diagrams
TIME, MOTION, ACTION
IMMATERIAL
QUANTITATIVE
INFORMATION
LOGICAL
 TRANSFORMATION OF
DRAWING CONVENTIONS
DRAWING HYBRIDS
NARRATIVES
COMPARISON
SUBJECTIVITY OF
   ANALYSIS
SUBJECTIVITY OF USE
EXTREME NEUTRALITY
ATTITUDE
SYSTEMS AND LAYERS
ORGANIZATIONAL
  DIAGRAMMING
TIME, MOTION, ACTION

-Etienne Jules Marey

-Louis Kahn: Traffic Study Project, Philadelphia Pennsylvania 1951

-ACTAR tab...
COMPARISON

-Swatch photo finish
“The cameras used in track and field are the most sensitive. The extremely fast cameras, ...
- Janette Kim, 2005
do not distribute
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Diagrams

  1. 1. diagrams
  2. 2. TIME, MOTION, ACTION
  3. 3. IMMATERIAL
  4. 4. QUANTITATIVE INFORMATION
  5. 5. LOGICAL TRANSFORMATION OF DRAWING CONVENTIONS
  6. 6. DRAWING HYBRIDS
  7. 7. NARRATIVES
  8. 8. COMPARISON
  9. 9. SUBJECTIVITY OF ANALYSIS
  10. 10. SUBJECTIVITY OF USE
  11. 11. EXTREME NEUTRALITY
  12. 12. ATTITUDE
  13. 13. SYSTEMS AND LAYERS
  14. 14. ORGANIZATIONAL DIAGRAMMING
  15. 15. TIME, MOTION, ACTION -Etienne Jules Marey -Louis Kahn: Traffic Study Project, Philadelphia Pennsylvania 1951 -ACTAR table study for housing project -MOMA museum display study – source not available -Edward Tuft: Automaton Chess Player 1834 drawings – David Brewster shown here: new version of 1821 drawings by Willis Robert. IMMATERIAL -Friedrich St. Florian New York Birdcage: Imaginary Architecture Project -airplane holding pattern diagram – taken from Stan Allen book -Frank Lloyd Wright QUANTITATIVE INFORMATION -Napoleon's March Napoleon’s march to Moscow, Charles Minard -Edward Tufte: E.J. Marey: La Methode Graphique. Graphical train schedule for Paris to Lyon – 1880s. LOGICAL TRANSFORMATION OF DRAWING CONVENTIONS -Rem Koolhaas Bibliotech Nationale -Buckminster Fuller Dymaxion Map DRAWING HYBRIDS -Bernard Tschumi Manhattan Transcripts 1976-1981: -James Corner and Alex MacLean Taking Measures Across the American Landscape Land -Diller + Scofidio Slow House
  16. 16. COMPARISON -Swatch photo finish “The cameras used in track and field are the most sensitive. The extremely fast cameras, which take 1,000 images per second, shoot only the first 8 millimeters of the finish line. As the runners cross, the cameras capture their bodies in a series of thousands of minuscule bits, first photographing the tip of the toe, then the finger, then the tip of the nose, with resolution so fine it can pick up the hair on runners' bodies. All those thousands of pictures are then electronically pieced together to reproduce a photo finish. That's why the runners' bodies look distorted in official finish line recordings -- because the picture is not an actual picture but a visual re-creation of matter crossing a point in time. “ SUBJECTIVITY OF ANALYSIS -Vito Acconci SUBJECTIVITY OF USE -Venturi, Scott Brown Las Vegas Strip Venturi Scott Brown Izenour; Map of the Strip in Las Vegas Containing all the Signs Visible from the Street 1972; -Bruno Munari: Search for comfot in an uncomfortable armchair, 1950, from Fantasia. EXTREME NEUTRALITY -Atelier Bowow: “Made In Tokyo” -Caldwell Alfred Farmhouse Detail 1970. -Paul Rudolph, Finney Guest House Project, Siesta Key Florida 1947 ATTITUDE -Archigram -Wes Jones -Atelier van Lieshout AVL-Ville, Rotterdam, the Netherlands 2001 SYSTEMS AND LAYERS -Laura Kurgan: analysis of the ICTY ORGANIZATION -Stan Allen: Points + Lines
  17. 17. - Janette Kim, 2005 do not distribute

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