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High	
  resolu,on	
  3D	
  microscopy	
  of	
  
pain,ngs	
  and	
  documents	
  
A	
  collabora,on	
  between	
  	
  
Hirox	
  Europe	
  	
  
&	
  	
  
JAAP	
  Enterprise	
  for	
  Art	
  Scien,fic	
  Studies	
  
Amsterdam	
  
JAAP	
  Enterprise	
  	
  
Emilien	
  Leonhardt	
  
Hirox	
  Europe	
  
Jaap	
  Boon	
  
JAAP	
  Enterprise	
  
Hirox	
  KH-­‐8700	
  
Microscopy	
  system:	
  
	
  
High	
  magnifica,on	
  	
  
High	
  resolu,on	
  
3D	
  in	
  focus	
  images	
  
Video	
  imaging	
  
Imaging	
  moving	
  parts	
  
Rota,ng	
  side	
  view	
  
Revolving	
  trio	
  lens	
  
Highly	
  suitable	
  for	
  microscopic	
  imaging	
  of	
  works	
  of	
  Art	
  
A	
  MOPAS	
  stand	
  system	
  is	
  required	
  to	
  move	
  the	
  
microscope	
  camera	
  over	
  the	
  large	
  surface	
  	
  
in	
  X	
  and	
  Y	
  direc,on	
  
	
  	
  
with	
  microscopic	
  precision	
  	
  
and	
  	
  
minimal	
  vibra,onal	
  noise	
  
The	
  size	
  and	
  dimensions	
  of	
  pain,ngs,	
  etchings,	
  
litho’s	
  etc	
  is	
  not	
  at	
  all	
  compa,ble	
  with	
  	
  
stand-­‐up	
  microscopes.	
  
	
  
Hirox	
  microscopy	
  mounted	
  on	
  a	
  MOPAS	
  XY	
  stand	
  from	
  JAAP	
  Enterprise	
  
Y
Design principle: XY stand with manual micrometer movement
X
Different	
  stand	
  morphologies	
  
  T	
  stand	
  
  Rectangular	
  high	
  box	
  for	
  objects	
  
  Cube	
  for	
  horizontal	
  examina,on	
  
  Microscopy	
  cage	
  mounted	
  on	
  mobile	
  table	
  
  Mail	
  slot	
  table	
  stand	
  
Examina,on	
  of	
  the	
  The	
  Scream	
  by	
  Edvard	
  Munch	
  at	
  the	
  
Na,onal	
  Gallery	
  of	
  Art	
  in	
  Oslo,	
  Norway	
  
T	
  stand	
  
Rectangular	
  high	
  box	
  for	
  objects	
  
	
  
Cube	
  for	
  examina,on	
  in	
  stacks	
  
Microscope	
  XY-­‐	
  cage	
  on	
  mobile	
  table	
  
Mail	
  slot	
  principle	
  for	
  safe	
  exchange	
  of	
  pain,ngs	
  
Solu,ons	
  for	
  large	
  pain,ngs	
  
Art	
  and	
  stand	
  as	
  one	
  setup	
  to	
  minimize	
  vibra,onal	
  noise	
  
Hirox	
  KH-­‐8700	
  digital	
  microscope	
  
	
  
	
  58	
  megapixel	
  camera	
  and	
  5700	
  K	
  LED	
  ligh,ng	
  
	
  
Large	
  selec,on	
  of	
  zoom	
  lenses	
  from	
  1x	
  up	
  to	
  10,000x	
  
	
  
Revolving	
  system	
  for	
  three	
  zoom	
  lenses	
  providing	
  35	
  to	
  5000x	
  	
  
	
  
Exclusive	
  patented	
  rotary	
  head	
  for	
  360	
  degrees	
  side	
  view	
  inspec,on	
  
	
  
Viewing	
  with	
  remote	
  controlled	
  work	
  sta,on	
  with	
  super	
  HD	
  screen	
  
	
  
Viewing	
  and	
  working	
  with	
  3D-­‐video	
  googles	
  
	
  
UV	
  light	
  op,on	
  
	
  
Revo	
  zoom	
  lenses	
  
35	
  to	
  5000x	
  
High	
  resolu,on	
  microscopy	
  of	
  pain,ngs	
  
Studies	
  in	
  Norway:	
  Munch	
  and	
  Riopelle	
  
	
  
First	
  results	
  
Photo	
  Donna	
  Mehos	
  
The	
  Scream	
  by	
  Munch	
  
120	
  s,tched	
  side	
  view	
  images	
  of	
  a	
  brush	
  stroke	
  by	
  Munch	
  
3-­‐D	
  in	
  focus	
  picture	
  of	
  the	
  paint	
  surface	
  
Manipula,on	
  of	
  the	
  digital	
  image	
  	
  data	
  set	
  
Profile measurement
Depth	
  profile	
  in	
  micrometers	
  
Rotary	
  Head	
  op,on	
  for	
  sideway	
  viewing	
  of	
  the	
  surface	
  morphology	
  
Camera	
  
Exclusive	
  Hirox	
  patent	
  
Fluffy	
  efflorescent	
  crystals	
  growing	
  on	
  the	
  canvas	
  surface	
  
Poor	
  aeachment	
  of	
  paint	
  on	
  a	
  pain,ng	
  by	
  Edvard	
  Munch	
  
Perspex	
  window	
  protec,ng	
  
the	
  pain,ng	
  while	
  working	
  
the	
  microscope	
  
Chemical	
  reac,ons	
  in	
  the	
  paint	
  and	
  support	
  
Chemical changes and crystal formation at the contact of the
ground and canvas causing paint loss in a painting by Munch
Severe	
  paint	
  loss	
  
Microscope moves over the surface using motorised X-axis
of stand making micrometer steps at slow pace
Immediate image stitching in the workstation
At	
  higher	
  magnifica,on	
  the	
  pigment	
  par,cles	
  are	
  visualised	
  
Composi2on	
  1952	
  Jean-­‐Paul	
  Riopelle	
  131,2	
  x	
  251	
  x	
  4,5	
  cm	
  
Sans	
  2tre	
  1952.018H.1952,	
  	
  
Le	
  Catalogue	
  Raisonne	
  de	
  Jean-­‐Paul	
  Riopelle.	
  	
  
Hirox-­‐MOPAS	
  study	
  of	
  Composi,on	
  1952	
  by	
  J-­‐P	
  Riopelle	
  	
  	
  
	
  at	
  the	
  Henie	
  Onstad	
  Art	
  Centre,	
  Oslo	
  Norway	
  
2 mm
Paint	
  stability	
  issues	
  
 
MOPAS	
  XY	
  stands:	
  
JAAP	
  Enterprise	
  for	
  Art	
  Scien,fic	
  Studies	
  
Contactperson:	
  Jaap	
  Boon	
  
molartadvice@jaap-­‐enterprise.com	
  
Tel.	
  +31	
  6512	
  46880	
  
www.jaap-­‐enterprise.com	
  
	
  
Hirox	
  3D	
  Full	
  HD	
  Digital	
  Microscopes:	
  
Hirox	
  Europe	
  Ltd.	
  
Contact	
  person:	
  Emilien	
  Leonhardt	
  
emilien@hirox-­‐europe.com	
  
Tel.	
  +49	
  17	
  2441	
  9555	
  
www.hirox-­‐europe.com	
  
	
  
Contact	
  details	
  
	
  

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Presentation 3D digital Hirox microscopy with MOPAS stand 2014

  • 1. High  resolu,on  3D  microscopy  of   pain,ngs  and  documents   A  collabora,on  between     Hirox  Europe     &     JAAP  Enterprise  for  Art  Scien,fic  Studies   Amsterdam   JAAP  Enterprise    
  • 2. Emilien  Leonhardt   Hirox  Europe   Jaap  Boon   JAAP  Enterprise  
  • 3. Hirox  KH-­‐8700   Microscopy  system:     High  magnifica,on     High  resolu,on   3D  in  focus  images   Video  imaging   Imaging  moving  parts   Rota,ng  side  view   Revolving  trio  lens   Highly  suitable  for  microscopic  imaging  of  works  of  Art  
  • 4. A  MOPAS  stand  system  is  required  to  move  the   microscope  camera  over  the  large  surface     in  X  and  Y  direc,on       with  microscopic  precision     and     minimal  vibra,onal  noise   The  size  and  dimensions  of  pain,ngs,  etchings,   litho’s  etc  is  not  at  all  compa,ble  with     stand-­‐up  microscopes.    
  • 5. Hirox  microscopy  mounted  on  a  MOPAS  XY  stand  from  JAAP  Enterprise  
  • 6. Y Design principle: XY stand with manual micrometer movement X
  • 7. Different  stand  morphologies     T  stand     Rectangular  high  box  for  objects     Cube  for  horizontal  examina,on     Microscopy  cage  mounted  on  mobile  table     Mail  slot  table  stand  
  • 8. Examina,on  of  the  The  Scream  by  Edvard  Munch  at  the   Na,onal  Gallery  of  Art  in  Oslo,  Norway   T  stand  
  • 9. Rectangular  high  box  for  objects    
  • 10. Cube  for  examina,on  in  stacks  
  • 11. Microscope  XY-­‐  cage  on  mobile  table  
  • 12.
  • 13. Mail  slot  principle  for  safe  exchange  of  pain,ngs  
  • 14. Solu,ons  for  large  pain,ngs  
  • 15. Art  and  stand  as  one  setup  to  minimize  vibra,onal  noise  
  • 16. Hirox  KH-­‐8700  digital  microscope      58  megapixel  camera  and  5700  K  LED  ligh,ng     Large  selec,on  of  zoom  lenses  from  1x  up  to  10,000x     Revolving  system  for  three  zoom  lenses  providing  35  to  5000x       Exclusive  patented  rotary  head  for  360  degrees  side  view  inspec,on     Viewing  with  remote  controlled  work  sta,on  with  super  HD  screen     Viewing  and  working  with  3D-­‐video  googles     UV  light  op,on    
  • 17. Revo  zoom  lenses   35  to  5000x  
  • 18. High  resolu,on  microscopy  of  pain,ngs   Studies  in  Norway:  Munch  and  Riopelle    
  • 19. First  results   Photo  Donna  Mehos  
  • 20. The  Scream  by  Munch  
  • 21. 120  s,tched  side  view  images  of  a  brush  stroke  by  Munch  
  • 22. 3-­‐D  in  focus  picture  of  the  paint  surface  
  • 23. Manipula,on  of  the  digital  image    data  set  
  • 25. Depth  profile  in  micrometers  
  • 26. Rotary  Head  op,on  for  sideway  viewing  of  the  surface  morphology   Camera   Exclusive  Hirox  patent  
  • 27.
  • 28.
  • 29. Fluffy  efflorescent  crystals  growing  on  the  canvas  surface  
  • 30.
  • 31. Poor  aeachment  of  paint  on  a  pain,ng  by  Edvard  Munch  
  • 32. Perspex  window  protec,ng   the  pain,ng  while  working   the  microscope  
  • 33. Chemical  reac,ons  in  the  paint  and  support  
  • 34. Chemical changes and crystal formation at the contact of the ground and canvas causing paint loss in a painting by Munch
  • 36. Microscope moves over the surface using motorised X-axis of stand making micrometer steps at slow pace Immediate image stitching in the workstation
  • 37.
  • 38.
  • 39.
  • 40. At  higher  magnifica,on  the  pigment  par,cles  are  visualised  
  • 41.
  • 42. Composi2on  1952  Jean-­‐Paul  Riopelle  131,2  x  251  x  4,5  cm   Sans  2tre  1952.018H.1952,     Le  Catalogue  Raisonne  de  Jean-­‐Paul  Riopelle.    
  • 43. Hirox-­‐MOPAS  study  of  Composi,on  1952  by  J-­‐P  Riopelle        at  the  Henie  Onstad  Art  Centre,  Oslo  Norway  
  • 44.
  • 45. 2 mm
  • 46.
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