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Hardy set his "Novels of Character and Environment," as he did most of his other novels, poems and short stories, around the market town of Dorchester ('Casterbridge'), near his boyhood home at Bockhampton, on the edge of 'Egdon' Heath. Although both Anthony Trollope (1815-82) and George Eliot (1819-80) had used similar settings in their novels, Hardy's rural backdrop is neither romantic nor idealized. From the publication of his first novels Hardy's critics accused him of being overly pessimistic about humanity's place in the scheme of things. In all his fiction, chance is the incarnation of the blind forces controlling human destiny," as Lord David Cecil remarks in Hardy the Novelist, p. 24-30. Ironically the blind forces of 'Hap' seem to favour certain characters while they relentlessly pursue those who deserve better, such as Tess, as well as those whose ends we might regard as proof of Nemesis or Poetic Justice (Sergeant Troy in Far from the Madding Crowd , Lucetta in The Mayor of Casterbridge , and Alec in Tess of the d'Urbervilles ). An entry in Hardy's notebook dated April 1878 gives us a clue to the guiding principle behind his fiction: A Plot, or Tragedy, should arise from the gradual closing in of a situation that comes of ordinary human passions, prejudices, and ambitions, by reason of the characters taking no trouble to ward off the disastrous events produced by the said passions, prejudices, and ambitions.
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Hardy set his "Novels of Character and Environment," as he did most of his other novels, poems and short stories, around the market town of Dorchester ('Casterbridge'), near his boyhood home at Bockhampton, on the edge of 'Egdon' Heath. Although both Anthony Trollope (1815-82) and George Eliot (1819-80) had used similar settings in their novels, Hardy's rural backdrop is neither romantic nor idealized. From the publication of his first novels Hardy's critics accused him of being overly pessimistic about humanity's place in the scheme of things. In all his fiction, chance is the incarnation of the blind forces controlling human destiny," as Lord David Cecil remarks in Hardy the Novelist, p. 24-30. Ironically the blind forces of 'Hap' seem to favour certain characters while they relentlessly pursue those who deserve better, such as Tess, as well as those whose ends we might regard as proof of Nemesis or Poetic Justice (Sergeant Troy in Far from the Madding Crowd , Lucetta in The Mayor of Casterbridge , and Alec in Tess of the d'Urbervilles ). An entry in Hardy's notebook dated April 1878 gives us a clue to the guiding principle behind his fiction: A Plot, or Tragedy, should arise from the gradual closing in of a situation that comes of ordinary human passions, prejudices, and ambitions, by reason of the characters taking no trouble to ward off the disastrous events produced by the said passions, prejudices, and ambitions.
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