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Ying wei (Joe) Chou
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Nov.2018 Medieval Classical Baruque Renaissance Opera Impressionlism
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The Music Society
1.
Nov. 2018
2.
時間滿快的, 一個月發一份, 都有點趕了. 我看到一些最新的資料,
音樂產業實在很不樂觀, 數位化, 讓消費者剩餘過剩, 連騰訊音樂付費用戶也只有總用戶的3.6%. 不知要等多久整個音樂商業模式才會成熟. 前幾年介紹一家矽谷的串流音樂公司給台灣的電信業者, 他們新加坡代表也來了, 沒想到後來居然燒錢燒光了, 倒了. 難道音樂只能玩玩? 不能當真嗎? 羊毛都是出在狗身上嗎? 共犯結構Bass手離團, 吉他手是社友, 他是無妄合作社的錄音師 人有很多社會性原理, 越了解,設計就會比較周延. 往往很多音樂是聽的時候很不錯, 但個別拆開練時卻很無聊, 結構太緊, 內容太 空, 太外現, 自我內在少, 表演一段時間很快就會乏味. 每個人都有自我,自我的品味和不同的心理狀態和人生階段. 樂團如果沒有適當報酬也很難委屈樂手久留. 很難喬. 有些作法是可以調整, 例如, 用合夥人制, 有福同享有難同當, 用共識決. 要有短 期和中期的目標, 要能真正溝通, 樂手溝通的品質很重要...太多了, 可以網聚再來聊. 最近讀了一些古典音樂史和聽了一些古典作品. 我沒有把握這些老作品重用在現今的音樂是否好聽 能聽? 但在商業上用些古典音樂實在很不錯, 卻很少看到店家有在放古典音樂, 我想主要還是不懂音樂,沒有考量商業上的聽覺設計. 各行各業都應該把音樂安排進聽覺設計裡為服務加值. 上周去爬山, 還是一邊走一邊聽我安排好的音樂, 我一直都是找到時間就聽盡量背一些樂句和動機. 有些古典作品真的太偉大, 模仿不到, 但有些卻有機會可以重用, 不會太難.
3.
我很困惑,現今表演音樂相關活動也太多, 這樣有什麼意思? 但實際街上或外縣市走走,實際上音樂的素養還是很差, 這種落差很奇怪, 音樂也有不均的問題. 很多人還是活在沒有音樂,
沒有網路的世界裡. 我排一些古典作品,大家聽聽 古典時期 正歌劇 清唱劇 巴洛克時期 義大利歌劇 文藝復興時期 印象派 音樂在現代是矛盾的, 高手太多,聽的人太少, 樂手比聽眾還多 買賣樂器的人太多, 肯用心練琴的人又太少. 早期的古典作品的我覺得可以用, 早期的作品, 比較強調在高音部,低音部, 中間的細節比較沒那麼強, 也許是因 為古時候還沒有hifi 音響. 若考量東西方的文化差異就要多找一些東方音樂的元素. 東西方的美學並不一樣, 我之前有分享過賈鵬芳的二胡作品, 這方面的思索也可以在美術史上得到很多啟發.
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