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Code, Design, Subjekt. Kritischer Designdiskurs und Critical Software Studies in bildungstheoretischer Perspektive.

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Theorieforum Magdeburg 2015

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  • DOWNLOAD THAT BOOKS INTO AVAILABLE FORMAT (2019 Update) ......................................................................................................................... ......................................................................................................................... Download Full PDF EBOOK here { http://bit.ly/2m77EgH } ......................................................................................................................... Download Full EPUB Ebook here { http://bit.ly/2m77EgH } ......................................................................................................................... Download Full doc Ebook here { http://bit.ly/2m77EgH } ......................................................................................................................... Download PDF EBOOK here { http://bit.ly/2m77EgH } ......................................................................................................................... Download EPUB Ebook here { http://bit.ly/2m77EgH } ......................................................................................................................... Download doc Ebook here { http://bit.ly/2m77EgH } ......................................................................................................................... ......................................................................................................................... ................................................................................................................................... eBook is an electronic version of a traditional print book that can be read by using a personal computer or by using an eBook reader. (An eBook reader can be a software application for use on a computer such as Microsoft's free Reader application, or a book-sized computer that is used solely as a reading device such as Nuvomedia's Rocket eBook.) Users can purchase an eBook on diskette or CD, but the most popular method of getting an eBook is to purchase a downloadable file of the eBook (or other reading material) from a Web site (such as Barnes and Noble) to be read from the user's computer or reading device. Generally, an eBook can be downloaded in five minutes or less ......................................................................................................................... .............. Browse by Genre Available eBooks .............................................................................................................................. Art, Biography, Business, Chick Lit, Children's, Christian, Classics, Comics, Contemporary, Cookbooks, Manga, Memoir, Music, Mystery, Non Fiction, Paranormal, Philosophy, Poetry, Psychology, Religion, Romance, Science, Science Fiction, Self Help, Suspense, Spirituality, Sports, Thriller, Travel, Young Adult, Crime, Ebooks, Fantasy, Fiction, Graphic Novels, Historical Fiction, History, Horror, Humor And Comedy, ......................................................................................................................... ......................................................................................................................... .....BEST SELLER FOR EBOOK RECOMMEND............................................................. ......................................................................................................................... Blowout: Corrupted Democracy, Rogue State Russia, and the Richest, Most Destructive Industry on Earth,-- The Ride of a Lifetime: Lessons Learned from 15 Years as CEO of the Walt Disney Company,-- Call Sign Chaos: Learning to Lead,-- StrengthsFinder 2.0,-- Stillness Is the Key,-- She Said: Breaking the Sexual Harassment Story That Helped Ignite a Movement,-- Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones,-- Everything Is Figureoutable,-- What It Takes: Lessons in the Pursuit of Excellence,-- Rich Dad Poor Dad: What the Rich Teach Their Kids About Money That the Poor and Middle Class Do Not!,-- The Total Money Makeover: Classic Edition: A Proven Plan for Financial Fitness,-- Shut Up and Listen!: Hard Business Truths that Will Help You Succeed, ......................................................................................................................... .........................................................................................................................
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Code, Design, Subjekt. Kritischer Designdiskurs und Critical Software Studies in bildungstheoretischer Perspektive.

  1. 1. Prof. Dr. Benjamin Jörissen http://joerissen.name benjamin@joerissen.name Otto-von-Guericke-Universität Magdeburg, 3.7.2015 Code, Design, Subjekt Kritischer Designdiskurs und Critical Software Studies in bildungstheoretischer Perspektive
  2. 2. I. Software, Gesetz, Subjekt
  3. 3. „computationalism“ David Golumbia: The Cultural Logic of Computation. Cambridge, MA, Harvard Univ. Press 2009.
  4. 4. code/law Lawrence Lessig (2000). Code Is Law. On Liberty in Cyberspace. http://harvardmagazine.com/2000/01/code-is-law-html [20.6.2015]
  5. 5. software vs. code Wendy Hui Kyong Chun: Programmed Visions: Software and Memory. Cambridge, MA: MIT Press 2011.
  6. 6. performative prozedurale Ideologeme
  7. 7. performative prozedurale Ideologeme
  8. 8. (Entwicklungslinien einer Kulturgeschichte der Informationslisierung seit der Neuzeit) • Informationalisierung der "res extensa“ • Informationalisierung des Ökonomischen • Informationalisierung der Person (quantitative Leistungsmessung) • Informationalisierung des Körpers (Medizin; Bioinformatik) • Informationalisierung des Medialen:
  9. 9. performative prozedurale Ideologeme
  10. 10. II. Raum, Subjekt,Artikulation: exemplarische Perspektiven der Software Studies
  11. 11. „software studies“ - „critical code studies“ Matthew Fuller (ed.), Software Studies: A Lexicon. Cambridge, MA: MIT Press, 2008. Software Studies (Series, MIT Press), Edited by Matthew Fuller, Lev Manovich, and Noah Wardrip-Fruin. computationalculture.net (seit Nov. 2011) 2011-
  12. 12. code/space Rob Kitchin/Martin Dodge: Code/Space. Software and Everyday Life. MA: MIT Press, 2011.
  13. 13. API und Emotion Taina Bucher (2013). Objects of Intense Feeling: The Case of the Twitter API. Computational Culture 4/2013.
  14. 14. „datasexuals“ Evgeny Morozov: Smarte neue Welt. Digitale Technik und die Freiheit des Menschen. Zürich: Blessing, 2013.
  15. 15. Algorithmen des Tentativen Frank Pasquale: The Black Box Society. The Secret Algorithms That Control Money and Information. Cambridge, MA: Harvard UP, 2015
  16. 16. Algorithmisierungen desVerweisens Anne Helmond (2013). The Algorithmization of the Hyperlink: Computational Culture 4/2013
  17. 17. „lock-in“: 
 Protokolle,Algorithmen, Datenformate 
 ästhetischer Artikulation Jaron Lanier: Gadget. Warum die Zukunft uns noch braucht. Frankfurt/M.: Suhrkamp 2010.
  18. 18. III. Design
  19. 19. Design als 
 Wissenskultur
  20. 20. Design als 
 Wissenskultur
  21. 21. Design als 
 implizite Pädagogik
  22. 22. Design als 
 relationaler Prozess
  23. 23. Design als 
 diskursiver Prozess
  24. 24. Design-Þing Software-Þing Pelle Ehn: Design Things. Cambridge, MA: MIT Press, 2011
  25. 25. Affordanz und Subjektivation
  26. 26. Affordanz und Subjektivation
  27. 27. Spielräume digitaler Artefakte
  28. 28. IV. Reflexionsangebote der Software Studies
  29. 29. Software als 
 hegemoniale Artikulation Wendy Hui Kyong Chun: Programmed Visions. Software and Memory. Cambridge, MA: MIT Press 2011.
  30. 30. Software als 
 subversive Artikulation Alexander R. Galloway/Eugene Thacker: The Exploit. A Theory of Networks. Minneapolis: Univ. of Minnesota Press 2007
  31. 31. Software als 
 ästhetische Artikulation Noah Wardrip-Fruin: Expressive Processing. Digital Fictions, Computer Games, and Software Studies. MIT Press 2009. Geoff Cox: Speaking Code. Coding as Aesthetic and Political Expression. MIT Press 2013.
  32. 32. Software als 
 kulturelle Artikulation Philip/Irani/Dourish: Postcolonial Computing: A Tactical Survey. Science, Technology & Human Value 37(1), 3-29.
  33. 33. V. Fazit
  34. 34. These 1
 Software und ihre (praktischen, ästhetischen, kommunikativen, sozialen, ökonomischen, politischen) Logiken sind für Subjektivations- und Orientierungsprozesse konstitutiv.
  35. 35. These 2
 „Software“ steht in diesem Sinne nicht für die Anwesenheit von Medienappaturen, sondern vielmehr für die Appräsenz von Strukturen, innerhalb derer Sozialität und Selbstbezüge sich entfalten.
  36. 36. These 3 Die Bildungspotenziale digitaler Architekturen – und damit der heutigen digitalisierten Welt – 
 werden beschränkt durch 
 hegemoniale Effekte auf der Ebene des Designs von Software 
 (Code, Datenformate, Daten und begrenzte Kreise von Akteuren).
  37. 37. These 4 Designtheorie stellt dabei bildungstheoretische anregende Perspektiven bereit, da sie Wissen, Dinge, Programmatiken, Performanzen und Akteure systematisch aufeinander bezieht.
  38. 38. These 5 Aus Perspektive der Medienbildung stellt Software einen wohl unhintergehbaren Forschungsgegenstand dar, der allerdings – im bildungstheoretischen Interesse –
 medien- und kulturtheoretisch integriert werden muss.
  39. 39. Prof. Dr. Benjamin Jörissen http://joerissen.name benjamin@joerissen.name Otto-von-Guericke-Universität Magdeburg, 3.7.2015 Code, Design, Subjekt Kritischer Designdiskurs und Critical Software Studies in bildungstheoretischer Perspektive

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