This portfolio highlights projects from the various design studios, and my senior thesis, that I completed while earning my Bachelor of Interior Design from RCC Institute of Technology in Toronto (The Academy of Design).

1. PORTFOLIOINTERIOR DESIGN

2. 2
Hello, and thank you for taking the time to view my portfolio!
MynameisKelseyNixon,Iamarecentinteriordesigngraduatebased
out of Toronto, Canada. After earning my BID with Honours from
RCC Academy of Design, I am excited to continue my journey toward
becoming a certified interior designer. My ultimate goal is to enrich
lives through universal design, while integrating sustainable and
ethical design practices, new technologies and design innovations.

3. 3
ART & D.I.Y.
Personal Interior Decorating & D.I.Y. Projects
Watercolours & Hand Renderings
47
CONTENTS
TABLE OF
MIXED-USE
4Patchwork Community Art Centre & Private Residence
Urban Nourishment Nutrition & Education Centre
Historic Loft
HOSPITALITY
3
Reveal Hotel & Lounge
OFFICE
8Whole Foods Corporate Office
SHELTER
5
Harbour Haven Refuge
EXTRA-CURRICULAR
RCC Student Lounge
RCC Film School Stdio
RETAIL
Loose Leaf Cafe
Gallery 3
RESIDENTIAL
2Downtown Condo
Loft 3D Model
Internship with Heather McGregor of McQUAT Partnership
46
INTERNSHIP
4
2
84
6
3
6
6

4. 4
Community Art Centre & Private Residence
Project Type: Individual / Length: 36 weeks / Size: 200,000 sq./ft.(+/-) / Senior Thesis / Winter - Fall 2015
Software/Skills Demonstrated: AutoCAD, SketchUp, PhotoShop
MIXED-USE

5. 5
OBJECTIVE
This senior thesis project was required to be mix-use, with at least one of the occupancies being commercial in nature. The project
also required a social element, and therefore needed to benefit the city or a particular community within Toronto. The building and
AutoCAD floor plans were not provided by RCC Academy of Design, but rather by the architecture firm (Turner Fleischer Architects)
upon request. This project seeks to combine art, community and living under a single roof in downtown Toronto, and is located at
156 Portland Street in the vibrant Queen Street West area. The project is universally design and is intended to benefit all members
of the community, but most especially those from the disabled and aging communities. The project consists of a community art
centre with an attached residential condominium designed for families, as well as aging residents and/or those with disabilities.
Each aspect of the project is meant to enhance the other; the residents can volunteer/work at the art centre, and have access to a
portion of each floor of the art centre after-hours. The services and amenities offered in the art centre, along with the supermarket
and walk-in clinic on the ground floor, make independent living easier for those in the private residence.
CONCEPT
Inspiration for this project was drawn from the Sochi 2014 Winter Olympics patchwork quilt. This modern interpretation of a
patchwork quilt symbolizes unity, while the Olympics, Special Olympics and Paralympics celebrate human achievement and focus
on people’s abilities rather than their disabilities. Traditional ideas about patchwork quilts turned this inspiration into a design
concept. Patchwork quilts are typically comprised of patches made by different members of the community, and as the patches
are sewn together a unique and beautiful story begins to unfold. Therefore, a patchwork quilt can be seen as an embodiment of
community spirit, as its very structure depends on the unification of its smaller and independent parts to complete its larger whole.
This structural dependency is both intimate and beautiful, and parallels can be drawn when trying to create a community hub
for art, living, culture, and creativity among a diversified group of people. Patchwork Community Art Centre & Private ResidenceTHE OLYMPIC PATCHWORK QUILT I SOCHI 2014
CONCEPT IMAGE
strives to create a network for artists from the disabled and aging communities, and seeks to eliminate barriers that these groups face when accessing art and community services. Like each unique patches of
a patchwork quilt, this project celebrates each person’s unique abilities, and creates an environment of acceptance that helps to strengthens the urban fabric of the city and bridge the gap between the public
and members of these communities. The concept of the patchwork quilt comes through in the design by the way in which people interact and move through the various spaces of the building. Geometric forms,
bright colours, bold patterns and layered textures, as well as unique intersections of finishes and materials create a visually stimulating and tactile environment that encourages users to interact with both the
space and people around them.

6. 6
SECOND FLOOR OF BUILDING (FIRST LEVEL OF TWO-LEVEL OF ART CENTRE)
NOT TO SCALE (APPROX. 45,000 sq./ft)
THIRD FLOOR OF BUILDING (SECOND LEVEL OF TWO-LEVEL OF ART CENTRE)
NOT TO SCALE (APPROX. 45,000 sq./ft)
Patchwork Community Art Centre
The art centre takes up the second and third floors of the building, with an entrance off the ground level. Aside from the entrances to Patchwork Community Art Centre and Patchwork Private Residence, the ground
floor was not designed as part of this project, as it was decided early on that the existing supermarket would remain in the building, as it benefits both the residents and broader community. Therefore, the existing
supermarket has been moved from the second to the ground floor, making the second and third floors available for Patchwork Community Art Centre, as can be seen in the floor plans below. Patchwork Private
Residence is located above the art centre, on floors 4 - 7. The second floor of the building (and first level of the two-level art centre), is dedicated to musical and theatrical arts, and includes the main reception,
a large performance space, and various studios/workshops (among other spaces). The third floor (and second level of the two-level art centre), is dedicated to the visual arts, and includes an open art area with
individual ‘art pods’, a large gallery/exhibition space, and various visual art studios/workshops (among other spaces as well).

7. 7
MAIN RECEPTION & INTERACTIVE MAPPING AREA
(SECOND FLOOR)
The main reception and interactive mapping areas
are the first spaces people are greeted into upon
entering the art centre. The large, custom, dual height
reception desk can support up to three administrative
staff, and has built in lighting and seating. Custom
Corian (solid-surface) and reclaimed wood bulkheads
define these spaces and aid with way-finding. LCD
panels create a digital and customizable feature wall
behind the reception area. Multicoloured porcelain
tiles set in a layer of poured concrete create a uniform
floor that playfully guide people through the space.

8. 8
PERFORMANCE THEATRE (SECOND FLOOR)
The performance theatre is the heart of the second floor,
and the ramp leading to the main entrance has been treated
as a beautiful feature rather than an obstacle to overcome.
The custom-patterned frosted glass railings and painted
stair risers add visual interest, while also helping those with
visual impairments to better navigate through the space. The
interior walls of the theatre are reminiscent of laser-cut wood
lanterns, and each panel is meant to be unique, representing
the individual patches of a patchwork quilt. A piece of frosted
Plexiglass would be directly behind each laser-cut panel,
eliminating glare and ensuring an even distribution of light
from programmable, colour-changing LED lights hidden within.

9. 9
ART GALLERY/EXHIBITION SPACE (THIRD FLOOR)
The art gallery/exhibition space is the main event space on the third floor of the building/upper
level or the art centre. The floor-to-ceiling glass windows, white walls and polished concrete
floors give the space a cool and modern look, while the wood-framed, waffle ceilings and wood-
clad columns add a rustic warmth that help to make the space intimate and inviting. A flexible
wire track lighting system, installed through the waffle ceiling, along with movable partitions,
platforms and displays allow the space to transform as needed.

10. 10

11. 11
OPEN ART & ‘ART POD’ AREAS (THIRD FLOOR)
On the third floor there is a large open art area
that can be used for organized groups, art
lessons, after-school programming, or by the
general public. This area has stacking chairs
and movable, height-adjustable tables, as well
as accessible sinks and storage areas. Directly
beside the open art area is the semi-private ‘art
pods’ that can be used by individuals or pairs.
These ‘pods’ feature three-way adjustable,
white board tables, height-adjustable easels,
and movable storage carts (as seen can be
seen in the image below). Not only do these
‘art pods’ create great workspaces, they also
provide seating and a place to display art.
Ample distance between the pods make it
easy to manoeuvre between them, creating a
dynamic and interactive combined work and
gallery environment.

12. 12
SHARED AFTER-HOURS SPACES (SECOND FLOOR)
One of the best features of living in the attached condominium (Patchwork Private Residence), it that
the residents have access to a portion of each floor of the art centre after-hours. These shared spaces
(second floor shown here), are sectioned off from the rest of the art centre by this large tunnel-like space.
Recessed linear LED lights illuminate and indicate the direction of travel through the ‘tunnel’. Built-in
metal doors swing closed to isolate this section of the building when
the art centre is closed. On the second floor (as shown), the shared
spaces include the large music practice room, four of the six individual
music practice rooms, the instrument storage room (electronic key
accessed), and the spacious games/party lounge with universal
washrooms. The third floor of the building (not shown) is sectioned off
with a similar ‘tunnel’, and provides access to two private art studios.

13. 13
Patchwork Private Residence
Apart from the entrance/condo lobby on the ground floor, and the shared after-hours spaces of the art centre,
Patchwork Private Residence begins on the fourth floor, and occupies floors 4 - 7 of the building. Floors 4 - 7 are
smaller; they are slightly less than half of the size art centre floors. A large rooftop patio sits above the northern half
of the third floor of the art centre, and can be accessed either by elevator no. 9 (from the art centre), or from the
fourth floor lounge of Patchwork Private Residence. In order to suit the new programming, for families, and for the
aging and disabled communities, residential units were removed on each of floors 4 - 7 to create space for additional
amenities. On the fourth floor, as shown here, seven residential units were removed to create the demonstration
kitchen and lounge area, the gym with yoga/meditation room, the spa with jacuzzi, sauna & steam room, and the
dog wash room. On floors 5 -7 only two residential units were removed on each floor to create: the business centre,
entertainment centre/kids lounge and the ‘living lounge’ (as detailed on the following pages).
FOURTH FLOOR OF BUILDING (FIRST LEVEL OF FOUR-LEVEL
OF CONDOMINIUM). NOT TO SCALE (APPROX. 20,000 sq./ft)
The rooftop patio includes areas for dining, entertaining and
relaxing, vegetable gardens, a fenced-in dog ‘park’, a sheltered
out theatre, and a sectioned off area fur use by Patchwork
Community Art Centre.
ROOFTOP PATIO (FOURTH FLOOR)
ROOFTOP PATIO - ART CENTRE AREA

14. 14
One of the larger, two-bedroom residential units
was designed to show how the space could be
modified to suit a wheelchair user. Porcelain tiles add
character and durability to high traffic zones, and
mix seamlessly with Maple to create a transition-free
floor that is reminiscent of the floor in the reception
area of the art centre. Low appliances and height-
adjustable counters and cabinets make the kitchen
ergonomic and area easy to work in.
RESIDENTIAL UNIT (FOURTH FLOOR)

15. 15
DEMONSTRATION KITCHEN & LOUNGE AREA (FOURTH FLOOR)
The demonstration kitchen and lounge is one large, open area that is fully accessible and overlooks the
rooftop patio below. Height-adjustable cabinets and counters, that include the sink, cook, and food-prep
areas make this kitchen fully accessible for wheelchair users. Mixed seating and the double-sided fireplace
make this the perfect space to relax or entertain.

16. 16
BUSINESS CENTRE (FIFTH FLOOR)
KIDS LOUNGE (SIXTH FLOOR)
ADDITIONAL AMENITY SPACES
Two residential units were removed on each of the remaining floors of the
condominium (floors 5 - 7). On the fifth floor there is a business centre with a
shared workspace and computer terminals (as shown on the left), as well as
three private offices, a meeting room and photocopying area. The fifth floor is all
about entertainment and features a small movie theatre, video games room and
kids lounge (as seen below). The seventh floor is all about relaxing in the ‘living
lounge’, with the large peaked skylight, living wall, and built-in bird cages for real,
live birds (to be cared for by condo staff and/or residents).

17. 17
‘LIVING LOUNGE’ (SEVENTH FLOOR)

18. 18
Urban Nourishment
Nutrition & Education Centre
Project Type: Team / Length: 12 weeks / Size: 8,000 sq./ft.(+/-) / Design Studio V / Winter 2014
Design Team: Kelsey Nixon, Tiffany Piotrowski, Aram Vakili
Software/Skills Demonstrated: AutoCAD, Illustrator, SketchUp, Hand Rendering
MIXED-USE

19. 19
OBJECTIVE
This project asked students to adaptively reuse an existing building, located at 107 King Street East in Toronto, ON. Based on demographic and market research, our design team decided a nutrition and education
centre would be the perfect use for the building and would add value to the neighbourhood. This three-storey building + basement and rooftop patio consists of a restaurant, space for nutrition seminars and
cooking classes, nutrition consultation and examination rooms, administrative offices, a yoga studio, and a rooftop greenhouse and garden.
CONCEPT
Like an x-ray revealing the interconnected workings
within the body, this design gives a transparent
and unconcealed view of the building as a whole.
Interconnected spaces expose the systems and
structures that feed the building, while providing a clear
view into the world of full body health and nutrition.
CONCEPT IMAGE
NORTH FACADE ELEVATION
NOT TO SCALE
WEST FACADE ELEVATION
NOT TO SCALE

20. 20
Rooftop: Greenhouse, vegetable garden & patio
Third floor: Nutrition consultation & administrative
offices
Second floor: Demonstration kitchen, cooking
stations & dining area
Ground floor: Building reception &
Urban Appetite restaurant
Basement: Yoga studio, change rooms &
staff area
EXTERIOR SKETCHUP MODEL (BY ARAM VAKILI)

21. 21
URBAN APPETITE RESTAURANT & MAIN RECEPTION (GROUND FLOOR)
There are two entrances off the ground floor, one that leads into the double-height reception area, and another from the patio of Urban
Appetite that leads to a host station, waiting area and bar. Black picture-frame windows separate the restaurant from the reception,
while keeping sight lines open throughout the space. Original wood beams and exposed brick walls contrast with bright pops of orange
and modern furniture and finishes.
MAIN RECEPTION (SKETCHED & RENDERED BY TIFFANY PIOTROWSKI)

22. 22
URBAN NOURISHMENT DEMONSTRATION KITCHEN AND COOKING CLASS AREA (SECOND FLOOR)
The second floor is dedicated to the demonstration kitchen and cooking class areas. This space has a strong connections to the main reception, as a portion of the floor has been removed to create the
double-height space below. There is a sleek glass railing where people can look down over the entrance, reception and waiting areas. Four custom designed islands with cook-tops, prep-sinks and built-in
storage face the larger demonstration kitchen, while the adjacent wall houses all of the larger kitchen appliances, such as fridges, sinks, ovens and dishwashers. Ingredients can be loaded up on carts from
the large, open pantry at the back of the space. The large dining table can accommodate up to fourteen people, while the nearby lounge can comfortable seat eight.

23. 23
DEMONSTRATION KITCHEN AND COOKING CLASS AREA (SKETCHED & RENDERED BY TIFFANY PIOTROWSKI)

24. 24
Historic Loft
Project Type: Individual / Length: 12 weeks / Size: 4,000 Sq./Ft. / Design Studio VIII / Fall 2014
Software/Skills Demonstrated: AutoCAD, Photoshop, Hand Rendering
MIXED-USE

25. 25
OBJECTIVE
This project required a single level, 4,000 square-
foot loft to be converted into a mixed use space
for business and residential occupancies. This
project includes the primary residence for the
building owner, three rental suites inspired by the
Micro-Lofts in Vancouver, and a small graphic
design office. Common areas create a sense of
connection between these three occupancies,
and the 20-foot ceilings allowed for the addition
of several mezzanine levels, including one
in each of the residential spaces (both in the
private residence and in the three micro-lofts,
and another for the gym in the open corridor
(part of the ‘public space’).
CONCEPT
The design of the St. Lawrence Loft honours
the 150+ year history of the building with a
rustic and weathered-looking interior that brings
people back into an era gone by. Rusted metals,
timeless patinas, worn stones and reclaimed
woods create the shell of the space, while
recycled, re-purposed, and custom made
furnishings make up the rest of the interior. The
aged look of the raw space is made modern with
contemporary, open-concept space planning
and multi-functional design elements.
CONCEPT IMAGE
Kitchen
Breakfast
Area
Dining
Master
Bathroom
Master
Bedroom
Walk-in
Closet
Office
Guest
Room
Storage
Room
Gym
Dog Wash
Area
Laundry
Utility
Room
Kitchen
Dining
Living
Bedroom
Work
Area
Kitchen
Work Area
Meeting
Bathroom
Break
Area
Library
LEGEND
Private residence
Income propery
Graphic design office
High adjacency
Medium adjacency
Low adjacency
Shared by all occupants
Powder
Room
Living
Overlapping spaces indicate shared spaces. The 3 major
occupancies are divided with black dashed lines, and the
areas in yellow indicate common areas that are to be
shared and accessed equally by all of the occupancies.
Direct access to utility room not required by any of the
occupants.
Proposing 3 income properties (as shown in blue), each
unit is seperated by a dashed red line. The 3 units will
have different layouts but similar adjacencies and square
footages within each unit.
Bathroom
Storage
Kitchen
Dining
Living
Bedroom
Work
Area
Bathroom
Storage
Kitchen
Dining
Living
Bedroom
Work
Area
Bathroom
Storage
Storage
Business
Centre
BUBBLE DIAGRAMS - PLANNING PHASE I

26. 26
Office/guest
bedroom
Living
KitchenDining
Storage
Kitchen
Work Area
Bathroom
Break
Area
Storage
Business
Centre
Storage
Room
Laundry
Dog Wash
Area
Meeting
Library
Powder
Room
Breakfast
Area
Rental unit 1
Rental unit 2
Rental unit 3
Space Square
Footage
Accoustical
Privacy
Public
Access Storage Daylight Views Special
Equipment Plumbing
Growth
Considerations
Additional
Considerations
Kitchen 50
+/-­‐ X Yes Yes Medium X
Fridge,
mircowave,
sink,
dish
washer,
cook
top,
ventilation
Yes X
Convection
mircowave
that
can
be
used
as
an
oven
Dining
Area 50
+/-­‐ X Yes X Medium Yes Collapsible
table
and
chairs
X X
Living
Area 70
+/-­‐ X Yes X High Yes Sofa
bed,
TV,
fireplace X Yes
Consider
guest
space
in
living
room
Bedroom 50
+/-­‐ Yes X Yes Medium Yes Murphy
bed
or
moveable
bed X Yes
Consider
space
that
can
adapt
to
2
bedrooms,
maybe
bunk
beds
Bathroom 30
+/-­‐ Yes X Yes High X Toilet,
sink,
shower,
ventilation Yes X
Work
Area 20
+/-­‐ Yes X Yes High Yes Computer
work
area X X
Storage 20
+/-­‐ X X Yes Low X X X
Work
Stations
200
+/-­‐
(approx.
50
+/-­‐
per
person)
X Yes Yes High Yes
Computer
work
area
for
laptop
and
large
monitor,
ergonomic
chairs,
desks,
4
power
outlets
per
person
X Yes
Must
be
able
to
add
2-­‐4
more
work
stations
if
the
company
grows
Meeting
Area 80
+/-­‐ Yes Yes X Medium Yes
Large
table,
projection
screen,
AV
equipment
with
TV,
internet
and
speaks
all
together
X Yes
Expandable
table
for
more
staff
and
clients
Business
Centre
Area 30
+/-­‐ X Yes Yes Low X
Fax
machine,
laser
copier
and
printer,
paper
and
printer
supply
storage
X X
Should
be
away
from
work
stations
and
have
some
ventilation
Table
Area
(for
laying
out
projects)
40
+/-­‐ X Yes X High X
Large
adjustable
height
table
for
standing
or
sitting
positions
X X
Kitchenette 50
+/-­‐ X Yes Yes Low X
Mini
fridge,
mircowave,
espresso/coffee
machine,
sink,
dish
washer
Yes X Eating
area
for
2-­‐4
people
Bathroom 80
+/-­‐ Yes Yes X Low X
Raised
toilet
(accessible),
sink
(open
below),
grab
bars,
ventilation
Yes X
Must
be
accessible,
must
consider
hidden
grab
bars
that
can
come
out
from
wall)
Break
Area 50
+/-­‐ Yes Yes X Medium Yes Sofa,
chiars,
TV X X
Library 30
+/-­‐ X Yes Yes
(built-­‐ins) Low X X X
Storage 50
+/-­‐ X X Yes Low X X X
Income
Property
Graphic
Design
Office
Space Square
Footage
Accoustical
Privacy
Public
Access Storage Daylight Views Special
Equipment Plumbing
Growth
Considerations
Additional
Considerations
Kitchen/Breakfast
Area 200
+/-­‐ X Yes Yes High Yes
Fridge,
freezer,
large
sink,
wine
fridge,
double
ovens,
cook
top,
range
hood,
microwave,
espresso
machine,
dishwasher,
mircowave
Yes X
Dining
Area 150
+/-­‐ X Yes
Yes
(hutch,
bar
and/or
cradenza)
Low Yes
Seating
for
8
people,
large
or
expandable
table
Yes
(if
doing
a
wet
bar)
X
Connection
to
liviing
room
for
seamless
entertaining
Living
Area 250
+/-­‐ X Yes Yes
(built-­‐ins) Medium Yes
TV,
speakers,
music
player,
fireplace
X X Sofa
bed
for
guests
Master
Bedroom 150
+/-­‐ Yes X Yes Medium Yes TV,
speakers,
fireplace X X
Master
Bathroom 80
+/-­‐ Yes X Yes High X
Double
vanity,
shower,
bath
tub,
toilet,
ventilation
Yes X
Walk
in
Closet 50
+/-­‐ X X Yes
(built-­‐ins)
Low X X X
Powder
Room 30
+/-­‐ Yes Yes X Low X
Toilet,
small
vanity
or
sink,
ventilation
Yes X
Office 60
+/-­‐ Yes X Yes
(built-­‐ins) High Yes
Computer,
printer/fax
machine,
phone
X X
Guest
Room 80
+/-­‐ Yes Yes Yes Medium Yes Sofa
bed
or
guest
bed,
storage X Yes
Visual
privacy,
can
beomce
child's
room
in
future
Utility
Room 60
+/-­‐ Yes X Yes Low X
Mechanical,
electrical
and
telecommunications
for
building
X X
Already
exists
in
plan,
beside
freight
elevator
Storage 60
+/-­‐ X Yes Yes Low X Built-­‐in
storage X Yes
Storage
for
items
not
used
regularily
(bikes
and
sports
equipment,
car
tires,
tools,
etc.)
Gym 230
+/-­‐ Yes Yes Yes Low X
Exercise
machines
and
equipment
(treadmill,
elliptical,
rowing
machine,
recumbent
&
upright
bikes,
weights,
mats,
balls,
etc.)
Yes X
Storage,
sink
and/or
drinking
fountain,
shared
with
rental
and
office
tenants/employees
Dog
Wash
Area 70
+/-­‐ X Yes Yes Low X
Dog
sink
&
lift,
hand-­‐held
shower
head,
special
drain
to
catch
dog
hair,
blow
dryer
and
grooming
equipment
Yes X
Private
Residence
BLOCK DIAGRAMS & SPACE PLANNING CHARTS - PLANNING PHASE II
MAIN LEVEL OF LOFT
NOT TO SCALE
MEZZANINE LEVEL OF LOFT
NOT TO SCALE
Colour coding the occupancies in all stages of the design helped to keep the plans organized and
the zones of the project distinct.

27. 27
MAIN LEVEL OF LOFT
NOT TO SCALE
MEZZANINE LEVEL OF LOFT
NOT TO SCALE
Kitchen
Breakfast
Area
Dining
Master
Bathroom
Master
Bedroom
Walk-in
Closet
Office
Guest
Room
Storage
Room
Gym
Dog Wash
Area
Laundry
Utility
Room
Kitchen
Dining
Living
Bedroom
Work
Area
Kitchen
Work Area
Meeting
Bathroom
Break
Area
Library
LEGEND
Private residence
Income propery
Graphic design office
High adjacency
Medium adjacency
Low adjacency
Shared by all occupants
Powder
Room
Living
Overlapping spaces indicate shared spaces. The 3 major
occupancies are divided with black dashed lines, and the
areas in yellow indicate common areas that are to be
shared and accessed equally by all of the occupancies.
Direct access to utility room not required by any of the
occupants.
Proposing 3 income properties (as shown in blue), each
unit is seperated by a dashed red line. The 3 units will
have different layouts but similar adjacencies and square
footages within each unit.
Bathroom
Storage
Kitchen
Dining
Living
Bedroom
Work
Area
Bathroom
Storage
Kitchen
Dining
Living
Bedroom
Work
Area
Bathroom
Storage
Storage
Business
Centre
PRIVATE RESIDENCE INTERIOR
Owner’s Private ResidenceFINISHED FLOOR PLANS - PLANNING PHASE III
CUSTOM DOUBLE-SIDED FIREPLACE

28. 28
MAIN LEVEL OF LOFT
NOT TO SCALE
MEZZANINE LEVEL OF LOFT
NOT TO SCALE
REFLECTED CEILING PLANS - PLANNING PHASE III
CUSTOM MASON
JAR CHANDELIER

29. 29
COLOUR BLOCKED CROSS SECTION 2 (LATERAL)
NOT TO SCALE
COLOUR BLOCKED CROSS SECTION 1 (HORIZONTAL)
NOT TO SCALE
ARCHED CORRIDOR TO MICRO-LOFTS CROSS SECTION KEY PLANS

30. 30
MICRO-LOFTS INTERIOR & CUSTOM FURNITURE
Micro-Lofts
MAIN LEVEL OF MICRO-LOFTS
NOT TO SCALE
MEZZANINE LEVEL OF MICRO-LOFTS
NOT TO SCALEMEZZANINE LEVEL OF MICRO-LOFTS
NOT TO SCALE

31. 31
GRAPHIC DESIGN OFFICE
NOT TO SCALE
Graphic Design Office
WAITING/BREAK AREA & CUSTOM WINDOW
GARAGE DOOR MEETING ROOM
The graphic design studio/office has a unique feature in
which a pair of adjacent garage doors can be electronically
lowered to create a closed meeting room. When not in
use, the garage doors can be left in the up position,
making the office one large, open space. A custom,
wood detailed, dropped ceiling houses the general and
task lighting for the meeting area.

32. 32 HOSPITALITY
Project Type: Team / Length: 12 weeks / Size: 20,000 sq./ft.(+/-) / Design Studio VII / Summer 2014
Design Team: Kelsey Nixon, Tiffany Piotrowski, Meaghan Tracey, Devin Deng
Software/Skills Demonstrated: AutoCAD, Illustrator, SketchUp, Hand Rendering

33. 33
CONCEPT IMAGES
OBJECTIVE
This project asked students to create a new hotel using the existing, historic Isabella Hotel
located at 556 Sherbourne Street East in Toronto, ON. The hotel consists of two buildings, the
historic Edwardian-style mansion built in 1891, and the seven-storey tower that was added
in 1914. Due to the rich history of the building and neighbourhood, as well as changing
demographics, our design team decided to create a magic themed hotel that mixes old world
charm with modern comforts.
SOUTH FACADE ELEVATION (MAIN ENTRANCE)
NOT TO SCALE
EAST FACADE ELEVATION (SIDE ENTRANCE)
NOT TO SCALE
CONCEPT
Step inside the Reveal Hotel & Lounge to experience the fantasy of conjuring, illusion, and magic, one of the
world’s oldest forms of entertainment. The feeling of an old magic show and historic Speakeasy are incorporated
with modern design to create a mysterious, enchanting and lively atmosphere, drawing people out of their rooms
and into the public areas of the hotel. Hovering furniture, concealed elements and secrecy are built into the
design, encouraging guests to visit time and time again to experience the mysterious magic of The Reveal Hotel
& Lounge.
CONCEPT IMAGES
NEW CORNER SIGN

34. 34
RECEPTION AREA
A custom reception desk made of faceted pieces of smoked mirror create
a unique and intriguing first impression. Top hats are used as pendant lights
above the reception desk and bar area. Funky furniture, brass accents,
marble floors and tin ceilings add to the whimsy and charm of the space.
RECEPTION AREA (SKETCHED BY DEVIN DENG) RECEPTION AREA (AUTOCAD RENDERING BY TIFFANY PIOTROWSKI)

35. 35
CAFE AREA (AUTOCAD RENDERING BY TIFFANY PIOTROWSKI) GROUND FLOOR PLAN
NOT TO SCALE
HOTEL LOBBY
The lobby of the Reveal Hotel & Lounge is a space where guests
can grab a cup of coffee or a glass of wine from the cafe, where
they can interact with guests and staff, or where they can just
peacefully relax in the lounge area. The layout of the spaces
remain similar that of the existing Isabella Hotel, which was done
to preserve as much of the original building as possible.

36. 36
SECOND FLOOR PLAN
NOT TO SCALE
THIRD FLOOR PLAN
NOT TO SCALE
BASEMENT PLAN
NOT TO SCALE
TOWER PLANS
NOT TO SCALE

37. 37
GUEST ROOMS
All of the guest rooms and suites have unique features, such as swinging bookcases between adjoining rooms, TVs that pop out
of the foot of the bed, floating furniture and concealed objects. This sense of mystery encourages guests to stay in different rooms
with each visit, giving them a unique experience each and every time.
BOOKCASE DOOR (SKETCHED BY MEAGHAN TRACEY)

38. 38
Whole FoodsCorporate Office
Project Type: Individual / Length: 12 weeks / Size: 10,000 sq./ft.(+/-) / Design Studio II / Summer 2013
Software/Skills Demonstrated: AutoCAD, Hand Drafting, Hand Sketching, Hand Rendering
OFFICE

39. 39
OBJECTIVE
The goal of this project was to design a single-level, 10,000 square-
foot corporate office for Whole Food Markets in the financial district
of downtown Toronto. The office occupies the entire second floor
of a six-storey office building that is shared with other businesses.
The scope of the project includes a reception, open office area,
lunchroom with demonstration kitchen, conference and meeting
rooms, lounges, and shared, private and semi-private offices.
CONCEPT
Whole Foods Markets strives for ethical and responsible business
practices, and as leaders in environmental stewardship they
have created a culture of sustainability that values the wellness
and happiness of the planet. A holistic design that incorporates
ethically sources products, natural and organic materials, and
strives to reduce waste reflects these core values and corporate
culture. Communal spaces and open workstations encourage
interaction between employees, and help to create a sense of
community. Employees can enjoy the benefits of nutritious food
in the large staff/demonstration kitchen, while plants freshen the
space and add to the overall health and quality of this unique
office environment.
CONCEPT IMAGES
PHOTO OF DESIGN BOARD

40. 40
OPEN OFFICE AREA
This partially rendered floor plan was created in
AutoCAD and rendering by hand. The highlighted
portion of the plan includes the reception area, staff
lounge and demonstration kitchen, as well as the
shared workspace. Private offices are located on the
east side of the building to offer great light and views
for senior management, as well as to reduce noise
from the shared workspace and lounge areas. Flexible
workstations and junction boxes have been included in
the shared workspace to accommodate future growth.
Moss tiles are suspended on cables to liven up the
shared workspace and to create a degree of privacy
between the work area and staff washrooms.
SECOND FLOOR OF BUILDING (WHOLE FOOD OFFICE)
NOT TO SCALE

41. 41
RECEPTION AREA
The reception features a custom desk
with a facade of re-used wine corks.
A partition made of reclaimed wood
beams (with sections removed) allow
guests to experience framed views of
the demonstration kitchen beyond, and
create space to grow low maintenance
plants and succulents.

42. 42
Project Type: Individual / Length: 12 weeks / Size: 1,600 sq./ft.(+/-) / Design Studio I / Winter 2012
Software/Skills Demonstrated: Hand Drafting, Hand Sketching, Hand Rendering
DOWNTOWN CONDO
RESIDENTIAL

43. 43
OBJECTIVE
This first design studio asked students
to design a three-level residential loft for
a family member or friend. The ‘client’
for this project is a 28-year old law
student who’s mother (Sharon Barr) is
an artist, and who therefore wanted a
neutral home with lots of wall space to
showcase her art collection.
CONCEPT
A casual and playful design that mixes
modern and traditional elements will
create a comfortable first home for
this 28-year old law student. Layered
with natural textures, simple patterns,
and neutral colours, this loft allows the
client’s art, photos and books to become
the foreground of the design.
CONCEPT IMAGE (SHARON BARR PAINTING)
FIRST FLOOR PLAN
NOT TO SCALE
SECOND FLOOR PLAN
NOT TO SCALE
THIRD FLOOR PLAN
NOT TO SCALE
THIRD FLOOR BEDROOM

44. 44
DINING ROOM
The dining is located directly off the
kitchen, and the large, custom designed
chandelier makes great use of the double
height ceilings in this space. Reclaimed
wood has been added to the steel beam
to make it look like an old, hand-hewn
beam, while the glass railing from the
mezzanine above keeps the space
modern and open. Neutral colours are
used throughout the space to allow for
the artwork to pop and be at the centre
of the design.
OFFICE AND LIBRARY
On the third floor, just off the bedroom, is
the private office and library. This space
uses dark woods and leathers to give it
a scholarly feel, and open bookshelves
proudly display the client’s large collection
of books. A comfortable reading area with
storage above and below make this the
ideal spot to curl up with a blanket and
read an afternoon away.
FIRST FLOOR DINING ROOM THIRD FLOOR OFFICE AND LIBRARY

45. 45
CROSS SECTIONS
The base building for this project was provided, and
consisted of an old warehouse with a steeply pitched
roof. The third floor of this condo features this amazing
sloped ceiling, which provided an opportunity to create
a beautiful, tall, white-washed brick wall in the master
bedroom. This master suite also features a large walk-
in closet and master en-suite bathroom, as well as the
office/library and a small space for doing yoga and
exercise. Since the third floor offers the most privacy, this
is where the most intimate spaces were located (such
as this master suite), while the first and second floors
are more open, and therefore it made sense to allocate
these areas to the more publicly use spaces. The first
floor has a large entryway, laundry room and powder
room, a full kitchen and dining room, and a small sitting
area in front of the fireplace. The second floor overlooks
the dining area below, and is the main living space in the
condo. While the second floor is the smallest of the three
levels, it features a full-sized washroom, a large pull-
out sectional sofa, a dressing/storage area that could
be used by guests, and a large workspace. This space
is also intended to double as the second bedroom if
needed, or as a guest room.
HORIZONTAL CROSS SECTION (NTS) LATERAL CROSS SECTION (NTS)

46. 46
LOFT 3D MODELProject Type: Individual / Length: 1 week / Fundamentals of Space Planning / Fall 2012
Software/Skills Demonstrated: Space Planning, Physical Model Making
RESIDENTIAL

47. 47
OBJECTIVE
This was a first-term, space planning project, where the goal was to create a three-dimensional model of a loft based on hand-
drawn floor plans. After the floor plans were drawn to scale, the model was created using foam, cardboard, plastic and paper.
This was a good first exercise in the interior design program, as it increased spatial awareness, got students to think about
designing in three-dimensions, and illustrated the importance of scale and fit when designing for small spaces.

48. 48
Project Type: Individual / Length: 12 weeks / Size: 3,000 sq./ft.(+/-) / Design Studio III / Summer 2013
Software/Skills Demonstrated: AutoCAD, Hand Sketching, Hand Rendering
RETAIL
THE LOOSE LEAF
Cafe & Tea Shop

49. 49
CONCEPT
A fluid design that embodies the gentle curves and contours of meandering rivers found
throughout the world will support the concept of health, purity and tranquillity for this tea
shop. By the same means that water has shaped our lands, it erodes cultural boundaries
because it is the essence of life and is for everyone to share, and without it tea would not be
possible. This fluidity will create a welcoming environment that nourishes people’s senses,
allowing them to taste, smell, hear and touch their surroundings. The unique atmosphere
of the store will be in contrast to the bustling city beyond its doors, offering a relaxing
environment that promotes wellness and enhances the shopping experience. Shoppers will
be encouraged to browse, and in doing so will be taken on a journey throughout the store,
moving freely and flowing seamlessly from one space to another. Loose-leaf teas will be
accessible for people to smell and enjoy, enhancing this sensual experience. Information
about the teas and where they come from will educate and inform, inspiring people to learn,
travel and try something new. Subtle curves that emulate the smooth rocks of a riverbed will
be echoed in the shapes and uniform finishes of walls, stairs and furniture. Natural materials,
such as wood and stone, will be used to express the beauty and simplicity of a river-scape.
A cascading water feature will embrace the theme of the design, reinforcing the idea of
fresh, rushing water, and elevating the ambience and sense of serenity the store offers to
its guests.
OBJECTIVE
This project required students to use an existing space to create a new retail store of their
choosing. In addition to designing the store, this project also required students to create
a company and branding material. All aspects of the design needed to reflect the design
concept and branding.
FIRST FLOOR PLAN (NTS) BASEMENT PLAN (NTS)

50. 50
CROSS SECTIONS
These two cross sections show how the two floor correlate to one another, and how they are connected via a large, curving staircase set against a curved wall that is actually a double-height water feature. This
water feature is essentially a curved, stone wall in which water slowly trickles from the top to the bottom, drawing people into the lower portion of the store. The ground floor is wheelchair accessible, and is where
tea sales and beverages are made. Counter-height seating is arranged around the water feature, while the lounge-style seating is located in the basement, which is where people would go if they wanted to stay
longer. The basement also features a demonstration/seminar area that can be used for training purposes and for special occasions and workshops.

51. 51
PERSPECTIVES
These perspectives of the demonstration area in the basement, and tea sales area on the
ground level show the use of natural materials, including lots of stone and wood. A large,
custom-designed wood cloud curves over the ceiling of the main floor retail space, concealing
the sprinkler heads above and adding to the visual interest to the ceiling.

52. 52 RETAIL
gallery 3
Project Type: Team / Length: 2 weeks / Size: 2,000 sq./ft.(+/-) / Lighting II / Winter 2014
Design Team: Kelsey Nixon, Tiffany Piotrowski, Aram Vakili
Software/Skills Demonstrated: AutoCAD, PhotoShop, Hand Rendering

53. 53
CONCEPT
The art scene has a new, hip venue at gallery 3,
an exhibition space featuring beautiful works of
art including photographs, small sculptures, and
abstract paintings. This modern gallery space
features a blank canvas for displaying art, with matte
white walls that allow the art to pop. LED slot lighting
runs along the main display walls, giving the illusion
that the black ceiling and glossy cement floors are
floating. While the bones of the space and flexible
track lighting allow the works of art to shine, the
state-of-the-art illuminated desk and back feature
wall become masterpieces of their own, blurring the
distinction between architecture and art.
OBJECTIVE
This project asked students to come up with a
creative lighting scheme that was appropriate for an
art gallery. Each team was also required to create a
custom piece of furniture or piece of mill-work with
built-in lighting, and to provide detail drawings for
that piece.
GALLERY 3 (SKETCHED & RENDERED BY TIFFANY PIOTROWSKI)

54. 54
FLOOR PLAN (GROUND LEVEL) - RENDERED (NTS)
ENTRANCE EXHIBITION SPACE
RECEPTION
OFFICE
STORAGE
STORAGE
REFLECTED CEILING PLAN (GROUND LEVEL) - (NTS)
The effects of light are
shown on this rendered
floor plan. The moveable
displays have built-in,
battery-operatedLEDlights
around the base, making
them look as though they
are floating above the
floor. The effects of the
LED slot lighting that runs
the length of the two main
walls can also be seen.
Toward the back of the
exhibition space, and near
the reception desk, some
purple light can be seen
on the floor. This is from
the custom light features
(reception desk back wall)
that are outlined on the
following page.

55. 55
This page shows drawings of the custom mill-
work, which consists of a colour-changing
LED feature wall with a built-in bench, and
a matching colour-changing reception desk.
The magic triangle of light diagram was used
to determine the location of all the spotlights.
MAGIC TRIANGLE OF LIGHT DIAGRAMRECEPTION DESK DYNAMIC COLOUR-CHANGING LED FEATURE WALL WITH BUILT-IN BENCH
ELEVATION OF DYNAMIC COLOUR-CHANGING LED FEATURE WALL (NTS)CROSS SECTION OF DYNAMIC COLOUR-CHANGING LED FEATURE WALL (NTS)

56. 56
Harbour Haven Refuge
Emergency Shelter
Project Type: Individual / Length: 12 weeks / Size: N/A / Design Studio VI / Spring 2014
Software/Skills Demonstrated: SketchUp, PhotoShop, Physical Model Making
SHELTER

57. • Self-sustaining
• Net-Zero Energy (all sourced on site)
• Net-Zero Water (all collected and treated on site)
• Naturally ventilated
• Strong
• Safe
• Adaptable
• Flexible
• Floats
• Sense of community
• Sense of peace
57
OBJECTIVE
This project required students to create an emergency shelter that could be deployed after some kind of natural
or man-made disaster. The Harbour Haven Refuge is a fully self-sufficient shelter for 2-4 people, with customizable
interior layouts built from dynamic modular components. The shelter is designed to help people after any kind of
water-related disaster, such as a tsunami, hurricane, typhoon, heavy rain, flood, mudslide, or broken dam.
CONCEPT DEVELOPMENT
The design concept for this project was inspired by trees.
CONCEPT
Like a tree that provides habitat, shelter and safety for animals, the Harbour Haven Refuge provides emergency
shelter for people during a time of need. The shelter has the ability to adapt to its environment, by being able to
float in high water or rest flat on the ground after the water has retreated, and depending on the conditions of the
site. And like a tree, the shelter is completely self-sustaining through the collection of solar energy and rainwater
harvesting.
PROMINENT DESIGN FEATURES
TREE
• Compact
• Easy to transport
• Demountable
• Relocatable
• Towable
• Floats
• Contains modular parts
• Can be carried by 4 adults
• Can be assembled by 2 adults
• Has independent power supply (solar)
• Has fresh water filtration & storage
(rainwater harvesting)
• Natural daylight (windows)
• Artificial lights (LED)
• Naturally ventilated
• Adaptable to wet and dry environments

58. 58
MODEL MAKING & DESIGN DEVELOPMENT
In order to get a better understanding of how this project was to be designed, two physical models were constructed.
The first model was of an origami magic ball (as seen in the image directly right), which is constructed of a single
piece of paper, folded hundreds of times and arranged in a particular way, but always with the ratio of 2:1. Once
constructed, the magic ball is extremely flexible and versatile, and can be compacted into a small cylinder, or
expanded into a sphere or wide doughnut shape.
This model of the origami magic ball helped to illustrate how
something so simple, like a single sheet of paper, could be
turned into a complex network with form, structure and strength.
This concept was used when designing the skin of the shelter,
which has the ability to expand and contract, and to fold back
on itself.

59. 59
Each of the triangles was glued together to form a specific
pattern that ultimately creates the shape of the dome.
Materials used:
• Styrofoam (base)
• Foam felt (used to cover the base)
• Bristol board (triangles)
• Electrical tape (inner tube)
• Glue & paint (to finish)
TOP VIEW
The structure folds back on itself and gathers
inward in order to collect rain water, which is
filtered through the central support post of the
shelter (that also doubles as the rain water
collection tank).
The second model builds on the
previous model, as the first model was
also comprised of a series of folded
triangles, all arranged in a specific
order.
Framing & fabric cover
Base & storage area
Inner-tube for floatation &
insulation
The second model, which is that of a geodesic
dome, built upon the first model, but the design
shows a much better representation of the finished
shelter. The idea to create a geodesic dome, with
an inverted top, came from research into mobile
structures. Geodesic domes and considered to
be one of the strongest and most economical
lightweight structures, constructed from a precise
combination of isosceles and equilateral triangles.
In this model, the top of the dome has been inverted
to allow for rain water collection, which is better
illustrated on the following two pages; Structural
Components and Assembly. The upper triangles of
the shelter, that are not inverted, are where the
solar panels would be, made of lightweight solar
material.

60. 60

61. 61

62. 62

63. 63
TRANSPORTATION & DELIVERY
Deployment is one of the most important design considerations that must be addressed when designing a shelter such as this.
Each Harbour Haven Refuge is 2-feet thick, and measures 8-feet in diameter. It has been designed to fit into standard sized
shipping containers, which could then be transported around the world via truck, boat, train or plane. Standard 40-foot long
shipping containers could, therefore, each hold up to twenty units. Upon arrival, the shelter can be rolled off the trucks and put
onto trailers for individual transport, or could even be lifted by four adults (there are four built-in handles), as these shelters are
designed to be lightweight and not weight more than 600 pounds.

64. This is just a small sample of the work I did during my internship with Heather McGregor. Some of this
work includes space planning and creating digital design boards, material and furniture specifications,
mill-work drawings, measuring and cataloguing furniture and equipment, and the physical staging
of model show homes. One of the most exciting projects I got to work on was creating the
construction drawings for a solid-surface reception desk, which ended up being built (as seen in
the image above).
64 INTERNSHIP
Interior Design Internship
With Heather McGregor of McQUAT Partnership
Thematic Design
1 Skyline Port McNicol
DATE: April 21, 2014
SCALE: 3/16” = 1’ - 0”
Drawn By:KN Checked By:HMM
Legend
Copyright by McOuat Partnership 2014
NO. DATE DESCRIPTION
REVISIONS
1. DO NOT SCALE DRAWING
2. THE CONTRACTOR SHALL BE RESPONSIBLE FOR
VERIFYING ALL SITE CONDITIONS AND MEASUREMENTS
AND SHALL REPORT ALL DISCREPANCIES INWRITING
TOTHE DESIGNER.
3. ALL DIMENSIONS ARE FOR QUOTE PURPOSES ONLY, NOT
FOR CONSTRUCTION UNTILVERIFIED BY CONTRACTOR.
4. ALL DRAWINGS AND SPECS ARE INSTRUMENTS
OF SERVICE REMAININGTHE PROPERTY OFTHE DESIGNER
AND SHALL BE RETURNED UPON COMPLETION OFTHE
PROJECT. THE DESIGNER RETAINS COPYRIGHT INTHESE
DRAWINGS AND IN ALL CONTRACT DOCUMENTS.
56'-10 3/8"
6'-53/4"5'-0"7'-25/16"
21'-11 3/8"11'-9 9/16"8'-11 9/16"11'-11 3/8"
6'-2"
7'-25/16"
11'-9 9/16"8'-11 9/16"11'-11 3/8"
14'-9 3/8"
6'-2"
EXISITING DECK
S
3'-61/2"
1'-10 7/8"
4'-313/16"3'-07/16"
TILE
FLOOR
EQ.EQ.
EXTRACTION
FAN
EXTRACTION
FAN
T-BAR DROP
CEILINGT-BAR DROP
CEILING
2'-915/16"
EXISTING WINDOW
TO BE FROSTED
4
A03
2
A03
S
3
A03
1'-11 5/8"
1'-11 5/8"
PRIVACY WD SCREEN WALL
08
03
02
04
05
07
06
09 10
3 SIM.
MIRRORA02
7
A03
9
A03
ST-2 ST-2 ST-2
ST-2 ST-2 ST-1
6'-0"2'-2"
EXTRACTION
FAN
EXISTING WINDOW
TO BE FROSTED
6'-0"
6'-0"
10" DIA.
SONO TUBE
2
A04
1-1/2" DECKING
BOARDS
11
1
A03
PRIVACY WD SCREEN WALL
1
A04
ADMIN COUNTER
WITH STORAGE UNDERNEATH
NEW GLASS WALL
HOARDING SIGN
HOARDING SIGN
LOGO WALL
LIFESTYLE
MANUAL
ENTRY
WALL - THE PAST &
TOMORROW
HISTORY MURAL
LARGE
SCREEN
ALL SEASONS
WALKWAY
GLASS
CUSTOM
BIRCH TREE
BENCHES 5’
AUDIO VISUAL
ROOM
NEW
GLASS
DOORS
NEW SITE
3 x 7 TABLE
storage below
PORT McNICOLL
SITE MAP MURAL (MASTERPLAN)
FULL LENGTH OF WALL
7 TABLETS
MOUNTED @ 42” AFF
(FLOORPLANS)
60” TOUCH
SCREEN
01
12
REMOVE EXISTING SLIDING
GLASS DOORS
NEW
DOOR
EXISTING
HUTCH
CEILING
MOUNTED
PROJECTOR
15” FROSTED PORTHOLE
DIMMING LIGHTS
MOUNTED @ 60” AFF
NEW
GLASS
DOOR
New Carpet
Refinish
Existing Wood Floor
RECEPTION
New
Cathedral Ceiling
Existing Wood Floor
to Remain
Wood Bollards and rope
2. Apr 21 - alter scale
12’10’
6’23’
NEW GABLE SIGN
DATA TEL
copier
NEW TRACK LIGHT
24”from walls
NEW TRACK LIGHT
24”from walls
AA A
B
New Pendant
New Pendant
NEW WC SIGN
HOARDING SIGN
Heather MacGregor, ARIDO Interior Designer
416 - 803 - 4600
Swan Island at Port McNicoll
311 Talbot St, Port McNicoll, Ontario, Canada. L0K 1R0
Custom birch tree benches with tree branch legs
and cushioned seat
Large Port McNicoll site plan mural (full length of wall)
Fishing net and rope accents
Boat shaped site table with industrial
pedants lights
Multicoloured nylon carpet
Existing hardwood floor
Dimming wall mounted
porthole lights
Crisp blue and white colour
scheme with rustic, industrial
and metallic accents
Black tempered glass and
wood computer desk
Metal and leather accents chairs
Sea inspired artwork
Copper harbour
pendant light
Ship wheel clock
Custom reception desk with glass
and river stone top, reclaimed
wood cladding
Adjustable arm chandelier
over reception desk

65. 65
Reception Desk Millwork
A1 University Suites Kingston
DATE: May 18, 2014
SCALE: 3/4” = 1’ - 0”
File:McOuat Partnership
Drawn by: Kelsey Nixon
Legend
Copyright by McOuat Partnership 2013
NO. DATE DESCRIPTION
REVISIONS
1. DO NOT SCALE DRAWING
2. THE CONTRACTOR SHALL BE RESPONSIBLE FOR
VERIFYING ALL SITE CONDITIONS AND MEASUREMENTS
AND SHALL REPORT ALL DISCREPANCIES INWRITING
TOTHE DESIGNER.
3. ALL DIMENSIONS ARE FOR QUOTE PURPOSES ONLY, NOT
FOR CONSTRUCTION UNTILVERIFIED BY CONTRACTOR.
4. ALL DRAWINGS AND SPECS ARE INSTRUMENTS
OF SERVICE REMAININGTHE PROPERTY OFTHE DESIGNER
AND SHALL BE RETURNED UPON COMPLETION OFTHE
PROJECT. THE DESIGNER RETAINS COPYRIGHT INTHESE
DRAWINGS AND IN ALL CONTRACT DOCUMENTS.
PODIUM DEVELOPEMENTS
Heather MacGregor, ARIDO Interior Designer
416 - 803 - 4600
DESK TO BE CONSTRUCTED
FROM TAFISA LAMINATE
L477, TUXEDO SN FINISH
WORK SURFACE
30” A.F.F.
UNDERMOUNTED
LED LIGHTS
UNDERMOUNTED LED LIGHTS
TO ILLUMINATE WORK SURFACE
BELOW
3” THICK SOLID SURFACE
WHITE MATTE FINISH
6” AND 12”
DRAWERS,
20” DEPTH
3” THICK SOLID SURFACE
WHITE MATTE FINISH
3” THICK SOLID SURFACE
WHITE MATTE FINISH
TAFISA LAMINATE
L477, TUXEDO
SN FINISH
4” BASE
TAFISA LAMINATE
L477, TUXEDO
SN FINISH
UNDERMOUNTED
LED LIGHTS
TO ILLUMINATE
WORK SURFACE
BELOW
3” THICK SOLID SURFACE
WHITE MATTE FINISH
WORK SURFACE
30” A.F.F.
3” THICK SOLID SURFACE
WHITE MATTE FINISH
4 3/4” WIDE SUPPORT
FROM FLOOR
TO UNDERSIDE OF
WORK SURFACE,
AFISA LAMINATE L477,
TUXEDO
SN FINISH
4” RECESSED
TOE KICK
6” AND 12”
DRAWERS,
20” DEPTH

66. 66 EXTRA-CURRICULAR
RCC Student Lounge
Conceptual & Schematic Design
Project Type: Team / Length: 10 weeks / Size: N/A / Spring 2013
Design Team: Kelsey Nixon, Ayesha Jinah, Tiffany Piotrowski
Software/Skills Demonstrated: AutoCAD, Illustrator, PhotoShop, Hand Sketching, Hand Rendering

67. 67
OBJECTIVE
This was a special project in which the design team was hand selected to
come up with a new design for the cafeteria/student lounge at RCC Institute of
Technology. The design needed to include floor plans and elevations, as well
as FF&E specifications. After completing the project, our team presented it to
the school (students & teachers), as well as to the board of directors for RCC.
PICTURES OF EXISTING CAFETERIA/STUDENT LOUNGE (PRE DESIGN)
CONCEPT
Urban spaces filled with colour and texture. Energy and passionate creativity
found in graffiti, the tough beauty found in reclaimed materials and industrial
elements, allows students to feel connected to the urban centres that inspire
them. The new student lounge will be a place with a hip, urban vibe that
celebrates the industrial features already existing and showcases the best
examples of our student body. It will act as the centre of student culture and be
a space that lives up to the creativity we find within our own minds.

68. 68
PROPOSED FLOOR PLAN (NEW)
NOT TO SCALE

69. 69
PROPOSED FLOOR PLAN (NEW) - BROKEN DOWN INTO ZONES
NOT TO SCALE

70. 70
These elevations show how student works will be
displayed in clear, acrylic cubes on the walls, as
well as graffiti-style artwork mounted high above the
touchdown zone. The touchdown zone is a space that
allows students to quickly set down their laptops and/
or work, and is a place where phones and computers
can be charged at the counter-height outlets. The
media wall is a place for students to practice or give
presentations, and there is a projection screen that
can be pulled down from within the media wall unit.
ENERGY & TOUCHDOWN ZONE - ELEVATION
MEDIA WALL ZONE - ELEVATION CASUAL RELAXATION ZONE - ELEVATION

71. 71
In order to save costs and be practical with the new design, the space utilizes the existing exposed ceilings and concrete floors. The black and white wall mural (which can be seen in the pictures of the existing
space, and which needed to be removed to make way for the glass wall for the new library), has been preserved and turned into acoustic ceiling clouds suspended at varying heights. The walls of the adjacent
spaces have been brought up to meet the ceiling in order to reduce sound transmission to classrooms and other areas of the building. Flexible contract furniture, stacking chairs and tables on casters allow the space
to transform for special events. The space also offers a variety of seating options that include lounge seating, harvest table seating for large groups and collaborative projects, tables of eating, sofas and benches.
PROPOSED NEW STUDENT LOUNGE AT RCC INSTITUTE OF TECHNOLOGY (SKETCHED TIFFANY PIOTROWSKI, RENDERED BY KELSEY NIXON)

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RCC Film School Studio
Toronto Film School Marketing Renderings
Project Type: Team / Length: 1 week / Size: N/A / Summer 2014
Design Team: Kelsey Nixon, Tiffany Piotrowski
Software/Skills Demonstrated: AutoCAD, PhotoShop
EXTRA-CURRICULAR

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The renderings were constructed and rendered out with AutoCAD software, and
were built from pictures alone (no floor plans provided). The exposed ceilings
were modelled in AutoCAD, while post-production enhancements were done with
PhotoShop.
These renderings were used to promote the Toronto Film School at RCC Academy of Design.
The renderings were printed at a large scale ad displayed on boards around the school. They
were used to show how an existing classroom could be converted into an acting and filming
studio.

74. 74 ART & D.I.Y.
Personal Interior Decorating &
D.I.Y. Projects
This section shows a small section of some of the art and do-it-yourself projects that I have done more
during my time at RCC Academy of Design. However, not all of the work shown was for school use,
much it is personal projects that I worked on outside of school.

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IKEA DRESSER: BEFORE IKEA DRESSER: AFTER
SERVING TRAY: BEFORE
SERVING TRAY: AFTER
SERVING TRAY: BEFORE
SERVING TRAY: AFTER

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FLOATING ENTERTAINMENT UNIT THAT I DESIGNED AND BUILT
FEATURE WALL: STEP 1 (PAINT GOLD & ADD TAPE) FEATURE WALL: STEP 2 (PAINT TOP COAT) FINISHED FEATURE WALL: STEP 3 (REMOVE TAPE)

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BAR CART
This bar cart is a project that I am currently working on. The cart was custom designed in SketchUp,
and all components were designed to scale. The actual cart is being constructed of plumbing pipes and
fittings, and reclaimed wood will be used for the shelves. I look forward to finishing and showcasing the
finished product!

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Watercolours & Hand Renderings
ART & D.I.Y.

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83. Thanks again for taking the time to view my portfolio!
If you would like to know more about any of these projects, or would like to see other works of mine,
please visit my website at www.kelseynixondesign.com and/or email me at kelseynixondeisgns.com
Thank-you and happy designing!
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