Interactive media artworks for public space


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Reinterpretation of Liliana Bounegru's essay 'Interactive media artworks for public space'

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Interactive media artworks for public space

  1. 1. Interactive Media Artworks for Public Space<br />공공 공간을 위한 인터랙티브 미디어 아트작품<br />The potential of art to influence consciousness & behaviour in relation to public spaces<br />공공 공간과 관련된 의식과 행위에 영향을 미치는 예술의 가능성<br />author : LilianaBounegru, speaker : Dong Seop Kim<br />
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  4. 4. 1. Introduction<br />
  5. 5. the Situationist legacy.<br />Situationist International<br />Guy Debord, <br /><The Society of the Spectacle> <br /><br /><br /><br /><br /><br />
  6. 6. Spectacle <br />
  7. 7. 주요 개념<br />전유, 전용 Détournement<br />건설된 상황 constructed situation <br />심리지리학 Psychogeography<br />일원적 도시주의 unitary urbanism <br />표류 Dérive<br />
  8. 8. 2. Art Installations Using the Body as Interface<br />
  9. 9. Virtual Reality<br />Augmented Reality<br />Obsolete Body<br />Body Involvement<br />
  10. 10. Merleau-Ponty<br />primary access to the world<br />The Body<br />the vehicle of being in the world<br />
  11. 11. Myron Krueger<br />concept : Responsive Environments’<br /><br />work : Videoplace<br /><br />
  12. 12. inputted actions<br />David Rokeby<br />transformation<br />interactive<br />Communication with the self<br />mirroring<br />shaping the meanings<br />
  13. 13. Rafael Lozano-Hemmer,<br />Body Movies<br /><br />
  14. 14. Lozano-Hemmer’s relational architecture<br />the body as an interface <br />with technology<br />physical location <br />possibilities for<br />collective interaction &<br />individual performance<br />
  15. 15. Lozano-Hemmer’s relational architecture<br />Technological Mediation<br /> collective genesis<br />recuperation from depersonalization through the<br />deepest form of human communion <br />a different state of consciousness and self-awareness<br />the body <br />disembodiment<br />the body of other<br />(re)embodiment<br />exploring relations with other people<br />
  16. 16. Rafael Lozano-Hemmer<br />Pulse Park<br /><br />
  17. 17. Rafael Lozano-Hemmer,<br />Under Scan<br /><br />
  18. 18. 3. Media Artworks which Mark up the Public Space with Text<br />
  19. 19. Georg Simmel<br />mobile bubble<br />mobile bubble<br />mobile bubble<br />mobile bubble<br />Public Space <br />
  20. 20. breaking the ‘mobile bubble’ <br />Hello World<br />
  21. 21. Jason Lewis<br />CitySpeak<br /><br />
  22. 22. stefhancaddick<br />storyboard<br />
  23. 23. Johannes Gees<br />HelloWorld<br /><br />
  24. 24. 4. Reappropriating Urban Space through Participatory Media Art?<br />Situationist<br />(Guy Debord)<br />Participatory Media Art<br />creating<br />participatory<br />spectacle<br />criticizing the society of the spectacle<br />collective re-appropriation<br />supplementing a culture of ‘spectacle’ and entertainment<br />with more participatory models of generating spectacular ‘representations’.<br />dismissing the ‘spectacle’ of commodities and their reification of social<br />relationships<br />
  25. 25. 5. Artistic Precedents and Critique of the Modern Urban  Space<br />creating zones of expanded consciousness and an awareness<br />of the relational potential of public environments<br />alienation,<br />routinisation, nonintervention,<br />passivity<br />public space<br />
  26. 26. The structure of media dominated consumer society <br />spontaneous,<br />imaginative and playful practices.<br />the spectacle :<br />commercial culture, advertising,<br />and entertainment<br />passive subject<br />(spectatorship)<br />
  27. 27. 6. Situationism  Rediscovered or Situationism Subverted?<br />Comparison of two strategies<br />
  28. 28. the interactive media art installations reappropriating parts of the Situationist theory <br />