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Fantasy Worlds Research Paper
Fantasy worlds, infamous for its make–believe and imaginative aspect, ironically is engaging as it is
believable. The application of accurate description in great detail is a key factor in the composition
of a realistic fantasy world. Additionally, what happens to the characters in these imaginary worlds
must be acceptable in order to generate a believable world. Furthermore, the ability of keeping the
world consistent throughout the whole novel establishes an air of reality. The existence of such
worlds will be observed in two classic novels. First, 'Magician: Apprentice', of 'The Riftwar Saga' by
Raymond E. Feist and 'The Diamond Throne', of 'The Elenium' series, by David Eddings.
As renowned authors, both Feist and Eddings have applied astonishing descriptive language, and a
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Above thick browridges, their sloping foreheads were topped by thick black hair. Their blue–green
tinged skins were smooth. Their eyes, open in death, were huge and round, with black irises on
yellow.' From these few sentences, much description is provided over a range of aspects. By
providing such a definitive account of what Pug, the protagonist, sees, the readers come to believe
what is being described to a certain extent, despite being of fantastic origin. Through description, the
senses are triggered, to which the readers cannot help but visualise the scenario, influencing the
thought of an authentic environment. Description is also a force behind the reality of the fantasy
world in The Diamond Throne. Common descriptions are noticeable, such as, 'The sun was warmer
here than it had been in Elenia, and the breeze that skipped puff–ball clouds across the intensely
blue sky smelled almost spring–like. The fields around them, untouched by frost, were still green,
and the road unwound like a white ribbon, dipping into valleys and snaking up verdant hillsides.' By
addressing the fantasy world and environment
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Childhood Is A Complex Concept Of Childhood
Childhood is a complex concept that has never been clearly defined, nor has it stayed a stagnant
concept across all times and cultures. The time period in which a child exists is different depending
on the time you are looking at, as are the characteristics which are attributed to children. In the time
periods that were studied in this class, which spanned from the early modern period of literature up
until the late twentieth century, the idea of childhood and what represented it changed vastly. In
some of our early readings, children were defined as helpless and ignorant, with very little logic or
ability to rationalize or reason. Towards the ends of our readings, when we were getting into the
books that were produced in the twentieth century, childhood is still portrayed as innocent, but also
as playful and creative, and full of life, laughter and friendship.
In the 1700s, children were seen as naïve, powerless, needing protection, and very impressionable.
In Alice's Adventures in Wonderland, Lewis Carroll attempts to create a child which is idealistically
innocent and capable of reason. In his fantasy world of Wonderland, Carroll shows an imaginative
and creative child who isn't afraid of the unusual things she is presented with, but instead embraces
them and the differences that they portray as she is different herself. He takes an interesting stance
for the time period on portraying mental health problems as something that is able to be coped with
and that should be
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The Fantasy Story
Today I’d like to tell you about fantasy literature. It is very hard to tell all about it but
I’ll try to do it as good as possible and not being boring. First fantasy motifs were shown in
romanticism. We all know the mystical and unreal characters: ghosts, phantoms etc. Authors for
building the special mood and charm of that epoch used that figures.
But fantasy is something more than romantic ways of showing nature or inner experiences of the
main character in the novel. It’s also not an attempt of explaining the unreal and difficult to
understand visions or event. In the course of time it began to live it’s own life more and
more the writers started to use these motifs. And what had happened? They created ... Show more
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But one day, after many happy years on the throne, they got lost in a forest. While walking the trees
became coats and they suddenly fell out of the closet. Long years in Narnia were just few minutes in
the human world. Children have big imagination so crossing the line between fantasies and real is
not a problem, but it is a big challenge for readers. Lewis created the magic land and as he once
said:”even if all of that is imagined – trees, grass, sun, moon, stars and Aslan, there is
no doubt: this imagined world is much better then the real one”. The next kinds, beloved by
fantasy fans are “never–lands”. They are perfectly defined by one of first never–
lands creators Lord Dunsany. He named it as places “beyond the fields we know”.
And we are really crossing the line of human perception. Authors don’t blink their eye,
don’t pretend like in the Venice carnival. Not everything is from the beginning land of
fantasy. Tolkien made never–lands legal, gave them autonomy and independence, full rights in
authors imagination. He said that artistic imagination has no borders and cannot be restricted by
what is real. We can see what we want to see, also the land of never. Never–lands can use the
cultural heritage of our world, but it all depends on the author. Of course playing in never–lands
must be based on understanding and agreement between writer and reader, we have to accept all the
rules and it
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Modern Man In Search Of A Soul Essay
In his book, Modern Man In Search Of A Soul, C.G. Jung gives a layman knowledge into his
thoughts on dream investigation. Jung 's essential goal in this book is to instruct the peruser in the
matter of what a psychoanalyst does while breaking down a patient 's fantasies. The vital message in
the book focused on dream investigation is that fantasies ought to never remain solitary. Dreams are
inane in a vacuum, however then again when set against a strict arrangement of guidelines, they are
generally misconstrued. The oblivious is a liquid substance and can 't be taken care of either in
segregation or with a static arrangement of rules. Dreams are impressions of the oblivious and can
speak to various things within a man. Present day Man In ... Show more content on Helpwriting.net
...
Serving to impact the elucidations of dreams is regularly the kind of connection amongst advisor
and patient. Jung gives a case of the underlying dreams of a patient clearly speaking to her emotions
towards her advisors. Her fantasies would be increasingly open with various specialists until the
point when she achieved Jung and her underlying dreams grasped him and they in this manner had a
gainful investigation. The reason for this current patient 's hypochondria became known later, yet
was not the slightest bit introduce in her underlying dreams. Dreams can regularly be expectant and
are deluding if taken a gander at in just casuistic ways.
At the point when a specialist comprehends a patient totally and the patient appears to have no
comprehension of himself, an expert will regularly blame the patient for protection. It is suggested
that if an examiner holds the majority of the seeing, at that point he should stretch where he needs
comprehension of the patient. Regardless of the possibility that an expert arrives at a sound finish of
the importance of a fantasy, however the patient is hesitant to concur, the advisor ought not push this
comprehension on the patient. For this situation the examiner should work with the patient to arrive
at a commonly satisfying conclusion. This will bring about a comprehension not just in
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The Hobbit Research Paper
"In a hole in the ground there lived a Hobbit" (Tolkien 1). These are the opening words to one of the
most famous fantasy tales in history – The Hobbit, the first of J.R.R. Tolkien's many works, and the
introduction to the fantastic world known as Middle Earth. The Hobbit was a revolution of fantasy,
and sparked an interest in fantasy not widely seen since the days of myths and legends. This spark –
this revolution– brought forth not only its sequel, The Lord of the Rings, but also such famous
works as Robert Jordan and Brandon Sanderson's The Wheel of Time series. Fantasy is defined by
its presence of magic or adventure in an otherworldly setting ("Fantasy," def. 1.4). Fantasy was once
condemned as childish and relegated to be read by women and children (Flanagan). Even today, one
will find that fantasy, from a business perspective, is most often consumed by children, whether by
design or coincidence, and is one of the primary influences in developmental life. Richard Dawkins
argues that fantasy instills a belief in the supernatural from an early period in one's life, and ... Show
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Dawkins, author of The God Delusion and an incredibly outspoken atheist, believes that fantasy has
merits in cognitive development, but overall, wonders if it may be detrimental in the stages of early
childhood. Monica Kim argues, largely in relation to virtual escapism, but relevant nonetheless, that
eventually escapism grows to a point where it is unhealthy and obsessive, especially when it
becomes a forefront to social interaction – when the reader becomes a bookworm, one might say.
Ultimately this is all up to the self control of the reader; fantasy is not to blame for these issues, but
rather the reader and his or her own desire and lack of self–control over the situation in which he or
she currently
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Simulation Proliferation and the City Essay
Simulation Proliferation and the City
Mr. Hand wears all black, is tall, thin, and pale. He floats around a dark city and ends far too many
lines with a creepy self–affirming "yesss." In Dark City (Alex Proyas 1998) we see over and over
again indications of the tropes and repetitions that make up the urban/filmic imagination. Not quite
vampires, not quite grey aliens, not quite business men, not quite religious, not quite serial
murderers, Mr. Hand and the other Strangers seem to be archetypal characters of the city. Is the
imagination a domesticating function, territorializing wild occurrence and happenstance into termed
rearrangements of what has come before? Or is it an explosive and infinite fountain of creativity?
Modern ... Show more content on Helpwriting.net ...
But, with all the majesty and persuasiveness the Earth can muster, he alone has made clear all that
was before so very puzzling. Fantasy, though not specified in the film, seems defined simply as a
contrast to reality, as a failure to, as Sebastian's father requests, "get your head down out of the
clouds and start keeping both your feet on the ground, right." Gmork aligns the father with the
controlled masses: the sucker has abandoned his hopes and dreams and is trying to convert young
and still wonderful Sebastian into the same wretched polity. The mise en scene
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Teen Fiction : Teen Or Young Adult Fiction
Adolescents deal with a lot through this phase of life. They are bombarded with the many changes
that have been on their course of development and growth. In this journey, they discover new ideals
and perceptions of different people and also objects. That is why most of teenagers have quite the
liking for highly diversified principles. Because of this, a new genre of literature has been born. It
goes by the name of Teen Fiction. Teen or Young Adult fiction is a type of fiction literature that
tackles many topics that are relatable to the teenagers of today. According to Rebecca Ciezarek, a
columnist and contributor of the theConversation.com, teen fiction in the recent years have bloomed
into the plethora of topics that it chooses to discuss. From LGBTQI to Depression, the relatable
topics have brought an uprising in the new era of literature junkies.
According to Heather Matsune (2007) if a reader cannot understand a book or any document, there
is no sense at all because the information will not be sent to the reader. It is easy for language
professionals to get caught up in wordsmithing. Certainly, having a perfect grammar and wonderful
phrase is nothing to apologize for. But there are times that language professionals forget that not all
readers have the capacity to understand or a broad vocabulary. But the point is, if we are not careful,
we can be a hindrance to disseminate the information. According to the IALSS, many Canadians
have trouble reading even the most basic
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The Jan Spyglass Book Summary
Throughout my childhood, and extending into my highschool reading career, I have enjoyed reading
books that focus on complex issues that are omnipresent in our society, though reading about them
through a fantasy setting is much more appealing and fascinating to me. One prominent example is
the children's fantasy book The Amber Spyglass, the third and final book in the "His Dark
Materials" series written by Philip Pullman. This book analyzes in depth issues such as moral
ambiguity, the pitfalls of power, and loyalty, all while simultaneously representing a coming of age
novel where two children may be the necessary turning point in a huge war with heaven, as they are
bombarded with others striving to gain their loyalty and the resulting power. ... Show more content
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People generally seek comfort in cults when that comfort cannot be found elsewhere– within their
family, friends or community– thus those who join tend to be vulnerable, seeking a place where they
feel safe and secure. But as they become more involved, cults often force people to cut ties with
their outside life to force full reliance, giving more and more time and money, thus increasing the
cult's power (Zimbardo). These actions are often present in church–like organizations as well,
begging the question of determining the difference between a church and cult. Both can provide
comfort and security to a person who feels vulnerable, with the possibility of becoming overly
extremist, leading to religious fanaticism– utter devotion and strict adherence to a religion with little
to no regard for anything outside beliefs set around that religion and its subsequent ruling laws.
Religious fanaticism is widely regarded as dangerous become of its extreme nature, often leading to
lack of free will. At that point, a religion would likely be classified as a cult. Devotion to the cult or
religion results in a person taking on characteristics of the organization, like their moral sense,
which is often not in alignment with society's moral
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My Life Changed My Character
The event that permanently changed my character happened as I was on a life–changing trip to
Africa. For some background information, I learned about the trip a year before and was
immediately ecstatic. At first it was just going to be me with some family friends journeying to
Africa. With the personality God gave me, I was probably even more excited with the aspect of
being basically on my own. Ever since I could read and fully utilize my imagination, the unsocial
life of living in the abundant fantasy worlds that authors and producers have created throughout the
century has always been a solid thing to fallback on whenever an escape is needed. Also, the sense
of being utterly detached from my old life entirely was another huge factor in the building of my
anticipation. However, my dad got his schedule rearranged and thus an unforgettable father–son trip
was born. If anyone were to ruin my alone time and me be happy, the one person would have to be
my father. The flights were going to be long and awful if it was not for a good book that I picked up
in an airport bookstore. I do not possess the ability to sleep well on planes. Therefore, a long and
enthralling book was perfect for me. Before I knew it the plane landed in Kigali, Rwanda. My
corrupted American view of Rwanda immediately vanished once I saw a beautiful city on top of an
even more beautiful plateau. The hotel car drivers were polite and informative. They were also full
of some great stories, but alas the
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The Tension Between Reality and Fantasy in Tennessee...
The Tension Between Reality and Fantasy in Tennessee Williams' A Streetcar Named Desire Yes,
yes, magic! I try to give that to people. I misrepresent things to them. I don't tell the truth, I tell what
ought to be truth…" Scene IX
Tennessee Williams dramatises the tension between reality and fantasy by Characterisation,
Theatrical Devices, and by the use of Symbolism.
Williams uses Blanche to represent fantasy; Blanche is a magical and romantic character.
"Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don't tell the truth, I tell
what ought to be truth…" (p.72) ... Show more content on Helpwriting.net ...
I went out with him at college and wore his pin for a while. Well I ran into him last winter. You
know I went to Miami during the Christmas holidays?" "well I did. I took the trip as an investment,
thinking I'd meet someone with a million dollars." (p.37) Blanche then goes on to say that she did
meet someone with a million dollars; Shep has oil–wells all over Texas. "Texas is literally spouting
gold in his pockets." Blanche tells Stella that Shep is married, but later in the play, just before
Stanley rapes her, Blanche tells him that Shep has invited her on a Caribbean cruise. This reminds
the audience that Blanche lives in a world of fantasy, and symbolises fantasy in the play.
Blanche also prefers not to acknowledge her age, telling Mitch that Stella is her older sister, when
she is in fact her younger sister. Blanche also avoids light, as she is afraid that light would show up
her true age. The stage directions on page 5 tell us that 'she is about five years older than Stella.'
Blanche tells us that she likes the dark because "the dark is comforting to me." It conceals the truth.
Blanche has never let Mitch see her in the light before, and when Mitch realises her true age, and
confronts her he says that he doesn't mean to be insulting "just realistic." (p.72) "I don't want
realism." Blanche retorts. Here Blanche admits that she does not want to live
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Duality In N. K. Jemisin's The Hundred Thousand Kingdoms
Modern and contemporary literature of the fantasy genre relies heavily on the philosophy of the
postmodern and its treatment of the metanarrative as critique. In particular, revisionist fantasy
concerns itself with redressing the traditional treatment of the Other. For example, the genre trope of
the protagonist as the 'chosen one' often depicts this character as different and therefore alienated,
yet always in a positive light since this protagonist is necessarily above the other characters.
However, a deeper and more problematic depiction of alienation exists in the characterization of
certain groups as Other, with this Othering occurring distinctly because these characters are seen as
alien already. Women, people of color, and ethnic or ... Show more content on Helpwriting.net ...
K. Jemisin's The Hundred Thousand Kingdoms. The protagonist, Yeine, is constantly dealing with
uncertainty, especially in regards to her identity. As a biracial women, she is a direct critique of
fantasy norms, as well as a continuation of the novel's motif of duality. As biracial within the context
of the story, as well as being somewhat androgynous, Yeine displays an ironic awareness of her
unique Otherness of Self (Jemisin, 7). While the novel eventually explains this duality through the
revelation that this character is literally two entities, it can also be viewed through the lens of post–
modern feminism. Structurally, Jemisin's novel is characteristic of postmodernism in many ways,
particularly in the use of fragmentation and a potentially unreliable narrator. In terms of feminist
characterization, Yeine is a strong female character without being relegated to simply a Strong
Female Character. This tired stereotype only allows women to break from the maiden/mother/martyr
archetype of value and be viewed as strong in a nontraditional way, but at the cost of their
femininity and emotional capacity. As either the hyper–sexualized femme fatale or the stoic warrior
princess, neither version begins to accurately reflect the experience of womanhood. Jemisin's
characters do not fall into this pale imitation of empowerment; Yeine is allowed both agency and
emotional vulnerability. "I'm tired of being what everyone else has made me," she says at one point
(Jemisin, 296). While other characters in the narrative contradict this statement, it does speak to the
frustration of peoples not traditionally allowed to define their own stories. Just as Said explains that
the Orientalism prevented its subject from describing itself, countless other instances of Othering
have removed individuals from their own narratives. In this way, revisionist fantasy is an act of
literary empowerment as it creates space for
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Where Are You Going Where Have You Been?
In the short story "Where are you going where have you been?" by Joyce Carol Oats and the song
Wake Up by EDEN, the author and the artist both show the thematic concepts on how fantasies
come to an end, and when reality hits, it hits hard. "Where are you going where have you been?" is a
short story about a young 15 year old girl who is trying to fit in with the rest of the world, and is
very preoccupied with her appearance and living in this pop cultural fantasy. Connie is always
ignoring her mother 's criticism about wanting her to be more like her older sister, June, who is no
longer living a life of fantasy and has her act together.. One night, a boy named Eddie invites Connie
to eat dinner with him, and Connie leaves her friend at the restaurant's counter to go with him. As
Connie and Eddie leave the restaurant, she sees a man in a gold convertible in the parking lot. He
smiles at her and says, "Gonna get you, baby.". Connie confused, walks away quickly confused not
really knowing what actually happened, and Eddie notices nothing. They spend three hours of their
night at dinner, and end up going to a nearby alley living in that fantasy of being that mature woman
who knows what a man wants. One day, Connie 's parents and June leave her at home to go to a
family barbeque leaving her all by herself. While she was at home alone, she was listening to her
radio when out of nowhere she hears a car pull up to the front of her house. Startled, she looks out of
the window to see
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Comparing The Lion, The Witch And The Wardrobe
Often considered the father of fantasy novels, J.R.R. Tolkien is one of the greatest fiction writers of
all time. His constructed fantasy was so elaborate and highly detailed it sometimes feels as if it
could be real to the reader. Tolkien, as with many, many British men of his generation, he was on the
frontlines of World War I at the impressionable age of twenty–four. His war experience, greatly
impacted how he perceived humanity, war and justice, and religion and his opinions on the topic
were very subtly expressed through his fictional writing, specifically The Lord of the Rings. One of
J.R.R. Tolkien's colleagues, C.S. Lewis, shared a somewhat similar upbringing, a comparable
experience in World War I, and shared interests in literature, ... Show more content on
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Tolkien was familiar with as an officer on the front lines of WWI. In writing The Lord of the Rings,
Tolkien exemplified how many men have this internal struggle in times of war, specifically in which
it can be difficult to tell good intentions from bad. In chapter ten of The Fellowship of the Ring,
Boromir tries to take the ring from Frodo; in his argument he expresses good reasoning for doing so,
but sinister results as he would ultimately gain power.
"We of Minas Tirith have been staunch through long years of trial. We do not desire the power of
Wizard–lords, only strength to defend ourselves, strength in a just cause. And behold! in our need
chance brings to light the Ring of Power. It is a gift, I say; a gift to the foes of Mordor. It is mad not
to use it, to use the power of the Enemy against him. The fearless, the ruthless, these alone will
achieve victory. What could not Aragorn do? Or if he refuses, why not Boromir? The Ring would
give me power of Command. How I would drive the hosts of Mordor, and all men would flock to
my banner!" (p.
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The Lord Of The Rings
Tzvetan Todorov, the author of The Fantastic: A Structural Approach to a Literary Genre, defined
fantasy as "the creation of a moment of hesitation between two worlds"(qtd. Kelly, Course
Introduction 2). This description of the genre compliments J.R.R Tolkien's The Lord Of The Rings
trilogy due to the author's use of sub–creation to construct his alternate world. Tolkien believed that
the way to create a believable, all–encompassing world was to combine fragments of reality, or the
"primary world", together to construct a new, seemingly credible "secondary world". Sub–creation,
if successful, forms an alternate but parallel world to reality, "which your mind can enter. Inside it,
what he relates is 'true': it accords with the laws of the ... Show more content on Helpwriting.net ...
Here, Tolkien signifies that humans were moulded in the likeness of God, the ultimate creator;
therefore we are able to, and should, create. This quotation highlights how his Catholic belief deeply
influenced his personal philosophy, which in turn affected his writing of The Lord Of The Rings.
Numerous parallels can be drawn between Christianity and the trilogy, such as that between God
and The Creator Eru, who was the source of all life on Arda. Furthermore, like God, all that was
created by Eru was once good, even Sauron, and it is outside forces such as power, corruption and
greed that twist what is good and make it bad. Tolkien's creationist philosophy is evident and his
embedded Christian messages were his attempt to reinforce his religious beliefs on a world that he
felt had become too secular.
It is widely known that Tolkien detested the allegorical assumptions made about his work. The
author insisted that allegory was restrictive to readers and he preferred 'history, whether real or
feigned'(Tolkien I, 12). As Ursula Le Guin states "fantasy is nothing but the writer's view of the
world" highlighting that fact that Tolkien's life experiences heavily influenced his work (qtd Kelly,
27). Tolkien's work reflects and comments on 20th Century Western society and in doing so,
enlightens his readers of a past time. In fact, this is demonstrated outright by
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The Effect of Fantasy Fiction
Our future here on this Earth is a bleak one. Our society is on a dangerous slope of promoting vanity
at a rate that is ever more increasing, and thus resulting in stunted mental capacities.
We are teaching the youth of today to disregard literature as a whole while we shove products and
electronics down their throats. With the fast paced changes of social media, there comes a decrease
in attention, which is crucial to critical thinking skills, analytical skills, and the time it takes to
process information. "The Pew online survey, which polled 2,462 middle and high school teachers,
87% report that these technologies are creating "an easily distracted generation with short attention
spans," and
64% say that digital technologies "do more to distract students than to help them
academically."Ellen
Galinsky. (n.d.). While being basically forced to remain focused on the outward image through
aggressive outlets of ego and narcissism, such as Instagram for example (and this is a great
example), there is this society that totally negates the importance of the mind. Though body image
can be healthy in moderation, we are completely neglecting wisdom and forgetting the power of a
great book that encourages our minds to flourish and practically fill to the brim with imagination.
Whether we choose to want to believe it or not, we are indefinitely leaning towards a lost generation
if we do not put back the importance and nourishment of the minds of our youth through the help of
Fantasy
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Vampires : More Than A Modern Fantasy
Emily Fischer
5/26/16
AP World History
Period 2
Vampires: More Than a Modern Fantasy
When you think of vampires, do you think of Twilight, Buffy the Vampire Slayer, or Vampire
Diaries? Or, do you think of ancient vampiric legends such as Lamastu, empusai, and even Vlad the
Impaler? What if both modern vampire culture and the origins of vampirism were connected, not
only by topic, but by relevance? Vampiric myths allow us to understand the history and those
involved, as well as to relate to the present and view how current culture evolved into what it is.
Although something usually thought as irrelevant and unusual, vampiric legends explain the
continuity of humans to use scapegoats to explain the unknown, whether due to a lack of ... Show
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She spread terror through villages, but was actually the cause of lack of medical knowledge. When
miscarriages or Sudden Infant Death Syndrome (SIDS) occurred, ancient peoples did not
understand, and therefore drew their own conclusions, conclusions that would help satisfy not only
their lack of technology but also their misunderstanding of the world. Similarly, in ancient Greece, a
myth of a demoness named Lamia was widespread. This legend originated from Greek gods and
goddesses, for it was said that Lamia was originally a mistress of Zeus. Motivated by jealousy, Hera
drove the poor lover insane, causing her to eat all of her 5 children. Once awoken from her daze,
Lamia soon realized what she had done and transformed into a half–snake monster, cursed to eat
human children and fetuses due to the jealousy she felt for their mothers. Additionally, a related
myth sprouted among ancient Hebrew texts about a demoness named Lilith. According to the texts,
Lilith, not Eve, was the wife of Adam, but left the Garden of Eden due to her disagreeance of God's
will for woman to be inferior to man. God sent angels after her, but she refused to enter Eden again,
so the angels said they would kill 100 of Lilith's children every single day until she came back to
Eden. Lilith therefore swore to forever kidnap and devour human children, turning into a hideous
monster. All three of these legends described the
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Summary Of Le Guin's The Child And The Shadow
In 1975, fantasy author Ursula K. Le Guin delivered a lecture discussing a Hans Christian Andersen
fairy tale she remembered from childhood. In this story, a man burdened by cowardice could not
gather the courage to visit the house of the pretty woman that lived across the street. His shadow; his
dark desires and guilty pleasures, wanted the man to go across the street. Yet, the man did not want
to for he was afraid, this fear caused him to tell the shadow to leave. Thus, the shadow left. The
shadow goes on to explore the house of the pretty woman, and accordingly strays unaccompanied
and unattended through the world. Years later, the man and the shadow reconnect. The man
discovers that his actions have now caused his shadow to become his "master", and missing that part
of himself, the man is executed. Le Guin uses this dark tale in combination with Jungian psychology
and Daoism philosophy to illustrate that a person and their shadow must interact and coexist with
each other to survive. Without this balance, life will be impossible. Throughout "The Child and the
Shadow", Le Guin makes eloquent points about the importance of a person's shadow, Carl Jung's
archetypes in relation to the shadow, and how fantasy novels help children adapt to the traumatic
events of reality. In Hans Christian Andersen's fairy tale, the man is executed. The man had rid
himself of his shadow, attempting to hide the flaws that were lurking inside. For, in the words of Le
Guin, "The shadow is the
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Essay On C. S. Lewis The Lion The Witch And The Wardrobe
Fantasy is, in some cases, the best way to comprehend reality. Most often, authors take their readers
to this state of mind by creating fictional worlds in their books. When writing his novels, author C.S.
Lewis used the fictional and mythological aspect of his stories to display a deeper meaning during
the struggles of his time era: The Interwar Period. At this time in history, Lewis did what most
would think to be a challenging and almost impossible task; he brought joy and life to the sorrows
and death of the war.
Clive Staples Lewis was born on November 29, 1898 in Belfast, Ireland. "[He] lived through the
anxieties of the Battle of Britain, when England stood alone against Nazi Germany and it seemed
that civilization would be destroyed" ... Show more content on Helpwriting.net ...
The storyline of his novel not only presents a captivating fantasy, but also displays themes of
Christianity through various characters. C.S. Lewis was inspired to write this book through his own
imagination. "An image popped into his mind of a faun–a mythical creature with parcels in a snowy
wood" (Kirk 6). "The series, which describes the conflicts between good and evil that occur in the
kingdom of Narnia, is unified by Aslan, a noble lion, which is the form in which the Son of God
usually appears in Narnia" ("C.S. Lewis"). The Chronicles of Narnia series was not instantly famous
because of its religious aspect, but later on the book gradually became one of the most popular
novels ever read. Lewis inspired not only the readers of his books, but also other authors in their
works. "But [sic] his purpose was not simply to divert readers with fantasy. Rather, Lewis wanted to
return his readers to reality equipped with new images and metaphors that would help them find
magic in their own lives" (Kirk 6). After undergoing a spiritual awakening in his own life, Lewis
used his works to spread the gospel and to create intriguing stories for all of his
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The Effects Of Fairy Tales
When thinking about fairy tales many of us, if not all of us, revert back to childhood. When we were
children some of the best memories are those of the movies we used to watch; Cinderella, Sleeping
Beauty, Snow White, The Frog Prince, things of those sorts. What many of us do not know is that
fairy tales go back farther than that of Disney's productions. In this course, we have been learning
about different views of fairy tales. One of the views that we have focused a lot on is told by Bruno
Bettelheim in his book, The Uses of Enchantment. In his eyes fairy tales have the most effect on
children and the way children grow up. The second view that we have learned about is J.R.R
Tolkien's in his essay, "On Fairy Stories". Tolkien claims that ... Show more content on
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Tolkien first states that recovery includes return and renewal of health. "[Recovery] is a re–gaining–
regaining of a clear view." (Tolkien, J.R.R (1947 ed.) p.19) By this Tolkien means that recovery is
not seeing the world for what it is but rediscovery of the banal, of the day–to–day world. Recovery
is seeing things in a different light, and that is what fairy tales help to do. Fairy tales take the
everyday world that we live and paint them in a light that allows us to offset what is going on in our
world today, or to restore the visions that we have of our lives. He even relates this theory of
recovery to himself in the quote "For the story–maker who allows himself to be "free with" Nature
can be her lover not her slave. It was in fairy–stories that I first divined the potency of the words,
and the wonder of the things, such as stone, and wood, and iron; tree and grass; house and fire;
bread and wine. (Tolkien, J.R.R (1947 ed.) p.20). I agree strongly with this in the sense that without
these stories of fantasy how are we ever going to recover and see our world as great again with all
the bad that happens. Children are not to be concerned with the horrors of the world as adults
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Case Study Of Folklore, Myths And Fantasy
Fairytale, Folklore, Myths and Fantasy: A Case Study based on JK Rowling's Harry Potter series
Abstract
Fantasy is a genre of literature which gives flexibility and scope to the writers to explore their
thoughts. Fantasy depends upon the imagination and creativity of the writer. We can define fantasy
as a genre of literature that is far removed from reality, set in a world beyond our thinking such as
house on moon or any other planet, a place in the middle of ocean etc. The characters of fantasy are
often uncanny means these are non human creatures such as elfs, werewolves, giants, trolls,
dragons. Many fantasy stories include the elements of folklore and based upon the ancient or
cultural myths of the particular age or dynasty. This article ... Show more content on Helpwriting.net
...
We can say that myth plays an important role in constructing the plot of the fantasy work. Myth
means ideas, thoughts, and images that have the relationship with folklores, fairy tales, spiritual
stories, stories of Gods and legends. Donna Rosenberg has expressed her thoughts on myths in her
introduction to the World Mythology, " Myths symbolize human experience and embody the
spiritual values of a culture....Some explain origins, natural phenomenon, and death; others describe
the nature and function of divinities; while still others provide models of virtuous behaviour by
relating the adventures of the heroes or the misfortunes of arrogant humans.(xv) Myths and folklores
have a broad range of functions in fantasy literature. In his article ' Folklore and Fantastic
Literature,' C.W. Sullivan III mentions the functions of myth that is particularly important to second
world, or high fantasy. J.R.R. Tolkien has made a great use of fantasy in his On Fairy–Stories. It is
not easy for one to think fantasy literature without taking into consideration the fairytale. Max Luthi
states that "The fairytale is a universe in miniature."(25) Fantasy is a very creative art which requires
skills and perfection otherwise it would convey adverse effect. Tolkien thinks that "fantasy is not a
lower but a higher form of art, indeed nearly the most pure form, and so (when achieved) the most
potent."(On Fairy–Stories 45) When creating a fantasy, writer uses it as an art and takes the fantasy
very seriously. Fantasy must not to be made fun of, in doing so it loses its power and
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Why American Fear Of Dragon Analysis
Le Guin was an American novelist, about children's books, and short stories, mainly in the genres of
fantasy and science fiction. Throughout her life, she wrote so many stories with different topics. She
is recognized by modern critics as one of the most innovative writers of her generation. Also, she
becomes interested in literature quite early. Based on the story "Why Americans Fear of Dragons" is
a rather straightforward story about an American who lived in the places where it called
"Imagining". There are several things that make America people very curious in the past ten years
where they try to get the books in the library for children called "The Hobbit", but they was scary
while they see a big Dragon. Guin is the author of novels but is best known for short stories such as
Why American Fear of Dragons and The Language of the Night. Therefore, I agree American people
afraid dragon by many different forms such as fantasy, religions, and sexual in life.
According to this story "Why Americans Fear dragon" by Le Guin is a short story fiction about the
dragons and the villains and myth that ... Show more content on Helpwriting.net ...
It not only for American who are really fear about the dragon and that including other countries in
the world like French and Germany. On the other hand, "Why American Fear of Dragons" is not
only a short story but is also a study for human behavior when under the influence of paranoid and
fear in life. This story of Le Guin uses a word simply called a dragon to show for everyone in the
world known about how fear in life. In addition, Guin discussed inner fears in each person that
existing was happening in reality and life. They will bring to each other to believe in yourself,
happy, and fantasy known more about new things in this story like a "Dragons" or "Mad Cow
Motorcycle" for a new life. In general, "Afraid or Fantasy" are the most important for every children
and adult in this fiction
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Theme Of Stanley In A Streetcar Named Desire
In 'A Streetcar Named Desire', the characters of Blanche and Stanley are presented as opposing
characters in the book, and hence a lot of conflict and friction occurs between them. The character of
Blanche is an older character, from a rather wealthy background and lives in a fantasy world in
which she is still young and hasn't faced the truth. The character of Stanley, however, is a more
realistic and primitive character and can be viewed as Blanche's opposite.
Throughout the play, there is a constant battle between Blanche and Stanley for Stella. This is shown
at the beginning of the play when Blanche disapproves of Stella's home and what she is dressed in,
which to Stanley on the other hand seems completely normal and fine. "Blanche: Why, ... Show
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Stanley is shown as the reality of the modern society in that time, where Blanche believes that she is
still young and beautiful, and that all men adore her. Approaching the end of the play, in scene 10,
the idea of Blanche's fantasy is very clearly shown to the audience "[She is now placing the
rhinestone tiara on her head before the mirror of the dressing table and murmuring excitedly as if to
a group of spectral admirers]". The word choice of 'murmuring' shows to the audience that she
doesn't know exactly what she is saying or thinking giving the effect that she is insane, not just
messing around. This leads to further conflict in this scene as Stanley walks in and begins to pick
apart Blanche's lies and stories she has told him about the millionaire. After Stanley has done with
eating away at Blanche's tales, he proceeds to rape her. The stage direction "[...as he waits between
BLANCHE and the outer door. The barley audible 'blue piano' begins to drum louder. The sounds of
it turns into the roar of an approaching locomotive.]". This quote shows the increase of power that
Stanley has over Blanche. The blue piano symbolises Blanche and her fantasy world, but as the
locomotive approaches it overcomes the sound of the blue piano. The locomotive shows the real,
cruel world Stanley lives
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How Did J. R. Tolkien Use European Mythology?
This paper seeks to highlight the various mythologies used as source material by J.R.R. Tolkien, and
how he attempts to create a mythology of his own through using various aspects from the myths and
epics he studied. His desire to create a new and inventive mythology led to borrowing heavily from
the myths and epics of Europe. This paper will show that through using the basis of other
mythologies and epics, Tolkien creates an understandable and accessible mythology for his books.
Throughout his writings, Tolkien weaves in various objects, aspects, and storylines from myth in
order to provide readers with an understandable fantasy realm, while also providing a look at how
these aspects can mesh together in a unique and fresh way. His use of ... Show more content on
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The sources considered for this paper will come from a range of databases that are either multi–
subject or specialize in literature. Some of the databases that have already shown to have articles to
consider are Academic Search Premier, JSTOR, Literary Reference Center, and Project Muse. Other
databases that have proven to have a mixture of both books and articles are the MLA International
Bibliography and ebrary. These databases have various articles and books on the topic of J.R.R.
Tolkien and his mythology as well as information on the myths that have inspired his writings. The
current research plan for the paper is as follows, first, search for the myths that inspired Tolkien;
second, search for the different things that were evidently taken from these myths; and third what
things were unique to Tolkien's mythology. When looking beyond the databases, there has proven to
be a plethora of books on the topic of Tolkien's mythology and some prove to be more useful than
others when investigating the topic of this paper. Some of these books are The Making of Middle–
Earth: A New Look Inside the World of J.R.R. Tolkien by Christopher Snyder, The Magical Worlds
of Lord of the Rings: The Amazing Myths, Legends, and Facts Behind the Masterpiece by David
Colbert, and Tolkien and the Invention of Myth: A Reader edited by Jane Chance. These books have
provided both a good
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Our Fantasies Can Be More Powerful than the Universally...
Whether fantasy can be more powerful than the universally accepted version of 'reality' is debatable.
Phillip Dick had once claimed, 'reality is that which, when you stop believing in it, doesn't go away,'
suggesting the existence of things that are fundamentally and inevitably real. Conversely, Albert
Einstein's proposal that reality itself is 'merely an illusion, albeit a very persistent one,' also seems
valid. Perhaps then, the extent to which fantasy can take precedence over any objective truth
depends on one's willingness to self–delude and construct their ideal world. And only when accepted
by others or the need to feel in control of our lives is prominent, can it become almost real and
conquer.
It is true that the world we inhabit presents to us many situations from which there is no physical
escape. Where these lie on the scale of 'bad to good' depends on our unique circumstances and of
course, how we perceive it to be. Our initial reality is set out for us, the time–frame and place of
upbringing, culture, social class and gender being unchangeable factors. Similarly, there is a
common acknowledgement of things that are essentially 'real,' those we can objectively sense. In a
Streetcar Named Desire, Stella has assumed the submissive role as Stanley's wife, required to
constantly tolerate his volatile nature, cater for his sexual needs and support his every decision. This
is her unusual reality. Although at times she appears to get by through optimism, 'he was as good
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Bilbo's Use Of Escapism In The Hobbit
Everyone has to grow up at some point in their lives. Some people mature faster than others and
some take their entire lives to mature emotionally and intellectually. Modern fantasy today takes an
especial interest in growth. Examples of this interest include J.K. Rowling's Harry Potter series and
J.R.R. Tolkien's The Lord of the Rings trilogy as well as his 1937 introductory, The Hobbit.
Characters within these books grow up emotionally and mentally through the course of events
within the novels and series. Audiences of these books are able to grow with the characters as well,
through escapism. Critics of modern fantasy and escapism, like Kurt Lancaster in his 2001 essay,
Why Fantasy 'Rings' True also acknowledge the personal growth that the ... Show more content on
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Escapism lets the audience tackle the question of morality in a way that they might not be able to do
in the real world. Tolkien proposes the moral choice through Bilbo's confrontation with Gollum,
who stands in Bilbo's way to freedom out of the mountain even though Bilbo has a weapon and is
invisible (The Hobbit 81). Tolkien's use of Bilbo demonstrates Lancaster's idea, "...fantasy is just
escapism. But it's also about the search for truth and for our place in the world..." (9). Bilbo's moral
choice is difficult because of his desire to escape the mountain and the goblins. Bilbo has some clear
advantages over Gollum, which would make it easy for him to kill Gollum. However, Bilbo still
takes the time to step back and demonstrates what he is thinking and discloses to the audience the
reasoning for his moral choice. Bilbo thinks how Gollum never actually says he was going to kill
Bilbo. All Gollum has been up to this point is intensely dislikeable and a bully to Bilbo. However,
does that really give Bilbo the right to just kill him? Does that give the audience the right to kill
Gollum? Bilbo's step back and choice teaches the audience the truth that no, no one has the right to
just end another's life like that. Bilbo's choice also demonstrates how he has found his place in the
world morally and likewise the audience's place should always be the moral high ground. While the
moral choice is difficult for Bilbo to make, Bilbo still knows it is important for him as a person to
make because he is better than Gollum and the goblins and other evil creatures he faces. The entire
scene teaches the audience that they too should always make the moral decision because of the
reason Bilbo gives and that there is always another way around a difficult situation with moral
implications. Through escapism, the audience is allowed to journey
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Impact Of The Fairy World In A Midsummer Night's Dream
The impact of the fairy world in a midsummer night's dream
The word "magic" can be defined as: "the power of apparently influencing the course of events by
using mysterious or supernatural forces." Such magic can be seen in Shakespeare's A Midsummer
night's dream. Oberon, the king of fairies, fights with his wife Titania, the fairy queen, over a small
Indian boy whom she protects. Oberon's quarrel causes a disturbance in the natural order of the
world because of the magic, however one could say that the natural order of the world was really
being shaken by the defiance of the woman in the play since Titania and Hermia's defiance to the
men in their life causes the plot to take action. Oberon devises a plan in which he plans on
enchanting Titania with the "western flower,/ Before milk–white, now purple with love's wound,/
And the maidens call it love–in–idleness" (Shakespeare 2.1.166–168). This magical flower is also
used ... Show more content on Helpwriting.net ...
9–19) This shows that "The fairies guard Titania from harm, though their song does not prevent
Oberon from placing a spell on the fairy queen" (Ciraulo). In mythology, greek gods and spirits are
known for playing tricks on each other to get what they want and Oberon is no exception. He is
furious not only because he is not getting his way, but even more so because Titania, his wife, is
defying him. In this time period, woman did not have the same authority and voice that a man
would, so Titania defying her husband's will was unacceptable to Oberon. His dispute against her
causes "rheumatic diseases" and "through this distemperature we see/ The seasons alter," shaking
the human world even more with his magic (Shakespeare 2.1.105–107). "Titania's behavior in
defying her husband surely makes her culpable in early modern terms, and her near–bestial affair
comes as punishment for such defiance" (Clement). Oberon's plan is to teach her a lesson by
humiliating her, achieving this by having her sleep and fall in love with
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Theme Of Fantasy In A Streetcar Named Desire
Brianna Blackwell
Mrs. Owens
English 1102
9 February 2018
Fantasy Cannot Overcome Reality Within "A Streetcar Named Desire" "A Streetcar Named Desire"
by Tennessee Williams, is based around a woman named Blanche who faces a series of losses and
leaves her background to seek refuge with her sister, Stella, in New Orleans. Blanche uses the world
of fantasy to escape the harsh reality of her past as it seems to come back to haunt her in her new life
in New Orleans. Stella's husband, Stanley, finds out the truth about Blanche's past and confronts her
about it, triggering her to attempt to fall deeper into her fantasies and withdraw reality. Blanche's
inability to leave the fantasy world is what brings her to insanity because of how she cannot ... Show
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This is from how it impacts the characters and how it exposes characteristics of them throughout the
story. Along with exposing the good and evil within each character and who has a bigger impact on
the plot of the story. This theme also impacts certain actions within the story as well as amplify
important actions within the story that readers should focus on when reading the play. Even though
there are many themes throughout the play "A Streetcar Named Desire," this theme is one that is
well developed within the story and is one that should be taken from the story when one reads the
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The Lord Of The Rings
People are always looking for good ways to entertain themselves. Over the past few hundred years,
several art forms have become a commonplace in society, such as plays, music, drawings, books,
and, more recently, movies. Books and movies are two that have stomped their way into society
with no remorse. They have been great ways to express people's opinions, make social statements,
and most importantly, entertain audiences. Both of these have had a profound effect on the world,
whether it be through changing a way of life or just by making time pass for a few hours. Certain
books and movies have played great roles in the world and had many influences. The Lord of the
Rings has had a massively positive effect on both literature and film. Its creation has led to many
positives and in doing so has become one of the most influential stories ever created. It has also led
to some major impacts outside of literature and the film industry as well.
Fantasy books have been around for a long time; however, the fantasy that people think of today has
only been around for close to a century. Modern fantasy can very much be credited to J.R.R. Tolkien
and his Lord of the Rings book series. According to author Katie Behrens' article "Myth, Fairy
Tales, & Children: A Brief History of Fantasy", The Lord of the Rings has had a profound effect on
shaping fantasy into what it is today. She states in her article that the fantasy genre began with
classics from mythology as they explored tales of
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Dreaming with Lolita Essays
Dreaming with Lolita
What world are you living in? Over the past hundreds of years psychologists have been studying the
functions of the human mind. It is a task that seems to prolong as information and new methods
arrive. What makes us dream or imagine things? The fact that we have dreams and ambitions in life
strives us to believe through imagining and dreaming that we will eventually get a break in life.
Lolita, by Vladimir Nabokov, is a novel that characterizes these types of situations. It implies
similarity in plot and theme between Lolita and certain fairy tales. Furthermore, Nabokov implies
the folk characterization in Lolita to show the paradoxical relationship of art and reality thus
showing how real life people live out the ... Show more content on Helpwriting.net ...
Humbert portrays Charlotte as an obstacle and wishes, "for some terrific disaster" where Charlotte
is, "instantly and permanently eliminated" (Nabokov 55). Humbert shows his deep disgust towards
her by calling her many different nasty things throughout the novel. For example, Humbert refers to
Charlotte as, "The Haze women (Nabokov 47), the "old cat" p. (Nabokov 49), and the "detested
mamma" (Nabokov 51). Humbert also states that Charlotte, "was to me but and obstacle" In addition
to this parallel, Charlotte, like the evil fairy mothers and stepmothers in "Cinderella" and "Snow
White" hated her daughter" (Jones 70).
Another interesting parallel also deals with Charlotte and the Queen or stepdaughter in "Snow
White." Both of these characters are in competition with their daughters and stepdaughters for the
attention of the male. In Lolita, Humbert, "overhears Charlotte and Lolita fighting over him" (Jones
69). He states that he heard, "a great banging of door and other sounds coming from quaking
caverns where the two rivals were having a ripping row" (Nabokov 55). As for in "Snow White," the
Queen constantly asks in the mirror "who is the fairer of them all, herself or her daughter" (Jones
69). In addition, both Charlotte and the Queen as a result of their jealousy towards their daughters
opt to send them out to the wilderness. Nabokov's characterization of Charlotte as the jealous
mother serves a purpose. "Initially, it makes the characters and actions
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A Street Car Named Desire Analysis
In Tennessee Williams "A Street Car Named Desire" the illusions of fantasy inability to overcome
reality have allowed an individual to cope with doubtful experiences in need to escape is evident
through the character Blanche. Blanche conflict leads her to act upon promiscuous activities in need
to fulfil her desire to cure her loneliness but instead, she neglected her morals and became a social
outcast. I have chosen to illustrate images in my comic based on Scene 5 to present the internal
conflict in Blanche character. The tension between fantasy and reality centres on Blanche's
relationship with other characters and the world around her. In addition, this scene further conveys
Blanche ideal of creating a better impression through her delusional self–created "temporary magic",
which is, undermine through Blanche turn to alcohol to escape from distressing situations.
The idea of fantasy inability to overcome reality is depicted through the visual techniques salience
and contrast in the comic. A clear example of the technique of contrasts used is depicted through
Blanche and Stella laughing about fabricated stories written in the letter by Blanche to Shep in
frame 1. This is evident as Blanche mentions in the letter that "there has been a continued round of
entertainments, teas, cocktails and luncheons". In addition, the recurrence of the idea of female
dependence on a male for security is prevalent as Shep is another male figure that Blanche is
appealed to. The use of
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The Hobbit Research Paper
"In a hole in the ground there lived a Hobbit" (Tolkien 1). These are the opening words to one of the
most famous fantasy tales in history – The Hobbit, the first of J.R.R. Tolkien's many works, and the
introduction to the fantastic world known as Middle Earth. The Hobbit was a revolution of fantasy,
and sparked an interest in fantasy not widely seen since the days of myths and legends. This spark –
this revolution– brought forth not only its sequel, The Lord of the Rings, but also such famous
works as Robert Jordan and Brandon Sanderson's The Wheel of Time series. Fantasy is defined by
its presence of magic or adventure in an otherworldly setting ("Fantasy," def. 1.4). Fantasy was once
condemned as childish and relegated to be read by women and children (Flanagan). Even today, one
will find that fantasy, from a business perspective, is most often consumed by children, whether by
design or coincidence, and is one of the primary influences in developmental life. Richard Dawkins
argues that fantasy instills a belief in the supernatural from an early period in one's life, and ... Show
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Dawkins, author of The God Delusion and an incredibly outspoken atheist, believes that fantasy has
merits in cognitive development, but overall, wonders if it may be detrimental in the stages of early
childhood. Monica Kim argues, largely in relation to virtual escapism, but relevant nonetheless, that
eventually escapism grows to a point where it is unhealthy and obsessive, especially when it
becomes a forefront to social interaction – when the reader becomes a bookworm, one might say.
Ultimately this is all up to the self control of the reader; fantasy is not to blame for these issues, but
rather the reader and his or her own desire and lack of self–control over the situation in which he or
she currently
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The Opening Scenes of Harry Potter and the Philosopher's...
The Opening Scenes of Harry Potter and the Philosopher's Stone and The Lord of the Rings: The
Fellowship of the Ring
In recent years the fantasy genre has undergone a huge revival. Whereas it was once reserved for
children's books of fairy tales, fantasy in both literature and film alike is increasingly becoming a
more mainstream genre, enjoyed by people of all kinds.
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Fantasy films are probably the most frequently stereotyped genre of all. They tend to involve things
such as Dark Lords, magicians, quests and otherworldly creatures. But only when all these are
believably portrayed are they interesting films. Fantasy films that ... Show more content on
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Fantasy films have the element of surprise– the viewer can never predict exactly what is going to
happen next. Although 'The Lord of the Rings: The Fellowship of the Ring' uses this traditional
stereotype (and don't forget, it was the tale that set the stereotypes!) 'Harry Potter and the
Philosopher's Stone' begins in a nice row of thoroughly modern little terraced houses with neat little
lawns and cars in every driveway. The scene is set during the night and everything is very quiet. The
street lights provide a misty feel to the place– until an old man (whom we have just watched
walking down the road) rather dramatically puts most of them out using a small device not entirely
unlike an ornately carved lighter, thus providing an ethereal glow for the ensuing conversation. The
most immediate questions that spring to mind are 'What is that 'Put–Outer?' 'Why on earth would the
man want to put the street lamps out?' and 'What exactly is this eccentric–looking old man doing in
a nice, normal place like this Privet Drive anyway?' This last question was definitely intended by the
producers of the film, as throughout the opening scene the film makes comparisons between the
typical objects and behaviour expected, and those shown in this scene.
The opening to 'The Fellowship of the Ring' does not, strictly speaking, actually have a setting. It is
comprised mostly of
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Chapter 6 Research Paper
Magic, sorcery, the transformation of one thing into another and everything in between, as well as
the fantasy in it, has been the driving force behind many great myths, both ancient and modern. But
when the topics of magic, fantasy and medievalism are brought into discussion together, it is clear
that it has a very sordid past. In the Middle Ages, magic and the fantastical outside of the Bible were
highly frowned upon and seen to be the work of the devil or his minions. And pretty soon the
Catholic Church and the hierarchy thereof got it into their heads that all females were either a witch
or a warlock, and thereby practiced devil worship. But as the great scientists and their work took
prominence in the Middle Ages, the hold of the Catholic ... Show more content on Helpwriting.net
...
Even though the modern society hangs mostly in the balances of commerce, money, power, and the
combined strength of technology and science, there are still great numbers of people who turn to
tales of magic and wonder as an escape from the mundane existence in which their lives are led. In
the late nineties, a young boy wizard by the name of Harry James Potter was first read about and
proved to be a major catalyst in getting the world reading again, and getting the world to fall in love
with something together; these two statements prove the power of the imagination has and still has a
powerful influence on the world today and will continue to do so for a great amount of
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Essay on Sir Gawain and the Green Knight as Modern Fantasy
Sir Gawain and the Green Knight as Modern Fantasy
Sir Gawain and the Green Knight, written by an unknown author in the 14th century, can be called a
timeless work of poetry. It exudes a certain fantastic quality that, despite its age of over 500 years,
still appeals to modern audiences. Because of this application to all eras, would it be reasonable to
state that this poem could be classified with modern fantasy fiction? Because of the similarities in
plot and style with so much modern fantasy, Sir Gawain and the Green Knight could be placed in
the same category with that genre, though the uses of doing so are questionable.
In plot, Sir Gawain and the Green Knight has elements which are similar to much modern ... Show
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From when the Green Knight is beheaded and proceeds to pick up his head, give a wicked grin, and
say essentially, "I'll see you in a year," (ll. 423–456) it is clear that magic will play in integral part in
the narrative. The confirmation of enchantment by Morgan le Faye (ll. 2446–2462) finishes the plot
as it began it: in a state of magical unreality. Such enchantment is typical of modern fantasy,
particularly from writers of modern fairy tales. Indeed, Ellen Datlow and Terri Windling have
essentially made their careers editing compilations of these tales, such as the popular Snow White,
Blood Red and its several follow–ups. To increase the fairy–tale style feel of the story, the Green
Knight is called an elf (ll. 680, 2461) and faery. (l. 240) There is clear indication that this can easily
be called a fairy tale.
Stylistically, the visual and concrete nature of the poem lends itself to modern comparison as well.
The delightful accounts of the changing of the seasons are in part to indicate the passage of time, but
also add mood to the whole of the piece. Present–day fantasy writer Patricia McKillip has been
critically lauded for "lush imagery" and stories described as "atmospheric... and filled with rich
imagery." Clearly the descriptions are an important part of the style that makes modern
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Analysis Of The Movie ' Beauty And The Beast '
Twenty–six years ago, children were mystified by the story of a bookworm girl and her journey that
found her true love. Beauty and the Beast captured the hearts of many and grew into a staple Disney
movie. It follows Belle–a beautiful, but misunderstood young adult. After she found her way to a
fantastical castle, her world changed completely. The original movie caused many children and
adults to connect and find themselves within the characters. Consequently, they decided to make a
live action version of the film a quarter of a century later. Bill Condon, the director of the 2017 film,
added dimension to the characters by further explaining their backgrounds. Facts about Belle's mom
and the Beast's family brought new sides that the 1991 ... Show more content on Helpwriting.net ...
Additionally, the movie allows other lessons such as telling people that they should dare to be
different and that they should love to learn. Maurice, Belle's father, and Belle show that being
different should be celebrated by their new, fascinating inventions that they always make. Also,
Belle and Beast show that learning is important when they go through the library and discuss their
favorite books. However, some people may not believe that Beauty and the Beast gives out the best
morals. For some people, Gaston's actions may cause negative feelings for the movie. Gaston's
actions are unforgivable and narcissistic, but they are for a greater purpose. Having Gaston in the
movie allows for the Beast to have an antithesis. Beast is beautiful on the inside and hideous on the
outside, yet Gaston's elegant features are overshadowed by his unsightly heart. While Gaston is a
bad character and should not be a role model, he helps portray the incredible message that the finest
beauty is from someone's brain and heart. As well as having a teachable lesson, family films usually
need to have a wide range of subgenres. Family movies, as a whole, encompass a wide variety of
movies. For example, The Wizard of Oz is seen as a family movie, but it also falls into the adventure
and fantasy genres (Dirks). Beauty and the Beast is similar in the way that it also has two other
genres it falls under: musical and fantasy. From the start of the movie to
... Get more on HelpWriting.net ...
The Fellowship of the Ring Response Essay
The Lord of the Rings: The Fellowship of the Ring
Reader Response
The novel The Fellowship of the Ring by J.R.R Tolkien is set in a fanciful world filled with strange
creatures and magical happenings, but not everything is so unlike our world. Many of the characters
change over the course of the story, just as we do over the course of our lives. Frodo, the main
character and the carrier of the magical ring, is part of the mythical race of Hobbits, yet he is
remarkably human. He has the same values as we do, and his small size hides his big heart. His
journey throughout the novel changes his life and his outlook on life. In the beginning he is content
with his quiet life, and his voyage leaves him lusting after adventure. Of all ... Show more content
on Helpwriting.net ...
However the women wear their hair down and the men wear fancy embroidered vests, which
suggests much later in time. I like novels with no set time, because they let me imagine what I want.
The Fellowship of the Ring has a lot of background information and long words. Tolkien does this
in all of his writing. I disliked all the landscape in the beginning, but I grew to be thankful for the
extra description as the novel went on. Tolkien's world is complicated, with many mountain ranges,
plains, deserts, jungles, and forests, and the rich description helps to keep them straight and also
helps the reader imagine the world of Middle–Earth. Generally fantasy books that are written for
children have less information and more action, but not this one. This book is written with many
long and occasionally some made–up words. The names, for example the name Galadriel, are made
of odd letters and have strange pronunciations, yet all fit the characters to a tee. The Elvish language
made by the author flows off the tongue of the reader, and is a pleasure to say aloud. The book may
seem dense to a reader who prefers fast–paced action, yet the description and the rich language
simply enhance the plotline.
Tolkien wrote his novels as bedtime stories for his young children. When they were first published,
they were sold solely as children's novels. Over the years, however, The Fellowship of the Ring has
become a classic read by all ages. How does
... Get more on HelpWriting.net ...
Comparing The Tell-Tale Heart And The Monkey's Paw
What is a horror genre? What is the horror genre about? What do you wont to know about the horror
genre? The Tell–Tale Heart and The Monkey's Paw are entertaining short stories that meet the
criteria to be categorized in the horror genre because contain fear , scary, horror. What is the horror
genre? It's impossible to say how first the idea enterd my brains ; but once coneived it hunted me
day in night. I was never kinder , to the old man them during the whole week I killed him. Father
and son were at a chess ; the fomer who possessed idea about the game in volving radical changes.
When I had walked along time , very patiently with out hearing him lay down. And what is there
special about it. The
... Get more on HelpWriting.net ...
The End Of A Mind Insane, Fantasy And Reality Are The Same
Tom Araya sings, "In the depths of a mind insane, fantasy and reality are the same". The power that
fantasy and reality have in human life is undeniably large. The novel The End of Alice by A.M.
Homes is a story narrated by a man in jail who claims that he had been sexually abused by his
mother early on in his childhood, engaged in sexual relationships with various young girls in his
adult years, and conversed with a seemingly pedophilic 19 year–old girl while in prison. Through
the scarring sexual abuse by his mother and her unexpected suicide, Chappy developed a distorted
outlook on life, ultimately leading him into a world where his fantasies created the potential for
some of the scariest realities. The fantasies in which the reader is subjected to come simply from
Chappy's thoughts alone. These thoughts often evoke feelings of horror and trauma, and leave the
reader with an ultimate revelation: one's fantasies are what create reality. The entirety of the book
aims to focus on the disgusting possibilities that human beings have the ability to create and bring
into the world. When one realizes this, it adds meaning to what Homes is trying to convey. A.M
Homes writes The End of Alice to display to her readers the scary reality that could be created when
one acts upon their fantasies. A.M. Homes accentuates her point of fantasy influencing reality
through very graphic stories that Chappy relays to the reader. One event that Homes uses to show
how horrible actions that
... Get more on HelpWriting.net ...
Analysis Of ' The Apocalyptic Destruction Of The Human Race '
Zombie texts have been a longstanding subgenre of fantasy. Often gory and with elements of horror,
the apocalyptic destruction of the human race brought about by some form of virus is consumed by
many and is reoccurring in popular culture. It is often questioned why we find such enjoyment in a
text that depicts such horrors. The answer is in the role fantasy plays, which is a fulfillment of a
wish, a way to depict our explicit desires in a licit way, and to provide a screen for us to do this.
World War Z (WWZ) adheres to these fantasy elements whilst also highlighting the mediation
between duty and pleasure. The scene that has been selected for analysis is one where hero Gerry
Lane is fleeing with his family up the stairs of an apartment complex to meet the helicopter that is
coming to save them, all whilst fighting off a horde of zombies. This scene is tense, fast–paced, and
shows our hero fulfilling his expected role and the desires of the viewers.
The scene begins with Gerry and his family ready to flee to the roof. The shot is filled with
flickering red light, red being a common symbol for danger, whilst the flickering provides
uncertainty and fear. These shots set the scene for the impending horror. Gerry's wife asks him,
"How do we know they're coming?" to which he replies, "They're coming." From the start, Gerry is
the all–knowing, calm, collected hero. He is the protector who takes the lead. As the main character,
he is the person the audience sees themselves as
... Get more on HelpWriting.net ...

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Fantasy Worlds Research Paper

  • 1. Fantasy Worlds Research Paper Fantasy worlds, infamous for its make–believe and imaginative aspect, ironically is engaging as it is believable. The application of accurate description in great detail is a key factor in the composition of a realistic fantasy world. Additionally, what happens to the characters in these imaginary worlds must be acceptable in order to generate a believable world. Furthermore, the ability of keeping the world consistent throughout the whole novel establishes an air of reality. The existence of such worlds will be observed in two classic novels. First, 'Magician: Apprentice', of 'The Riftwar Saga' by Raymond E. Feist and 'The Diamond Throne', of 'The Elenium' series, by David Eddings. As renowned authors, both Feist and Eddings have applied astonishing descriptive language, and a ... Show more content on Helpwriting.net ... Above thick browridges, their sloping foreheads were topped by thick black hair. Their blue–green tinged skins were smooth. Their eyes, open in death, were huge and round, with black irises on yellow.' From these few sentences, much description is provided over a range of aspects. By providing such a definitive account of what Pug, the protagonist, sees, the readers come to believe what is being described to a certain extent, despite being of fantastic origin. Through description, the senses are triggered, to which the readers cannot help but visualise the scenario, influencing the thought of an authentic environment. Description is also a force behind the reality of the fantasy world in The Diamond Throne. Common descriptions are noticeable, such as, 'The sun was warmer here than it had been in Elenia, and the breeze that skipped puff–ball clouds across the intensely blue sky smelled almost spring–like. The fields around them, untouched by frost, were still green, and the road unwound like a white ribbon, dipping into valleys and snaking up verdant hillsides.' By addressing the fantasy world and environment ... Get more on HelpWriting.net ...
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  • 3. Childhood Is A Complex Concept Of Childhood Childhood is a complex concept that has never been clearly defined, nor has it stayed a stagnant concept across all times and cultures. The time period in which a child exists is different depending on the time you are looking at, as are the characteristics which are attributed to children. In the time periods that were studied in this class, which spanned from the early modern period of literature up until the late twentieth century, the idea of childhood and what represented it changed vastly. In some of our early readings, children were defined as helpless and ignorant, with very little logic or ability to rationalize or reason. Towards the ends of our readings, when we were getting into the books that were produced in the twentieth century, childhood is still portrayed as innocent, but also as playful and creative, and full of life, laughter and friendship. In the 1700s, children were seen as naïve, powerless, needing protection, and very impressionable. In Alice's Adventures in Wonderland, Lewis Carroll attempts to create a child which is idealistically innocent and capable of reason. In his fantasy world of Wonderland, Carroll shows an imaginative and creative child who isn't afraid of the unusual things she is presented with, but instead embraces them and the differences that they portray as she is different herself. He takes an interesting stance for the time period on portraying mental health problems as something that is able to be coped with and that should be ... Get more on HelpWriting.net ...
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  • 5. The Fantasy Story Today I’d like to tell you about fantasy literature. It is very hard to tell all about it but I’ll try to do it as good as possible and not being boring. First fantasy motifs were shown in romanticism. We all know the mystical and unreal characters: ghosts, phantoms etc. Authors for building the special mood and charm of that epoch used that figures. But fantasy is something more than romantic ways of showing nature or inner experiences of the main character in the novel. It’s also not an attempt of explaining the unreal and difficult to understand visions or event. In the course of time it began to live it’s own life more and more the writers started to use these motifs. And what had happened? They created ... Show more content on Helpwriting.net ... But one day, after many happy years on the throne, they got lost in a forest. While walking the trees became coats and they suddenly fell out of the closet. Long years in Narnia were just few minutes in the human world. Children have big imagination so crossing the line between fantasies and real is not a problem, but it is a big challenge for readers. Lewis created the magic land and as he once said:”even if all of that is imagined – trees, grass, sun, moon, stars and Aslan, there is no doubt: this imagined world is much better then the real one”. The next kinds, beloved by fantasy fans are “never–lands”. They are perfectly defined by one of first never– lands creators Lord Dunsany. He named it as places “beyond the fields we know”. And we are really crossing the line of human perception. Authors don’t blink their eye, don’t pretend like in the Venice carnival. Not everything is from the beginning land of fantasy. Tolkien made never–lands legal, gave them autonomy and independence, full rights in authors imagination. He said that artistic imagination has no borders and cannot be restricted by what is real. We can see what we want to see, also the land of never. Never–lands can use the cultural heritage of our world, but it all depends on the author. Of course playing in never–lands must be based on understanding and agreement between writer and reader, we have to accept all the rules and it ... Get more on HelpWriting.net ...
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  • 7. Modern Man In Search Of A Soul Essay In his book, Modern Man In Search Of A Soul, C.G. Jung gives a layman knowledge into his thoughts on dream investigation. Jung 's essential goal in this book is to instruct the peruser in the matter of what a psychoanalyst does while breaking down a patient 's fantasies. The vital message in the book focused on dream investigation is that fantasies ought to never remain solitary. Dreams are inane in a vacuum, however then again when set against a strict arrangement of guidelines, they are generally misconstrued. The oblivious is a liquid substance and can 't be taken care of either in segregation or with a static arrangement of rules. Dreams are impressions of the oblivious and can speak to various things within a man. Present day Man In ... Show more content on Helpwriting.net ... Serving to impact the elucidations of dreams is regularly the kind of connection amongst advisor and patient. Jung gives a case of the underlying dreams of a patient clearly speaking to her emotions towards her advisors. Her fantasies would be increasingly open with various specialists until the point when she achieved Jung and her underlying dreams grasped him and they in this manner had a gainful investigation. The reason for this current patient 's hypochondria became known later, yet was not the slightest bit introduce in her underlying dreams. Dreams can regularly be expectant and are deluding if taken a gander at in just casuistic ways. At the point when a specialist comprehends a patient totally and the patient appears to have no comprehension of himself, an expert will regularly blame the patient for protection. It is suggested that if an examiner holds the majority of the seeing, at that point he should stretch where he needs comprehension of the patient. Regardless of the possibility that an expert arrives at a sound finish of the importance of a fantasy, however the patient is hesitant to concur, the advisor ought not push this comprehension on the patient. For this situation the examiner should work with the patient to arrive at a commonly satisfying conclusion. This will bring about a comprehension not just in ... Get more on HelpWriting.net ...
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  • 9. The Hobbit Research Paper "In a hole in the ground there lived a Hobbit" (Tolkien 1). These are the opening words to one of the most famous fantasy tales in history – The Hobbit, the first of J.R.R. Tolkien's many works, and the introduction to the fantastic world known as Middle Earth. The Hobbit was a revolution of fantasy, and sparked an interest in fantasy not widely seen since the days of myths and legends. This spark – this revolution– brought forth not only its sequel, The Lord of the Rings, but also such famous works as Robert Jordan and Brandon Sanderson's The Wheel of Time series. Fantasy is defined by its presence of magic or adventure in an otherworldly setting ("Fantasy," def. 1.4). Fantasy was once condemned as childish and relegated to be read by women and children (Flanagan). Even today, one will find that fantasy, from a business perspective, is most often consumed by children, whether by design or coincidence, and is one of the primary influences in developmental life. Richard Dawkins argues that fantasy instills a belief in the supernatural from an early period in one's life, and ... Show more content on Helpwriting.net ... Dawkins, author of The God Delusion and an incredibly outspoken atheist, believes that fantasy has merits in cognitive development, but overall, wonders if it may be detrimental in the stages of early childhood. Monica Kim argues, largely in relation to virtual escapism, but relevant nonetheless, that eventually escapism grows to a point where it is unhealthy and obsessive, especially when it becomes a forefront to social interaction – when the reader becomes a bookworm, one might say. Ultimately this is all up to the self control of the reader; fantasy is not to blame for these issues, but rather the reader and his or her own desire and lack of self–control over the situation in which he or she currently ... Get more on HelpWriting.net ...
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  • 11. Simulation Proliferation and the City Essay Simulation Proliferation and the City Mr. Hand wears all black, is tall, thin, and pale. He floats around a dark city and ends far too many lines with a creepy self–affirming "yesss." In Dark City (Alex Proyas 1998) we see over and over again indications of the tropes and repetitions that make up the urban/filmic imagination. Not quite vampires, not quite grey aliens, not quite business men, not quite religious, not quite serial murderers, Mr. Hand and the other Strangers seem to be archetypal characters of the city. Is the imagination a domesticating function, territorializing wild occurrence and happenstance into termed rearrangements of what has come before? Or is it an explosive and infinite fountain of creativity? Modern ... Show more content on Helpwriting.net ... But, with all the majesty and persuasiveness the Earth can muster, he alone has made clear all that was before so very puzzling. Fantasy, though not specified in the film, seems defined simply as a contrast to reality, as a failure to, as Sebastian's father requests, "get your head down out of the clouds and start keeping both your feet on the ground, right." Gmork aligns the father with the controlled masses: the sucker has abandoned his hopes and dreams and is trying to convert young and still wonderful Sebastian into the same wretched polity. The mise en scene ... Get more on HelpWriting.net ...
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  • 13. Teen Fiction : Teen Or Young Adult Fiction Adolescents deal with a lot through this phase of life. They are bombarded with the many changes that have been on their course of development and growth. In this journey, they discover new ideals and perceptions of different people and also objects. That is why most of teenagers have quite the liking for highly diversified principles. Because of this, a new genre of literature has been born. It goes by the name of Teen Fiction. Teen or Young Adult fiction is a type of fiction literature that tackles many topics that are relatable to the teenagers of today. According to Rebecca Ciezarek, a columnist and contributor of the theConversation.com, teen fiction in the recent years have bloomed into the plethora of topics that it chooses to discuss. From LGBTQI to Depression, the relatable topics have brought an uprising in the new era of literature junkies. According to Heather Matsune (2007) if a reader cannot understand a book or any document, there is no sense at all because the information will not be sent to the reader. It is easy for language professionals to get caught up in wordsmithing. Certainly, having a perfect grammar and wonderful phrase is nothing to apologize for. But there are times that language professionals forget that not all readers have the capacity to understand or a broad vocabulary. But the point is, if we are not careful, we can be a hindrance to disseminate the information. According to the IALSS, many Canadians have trouble reading even the most basic ... Get more on HelpWriting.net ...
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  • 15. The Jan Spyglass Book Summary Throughout my childhood, and extending into my highschool reading career, I have enjoyed reading books that focus on complex issues that are omnipresent in our society, though reading about them through a fantasy setting is much more appealing and fascinating to me. One prominent example is the children's fantasy book The Amber Spyglass, the third and final book in the "His Dark Materials" series written by Philip Pullman. This book analyzes in depth issues such as moral ambiguity, the pitfalls of power, and loyalty, all while simultaneously representing a coming of age novel where two children may be the necessary turning point in a huge war with heaven, as they are bombarded with others striving to gain their loyalty and the resulting power. ... Show more content on Helpwriting.net ... People generally seek comfort in cults when that comfort cannot be found elsewhere– within their family, friends or community– thus those who join tend to be vulnerable, seeking a place where they feel safe and secure. But as they become more involved, cults often force people to cut ties with their outside life to force full reliance, giving more and more time and money, thus increasing the cult's power (Zimbardo). These actions are often present in church–like organizations as well, begging the question of determining the difference between a church and cult. Both can provide comfort and security to a person who feels vulnerable, with the possibility of becoming overly extremist, leading to religious fanaticism– utter devotion and strict adherence to a religion with little to no regard for anything outside beliefs set around that religion and its subsequent ruling laws. Religious fanaticism is widely regarded as dangerous become of its extreme nature, often leading to lack of free will. At that point, a religion would likely be classified as a cult. Devotion to the cult or religion results in a person taking on characteristics of the organization, like their moral sense, which is often not in alignment with society's moral ... Get more on HelpWriting.net ...
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  • 17. My Life Changed My Character The event that permanently changed my character happened as I was on a life–changing trip to Africa. For some background information, I learned about the trip a year before and was immediately ecstatic. At first it was just going to be me with some family friends journeying to Africa. With the personality God gave me, I was probably even more excited with the aspect of being basically on my own. Ever since I could read and fully utilize my imagination, the unsocial life of living in the abundant fantasy worlds that authors and producers have created throughout the century has always been a solid thing to fallback on whenever an escape is needed. Also, the sense of being utterly detached from my old life entirely was another huge factor in the building of my anticipation. However, my dad got his schedule rearranged and thus an unforgettable father–son trip was born. If anyone were to ruin my alone time and me be happy, the one person would have to be my father. The flights were going to be long and awful if it was not for a good book that I picked up in an airport bookstore. I do not possess the ability to sleep well on planes. Therefore, a long and enthralling book was perfect for me. Before I knew it the plane landed in Kigali, Rwanda. My corrupted American view of Rwanda immediately vanished once I saw a beautiful city on top of an even more beautiful plateau. The hotel car drivers were polite and informative. They were also full of some great stories, but alas the ... Get more on HelpWriting.net ...
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  • 19. The Tension Between Reality and Fantasy in Tennessee... The Tension Between Reality and Fantasy in Tennessee Williams' A Streetcar Named Desire Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don't tell the truth, I tell what ought to be truth…" Scene IX Tennessee Williams dramatises the tension between reality and fantasy by Characterisation, Theatrical Devices, and by the use of Symbolism. Williams uses Blanche to represent fantasy; Blanche is a magical and romantic character. "Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don't tell the truth, I tell what ought to be truth…" (p.72) ... Show more content on Helpwriting.net ... I went out with him at college and wore his pin for a while. Well I ran into him last winter. You know I went to Miami during the Christmas holidays?" "well I did. I took the trip as an investment, thinking I'd meet someone with a million dollars." (p.37) Blanche then goes on to say that she did meet someone with a million dollars; Shep has oil–wells all over Texas. "Texas is literally spouting gold in his pockets." Blanche tells Stella that Shep is married, but later in the play, just before Stanley rapes her, Blanche tells him that Shep has invited her on a Caribbean cruise. This reminds the audience that Blanche lives in a world of fantasy, and symbolises fantasy in the play. Blanche also prefers not to acknowledge her age, telling Mitch that Stella is her older sister, when she is in fact her younger sister. Blanche also avoids light, as she is afraid that light would show up her true age. The stage directions on page 5 tell us that 'she is about five years older than Stella.' Blanche tells us that she likes the dark because "the dark is comforting to me." It conceals the truth. Blanche has never let Mitch see her in the light before, and when Mitch realises her true age, and confronts her he says that he doesn't mean to be insulting "just realistic." (p.72) "I don't want realism." Blanche retorts. Here Blanche admits that she does not want to live ... Get more on HelpWriting.net ...
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  • 21. Duality In N. K. Jemisin's The Hundred Thousand Kingdoms Modern and contemporary literature of the fantasy genre relies heavily on the philosophy of the postmodern and its treatment of the metanarrative as critique. In particular, revisionist fantasy concerns itself with redressing the traditional treatment of the Other. For example, the genre trope of the protagonist as the 'chosen one' often depicts this character as different and therefore alienated, yet always in a positive light since this protagonist is necessarily above the other characters. However, a deeper and more problematic depiction of alienation exists in the characterization of certain groups as Other, with this Othering occurring distinctly because these characters are seen as alien already. Women, people of color, and ethnic or ... Show more content on Helpwriting.net ... K. Jemisin's The Hundred Thousand Kingdoms. The protagonist, Yeine, is constantly dealing with uncertainty, especially in regards to her identity. As a biracial women, she is a direct critique of fantasy norms, as well as a continuation of the novel's motif of duality. As biracial within the context of the story, as well as being somewhat androgynous, Yeine displays an ironic awareness of her unique Otherness of Self (Jemisin, 7). While the novel eventually explains this duality through the revelation that this character is literally two entities, it can also be viewed through the lens of post– modern feminism. Structurally, Jemisin's novel is characteristic of postmodernism in many ways, particularly in the use of fragmentation and a potentially unreliable narrator. In terms of feminist characterization, Yeine is a strong female character without being relegated to simply a Strong Female Character. This tired stereotype only allows women to break from the maiden/mother/martyr archetype of value and be viewed as strong in a nontraditional way, but at the cost of their femininity and emotional capacity. As either the hyper–sexualized femme fatale or the stoic warrior princess, neither version begins to accurately reflect the experience of womanhood. Jemisin's characters do not fall into this pale imitation of empowerment; Yeine is allowed both agency and emotional vulnerability. "I'm tired of being what everyone else has made me," she says at one point (Jemisin, 296). While other characters in the narrative contradict this statement, it does speak to the frustration of peoples not traditionally allowed to define their own stories. Just as Said explains that the Orientalism prevented its subject from describing itself, countless other instances of Othering have removed individuals from their own narratives. In this way, revisionist fantasy is an act of literary empowerment as it creates space for ... Get more on HelpWriting.net ...
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  • 23. Where Are You Going Where Have You Been? In the short story "Where are you going where have you been?" by Joyce Carol Oats and the song Wake Up by EDEN, the author and the artist both show the thematic concepts on how fantasies come to an end, and when reality hits, it hits hard. "Where are you going where have you been?" is a short story about a young 15 year old girl who is trying to fit in with the rest of the world, and is very preoccupied with her appearance and living in this pop cultural fantasy. Connie is always ignoring her mother 's criticism about wanting her to be more like her older sister, June, who is no longer living a life of fantasy and has her act together.. One night, a boy named Eddie invites Connie to eat dinner with him, and Connie leaves her friend at the restaurant's counter to go with him. As Connie and Eddie leave the restaurant, she sees a man in a gold convertible in the parking lot. He smiles at her and says, "Gonna get you, baby.". Connie confused, walks away quickly confused not really knowing what actually happened, and Eddie notices nothing. They spend three hours of their night at dinner, and end up going to a nearby alley living in that fantasy of being that mature woman who knows what a man wants. One day, Connie 's parents and June leave her at home to go to a family barbeque leaving her all by herself. While she was at home alone, she was listening to her radio when out of nowhere she hears a car pull up to the front of her house. Startled, she looks out of the window to see ... Get more on HelpWriting.net ...
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  • 25. Comparing The Lion, The Witch And The Wardrobe Often considered the father of fantasy novels, J.R.R. Tolkien is one of the greatest fiction writers of all time. His constructed fantasy was so elaborate and highly detailed it sometimes feels as if it could be real to the reader. Tolkien, as with many, many British men of his generation, he was on the frontlines of World War I at the impressionable age of twenty–four. His war experience, greatly impacted how he perceived humanity, war and justice, and religion and his opinions on the topic were very subtly expressed through his fictional writing, specifically The Lord of the Rings. One of J.R.R. Tolkien's colleagues, C.S. Lewis, shared a somewhat similar upbringing, a comparable experience in World War I, and shared interests in literature, ... Show more content on Helpwriting.net ... Tolkien was familiar with as an officer on the front lines of WWI. In writing The Lord of the Rings, Tolkien exemplified how many men have this internal struggle in times of war, specifically in which it can be difficult to tell good intentions from bad. In chapter ten of The Fellowship of the Ring, Boromir tries to take the ring from Frodo; in his argument he expresses good reasoning for doing so, but sinister results as he would ultimately gain power. "We of Minas Tirith have been staunch through long years of trial. We do not desire the power of Wizard–lords, only strength to defend ourselves, strength in a just cause. And behold! in our need chance brings to light the Ring of Power. It is a gift, I say; a gift to the foes of Mordor. It is mad not to use it, to use the power of the Enemy against him. The fearless, the ruthless, these alone will achieve victory. What could not Aragorn do? Or if he refuses, why not Boromir? The Ring would give me power of Command. How I would drive the hosts of Mordor, and all men would flock to my banner!" (p. ... Get more on HelpWriting.net ...
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  • 27. The Lord Of The Rings Tzvetan Todorov, the author of The Fantastic: A Structural Approach to a Literary Genre, defined fantasy as "the creation of a moment of hesitation between two worlds"(qtd. Kelly, Course Introduction 2). This description of the genre compliments J.R.R Tolkien's The Lord Of The Rings trilogy due to the author's use of sub–creation to construct his alternate world. Tolkien believed that the way to create a believable, all–encompassing world was to combine fragments of reality, or the "primary world", together to construct a new, seemingly credible "secondary world". Sub–creation, if successful, forms an alternate but parallel world to reality, "which your mind can enter. Inside it, what he relates is 'true': it accords with the laws of the ... Show more content on Helpwriting.net ... Here, Tolkien signifies that humans were moulded in the likeness of God, the ultimate creator; therefore we are able to, and should, create. This quotation highlights how his Catholic belief deeply influenced his personal philosophy, which in turn affected his writing of The Lord Of The Rings. Numerous parallels can be drawn between Christianity and the trilogy, such as that between God and The Creator Eru, who was the source of all life on Arda. Furthermore, like God, all that was created by Eru was once good, even Sauron, and it is outside forces such as power, corruption and greed that twist what is good and make it bad. Tolkien's creationist philosophy is evident and his embedded Christian messages were his attempt to reinforce his religious beliefs on a world that he felt had become too secular. It is widely known that Tolkien detested the allegorical assumptions made about his work. The author insisted that allegory was restrictive to readers and he preferred 'history, whether real or feigned'(Tolkien I, 12). As Ursula Le Guin states "fantasy is nothing but the writer's view of the world" highlighting that fact that Tolkien's life experiences heavily influenced his work (qtd Kelly, 27). Tolkien's work reflects and comments on 20th Century Western society and in doing so, enlightens his readers of a past time. In fact, this is demonstrated outright by ... Get more on HelpWriting.net ...
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  • 29. The Effect of Fantasy Fiction Our future here on this Earth is a bleak one. Our society is on a dangerous slope of promoting vanity at a rate that is ever more increasing, and thus resulting in stunted mental capacities. We are teaching the youth of today to disregard literature as a whole while we shove products and electronics down their throats. With the fast paced changes of social media, there comes a decrease in attention, which is crucial to critical thinking skills, analytical skills, and the time it takes to process information. "The Pew online survey, which polled 2,462 middle and high school teachers, 87% report that these technologies are creating "an easily distracted generation with short attention spans," and 64% say that digital technologies "do more to distract students than to help them academically."Ellen Galinsky. (n.d.). While being basically forced to remain focused on the outward image through aggressive outlets of ego and narcissism, such as Instagram for example (and this is a great example), there is this society that totally negates the importance of the mind. Though body image can be healthy in moderation, we are completely neglecting wisdom and forgetting the power of a great book that encourages our minds to flourish and practically fill to the brim with imagination. Whether we choose to want to believe it or not, we are indefinitely leaning towards a lost generation if we do not put back the importance and nourishment of the minds of our youth through the help of Fantasy ... Get more on HelpWriting.net ...
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  • 31. Vampires : More Than A Modern Fantasy Emily Fischer 5/26/16 AP World History Period 2 Vampires: More Than a Modern Fantasy When you think of vampires, do you think of Twilight, Buffy the Vampire Slayer, or Vampire Diaries? Or, do you think of ancient vampiric legends such as Lamastu, empusai, and even Vlad the Impaler? What if both modern vampire culture and the origins of vampirism were connected, not only by topic, but by relevance? Vampiric myths allow us to understand the history and those involved, as well as to relate to the present and view how current culture evolved into what it is. Although something usually thought as irrelevant and unusual, vampiric legends explain the continuity of humans to use scapegoats to explain the unknown, whether due to a lack of ... Show more content on Helpwriting.net ... She spread terror through villages, but was actually the cause of lack of medical knowledge. When miscarriages or Sudden Infant Death Syndrome (SIDS) occurred, ancient peoples did not understand, and therefore drew their own conclusions, conclusions that would help satisfy not only their lack of technology but also their misunderstanding of the world. Similarly, in ancient Greece, a myth of a demoness named Lamia was widespread. This legend originated from Greek gods and goddesses, for it was said that Lamia was originally a mistress of Zeus. Motivated by jealousy, Hera drove the poor lover insane, causing her to eat all of her 5 children. Once awoken from her daze, Lamia soon realized what she had done and transformed into a half–snake monster, cursed to eat human children and fetuses due to the jealousy she felt for their mothers. Additionally, a related myth sprouted among ancient Hebrew texts about a demoness named Lilith. According to the texts, Lilith, not Eve, was the wife of Adam, but left the Garden of Eden due to her disagreeance of God's will for woman to be inferior to man. God sent angels after her, but she refused to enter Eden again, so the angels said they would kill 100 of Lilith's children every single day until she came back to Eden. Lilith therefore swore to forever kidnap and devour human children, turning into a hideous monster. All three of these legends described the ... Get more on HelpWriting.net ...
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  • 33. Summary Of Le Guin's The Child And The Shadow In 1975, fantasy author Ursula K. Le Guin delivered a lecture discussing a Hans Christian Andersen fairy tale she remembered from childhood. In this story, a man burdened by cowardice could not gather the courage to visit the house of the pretty woman that lived across the street. His shadow; his dark desires and guilty pleasures, wanted the man to go across the street. Yet, the man did not want to for he was afraid, this fear caused him to tell the shadow to leave. Thus, the shadow left. The shadow goes on to explore the house of the pretty woman, and accordingly strays unaccompanied and unattended through the world. Years later, the man and the shadow reconnect. The man discovers that his actions have now caused his shadow to become his "master", and missing that part of himself, the man is executed. Le Guin uses this dark tale in combination with Jungian psychology and Daoism philosophy to illustrate that a person and their shadow must interact and coexist with each other to survive. Without this balance, life will be impossible. Throughout "The Child and the Shadow", Le Guin makes eloquent points about the importance of a person's shadow, Carl Jung's archetypes in relation to the shadow, and how fantasy novels help children adapt to the traumatic events of reality. In Hans Christian Andersen's fairy tale, the man is executed. The man had rid himself of his shadow, attempting to hide the flaws that were lurking inside. For, in the words of Le Guin, "The shadow is the ... Get more on HelpWriting.net ...
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  • 35. Essay On C. S. Lewis The Lion The Witch And The Wardrobe Fantasy is, in some cases, the best way to comprehend reality. Most often, authors take their readers to this state of mind by creating fictional worlds in their books. When writing his novels, author C.S. Lewis used the fictional and mythological aspect of his stories to display a deeper meaning during the struggles of his time era: The Interwar Period. At this time in history, Lewis did what most would think to be a challenging and almost impossible task; he brought joy and life to the sorrows and death of the war. Clive Staples Lewis was born on November 29, 1898 in Belfast, Ireland. "[He] lived through the anxieties of the Battle of Britain, when England stood alone against Nazi Germany and it seemed that civilization would be destroyed" ... Show more content on Helpwriting.net ... The storyline of his novel not only presents a captivating fantasy, but also displays themes of Christianity through various characters. C.S. Lewis was inspired to write this book through his own imagination. "An image popped into his mind of a faun–a mythical creature with parcels in a snowy wood" (Kirk 6). "The series, which describes the conflicts between good and evil that occur in the kingdom of Narnia, is unified by Aslan, a noble lion, which is the form in which the Son of God usually appears in Narnia" ("C.S. Lewis"). The Chronicles of Narnia series was not instantly famous because of its religious aspect, but later on the book gradually became one of the most popular novels ever read. Lewis inspired not only the readers of his books, but also other authors in their works. "But [sic] his purpose was not simply to divert readers with fantasy. Rather, Lewis wanted to return his readers to reality equipped with new images and metaphors that would help them find magic in their own lives" (Kirk 6). After undergoing a spiritual awakening in his own life, Lewis used his works to spread the gospel and to create intriguing stories for all of his ... Get more on HelpWriting.net ...
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  • 37. The Effects Of Fairy Tales When thinking about fairy tales many of us, if not all of us, revert back to childhood. When we were children some of the best memories are those of the movies we used to watch; Cinderella, Sleeping Beauty, Snow White, The Frog Prince, things of those sorts. What many of us do not know is that fairy tales go back farther than that of Disney's productions. In this course, we have been learning about different views of fairy tales. One of the views that we have focused a lot on is told by Bruno Bettelheim in his book, The Uses of Enchantment. In his eyes fairy tales have the most effect on children and the way children grow up. The second view that we have learned about is J.R.R Tolkien's in his essay, "On Fairy Stories". Tolkien claims that ... Show more content on Helpwriting.net ... Tolkien first states that recovery includes return and renewal of health. "[Recovery] is a re–gaining– regaining of a clear view." (Tolkien, J.R.R (1947 ed.) p.19) By this Tolkien means that recovery is not seeing the world for what it is but rediscovery of the banal, of the day–to–day world. Recovery is seeing things in a different light, and that is what fairy tales help to do. Fairy tales take the everyday world that we live and paint them in a light that allows us to offset what is going on in our world today, or to restore the visions that we have of our lives. He even relates this theory of recovery to himself in the quote "For the story–maker who allows himself to be "free with" Nature can be her lover not her slave. It was in fairy–stories that I first divined the potency of the words, and the wonder of the things, such as stone, and wood, and iron; tree and grass; house and fire; bread and wine. (Tolkien, J.R.R (1947 ed.) p.20). I agree strongly with this in the sense that without these stories of fantasy how are we ever going to recover and see our world as great again with all the bad that happens. Children are not to be concerned with the horrors of the world as adults ... Get more on HelpWriting.net ...
  • 38.
  • 39. Case Study Of Folklore, Myths And Fantasy Fairytale, Folklore, Myths and Fantasy: A Case Study based on JK Rowling's Harry Potter series Abstract Fantasy is a genre of literature which gives flexibility and scope to the writers to explore their thoughts. Fantasy depends upon the imagination and creativity of the writer. We can define fantasy as a genre of literature that is far removed from reality, set in a world beyond our thinking such as house on moon or any other planet, a place in the middle of ocean etc. The characters of fantasy are often uncanny means these are non human creatures such as elfs, werewolves, giants, trolls, dragons. Many fantasy stories include the elements of folklore and based upon the ancient or cultural myths of the particular age or dynasty. This article ... Show more content on Helpwriting.net ... We can say that myth plays an important role in constructing the plot of the fantasy work. Myth means ideas, thoughts, and images that have the relationship with folklores, fairy tales, spiritual stories, stories of Gods and legends. Donna Rosenberg has expressed her thoughts on myths in her introduction to the World Mythology, " Myths symbolize human experience and embody the spiritual values of a culture....Some explain origins, natural phenomenon, and death; others describe the nature and function of divinities; while still others provide models of virtuous behaviour by relating the adventures of the heroes or the misfortunes of arrogant humans.(xv) Myths and folklores have a broad range of functions in fantasy literature. In his article ' Folklore and Fantastic Literature,' C.W. Sullivan III mentions the functions of myth that is particularly important to second world, or high fantasy. J.R.R. Tolkien has made a great use of fantasy in his On Fairy–Stories. It is not easy for one to think fantasy literature without taking into consideration the fairytale. Max Luthi states that "The fairytale is a universe in miniature."(25) Fantasy is a very creative art which requires skills and perfection otherwise it would convey adverse effect. Tolkien thinks that "fantasy is not a lower but a higher form of art, indeed nearly the most pure form, and so (when achieved) the most potent."(On Fairy–Stories 45) When creating a fantasy, writer uses it as an art and takes the fantasy very seriously. Fantasy must not to be made fun of, in doing so it loses its power and ... Get more on HelpWriting.net ...
  • 40.
  • 41. Why American Fear Of Dragon Analysis Le Guin was an American novelist, about children's books, and short stories, mainly in the genres of fantasy and science fiction. Throughout her life, she wrote so many stories with different topics. She is recognized by modern critics as one of the most innovative writers of her generation. Also, she becomes interested in literature quite early. Based on the story "Why Americans Fear of Dragons" is a rather straightforward story about an American who lived in the places where it called "Imagining". There are several things that make America people very curious in the past ten years where they try to get the books in the library for children called "The Hobbit", but they was scary while they see a big Dragon. Guin is the author of novels but is best known for short stories such as Why American Fear of Dragons and The Language of the Night. Therefore, I agree American people afraid dragon by many different forms such as fantasy, religions, and sexual in life. According to this story "Why Americans Fear dragon" by Le Guin is a short story fiction about the dragons and the villains and myth that ... Show more content on Helpwriting.net ... It not only for American who are really fear about the dragon and that including other countries in the world like French and Germany. On the other hand, "Why American Fear of Dragons" is not only a short story but is also a study for human behavior when under the influence of paranoid and fear in life. This story of Le Guin uses a word simply called a dragon to show for everyone in the world known about how fear in life. In addition, Guin discussed inner fears in each person that existing was happening in reality and life. They will bring to each other to believe in yourself, happy, and fantasy known more about new things in this story like a "Dragons" or "Mad Cow Motorcycle" for a new life. In general, "Afraid or Fantasy" are the most important for every children and adult in this fiction ... Get more on HelpWriting.net ...
  • 42.
  • 43. Theme Of Stanley In A Streetcar Named Desire In 'A Streetcar Named Desire', the characters of Blanche and Stanley are presented as opposing characters in the book, and hence a lot of conflict and friction occurs between them. The character of Blanche is an older character, from a rather wealthy background and lives in a fantasy world in which she is still young and hasn't faced the truth. The character of Stanley, however, is a more realistic and primitive character and can be viewed as Blanche's opposite. Throughout the play, there is a constant battle between Blanche and Stanley for Stella. This is shown at the beginning of the play when Blanche disapproves of Stella's home and what she is dressed in, which to Stanley on the other hand seems completely normal and fine. "Blanche: Why, ... Show more content on Helpwriting.net ... Stanley is shown as the reality of the modern society in that time, where Blanche believes that she is still young and beautiful, and that all men adore her. Approaching the end of the play, in scene 10, the idea of Blanche's fantasy is very clearly shown to the audience "[She is now placing the rhinestone tiara on her head before the mirror of the dressing table and murmuring excitedly as if to a group of spectral admirers]". The word choice of 'murmuring' shows to the audience that she doesn't know exactly what she is saying or thinking giving the effect that she is insane, not just messing around. This leads to further conflict in this scene as Stanley walks in and begins to pick apart Blanche's lies and stories she has told him about the millionaire. After Stanley has done with eating away at Blanche's tales, he proceeds to rape her. The stage direction "[...as he waits between BLANCHE and the outer door. The barley audible 'blue piano' begins to drum louder. The sounds of it turns into the roar of an approaching locomotive.]". This quote shows the increase of power that Stanley has over Blanche. The blue piano symbolises Blanche and her fantasy world, but as the locomotive approaches it overcomes the sound of the blue piano. The locomotive shows the real, cruel world Stanley lives ... Get more on HelpWriting.net ...
  • 44.
  • 45. How Did J. R. Tolkien Use European Mythology? This paper seeks to highlight the various mythologies used as source material by J.R.R. Tolkien, and how he attempts to create a mythology of his own through using various aspects from the myths and epics he studied. His desire to create a new and inventive mythology led to borrowing heavily from the myths and epics of Europe. This paper will show that through using the basis of other mythologies and epics, Tolkien creates an understandable and accessible mythology for his books. Throughout his writings, Tolkien weaves in various objects, aspects, and storylines from myth in order to provide readers with an understandable fantasy realm, while also providing a look at how these aspects can mesh together in a unique and fresh way. His use of ... Show more content on Helpwriting.net ... The sources considered for this paper will come from a range of databases that are either multi– subject or specialize in literature. Some of the databases that have already shown to have articles to consider are Academic Search Premier, JSTOR, Literary Reference Center, and Project Muse. Other databases that have proven to have a mixture of both books and articles are the MLA International Bibliography and ebrary. These databases have various articles and books on the topic of J.R.R. Tolkien and his mythology as well as information on the myths that have inspired his writings. The current research plan for the paper is as follows, first, search for the myths that inspired Tolkien; second, search for the different things that were evidently taken from these myths; and third what things were unique to Tolkien's mythology. When looking beyond the databases, there has proven to be a plethora of books on the topic of Tolkien's mythology and some prove to be more useful than others when investigating the topic of this paper. Some of these books are The Making of Middle– Earth: A New Look Inside the World of J.R.R. Tolkien by Christopher Snyder, The Magical Worlds of Lord of the Rings: The Amazing Myths, Legends, and Facts Behind the Masterpiece by David Colbert, and Tolkien and the Invention of Myth: A Reader edited by Jane Chance. These books have provided both a good ... Get more on HelpWriting.net ...
  • 46.
  • 47. Our Fantasies Can Be More Powerful than the Universally... Whether fantasy can be more powerful than the universally accepted version of 'reality' is debatable. Phillip Dick had once claimed, 'reality is that which, when you stop believing in it, doesn't go away,' suggesting the existence of things that are fundamentally and inevitably real. Conversely, Albert Einstein's proposal that reality itself is 'merely an illusion, albeit a very persistent one,' also seems valid. Perhaps then, the extent to which fantasy can take precedence over any objective truth depends on one's willingness to self–delude and construct their ideal world. And only when accepted by others or the need to feel in control of our lives is prominent, can it become almost real and conquer. It is true that the world we inhabit presents to us many situations from which there is no physical escape. Where these lie on the scale of 'bad to good' depends on our unique circumstances and of course, how we perceive it to be. Our initial reality is set out for us, the time–frame and place of upbringing, culture, social class and gender being unchangeable factors. Similarly, there is a common acknowledgement of things that are essentially 'real,' those we can objectively sense. In a Streetcar Named Desire, Stella has assumed the submissive role as Stanley's wife, required to constantly tolerate his volatile nature, cater for his sexual needs and support his every decision. This is her unusual reality. Although at times she appears to get by through optimism, 'he was as good ... Get more on HelpWriting.net ...
  • 48.
  • 49. Bilbo's Use Of Escapism In The Hobbit Everyone has to grow up at some point in their lives. Some people mature faster than others and some take their entire lives to mature emotionally and intellectually. Modern fantasy today takes an especial interest in growth. Examples of this interest include J.K. Rowling's Harry Potter series and J.R.R. Tolkien's The Lord of the Rings trilogy as well as his 1937 introductory, The Hobbit. Characters within these books grow up emotionally and mentally through the course of events within the novels and series. Audiences of these books are able to grow with the characters as well, through escapism. Critics of modern fantasy and escapism, like Kurt Lancaster in his 2001 essay, Why Fantasy 'Rings' True also acknowledge the personal growth that the ... Show more content on Helpwriting.net ... Escapism lets the audience tackle the question of morality in a way that they might not be able to do in the real world. Tolkien proposes the moral choice through Bilbo's confrontation with Gollum, who stands in Bilbo's way to freedom out of the mountain even though Bilbo has a weapon and is invisible (The Hobbit 81). Tolkien's use of Bilbo demonstrates Lancaster's idea, "...fantasy is just escapism. But it's also about the search for truth and for our place in the world..." (9). Bilbo's moral choice is difficult because of his desire to escape the mountain and the goblins. Bilbo has some clear advantages over Gollum, which would make it easy for him to kill Gollum. However, Bilbo still takes the time to step back and demonstrates what he is thinking and discloses to the audience the reasoning for his moral choice. Bilbo thinks how Gollum never actually says he was going to kill Bilbo. All Gollum has been up to this point is intensely dislikeable and a bully to Bilbo. However, does that really give Bilbo the right to just kill him? Does that give the audience the right to kill Gollum? Bilbo's step back and choice teaches the audience the truth that no, no one has the right to just end another's life like that. Bilbo's choice also demonstrates how he has found his place in the world morally and likewise the audience's place should always be the moral high ground. While the moral choice is difficult for Bilbo to make, Bilbo still knows it is important for him as a person to make because he is better than Gollum and the goblins and other evil creatures he faces. The entire scene teaches the audience that they too should always make the moral decision because of the reason Bilbo gives and that there is always another way around a difficult situation with moral implications. Through escapism, the audience is allowed to journey ... Get more on HelpWriting.net ...
  • 50.
  • 51. Impact Of The Fairy World In A Midsummer Night's Dream The impact of the fairy world in a midsummer night's dream The word "magic" can be defined as: "the power of apparently influencing the course of events by using mysterious or supernatural forces." Such magic can be seen in Shakespeare's A Midsummer night's dream. Oberon, the king of fairies, fights with his wife Titania, the fairy queen, over a small Indian boy whom she protects. Oberon's quarrel causes a disturbance in the natural order of the world because of the magic, however one could say that the natural order of the world was really being shaken by the defiance of the woman in the play since Titania and Hermia's defiance to the men in their life causes the plot to take action. Oberon devises a plan in which he plans on enchanting Titania with the "western flower,/ Before milk–white, now purple with love's wound,/ And the maidens call it love–in–idleness" (Shakespeare 2.1.166–168). This magical flower is also used ... Show more content on Helpwriting.net ... 9–19) This shows that "The fairies guard Titania from harm, though their song does not prevent Oberon from placing a spell on the fairy queen" (Ciraulo). In mythology, greek gods and spirits are known for playing tricks on each other to get what they want and Oberon is no exception. He is furious not only because he is not getting his way, but even more so because Titania, his wife, is defying him. In this time period, woman did not have the same authority and voice that a man would, so Titania defying her husband's will was unacceptable to Oberon. His dispute against her causes "rheumatic diseases" and "through this distemperature we see/ The seasons alter," shaking the human world even more with his magic (Shakespeare 2.1.105–107). "Titania's behavior in defying her husband surely makes her culpable in early modern terms, and her near–bestial affair comes as punishment for such defiance" (Clement). Oberon's plan is to teach her a lesson by humiliating her, achieving this by having her sleep and fall in love with ... Get more on HelpWriting.net ...
  • 52.
  • 53. Theme Of Fantasy In A Streetcar Named Desire Brianna Blackwell Mrs. Owens English 1102 9 February 2018 Fantasy Cannot Overcome Reality Within "A Streetcar Named Desire" "A Streetcar Named Desire" by Tennessee Williams, is based around a woman named Blanche who faces a series of losses and leaves her background to seek refuge with her sister, Stella, in New Orleans. Blanche uses the world of fantasy to escape the harsh reality of her past as it seems to come back to haunt her in her new life in New Orleans. Stella's husband, Stanley, finds out the truth about Blanche's past and confronts her about it, triggering her to attempt to fall deeper into her fantasies and withdraw reality. Blanche's inability to leave the fantasy world is what brings her to insanity because of how she cannot ... Show more content on Helpwriting.net ... This is from how it impacts the characters and how it exposes characteristics of them throughout the story. Along with exposing the good and evil within each character and who has a bigger impact on the plot of the story. This theme also impacts certain actions within the story as well as amplify important actions within the story that readers should focus on when reading the play. Even though there are many themes throughout the play "A Streetcar Named Desire," this theme is one that is well developed within the story and is one that should be taken from the story when one reads the ... Get more on HelpWriting.net ...
  • 54.
  • 55. The Lord Of The Rings People are always looking for good ways to entertain themselves. Over the past few hundred years, several art forms have become a commonplace in society, such as plays, music, drawings, books, and, more recently, movies. Books and movies are two that have stomped their way into society with no remorse. They have been great ways to express people's opinions, make social statements, and most importantly, entertain audiences. Both of these have had a profound effect on the world, whether it be through changing a way of life or just by making time pass for a few hours. Certain books and movies have played great roles in the world and had many influences. The Lord of the Rings has had a massively positive effect on both literature and film. Its creation has led to many positives and in doing so has become one of the most influential stories ever created. It has also led to some major impacts outside of literature and the film industry as well. Fantasy books have been around for a long time; however, the fantasy that people think of today has only been around for close to a century. Modern fantasy can very much be credited to J.R.R. Tolkien and his Lord of the Rings book series. According to author Katie Behrens' article "Myth, Fairy Tales, & Children: A Brief History of Fantasy", The Lord of the Rings has had a profound effect on shaping fantasy into what it is today. She states in her article that the fantasy genre began with classics from mythology as they explored tales of ... Get more on HelpWriting.net ...
  • 56.
  • 57. Dreaming with Lolita Essays Dreaming with Lolita What world are you living in? Over the past hundreds of years psychologists have been studying the functions of the human mind. It is a task that seems to prolong as information and new methods arrive. What makes us dream or imagine things? The fact that we have dreams and ambitions in life strives us to believe through imagining and dreaming that we will eventually get a break in life. Lolita, by Vladimir Nabokov, is a novel that characterizes these types of situations. It implies similarity in plot and theme between Lolita and certain fairy tales. Furthermore, Nabokov implies the folk characterization in Lolita to show the paradoxical relationship of art and reality thus showing how real life people live out the ... Show more content on Helpwriting.net ... Humbert portrays Charlotte as an obstacle and wishes, "for some terrific disaster" where Charlotte is, "instantly and permanently eliminated" (Nabokov 55). Humbert shows his deep disgust towards her by calling her many different nasty things throughout the novel. For example, Humbert refers to Charlotte as, "The Haze women (Nabokov 47), the "old cat" p. (Nabokov 49), and the "detested mamma" (Nabokov 51). Humbert also states that Charlotte, "was to me but and obstacle" In addition to this parallel, Charlotte, like the evil fairy mothers and stepmothers in "Cinderella" and "Snow White" hated her daughter" (Jones 70). Another interesting parallel also deals with Charlotte and the Queen or stepdaughter in "Snow White." Both of these characters are in competition with their daughters and stepdaughters for the attention of the male. In Lolita, Humbert, "overhears Charlotte and Lolita fighting over him" (Jones 69). He states that he heard, "a great banging of door and other sounds coming from quaking caverns where the two rivals were having a ripping row" (Nabokov 55). As for in "Snow White," the Queen constantly asks in the mirror "who is the fairer of them all, herself or her daughter" (Jones 69). In addition, both Charlotte and the Queen as a result of their jealousy towards their daughters opt to send them out to the wilderness. Nabokov's characterization of Charlotte as the jealous mother serves a purpose. "Initially, it makes the characters and actions ... Get more on HelpWriting.net ...
  • 58.
  • 59. A Street Car Named Desire Analysis In Tennessee Williams "A Street Car Named Desire" the illusions of fantasy inability to overcome reality have allowed an individual to cope with doubtful experiences in need to escape is evident through the character Blanche. Blanche conflict leads her to act upon promiscuous activities in need to fulfil her desire to cure her loneliness but instead, she neglected her morals and became a social outcast. I have chosen to illustrate images in my comic based on Scene 5 to present the internal conflict in Blanche character. The tension between fantasy and reality centres on Blanche's relationship with other characters and the world around her. In addition, this scene further conveys Blanche ideal of creating a better impression through her delusional self–created "temporary magic", which is, undermine through Blanche turn to alcohol to escape from distressing situations. The idea of fantasy inability to overcome reality is depicted through the visual techniques salience and contrast in the comic. A clear example of the technique of contrasts used is depicted through Blanche and Stella laughing about fabricated stories written in the letter by Blanche to Shep in frame 1. This is evident as Blanche mentions in the letter that "there has been a continued round of entertainments, teas, cocktails and luncheons". In addition, the recurrence of the idea of female dependence on a male for security is prevalent as Shep is another male figure that Blanche is appealed to. The use of ... Get more on HelpWriting.net ...
  • 60.
  • 61. The Hobbit Research Paper "In a hole in the ground there lived a Hobbit" (Tolkien 1). These are the opening words to one of the most famous fantasy tales in history – The Hobbit, the first of J.R.R. Tolkien's many works, and the introduction to the fantastic world known as Middle Earth. The Hobbit was a revolution of fantasy, and sparked an interest in fantasy not widely seen since the days of myths and legends. This spark – this revolution– brought forth not only its sequel, The Lord of the Rings, but also such famous works as Robert Jordan and Brandon Sanderson's The Wheel of Time series. Fantasy is defined by its presence of magic or adventure in an otherworldly setting ("Fantasy," def. 1.4). Fantasy was once condemned as childish and relegated to be read by women and children (Flanagan). Even today, one will find that fantasy, from a business perspective, is most often consumed by children, whether by design or coincidence, and is one of the primary influences in developmental life. Richard Dawkins argues that fantasy instills a belief in the supernatural from an early period in one's life, and ... Show more content on Helpwriting.net ... Dawkins, author of The God Delusion and an incredibly outspoken atheist, believes that fantasy has merits in cognitive development, but overall, wonders if it may be detrimental in the stages of early childhood. Monica Kim argues, largely in relation to virtual escapism, but relevant nonetheless, that eventually escapism grows to a point where it is unhealthy and obsessive, especially when it becomes a forefront to social interaction – when the reader becomes a bookworm, one might say. Ultimately this is all up to the self control of the reader; fantasy is not to blame for these issues, but rather the reader and his or her own desire and lack of self–control over the situation in which he or she currently ... Get more on HelpWriting.net ...
  • 62.
  • 63. The Opening Scenes of Harry Potter and the Philosopher's... The Opening Scenes of Harry Potter and the Philosopher's Stone and The Lord of the Rings: The Fellowship of the Ring In recent years the fantasy genre has undergone a huge revival. Whereas it was once reserved for children's books of fairy tales, fantasy in both literature and film alike is increasingly becoming a more mainstream genre, enjoyed by people of all kinds. ==================================================================== Fantasy films are probably the most frequently stereotyped genre of all. They tend to involve things such as Dark Lords, magicians, quests and otherworldly creatures. But only when all these are believably portrayed are they interesting films. Fantasy films that ... Show more content on Helpwriting.net ... Fantasy films have the element of surprise– the viewer can never predict exactly what is going to happen next. Although 'The Lord of the Rings: The Fellowship of the Ring' uses this traditional stereotype (and don't forget, it was the tale that set the stereotypes!) 'Harry Potter and the Philosopher's Stone' begins in a nice row of thoroughly modern little terraced houses with neat little lawns and cars in every driveway. The scene is set during the night and everything is very quiet. The street lights provide a misty feel to the place– until an old man (whom we have just watched walking down the road) rather dramatically puts most of them out using a small device not entirely unlike an ornately carved lighter, thus providing an ethereal glow for the ensuing conversation. The most immediate questions that spring to mind are 'What is that 'Put–Outer?' 'Why on earth would the man want to put the street lamps out?' and 'What exactly is this eccentric–looking old man doing in a nice, normal place like this Privet Drive anyway?' This last question was definitely intended by the producers of the film, as throughout the opening scene the film makes comparisons between the typical objects and behaviour expected, and those shown in this scene. The opening to 'The Fellowship of the Ring' does not, strictly speaking, actually have a setting. It is comprised mostly of ... Get more on HelpWriting.net ...
  • 64.
  • 65. Chapter 6 Research Paper Magic, sorcery, the transformation of one thing into another and everything in between, as well as the fantasy in it, has been the driving force behind many great myths, both ancient and modern. But when the topics of magic, fantasy and medievalism are brought into discussion together, it is clear that it has a very sordid past. In the Middle Ages, magic and the fantastical outside of the Bible were highly frowned upon and seen to be the work of the devil or his minions. And pretty soon the Catholic Church and the hierarchy thereof got it into their heads that all females were either a witch or a warlock, and thereby practiced devil worship. But as the great scientists and their work took prominence in the Middle Ages, the hold of the Catholic ... Show more content on Helpwriting.net ... Even though the modern society hangs mostly in the balances of commerce, money, power, and the combined strength of technology and science, there are still great numbers of people who turn to tales of magic and wonder as an escape from the mundane existence in which their lives are led. In the late nineties, a young boy wizard by the name of Harry James Potter was first read about and proved to be a major catalyst in getting the world reading again, and getting the world to fall in love with something together; these two statements prove the power of the imagination has and still has a powerful influence on the world today and will continue to do so for a great amount of ... Get more on HelpWriting.net ...
  • 66.
  • 67. Essay on Sir Gawain and the Green Knight as Modern Fantasy Sir Gawain and the Green Knight as Modern Fantasy Sir Gawain and the Green Knight, written by an unknown author in the 14th century, can be called a timeless work of poetry. It exudes a certain fantastic quality that, despite its age of over 500 years, still appeals to modern audiences. Because of this application to all eras, would it be reasonable to state that this poem could be classified with modern fantasy fiction? Because of the similarities in plot and style with so much modern fantasy, Sir Gawain and the Green Knight could be placed in the same category with that genre, though the uses of doing so are questionable. In plot, Sir Gawain and the Green Knight has elements which are similar to much modern ... Show more content on Helpwriting.net ... From when the Green Knight is beheaded and proceeds to pick up his head, give a wicked grin, and say essentially, "I'll see you in a year," (ll. 423–456) it is clear that magic will play in integral part in the narrative. The confirmation of enchantment by Morgan le Faye (ll. 2446–2462) finishes the plot as it began it: in a state of magical unreality. Such enchantment is typical of modern fantasy, particularly from writers of modern fairy tales. Indeed, Ellen Datlow and Terri Windling have essentially made their careers editing compilations of these tales, such as the popular Snow White, Blood Red and its several follow–ups. To increase the fairy–tale style feel of the story, the Green Knight is called an elf (ll. 680, 2461) and faery. (l. 240) There is clear indication that this can easily be called a fairy tale. Stylistically, the visual and concrete nature of the poem lends itself to modern comparison as well. The delightful accounts of the changing of the seasons are in part to indicate the passage of time, but also add mood to the whole of the piece. Present–day fantasy writer Patricia McKillip has been critically lauded for "lush imagery" and stories described as "atmospheric... and filled with rich imagery." Clearly the descriptions are an important part of the style that makes modern ... Get more on HelpWriting.net ...
  • 68.
  • 69. Analysis Of The Movie ' Beauty And The Beast ' Twenty–six years ago, children were mystified by the story of a bookworm girl and her journey that found her true love. Beauty and the Beast captured the hearts of many and grew into a staple Disney movie. It follows Belle–a beautiful, but misunderstood young adult. After she found her way to a fantastical castle, her world changed completely. The original movie caused many children and adults to connect and find themselves within the characters. Consequently, they decided to make a live action version of the film a quarter of a century later. Bill Condon, the director of the 2017 film, added dimension to the characters by further explaining their backgrounds. Facts about Belle's mom and the Beast's family brought new sides that the 1991 ... Show more content on Helpwriting.net ... Additionally, the movie allows other lessons such as telling people that they should dare to be different and that they should love to learn. Maurice, Belle's father, and Belle show that being different should be celebrated by their new, fascinating inventions that they always make. Also, Belle and Beast show that learning is important when they go through the library and discuss their favorite books. However, some people may not believe that Beauty and the Beast gives out the best morals. For some people, Gaston's actions may cause negative feelings for the movie. Gaston's actions are unforgivable and narcissistic, but they are for a greater purpose. Having Gaston in the movie allows for the Beast to have an antithesis. Beast is beautiful on the inside and hideous on the outside, yet Gaston's elegant features are overshadowed by his unsightly heart. While Gaston is a bad character and should not be a role model, he helps portray the incredible message that the finest beauty is from someone's brain and heart. As well as having a teachable lesson, family films usually need to have a wide range of subgenres. Family movies, as a whole, encompass a wide variety of movies. For example, The Wizard of Oz is seen as a family movie, but it also falls into the adventure and fantasy genres (Dirks). Beauty and the Beast is similar in the way that it also has two other genres it falls under: musical and fantasy. From the start of the movie to ... Get more on HelpWriting.net ...
  • 70.
  • 71. The Fellowship of the Ring Response Essay The Lord of the Rings: The Fellowship of the Ring Reader Response The novel The Fellowship of the Ring by J.R.R Tolkien is set in a fanciful world filled with strange creatures and magical happenings, but not everything is so unlike our world. Many of the characters change over the course of the story, just as we do over the course of our lives. Frodo, the main character and the carrier of the magical ring, is part of the mythical race of Hobbits, yet he is remarkably human. He has the same values as we do, and his small size hides his big heart. His journey throughout the novel changes his life and his outlook on life. In the beginning he is content with his quiet life, and his voyage leaves him lusting after adventure. Of all ... Show more content on Helpwriting.net ... However the women wear their hair down and the men wear fancy embroidered vests, which suggests much later in time. I like novels with no set time, because they let me imagine what I want. The Fellowship of the Ring has a lot of background information and long words. Tolkien does this in all of his writing. I disliked all the landscape in the beginning, but I grew to be thankful for the extra description as the novel went on. Tolkien's world is complicated, with many mountain ranges, plains, deserts, jungles, and forests, and the rich description helps to keep them straight and also helps the reader imagine the world of Middle–Earth. Generally fantasy books that are written for children have less information and more action, but not this one. This book is written with many long and occasionally some made–up words. The names, for example the name Galadriel, are made of odd letters and have strange pronunciations, yet all fit the characters to a tee. The Elvish language made by the author flows off the tongue of the reader, and is a pleasure to say aloud. The book may seem dense to a reader who prefers fast–paced action, yet the description and the rich language simply enhance the plotline. Tolkien wrote his novels as bedtime stories for his young children. When they were first published, they were sold solely as children's novels. Over the years, however, The Fellowship of the Ring has become a classic read by all ages. How does ... Get more on HelpWriting.net ...
  • 72.
  • 73. Comparing The Tell-Tale Heart And The Monkey's Paw What is a horror genre? What is the horror genre about? What do you wont to know about the horror genre? The Tell–Tale Heart and The Monkey's Paw are entertaining short stories that meet the criteria to be categorized in the horror genre because contain fear , scary, horror. What is the horror genre? It's impossible to say how first the idea enterd my brains ; but once coneived it hunted me day in night. I was never kinder , to the old man them during the whole week I killed him. Father and son were at a chess ; the fomer who possessed idea about the game in volving radical changes. When I had walked along time , very patiently with out hearing him lay down. And what is there special about it. The ... Get more on HelpWriting.net ...
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  • 75. The End Of A Mind Insane, Fantasy And Reality Are The Same Tom Araya sings, "In the depths of a mind insane, fantasy and reality are the same". The power that fantasy and reality have in human life is undeniably large. The novel The End of Alice by A.M. Homes is a story narrated by a man in jail who claims that he had been sexually abused by his mother early on in his childhood, engaged in sexual relationships with various young girls in his adult years, and conversed with a seemingly pedophilic 19 year–old girl while in prison. Through the scarring sexual abuse by his mother and her unexpected suicide, Chappy developed a distorted outlook on life, ultimately leading him into a world where his fantasies created the potential for some of the scariest realities. The fantasies in which the reader is subjected to come simply from Chappy's thoughts alone. These thoughts often evoke feelings of horror and trauma, and leave the reader with an ultimate revelation: one's fantasies are what create reality. The entirety of the book aims to focus on the disgusting possibilities that human beings have the ability to create and bring into the world. When one realizes this, it adds meaning to what Homes is trying to convey. A.M Homes writes The End of Alice to display to her readers the scary reality that could be created when one acts upon their fantasies. A.M. Homes accentuates her point of fantasy influencing reality through very graphic stories that Chappy relays to the reader. One event that Homes uses to show how horrible actions that ... Get more on HelpWriting.net ...
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  • 77. Analysis Of ' The Apocalyptic Destruction Of The Human Race ' Zombie texts have been a longstanding subgenre of fantasy. Often gory and with elements of horror, the apocalyptic destruction of the human race brought about by some form of virus is consumed by many and is reoccurring in popular culture. It is often questioned why we find such enjoyment in a text that depicts such horrors. The answer is in the role fantasy plays, which is a fulfillment of a wish, a way to depict our explicit desires in a licit way, and to provide a screen for us to do this. World War Z (WWZ) adheres to these fantasy elements whilst also highlighting the mediation between duty and pleasure. The scene that has been selected for analysis is one where hero Gerry Lane is fleeing with his family up the stairs of an apartment complex to meet the helicopter that is coming to save them, all whilst fighting off a horde of zombies. This scene is tense, fast–paced, and shows our hero fulfilling his expected role and the desires of the viewers. The scene begins with Gerry and his family ready to flee to the roof. The shot is filled with flickering red light, red being a common symbol for danger, whilst the flickering provides uncertainty and fear. These shots set the scene for the impending horror. Gerry's wife asks him, "How do we know they're coming?" to which he replies, "They're coming." From the start, Gerry is the all–knowing, calm, collected hero. He is the protector who takes the lead. As the main character, he is the person the audience sees themselves as ... Get more on HelpWriting.net ...