻜﻴﻑ ﺍﺭﺘﻀﻴﺕ ﺍﻟﻤﻭﺕ‬ ‫ﹶ‬ ‫ِ‬ ‫ﻭﺍﺴﺘﻤﺭﺃﺕ ﻫﻭﻟﻪ ؟‬ ‫ِ َ ‪‬ﹶ‬ ‫ﺇﻨﻲ ﻗﺘﻴﻠﻙ ﻤﻨﺫ‬ ‫ﺼﻴﺭﻙ ﺍﻟﻁﻭﺍﻏﻴﺕ ﺍﻟﻜﺒﺎﺭ ..‬ ‫ﹸ‬ ‫ﻭﻁﻥ ﺍﻟﻤﻠﻴﺸﻴﺎﺕ ﺍﻷﺠﻴﺭﺓ‬ ‫ِ‬ ‫ﻭﺍﻟﻁﻭﺍﻏﻴﺕ ﺍﻟﺼﻐﺎﺭ‬ ‫ِ‬ ‫ﻭﺍﻵﻥ‬ ‫َ‬ ‫ﻴﺎ ﺒﻴﺭﻭﺕ .. ﻴﺎ ﺒﻴﺭﻭﺕ/‬ ‫ﹸ‬ ‫ﹸ‬ ‫ﻴﺎ ﺫﺍﺘﻲ ﺍﻟﻤﻤﺯﻗﺔ ﺍﻟﻁﻌﻴﻨﺔ‬ ‫ﺒﻴﺩﻱ‬ ‫ﺃﻤﻭﺕ‬ ‫ﹸ‬
  52. 52. ‫ﻟﻌﻠﻨﻲ ﺃﺭﺘﺎﺡ‬ ‫‪‬‬ ‫ﻤﻤﺎ ﻴﻌﺘﺭﻴﻨﻲ ﻤﻥ‬ ‫ﺠﻭﺍﺤﻴﻡ ﺍﻟﻜﻭﺍﺒﻴﺱ ﺍﻟﻠﻌﻴﻨﺔ‬ ‫ﹾ‬
  53. 53. ‫ﺁﺨﺭ ﻤﺎ ﻗﺎﻟﻪ ﺍﻟﻔﺘﻰ ﻤﻬﺭﺍﻥ‬ ‫ﻓﻲ ﺭﺜﺎﺀ ﺍﻟﺸﺎﻋﺭ/ ﻤﺤﻤﺩ ﻤﻬﺭﺍﻥ ﺍﻟﺴﻴﺩ‬ ‫ﻻ ﺘﺄﺱ‬ ‫َ‬ ‫ﻭﺍﻨﺱ ﺍﻟﺫﻱ ﻋﺎﻨﻴﺕ ﻤﻥ ﻜﺒﺩ‬ ‫ِ‬ ‫ﺁﻥ ﺍﻷﻭﺍﻥ‬ ‫‪‬‬ ‫ﻟﻜﻲ ﺘﺭﺘﺎﺡ ﻟﻸﺒﺩ‬ ‫ِ‬ ‫ﻟﻡ ﻴﺒﻕ ﻤﻨﻙ‬ ‫ﺴﻭﻯ ﺭﻭﺡ ﺒﻼ ﺠﺴﺩ‬ ‫ٍ‬ ‫ﻓﻌﺩ ﺇﻟﻰ ﺤﻴﺙ ﻻ ﺴﻠﻁﺎﻥ ﻟﻠﺠﺴﺩ‬ ‫ِ‬ ‫ﻫﻨﺎﻟﻙ ﺍﻟﻜل ﻴﺎ ﺃﻴﻭﺏ ﺘﺠﻤﻌﻬﻡ‬ ‫ﺩﺍﺭ ﺘﻌﺎﻟﺕ‬ ‫ﻋﻥ ﺍﻟﺨﺫﻻﻥ‬ ‫ﹸﹾ ِ‬ ‫ﻭﺍﻟﺤﺴﺩ‬ ‫ﺩﺍﺭ ﻫﻲ ﺍﻟﻌﺩل ﺘﻁﺒﻴﻘﺎ ﻭﻗﺎﻋﺩﺓ‬ ‫ﹰ‬ ‫ﻻ ﺩﺍﺭ ﻏﻲ ﺒﻼ ﻗﻠﺏ ﻭﻻ َﺸ ِ‬ ‫ﺭ ﹶﺩ‬ ‫ٍ‬ ‫‪‬‬
  54. 54. ‫ﻴﺎ ﺃﻫل ﻭﺩﻱ‬ ‫‪‬‬ ‫ﻭﺍﻷﻴﺎﻡ ﻤﺎﻀﻴﺔ‬ ‫ﹲ‬ ‫ﻟﻠﺨﻠﻑ ﻓﻲ ﺃﻤﺔ ﻤﻨﺨﻭﺭﺓ ﺍﻟﻌﻤﺩ ..‬ ‫ِ‬ ‫) ﻤ ‪‬ﺎ ﻴﺯﻫﺩﻨﻲ ﻓﻲ ﺃﺭﺽ ﺃﻨﺩﻟﺱ‬ ‫ِﻤ‬ ‫ﺴﻤﺎﻉ‬ ‫‪‬‬ ‫" ﻤﻌﺘﻀﺩ "‬ ‫ﻓﻴﻬﺎ‬ ‫ﻭ " ﻤﻌﺘﻤﺩ "‬ ‫ِ‬ ‫ﺃﻟﻘﺎﺏ ﻤﻤﻠﻜﺔ ﻓﻲ ﻏﻴﺭ ﻤﻭﻀﻌﻬﺎ‬ ‫ﻜﺎﻟﻬﺭ ﻴﺤﻜﻰ ﺍﻨﺘﻔﺎﺨﺎ‬ ‫ﹰ‬ ‫)*(‬ ‫ﺼﻭﻟﺔ ﺍﻷﺴﺩ (‬ ‫ِ‬ ‫ﹶ‬ ‫ﻴﺎ ﺃﻫل ﻭﺩﻱ‬ ‫ﺯﻓﻭﻨﻲ ﻵﺨﺭﺘﻲ‬ ‫ﺇﻥ ﻟﻡ ﻴﻙ ﺍﻟﻴﻭﻡ‬ ‫ﺯﻓﻭﻨﻲ ﻏﺩﺍﺓ ﻏﺩ‬ ‫ﹶ ِ‬ ‫)*(‬ ‫ﻫﺫﺍﻥ ﺍﻟﺒﻴﺘﺎﻥ ﻻﺒﻥ ﺭﺸﻴﻕ ﺍﻟﻘﻴﺭﻭﺍﻨﻲ‬
  55. 55. ‫ﻋﺸﻨﺎ ﺍﻟﻠﻴﺎﻟﻲ ﻟﻡ ﻴﺄﺒﻪ‬ ‫َ َْ ‪‬‬ ‫ﺒﻨﺎ ﺒﻠﺩ‬ ‫ﻴﺤﻴﺎ ﺍﻟﺩﺨﻴل ﻋﻠﻴﻪ‬ ‫ُ ِ‬ ‫ﺼﺎﺤﺏ ﺍﻟﺒﻠﺩ‬ ‫َ ِ‬
  56. 56. ‫ﺍﻟﻐﺭﻭﺏ‬ ‫ﻴﺎ ﺃﺒﻲ ..‬ ‫ﻫﻜﺫﺍ ﻴﻤﻀﻲ ﺍﻟﻘﺩﺭ‬ ‫ﹾﹶ َ ‪‬‬ ‫ﻤﺜﻠﻤﺎ ﻴﻬ َﻯ:‬ ‫َ ‪‬ﻭ‬ ‫ﻓﻴﺩﻋﻭ‬ ‫ﺃﻭ ﻴﺫﺭ‬ ‫َﹶ ‪‬‬ ‫....‬ ‫………‬ ‫" ﻴﺎ ﺃﺒﻲ " ..‬ ‫ﻗﻠﺕ‬ ‫ﹸ‬ ‫ﻭﺩﻤﻌﻲ ﻴﻨﻬﻤﺭ‬ ‫ﻭﺘﻭﺍﻟﺕ ﺼﻭﺭ‬ ‫‪‬‬ ‫ﺇﺜﺭ ﺼﻭﺭ‬ ‫‪‬‬ ‫ﺁﻩ .. ﻴﺎﻜل ﺍﻟﺫﻜﺭ‬ ‫ﱢﹶ ﹶ ‪‬‬ ‫ﻭﺃﺒﻰ ﻴﺤﻤل ﻁﻔﻠﻪ‬ ‫ﹶ‪‬‬ ‫ﻓﻲ ﺤﻨﻭ ﺃﺒﻭﻱ ﻤﺎ ﺃﺠﻠﻪ !‬ ‫ﱠ‪‬‬
  57. 57. ‫..‬ ‫…‬ ‫ﻜﺎﻨﺕ ﺍﻟﺩﻨﻴﺎ ﺭﺒﻴﻌﺎ‬ ‫ﻴﻭﻡ ﺃﻥ ﺠﺎﺀ ﺇﻟﻰ ﺍﻟﺩﻨﻴﺎ ﻤﺤﻤﺩ‬ ‫‪َ ‬‬ ‫- ﺃﻴﻬﺎ ﺍﻟﻤﻭﺕ ﺍﻟﺫﻱ ﻜﻡ ﻏﺎل ﻤﻥ ﺃﺒﻨﺎﺌﻨﺎ‬ ‫ﻫﺫﻩ ﺍﻟﻤﺭﺓ‬ ‫ﺩﻋﻪ ﺃﻴﻬﺎ ﺍﻟﻤﻭﺕ ﻟﻨﺎ !‬ ‫..‬ ‫ﻭﻨﻤﺎ ﺍﻟﻁﻔل ﺒﺤﺠﺭ ﺍﻟﻭﺍﻟﺩﻴﻥ‬ ‫ﺯﻫﺭﺓ ﺘﻤﻸ ﺤﺴﻨﺎ ﻜل ﻋﻴﻥ‬ ‫ﻭﺴﺭﻴﻌﺎ ﻴﺎ ﺃﺒﻲ‬ ‫ﹰ‬ ‫ﺘﻤﻀﻲ ﺍﻟﺴﻨﻭﻥ‬ ‫ﻷﺭﻯ ﺍﻟﻴﻭﻡ ﺍﻟﺤﺯﻴﻥ‬ ‫‪‬‬ ‫ﻴﺎ ﺃﺒﻲ / ﻴﺎ ﺨﻴﺭ ﺃﺏ‬ ‫‪‬‬ ‫ﻴﺎ ﺼﺩﻴﻘﻲ‬ ‫ﻭﺃﺨﻲ‬
  58. 58. ‫ﻭﺍﺒﻨﻲ ﺍﻟﻤﻬﺫﺏ:‬ ‫ﱠ ‪‬‬ ‫ﺇﻨﻪ ﺍﻟﻤﻭﺕ ﻭﻤﺎ ﻓﻲ ﺍﻟﻤﻭﺕ ﺭﻴﺏ‬ ‫ﺇﻨﻤﺎ‬ ‫ﻜﻴﻑ ﺍﻟﺘﺴّﻲ‬ ‫ﻠ‬ ‫ﹶ‬ ‫ﻭﺍﻟﺫﻱ ﻗﺩ ﻤﺎﺕ ﻜّﻲ ؟‬ ‫ﻠ‬ ‫ﹶ‬
  59. 59. ‫ﺍﻟﻘﺭﺍﺒﻴﻥ‬ ‫ﻟﻡ ﺘﻌﺩ – ﺃﻴﻬﺎ ﺍﻟ ﱠﺎﻋﺭ‬ ‫ﺸ ِ‪‬‬ ‫ﹶ‪‬‬ ‫ﺍﻟﻤﺘﻨﺎﺜﺭ ﺘﺤﺕ ﻤﻁﺎﺭﻕ ﻨﺎﺭ ﺍﻟﺤﺭﻭﻑ –‬ ‫ﹾ‬ ‫ﻏﻴ َ ﺃﺭﺠﻭﺤﺔ ﻟﻸﺭﻕ‬ ‫ﹾ‬ ‫ٍ‬ ‫ﹶ ‪‬ﺭ‬ ‫ﻟﻡ ﻴﻌﺩ ﻟ َ ﻓﻲ ﻨﻔﺴﻙ ﺍﻵﻥ‬ ‫َ‬ ‫َ ‪  ‬ﹶﻙ‬ ‫ﺸﺒﺭ ﻴﻅﻠﻙ‬ ‫َ‬ ‫‪‬‬ ‫ﺃﻭ ﺒﻀﻌﺔ ﺘﺤﺘﻤﻲ ﺘﺤﺕ ﺃﻓﻴﺎﺌﻬﺎ‬ ‫ﹸ‬ ‫ٌ‬ ‫ﻤﻥ ﺸﻭﺍﻅ ﺍﻟﻘﻠﻕ‬ ‫ﻓﺘﺸﻅ‬ ‫ﱠ‬ ‫- ﻜﻤﺎ ﺸﺎﺀﺕ ﺍﻟﻜﻠﻤﺎﺕ‬ ‫ﹸ‬ ‫ِ‬ ‫ﻗﺭﺍﺒﻴﻥ ﻓﻭﻕ ﺍﻟﻭﺭﻕ!‬ ‫ﹾ‬ ‫َ‬
  60. 60. ‫ﻭﻗﺕ ﺒﻴﻥ ﺍﻟﻔل ﻭﺍﻟﻴﺎﺴﻤﻴﻥ‬ ‫" ﺇﻟﻰ ﺼﻼﺡ ﺠﺎﻫﻴﻥ‬ ‫ﺇﻟﻰ ﻋﺒﺩ ﺍﻟﻨﺎﺼﺭ"‬ ‫ﻫﻭ ﺍﻟﻨﻴل: ﻗﻠﺒ َ،‬ ‫ُ ﹶ ﹾ ‪‬ﻙ‬ ‫ﻭﺍﻟﻬﺭﻤﺎﻥ ﻫ َﺎ ﺭﺌﺘﺎﻜﺎ‬ ‫‪‬ﻤ‬ ‫ﻭﻭﺸﻡ ﻫﻲ ﺍﻷﺭﺽ – ﻤﺼﺭﻴﺔ –‬ ‫ﻓﻭﻕ ﺯﻨﺩ ﻤﻭﺍﻭﻴﻠﻙ ﺍﻟﻠﻬﻴﺒﺔ ﺃﻨﻰ ﺘﺭﻭﺡ ﺨﻁﺎﻜﺎ‬ ‫ﻓﺴﺒﺤﺎﻥ ﻤﻥ ﻗﺩ ﺠﻼﻜﺎ:‬ ‫ﻓﺘﻰ ﻋﺒﻘﺭﻴﺎ‬ ‫ﻭﻗﻠﺒﺎ ﻨﺒﻴﺎ‬ ‫ﻭﺼﻭﺘﺎ ﻫﻭ ﺍﻟﺸﻌﺏ: ﻤﻨﺘﻔﻀﺎ ﻴﺘﺤﺩﻯ‬ ‫ﻭﺃﺴﻁﻭﺭﺓ ﺘﺘﺠﺴﺩ ﺴﺩﺍ‬ ‫‪‬‬ ‫ﻭﺘﺨﺘﻁ ﻤﺠﺩﺍ ..‬ ‫ﹰ‬ ‫ﺘﺒﺎﺭﻱ ﺍﻟﺸﻤﻭﺱ ﻤ َﺍﻜﺒﻪ‬ ‫َ َﻭ ِ ‪ ‬‬ ‫ﻭﺍﻟ ّﻤﺎﻜﺎ‬ ‫ﺴ‬ ‫َ‬
  61. 61. ‫ﻫﻭ ﺍﻟﻨﻴل ﻭﺍﻟﻬﺭﻤﺎﻥ:‬ ‫ﻭﺜﻴﻘﺔ ﺤﺏ،‬ ‫ﹸ ‪‬‬ ‫ﻭﺃﻨﺸﻭﺩﺓ ﻋﺯﻓﺘﻬﺎ ﺍﻟﻤﻘﺎﺩﻴﺭ – ﻤﻨﺫ‬ ‫ﻁﻔﻭﻟﺘﻙ ﺍﻟﺒﺎﻜﺭﺓ –‬ ‫ﻋﻠﻰ ﻭﺘﺭ ﻤﻥ ﺩﻤﺎﻜﺎ‬ ‫ﻫﻲ ﺍﻟﻘﺎﻫﺭﺓ /‬ ‫ﺤﺒﻴﺒﺘﻙ ﺍﻟﻘﺯﺤﻴﺔ:‬ ‫‪‬‬ ‫ﻗﺩ ﺭﺴﻤﺘﻬﺎ، ﻭﻜﻡ ﺭﺴﻤﺘﻬﺎ، ﻴﺩﻙ‬ ‫ﻋﺼﺎﻓﻴﺭ ﺨﻀﺭﺍﺀ‬ ‫َ‬ ‫ﺤﻤﺭﺍﺀ‬ ‫ﺒﻴﻀﺎﺀ ..‬ ‫ﺃﻨﺜﻰ ﻤﻥ ﺍﻟﺴﺤﺭ ﺸﻴﻁﺎﻨﺔ‬ ‫ﺃﻭ ﻤﻼﻜﺎ‬ ‫ﹰ‬ ‫ﻓﻤﻥ ﻴﺴﺘﻁﻴﻊ ﺭﺅﻯ ﻟﻡ ﺘﺒﺢ‬ ‫ﹶ‪‬‬ ‫ﺒﻤﻔﺎﺘﻥ ﺃﺴﺭﺍﺭﻫﺎ ﻟﺴﻭﺍﻜﺎ؟‬ ‫ﻭ ) ﻴﺎ ﻤﺭﺤﺒﺎ ﺒﺎﻟﻤﻌﺎﺭﻙ (‬
  62. 62. ‫ﻭ ) ﻴﺎ ﺒﺨﺘﻪ ﻤﻥ ﻴﺸﺎﺭﻙ ( ..‬ ‫‪‬‬ ‫َ ﹾﹶ ‪ َ ‬‬ ‫ﻭﺘﻜﺒﺭ ﻓﻴﻨﺎ ﺍﻷﻤﺎﻨﻲ .. ﺘﻜﺒﺭ‬ ‫‪‬‬ ‫ﻭﺘﺤﻠﻭ ﺍﻷﻏﺎﻨﻲ ﻭﺘﺯﻫﺭ ..‬ ‫ﻗﻠﻭﺏ ﺍﻟﻤﻼﻴﻴﻥ ﻤﻥ ﺸﻌﺏ ﻤﺼﺭ / ﺍﻟﻜﻨﺎﻨﺔ‬ ‫ﻤﻨﻅﻭﻤﺔ ﻓﻲ ﻋﻘﻭﺩ ﻓﺭﺍﺌﺩﻙ ﺍﻟﺒﺎﻫﺭﺓ‬ ‫ﹾ‬ ‫..‬ ‫..‬ ‫ﻭﺘﺸﺩﻭ " ﻟﻨﺎﺼﺭﻨﺎ " ﻴﺎ ﺼﻼﺡ‬ ‫‪‬‬ ‫ﻤﻼﺤﻤﻙ ﺍﻟﺴﺎﺤﺭﺓ:‬ ‫ﹾ‬ ‫ﻟﻤﺭﺁﻙ ﻴﻨﺸﺭﺡ ﺍﻟﻘﻠﺏ‬ ‫ﻭﺍﻟﺸﻌﺏ …‬ ‫‪‬‬ ‫ﻴﻜﺘﺏ ﻟﻠﺤﺏ ﻓﺎﺘﺤﺔ ، ﻭﺍﻷﻫﺎﺯﻴﺞ‬ ‫‪‬‬ ‫ﺘﺭﻓﻊ ﺭﺍﻴﺎﺘﻬﺎ ﻓﻭﻕ ﻜل ﺍﻟﻤﻴﺎﺩﻴﻥ‬ ‫ِ‬ ‫ﻫل ﺃﻨﺕ ﺇﻻ ﺍﻨﺘﻅﺎﺭ ﺍﻟﻤﻼﻴﻴﻥ ؟ ..‬ ‫ِ‬ ‫ﺃﻤﻨﻴﺔ ﻟﻠﺒﻼﺩ ﺍﻟﺘﻲ ﺤﻤﻠﺘﻙ‬ ‫ﻭﻟﻴﺩﺍ ﻭﻗﺩ َﻤﻠﺘ َ ﹶﺘ ‪‬ﺎ ﺃﻤﺎﻨﺘ َﺎ‬ ‫ﺤ ‪‬ﹶ ﹾﻙ ﻓ ﻴ ﹶ ﹶﻬ‬
  63. 63. ‫ﻜﻲ ﺘﻘﻭﺩ ﺍﻟﺴﻔﻴﻨﺔ ﻨﺤﻭ ﺸﻭﺍﻁﺊ ﺃﺤﻼﻤﻬﺎ‬ ‫ﺍﻟﻬﺎﺩﺭﺓ‬ ‫..‬ ‫....‬ ‫ﻟ َ ﺍﻟﺤﺏ:‬ ‫‪‬‬ ‫ﹶﻙ‬ ‫ﺇﻥ ﺍﻨﺒﻼﺝ ﺼﺒﺎﺡ ﺠﺩﻴ ٍ، ﻭﻋﻬﺩ‬ ‫ٍ‬ ‫ٍ ﺩ‬ ‫ﺠﺩﻴﺩ ﻴﺒﺸﺭ ﻜل ﺍﻟﻤﺴﺎﻜﻴﻥ ﺒﺎﻟﺨﻴﺭ:‬ ‫ﻴﺭﺴﻡ ﻭﺠﻬﻙ ﻓﻲ ﺩﻓﺘﺭ ﺍﻟﻘﻠﺏ‬ ‫ﻤﺘﺸﺤﺎ ﺒﺎﻟﻨﻬﺎﺭ .. ﻭﻤﻤﺘﻠﺌﺎ ﺒﺎﻟﻔﺨﺎﺭ ..‬ ‫ﻭﻤﺘﺤﺩﺍ ﻭﺍﻟﺭﺠﺎﺀ ﺍﻟﺫﻱ ﻭﺤﺩ ﺍﻟﺸﻌﺏ‬ ‫َ‬ ‫َ ‪َ‬‬ ‫ﻴﻭﻡ ﺍﺨﺘﻴﺎﺭﻙ ﻗﺎﺌﺩ ﺜﻭﺭﺘﻨﺎ‬ ‫ﺍﻟﻅﺎﻓﺭﺓ‬ ‫ﹾ‬ ‫..‬ ‫..‬ ‫ﺃﺠل:‬ ‫ﺃﻨﺕ ﻤﻨﻌﻁﻑ ﻟﻠﺸﻤﻭﺥ ﻭﻟﻠﻤﺠﺩ ﻓﻴﻙ‬
  64. 64. ‫ﻭﺸﺎﺌﺞ ﻗﺭﺒﻰ .. ﻭﺃﻏﻨﻴﺔ ﻓﻭﻕ ﺫﺍﻙ‬ ‫ﺍﻟﺠﺒﻴﻥ ﺘﺭﺩﺩﻫﺎ ﻤﺼﺭ ﻤﺅﻤﻨﺔ ﻭﺠﻤﻴﻊ‬ ‫ﺍﻟﺫﻴﻥ ﺃﺭﺍﺩﻭﻙ ﻗﺎﺌﺩ ﻤﺼﺭ، ﻭﻓﻲ‬ ‫ﻤﻘﻠﺘﻴﻙ ﻤﻥ ﺍﻟﺴﺭ ﻤﺎ ﻴﻌﺠﺯ ﺍﻟﺴﺭ‬ ‫َ‪‬‬ ‫ّ‬ ‫ﻋﻨﻪ، ﻓﻜﻥ – ﻤﺜﻠﻤﺎ ﻗﺩ ﺘﺼﻭﺭﻙ‬ ‫َ‬ ‫ﺍﻟﻘﻠﺏ، ﻭﺍﻟﻌﻘل ﻭﺍﻟﺸﻌﺭ – ﺸﻴﺌﺎ‬ ‫ﺠﺩﻴﺩﺍ ﻋﻠﻴﻨﺎ ﻷﻨﺎ ﻨﺭﻴﺩﻙ ﺸﻴﺌﺎ‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﺠﺩﻴﺩﺍ ﻋﻠﻴﻨﺎ ﻴﻬﻨﺊ ﻜل ﺒﻪ ﻨﻔﺴﻪ‬ ‫ٌ‬ ‫ﻴﺎ ﺍﺒﻥ ﻤﺼﺭ ﻭﺤﻠﻡ ﺠﻤﺎﻫﻴﺭﻫﺎ‬ ‫ﺍﻟﺜﺎﺌﺭﺓ‬ ‫..‬ ‫..‬ ‫ﺃﺘﻌﺭ ﹸ، ﺩﻋ ﹶﺎ ﻨ َﺎﺭﺤﻙ:‬ ‫َ ﹶ ‪ِ ‬ﻑ َ ‪‬ﻨ ﹸﺼ ِ ‪َ ‬‬ ‫ﺇﻥ ﻜﺘﺎﺏ ﺍﻷﻤﺎﻨﺔ ﻓﻲ ﻨﺎﻅﺭﻴﻙ ﻟﻪ‬ ‫َ ﹶ‪‬‬ ‫ﻟﻐﺔ ﻏﻴﺭ ﻤﻌﻬﻭﺩﺓ …ﻓﻠﺘﺩﻡ – ﻤﺜﻠﻤﺎ‬ ‫ﺃﻨﺕ – ﻤﺒﺘﺩﺃ ﻟﻜﺘﺎﺏ ﺍﻷﻤﺎﻨﺔ‬
  65. 65. ‫ﻭﺍﻟﻁﻬﺭ، ﻻ ﺘﺼﻎ ﺇﻻ ﻟﺼﻭﺕ‬ ‫ِ‬ ‫ﻀﻤﻴﺭﻙ / ﺼﻭﺕ ﺍﻟﺭﻋﻴﺔ‬ ‫ِ‬ ‫ﻭﺍﻟﻜﻠﻤﺔ ﺍﻟﻁﺎﻫﺭﺓ‬ ‫ِ‬ ‫....‬ ‫……‬ ‫.....‬ ‫ﻭﻴﺄﺨﺫﻙ ﺍﻟﺤﻠﻡ ﺤﺘﻰ " ﺍﻟﺠﻠﻴل "‬ ‫ﻭ " ﻴﺎﻓﺎ"‬ ‫ﻭ "ﺤﻴﻔﺎ"‬ ‫ﻭﻜل ﺍﻷﺤﺒﺔ ﻓﻲ "ﺍﻟﻠﺩ"‬ ‫‪‬‬ ‫ﻭ " ﺍﻟﻨﺎﺼﺭﺓ " ..‬ ‫ﻓﺘﻜﺘﺏ ﺃﺤﻠﻰ ﺃﻏﺎﻨﻴﻙ .. ﺘﺭﺴﻠﻬﺎ ﻓﻲ ﺒﺭﻴﺩ‬ ‫ﺍﻷﺜﻴﺭ:‬ ‫ﻤﻭﺍﺜﻴﻕ ﻗﻠﺒﻴﺔ ﺘﺘﻤﻠﻙ ﺃﺭﻭﺍﺤﻨﺎ ﺒﻌﻭﺫﺒﺘﻬﺎ‬ ‫ﺍﻵﺴﺭﺓ ..‬ ‫ﹾ‬ ‫……‬
  66. 66. ‫....‬ ‫………‬ ‫ﻭﺘﻔﺠﺅﻨﺎ ﺍﻟﻨﻜﺴﺔ ﺍﻟﻜﺎﻓﺭﺓ ..‬ ‫ﹾ‬ ‫ﹶﹾ َ ُ‬ ‫ﻓﺘﻨﻬﺽ – ﺭﻏﻡ ﺍﻟﺠﺭﺍﺡ –‬ ‫ِ‬ ‫ﺘﺒﺸﺭ ﺜﺎﻨﻴﺔ ﺒﺎﻟﺼﺒﺎﺡ‬ ‫ِ‬ ‫ﻭﺘﺯﺭﻉ ﻓﻲ ﻜل ﺸﺒﺭ‬ ‫ٍ‬ ‫ﺯﻫﻭﺭ ﺍﻟﻤﻨﻰ‬ ‫ﻤﻥ ﺠﺩﻴﺩ ﻴﺩﺍﻜﺎ‬ ‫ٍ‬
  67. 67. ‫ﻓﻲ ﺍﻟﺒﺩﺀ ﻜﺎﻥ ﺍﻟﻨﻴل‬ ‫ﻤﻨﺫ ﻗﺎل ﺍﷲ:‬ ‫ُ‬ ‫" ﻜﻥ ﻴﺎ ﻨﻴل"‬ ‫ُ‬ ‫ﻜ ﱠﺎ‬ ‫ﹸﻨ‬ ‫ﻭﻋﻠﻰ ﺍﻟﺸﻁﻴﻥ ﺃﻫﻼ ﻗﺩ ﻨﺸﺄﻨﺎ‬ ‫ﻟﻡ ﻨﻜﻥ ﻗﻠﺒﻴﻥ ﻴﻭﻤﺎ‬ ‫ﺇﻨﻤﺎ‬ ‫ﻟﻤﻐﺎﻨﻲ ﺍﻟﻜﻭﻥ ﻗﻠﺒﺎ ﻗﺩ ﺃﺘﻴﻨﺎ‬ ‫ﻴﺎ ﺭﻓﻴﻘﻲ‬ ‫ﻭﺼﺩﻴﻘﻲ‬ ‫ﻭﺃﺨﻲ‬ ‫ﻭﻫﻭﻯ ﻓﻲ ﻋﻤﻕ ﻭﺠﺩﺍﻨﻲ ﺍﺴﺘﻜ ﱠﺎ‬ ‫‪ ‬ﹶ ﹶﻨ‬ ‫ﺠﺩﻨﺎ / ﺍﻟﺘﺎﺭﻴﺦ ﻴﺤﻜﻲ ﺤﺒﻨﺎ ﻤﻨﺫ ﺃﻥ ﻜﻨﺎ‬ ‫ﻭﻴﺘﻠﻭﻩ ﻋﻠﻴﻨﺎ‬ ‫ﺇﻨﻪ ﺍﻟﻨﻴل‬ ‫ُ‬ ‫ﺴﻘﺎﻨﺎ ﻤﺎﺀﻩ ﻓﺎﺭﺘﻭﻴﻨﺎ ﻤﻥ ﻴﺩﻴﻪ‬ ‫ِ‬
  68. 68. ‫ﻭﺍﻨﺘﺸﻴﻨﺎ‬ ‫ﻴﺎ ﺭﻓﻴﻘﻲ‬ ‫ﻭﺼﺩﻴﻘﻲ‬ ‫ﻭﺃﺨﻲ‬ ‫ﻫل ﻜﻼﻨﺎ ﻏﻴﺭ ﺃﺼﻼﺏ ﺤﻭﺘﻨﺎ‬ ‫ٍ‬ ‫ﹶ‪ ‬‬ ‫ﺇﻥ ﻴﺒﺕ ﻓﻲ ﻤﺼﺭ ﻗﻠﺏ ﻤ َﺠﻊ‬ ‫‪ ‬ﻭ‬ ‫ﻴﻨﺯﻑ ﺍﻟﺴﻭﺩﺍﻥ ﺁﻻﻤﺎ‬ ‫ﻭﺤﺯﻨﺎ‬ ‫ﻭﺇﺫﺍ ﺍﻟﺴﻭﺩﺍﻥ ﻗﺎل ﺍﻵﻩ ﻴﻭﻤﺎ‬ ‫ﹰ‬ ‫ﺍﻤﺘﺸﻘﻨﺎ ﺍﻟﺼﻌﺏ ﺴﻴﻔﺎ ﻭﻤﻀﻴﻨﺎ‬ ‫ﻴﺎ ﺼﺩﻴﻘﻲ‬ ‫ﻭﺭﻓﻴﻘﻲ‬ ‫ﻭﺃﺨﻲ‬ ‫ﺃﻟﻑ ﻤﺭﺤﻰ ﺇﻥ ﺘﺠﺊ ﻴﻭﻤﺎ ﺇﻟﻴﻨﺎ‬ ‫ﺩﺍﺭﻙ: ﺍﻟﻘﻠﺏ ﻋﻠﻰ ﻁﻭل ﺍﻟﻤﺩﻯ‬ ‫ﻭﻟﻙ ﺍﻵﻤﺎﻕ ﻭﺍﻷﺸﻭﺍﻕ: ﺴﻜﻨﻰ‬
  69. 69. ‫ﻴﺎ ﺭﻓﻴﻘﻲ‬ ‫ﻭﺼﺩﻴﻘﻲ‬ ‫ﻭﺃﺨﻲ:‬ ‫ﺇﻨﻨﻲ ﺃﻨﺕ ﻤﻘﺎﺩﻴﺭ ﻨﻤﺘﻨﺎ‬ ‫ﹶ َ ﹾﹶ‬ ‫ﻨﺤﻥ ﻟﻡ ﻨﺨﻠﻕ ﻁﺭﻴﻘﺎ ﻀﻤﻨﺎ‬ ‫‪‬‬ ‫ﻭﻤﺼﻴﺭﺍ ﻓﻲ ﻤﺠﺎﻟﻴﻪ ﺍﻟﺘﻘﻴﻨﺎ‬ ‫ﻨﻨﺤﻥ ﻟﻡ ﻨﺭﺴل " ﺭﺴﺎﻻﺕ " ﻟﻨﺎ‬ ‫ﻭ " ﺘﻌﺎﻟﻴﻡ " ﻫﺩﺘﻨﺎ ﻓﺎﻫﺘﺩﻴﻨﺎ‬ ‫َ َ َﹾ‬ ‫ﻜﻴﻑ ﺘﻘﻭﻯ‬ ‫- ﺒﻌﺩ ﻫﺫﺍ ﻜﻠﻪ –‬ ‫ﻗﻭﺓ ﺃﻥ ﺘﻔﺭﺽ ﺍﻟﺒﻌﺩ ﻋﻠﻴﻨﺎ؟‬ ‫َ ﹾ‪َ  ‬‬ ‫ﹸ ‪‬ﹲ‬ ‫ﻴﺎ ﺯﻤﺎﻥ ﺍﻟﻭﺼل:‬ ‫ِ‬ ‫َ‬ ‫ﻤﻥ ﻓﺭﻗﻨﺎ ﺸ َﻌﺎ ﺘ ﱠﺨﺫ ﺍﻷﻏﺭﺍﺏ ﺨﺩ ﹶﺎ؟‬ ‫َ ِ ‪‬ﻨ‬ ‫ِﻴ ﹰ ﹶﺘ ِ ﹸ‬ ‫َ‪‬‬ ‫ﻜﻴﻑ ﺼﺭﻨﺎ‬ ‫- ﻤﺜﻠﻤﺎ ﺸﺎﺀ ﺍﻟﻌﺩﻯ –‬ ‫ﻤﺯﻗﺎ ﻓﻲ ﻜل ﺃﺭﺽ؟ ﻜﻴﻑ ﺼﺭﻨﺎ!‬ ‫َِﹰ‬
  70. 70. ‫ﻴﺎ ﺯﻤﺎﻥ ﺍﻟﻭﺼل‬ ‫ﻋﺩ ﺠﺴﺭﺍ ﻟﻨﺎ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﻴﻌﺒﺭ ﺍﻟﻘﻠﺏ ﻋﻠﻴﻪ ﻤﻁﻤﺌﻨﺎ ..‬ ‫ﹰ‬ ‫‪‬‬ ‫ﻭﺩﻴﺎﺭﺍ ﻤﺘﺭﻋﺎﺕ ﺒﺎﻟﻬﻭﻯ‬ ‫ٍ‬ ‫ﹰ‬ ‫ﻨﺘﻤ ﹼﻰ ﻓﻲ ﻨﻭﺍﺤﻴﻬﺎ ﺍﻟﻬﻭﻴﻨﻲ‬ ‫ﺸ‬ ‫ﺃﻴﻬﺎ ﺍﻟﻨﻴل ﺍﻟﺫﻱ ﻴﺭﻭﻱ ﻜﻠﻴﻨﺎ‬ ‫ﺩﻭﻨﻤﺎ ﻤﻥ ﺇﺫﺍ ﻏﻴ ‪‬ﻙ ﻤ ﱠﺎ‬ ‫ﹶ ‪‬ﺭ َﻨ‬ ‫َ‪‬‬ ‫ﺃﻴﻬﺎ ﺍﻟﻨﻴل ﺍﻟﺫﻱ ﻴﺴﺤﺭﻨﺎ‬ ‫ﺒﺠﻤﺎل ﻋﺒﻘﺭﻱ ﻟﻴﺱ ﻴﻔﻨﻰ‬ ‫ﺃﻴﻬﺎ ﺍﻟﻨﻴل ﺍﻟﺫﻱ ﻴﻬﻤﻲ ﺴﻨﺎ‬ ‫َﹰ‬ ‫ﻭﺃﺴﺎﻁﻴﺭ‬ ‫ﻭﺃﻋﺭﺍﺴﺎ‬ ‫ﻭﻓﻨﺎ‬ ‫ﱠ‬ ‫ﺃﻴﻬﺎ ﺍﻟﻨﻴل ﺍﻟﺫﻱ ﻴﺴﻜﻨﻨﺎ‬ ‫ﻭﺒﻪ ﻓﻲ ﻜل ﻋﺼﺭ‬ ‫ﻨﺘﻐﻨﻰ‬ ‫ﱠ‬
  71. 71. ‫ﺇﻥ ﺤﻠﻤﺎ ﻴﻌﺘﺭﻴﻨﻲ: ﺃﻥ ﻨﺭﻯ‬ ‫ﹸَ‬ ‫ﺃ ‪‬ﺔ ﻭﺍﺤﺩﺓ: ﻟﻔ ﹰﺎ‬ ‫ﹰ ﻅ‬ ‫ُﻤ‬ ‫ﻭﻤﻌﻨﻰ‬
  72. 72. ‫ﻓﻴﺭﻭﺯ ﺯﻫﺭﺓ ﺍﻟﻤﺩﺍﺌﻥ‬ ‫ﻓﻴﺭﻭﺯ ﻴﺎ ﻓﻴﺭﻭﺯ‬ ‫‪‬‬ ‫ﻴﺎ ﺠﻠﻭﺓ ﺍﻟﻔﻥ‬ ‫‪‬‬ ‫ﻗﺩ ﺠﺎﺀﻨﺎ ﺘﻤﻭﺯ‬ ‫‪‬‬ ‫ﻏﻨﻲ ﻟﻨﺎ ﻏ ّﻲ‬ ‫ﹶﻨ‬ ‫ﹶ‬ ‫ﻏﻨﻲ ﻟﻴﺎﻟﻴﻨﺎ‬ ‫ﺤﺘﻰ ﻴﻁل ﺍﻟﺼﺒﺢ‬ ‫‪‬‬ ‫ﻭﺃﺭﻭﻯ ﺼﺤﺎﺭﻴﻨﺎ‬ ‫ﺤﺘﻰ ﻴﺫﻭﺏ ﺍﻟﻤﻠﺢ‬ ‫‪‬‬ ‫ﻴﺎ ﺼﻭﺘﻙ ﺍﻟﻌﺼﻔﻭﺭ‬ ‫‪‬‬ ‫ﻴﻨﺴﺎﺏ ﻤﻨﻪ ﺍﻟﻨﻭﺭ‬ ‫‪‬‬ ‫ﻴﺎ ﺸﺩﻭﻙ ﺍﻟﻤﺴﺤﻭﺭ‬ ‫ﻗﺎﺭﻭﺭﺓ ﺍﻟﺤﺴﻥ‬ ‫ِ‬ ‫ﻏﻨﻲ ﻟﻨﺎ ﻏ ّﻲ‬ ‫ﹶﻨ‬ ‫ﹶ‬ ‫ﻏﻨﻲ ﻟﻨﺎ ﻏ ّﻲ:‬ ‫ﹶﻨ‬ ‫ﹶ‬
  73. 73. ‫)١(‬ ‫ﺍﻟﻘﺩﺱ ﻏﻴﺩﺍﺀ ﺴﺒﻴﺔ‬ ‫‪ ِ َ ‬ﹾ‬ ‫‪‬‬ ‫ﺘﺸﻜﻭ ﺍﻟﺤﺼﺎﺭ‬ ‫‪‬‬ ‫ﻤﻥ ﺫﺍﻟﻬﺎ؟‬ ‫ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﻌﺭﺏ‬ ‫ﻤﺎ ﺘﺼﻨﻊ ﺍﻟﺨﻁﺏ‬ ‫‪‬‬ ‫ﻭﺍﻟﻤﺠﺩﻟﻴﺔ‬ ‫‪‬‬ ‫ﻗﺩ ﻏﺎﻟﻬﺎ‬ ‫ﻏﻭل ﺍﻟﺘﺘﺎﺭ‪‬؟‬ ‫)٢(‬ ‫ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﻘﺩﺡ‬ ‫‪‬‬ ‫ﻴﺎ ﻋﺎﺭﻨﺎ ﺍﻟﺩﺍﺌﻡ‬ ‫ﻴﺎ ﺃﻴﻬﺎ ﺍﻟﻘﺎﺕ‬ ‫ﹸ‬ ‫ﻫل ﺘﺫﻜﺭﺍﻥ ﺍﻟﻴﻭﻡ ﻤﻥ ﻤﺎﺘﻭﺍ‬ ‫ﻓﻲ ﺍﻟﻤﺴﺠﺩ ﺍﻷﻗﺼﻰ‬
  74. 74. ‫ﻭﻤﻥ ﺫﺒ ‪‬ﻭﺍ‬ ‫ﹸ ِﺤ‬ ‫ﻓﻲ ﻜﻔﺭ ﻗﺎﺴﻡ‪‬؟‬ ‫)٣(‬ ‫ﻴﺎ ﺯﻫﺭﺓ ﺍﻟﻤﺩﺍﺌﻥ‬ ‫‪‬‬ ‫ﻤﻥ ﺫﺍ ﺍﻟﺫﻱ ﻴﻬﺎﺩﻥ‬ ‫‪‬‬ ‫ﻤﻥ ﻫﻭﺩﻭﺍ ﺍﻟﻤﺂﺫﻥ‬ ‫‪‬‬ ‫ﻭﺸﻭﻫﻭﺍ ﺍﻟﺤﻘﻴﻘﺔ؟ ..‬ ‫ﺍﷲ ﻭﺍﻷﺫﺍﻥ‬ ‫‪‬‬ ‫ﻴﺎ ﺃﺨﺘﻨﺎ ﺍﻟﺸﻘﻴﻘﺔ/‬ ‫ﹾ‬ ‫ﻴﺎ ﻗﺩﺱ‬ ‫‪‬‬ ‫ﻴﺭﻓﻀﺎﻥ‬ ‫‪‬‬

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