This is the start of a 360 degrees shot, where the camera goes around both characters to show a degree of control, Here it shows Moriarty holding the gun to the head of DEGAULLE.Eye shots of the fierce competitive MI6 agent and theEye shot of DEGAULLE where the gun is being pointedto his forehead. Two-shot and over the shoulder shots being used to emphases both characters and their facial expressions in the frame of the picture.
Here is the Two-shot and over the shoulder shots being used to emphases both characters and their facial expressions in the frame of the picture. In this case, it would be DEGAULLE.-the enemy. The enemy is talking on the phone by showing his emotions and realising that something is not right from the usage of the mid shots being used from the camera. Here is a picture of the Phone on the hands of the enemy when DEGAULLE disconnects the phone when he stops talking to the person.A High shot of the enemy on the phone talking with his theist clinch together whilst theother picture frames shows the anger and emotions from the eyes and actions of thehand movement slice to the throat.
This is a mid-shot of the enemy and the MI6 agent, when the agent swings the gun to the face of the enemy. Here is EAMES giving the clarification of the mission, whilst holding a folder from a mid- shot angle.A folder being thrown on the table; with anoverlook of the production company TEAMCROAK Here is Moriarty receiving the folder with document, flicking through the pages of the enemy and accepting the mission.
The first sight of the gun being loaded from a mid-shot camera angle when Moriarty is clicking the gun in place Here is Moriarty running down stairs and reloading the gun from previous shooting frames whilst coming down stairs.Here is the ending from part of the bible script with OPERATION CROAK appearingat the end of the title sequence after the gun shot. Sounding of the events and illustrated into the scenes to have dramatic effect on actions of the characters and the surroundings.