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KCC Art 211 Ch 6 Drawing And Ch 7 Printmaking

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KCC Art 211 Ch 6 Drawing And Ch 7 Printmaking

  1. 1. Chapter 6 Drawing Blind contour drawing
  2. 2. Purposes of Drawing <ul><li>Preparation for another larger or more complex work or art </li></ul><ul><li>A completed drawing or work of art </li></ul><ul><li>Cartoon – narrative drawing for humor or satire </li></ul><ul><li>da Vinci’s Vitruvian Man c. 1490 </li></ul>
  3. 3. da Vinci’s Flying Machine, c. 1486, pen and ink
  4. 4. Types of Hatching <ul><li>Hatching – build up of parallel lines </li></ul><ul><li>Cross hatching – lines going in two directions </li></ul><ul><li>Contour hatching – parallel lines giving the feeling of mass </li></ul>
  5. 5. Hatching
  6. 6. Contour Drawings
  7. 7. Blind Contour Drawings What are they?
  8. 10. Gesture Drawings What are they and examples
  9. 11. Perspective
  10. 12. Eye Level
  11. 13. Dry Mediawhat is it? <ul><li>Pencil – graphic or colored pencils </li></ul><ul><li>Charcoal – good for quick sketches </li></ul><ul><li>Conte crayon – semi hard chalk </li></ul><ul><li>Pastel – chalk or oil that produces soft color </li></ul><ul><li>Liquid Media </li></ul><ul><li>Ink – most common </li></ul><ul><li>Markers – traditional media </li></ul>
  12. 14. Colored pencil drawings by Duey Green Apple 2005 Sugar High 2006
  13. 15. Charcoal drawing by JD Hillberry, 2006
  14. 16. Conte Crayon drawings
  15. 17. Ink Drawings Top - Daniel Loftus, St. George, ink on paper 2002 Right – Vincent, Barn, ball point pen on paper 2007
  16. 18. Pastel Drawing by Wolf Kahn trees and red, 2005
  17. 19. Pastel drawing by Robert Beckett 2006
  18. 20. Chapter 7 Painting <ul><li>Components of paint - </li></ul><ul><ul><ul><li>Pigment – color derived from plants, animals, minerals and synthetics </li></ul></ul></ul><ul><ul><ul><li>Binder – mixed with the pigment to hold it to the painting surface </li></ul></ul></ul><ul><ul><ul><li>Vehicle – makes the pigment spreadable </li></ul></ul></ul><ul><ul><ul><li>Klimt - Sunflower </li></ul></ul></ul>
  19. 21. Paints <ul><li>Watercolor – pigments suspended in water and gum arabic then applied to absorbent paper </li></ul><ul><li>Tempera – pigments mixed with egg yolk </li></ul><ul><li>Oils – pigments mixed with linseed oil </li></ul><ul><li>Acrylic – synthetic medium made with polymers </li></ul>
  20. 22. Frank Wilcox – Under the Big Top, c. 1930 watercolor
  21. 23. Stephen Quiller – Douglas Fir and Aspen 2007, acrylic
  22. 24. Bingham – Fur Traders Descending the Missouri, 1845 oil
  23. 25. Painting Vocabulary <ul><li>Matte – not shiny </li></ul><ul><li>Gesso – paint like ground applied to a support for tempera and oil paintings </li></ul><ul><li>Support – wood panels, canvas, linen, rag paper, etc </li></ul><ul><li>Glaze – thinned pigment </li></ul><ul><li>Impasto – thickly applied paint </li></ul><ul><li>Encaustic –pigments suspended in bees wax </li></ul><ul><li>Fresco – pigments suspended in water and applied to damp plaster </li></ul>
  24. 26. Diego Rivera, Detroit Industry, fresco at the Detroit Institute of Art, 1933
  25. 27. Detail of Detroit Industry, fresco by Diego Rivera
  26. 28. Activity and Homework <ul><li>4 blind contour drawings of 4 different classmates. You will have 5 minutes to complete each one. </li></ul><ul><li>Homework – Read Chapter 8 and Chapter 12 </li></ul>

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