Organic Robots

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Imagining natural machines that could not only be inspired by the way physical things look but literally be physically informed, moving the triade of plants and animals and humans to a cosmopolitical horizon of organic entities.

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Organic Robots

  1. 1. Gilberto Esparza 1 1
  2. 2. ORGANIC ROBOTS Jb Labrune - 2011 2
  3. 3. 1. 3
  4. 4. NATURE 4 4
  5. 5. Jakob von Uexküll 5 5
  6. 6. 6 6
  7. 7. 7 7
  8. 8. FEEDBACK 8 8
  9. 9. 9 9
  10. 10. 10 10
  11. 11. UMGEBUNG 11 11
  12. 12. UMWELT 12 12
  13. 13. 13 13
  14. 14. 14 14
  15. 15. 15 15
  16. 16. BIOSEMIOTICS 16 16
  17. 17. NATURE OF NATURE 17 17
  18. 18. NATURE OF NATURALISM 18 18
  19. 19. Alan Turing 19 19
  20. 20. 20 20
  21. 21. 21 21
  22. 22. MORPHOGENESIS 22 22
  23. 23. 23 23
  24. 24. 24 24
  25. 25. 25 25
  26. 26. 26 26
  27. 27. 2. 27 27
  28. 28. MACHINES 28 28
  29. 29. 1890’s 29 29
  30. 30. 30 30
  31. 31. 31 31
  32. 32. 32 32
  33. 33. 33 33
  34. 34. 34 34
  35. 35. 35 35
  36. 36. 36 36
  37. 37. 37 37
  38. 38. 38 38
  39. 39. 39 39
  40. 40. 40 40
  41. 41. 1940’s 41 41
  42. 42. 42 42
  43. 43. 43 43
  44. 44. 44 44
  45. 45. 45 45
  46. 46. 46 46
  47. 47. 47 47
  48. 48. 48 48
  49. 49. Burrhus F. Skinner 49 49
  50. 50. 50 50
  51. 51. 51 51
  52. 52. 52 52
  53. 53. 53 53
  54. 54. 54 54
  55. 55. 55 55
  56. 56. 56 56
  57. 57. In the year which followed the termination of Project Pigeon I wrote Walden Two (Skinner, 1948), a Utopian picture of a properly engineered society. Some psychotherapistsmight argue that I was suffering from personal rejection and simply retreated to a fantasied world where everything went according to plan, where there never was heard a discouraging word. 57 57
  58. 58. But another explanation is, I think,equally plausible. That piece of science fiction was a declaration of confidence in atechnology of behavior. Call it a crackpot idea if you will; it is one in which I have never lost faith. 58 58
  59. 59. Claude E. Shannon 59 59
  60. 60. 60 60
  61. 61. 61 61
  62. 62. 62 62
  63. 63. 3. 63 63
  64. 64. IMAGINATION 64 64
  65. 65. 65 65
  66. 66. 66 66
  67. 67. 67 67
  68. 68. 68 68
  69. 69. 69 69
  70. 70. 70 70
  71. 71. 71 71
  72. 72. 72 72
  73. 73. 73 73
  74. 74. 74 74
  75. 75. 1 x 2 x 3 75 75
  76. 76. ORGANIC ROBOTS 76 76
  77. 77. IMAGINE 77 77
  78. 78. MACHINES 78 78
  79. 79. NATURAL 79 79
  80. 80. 1 PARLIAMENT OF THINGS 80 80
  81. 81. DGN . LTR . HRWY 81 81
  82. 82. COSMOPOLITICS 82 82
  83. 83. SUBJECT 83 83
  84. 84. OBJECT 84 84
  85. 85. NON-MODERN 85 85
  86. 86. ONTOLOGICAL REVOLUTION 86 86
  87. 87. RETHINKING ENTITIES 87 87
  88. 88. 88 88
  89. 89. 89 89
  90. 90. 2 SUBSTRATE 90 90
  91. 91. European Science Agency 91 91
  92. 92. HYBRIDS 92 92
  93. 93. Stefano Mancuso -Plantoirds 93 93
  94. 94. BUBBLES 94 94
  95. 95. Don Pettit / NASA 95 95
  96. 96. BUBBLE LOGICS 96 96
  97. 97. Manu Prakash - MIT/Harvard 97 97
  98. 98. NON-ELECTRICAL COMPUTATION 98 98
  99. 99. 3 PROGRAMMABLE NATURE 99 99
  100. 100. HACKING ANIMALS 100 100
  101. 101. 101 101
  102. 102. 102 102
  103. 103. 103 103
  104. 104. 104 104
  105. 105. PROGRAMMABLE MATTER 105 105
  106. 106. HACKING MATTER 106 106
  107. 107. The Flick of a switch: A wall becomes a window becomes a hologram generator. Any chair becomes a hypercomputer, anyrooftop a power or waste treatment plant. Wil McCarthy 107 107
  108. 108. http://en.wikipedia.org/wiki/Utility_fog 108 108
  109. 109. 109 109
  110. 110. 110 110
  111. 111. MIND MACHINE PROJECT 111 111
  112. 112. http://mmp.mit.edu/ 112 112
  113. 113. 113 113
  114. 114. 114 114
  115. 115. 4 GROW IT YOURSELF 115 115
  116. 116. http://pooktre.com/ 116 116
  117. 117. http://pooktre.com/ 117 117
  118. 118. 118 118
  119. 119. 119 119
  120. 120. 5 EPHEMERAL INTERVENTIONS 120 120
  121. 121. Ken Goldberg 121 121
  122. 122. Niklaus Correll / MIT 122 122
  123. 123. Gilberto Esparza 123 123
  124. 124. Gilberto Esparza 124 124
  125. 125. 125 125
  126. 126. Bam 126 126
  127. 127. TexteBehrokh Khoshnevis 127 127
  128. 128. 128 128
  129. 129. 129 129
  130. 130. James Turrell 130 130
  131. 131. 131 131
  132. 132. 132 132
  133. 133. 133 133
  134. 134. 134 134
  135. 135. 135 135
  136. 136. 136 136
  137. 137. 137 137
  138. 138. 138 138
  139. 139. 139 139
  140. 140. 140 140
  141. 141. http://www.pleach.org 141 141

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