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OS-ADM
Open Science for Arts, Design and Music
> updates
> guidelines
> case studies
> training
> publishers
> feedback
> next steps
2° project meeting | November 3, 2022
OS-ADM
Open Science for Arts, Design and Music
> DARIAH-CH study day: poster session
updates
2° project meeting | November 3, 2022
OS-ADM
Open Science for Arts, Design and Music
> updates
> guidelines
> case studies
> training
> publishers
> feedback
> next steps
2° project meeting | November 3, 2022
OS-ADM
Open Science for Arts, Design and Music
> questions from the case studies
guidelines
2° project meeting | November 3, 2022
- How do I clear the copyright of multimedia?
- How do I cite multimedia?
- How do collection societies (e.g. ProLitteris) work?
- What does the Swiss copyright law say and how does it differ from other countries?
- How do I deal with ethical issues?
- How do I produce an art-, design- and music-specific DMP?
- What are the different Open Access formats available?
- How do Creative Commons licences work? How do I choose the right one for my research output?
- How do I deal with the copyright of participatory output and user generated data?
- How can we check and guarantee the quality of Open Access content using a peer review process?
- How can I finance Open Access?
- How can I retrospectively open my research output?
- How can I raise publishers’ awareness about Open Access and negotiate with them?
- Are there any alternative forms of publications?
- What are the best practices to store my data?
- How do I deal with issues of privacy and data anonymisation?
- How do I deal with ethical issues?
- How can I ensure long-term sustainability?
- Where can I store multimedia content?
- Where can I store huge data volumes?
- How can I ensure the findability of my data and Open Access content?
- What can I do with my research metadata?
- How can I use my institutional repository?
- What are the dos and donts when sharing data on social media?
OS-ADM
Open Science for Arts, Design and Music
> types of ‘solutions’
- templates
- workflows
- charts
- best practices
- external links
guidelines
2° project meeting | November 3, 2022
OS-ADM
Open Science for Arts, Design and Music
> types of ‘solutions’
- templates
- workflows
- charts
- best practices
- external links
guidelines
2° project meeting | November 3, 2022
OS-ADM
Open Science for Arts, Design and Music
> types of ‘solutions’
- templates
- workflows
- charts
- best practices
- external links
guidelines
2° project meeting | November 3, 2022
OS-ADM
Open Science for Arts, Design and Music
> types of ‘solutions’
- templates
- workflows
- charts
- best practices
- external links
guidelines
2° project meeting | November 3, 2022
OS-ADM
Open Science for Arts, Design and Music
> new structure
guidelines
(Re)USE
PRODUCE
STORE
Open
Research
Work-Cycle
2° project meeting | November 3, 2022
OS-ADM
Open Science for Arts, Design and Music
> new structure and questions from case studies
guidelines
2° project meeting | November 3, 2022
(Re)USE - how to use open access and third parties data (user)
- How do I clear the copyright of multimedia?
EDHEA, Womanhouse Open Access publication
- How do I cite multimedia?
HGK, Together Elsewhere
- How do collection societies (e.g. ProLitteris) work?
SUPSI, Gino Severini in Switzerland
- What does the Swiss copyright law say and how does it differ from other countries?
HSLU, Video Essay: Futures of Audiovisual Research and Teaching
- How do I deal with ethical issues?
OS-ADM
Open Science for Arts, Design and Music
> new structure and questions from case studies
guidelines
2° project meeting | November 3, 2022
PRODUCE - how to produce and publish your data (author)
- How do I produce an art-, design- and music-specific DMP?
EDHEA, DMP: Training and awareness in research data management planning
- What are the different Open Access formats available?
- How do Creative Commons licences work? How do I choose the right one for my research output?
SUPSI/ATD, Production, archiving and publication of audiovisual materials
- How do I deal with the copyright of participatory output and user generated data?
HKB, Participatory Knowledge Practices in Analog and Digital Image Archives
- How can we check and guarantee the quality of Open Access content using a peer review process?
- How can I finance Open Access?
- How can I retrospectively open my research output?
Ecal, Visual Archives
- How can I raise publishers’ awareness about Open Access and negotiate with them?
- Are there any alternative forms of publications?
SUPSI, EVENTI: Cultural institution and their public
ZHDK, Insert. Artistic Practices as Cultural Inquiries
OS-ADM
Open Science for Arts, Design and Music
> new structure and questions from case studies
guidelines
2° project meeting | November 3, 2022
STORE - how to enable reuse of your data (author and user)
- What are the best practices to store my data?
HGK, Alpine Netze der Verbundenheit
- How do I deal with issues of privacy and data anonymisation?
- How do I deal with ethical issues?
HKB, Ehrenreich Collection
- How can I ensure long-term sustainability?
HSLU, Timeline Economies of Performance Art
- Where can I store multimedia content?
EDHEA, EPoD
- Where can I store huge data volumes?
HSLU, Silk Memory
- How can I ensure the findability of my data and Open Access content?
HSLU, Mapping Self-Organisation in the Arts
- What can I do with my research metadata?
- How can I use my institutional repository?
- What are the dos and donts when sharing data on social media?
HGK, Fashion as Performance
OS-ADM
Open Science for Arts, Design and Music
> content
guidelines
2° project meeting | November 3, 2022
OS-ADM
Open Science for Arts, Design and Music
> new structure and solutions to case studies
guidelines
2° project meeting | November 3, 2022
(Re)USE - how to use open access and third parties data (user)
- How do I clear the copyright of multimedia?
EDHEA, Womanhouse Open Access publication
- How do I cite multimedia?
HGK, Together Elsewhere
- How do collection societies (e.g. ProLitteris) work?
SUPSI, Gino Severini in Switzerland
- What does the Swiss copyright law say and how does it differ from other countries?
HSLU, Video Essay: Futures of Audiovisual Research and Teaching
- How do I deal with ethical issues?
OS-ADM
Open Science for Arts, Design and Music
> new structure and solutions to case studies
guidelines
2° project meeting | November 3, 2022
PRODUCE - how to produce and publish your data (author)
- How do I produce an art-, design- and music-specific DMP?
EDHEA, DMP: Training and awareness in research data management planning
- What are the different Open Access formats available?
- How do Creative Commons licences work? How do I choose the right one for my research output?
SUPSI/ATD, Production, archiving and publication of audiovisual materials
- How do I deal with the copyright of participatory output and user generated data?
HKB, Participatory Knowledge Practices in Analog and Digital Image Archives
- How can we check and guarantee the quality of Open Access content using a peer review process?
- How can I finance Open Access?
- How can I retrospectively open my research output?
Ecal, Visual Archives
- How can I raise publishers’ awareness about Open Access and negotiate with them?
- Are there any alternative forms of publications?
SUPSI, EVENTI: Cultural institution and their public
ZHDK, Insert. Artistic Practices as Cultural Inquiries
OS-ADM
Open Science for Arts, Design and Music
> new structure and solutions to case studies
guidelines
2° project meeting | November 3, 2022
STORE - how to enable reuse of your data (author and user)
- What are the best practices to store my data?
HGK, Alpine Netze der Verbundenheit
- How do I deal with issues of privacy and data anonymisation?
- How do I deal with ethical issues?
HKB, Ehrenreich Collection
- How can I ensure long-term sustainability?
HSLU, Timeline Economies of Performance Art
- Where can I store multimedia content?
EDHEA, EPoD
- Where can I store huge data volumes?
HSLU, Silk Memory
- How can I ensure the findability of my data and Open Access content?
HSLU, Mapping Self-Organisation in the Arts
- What can I do with my research metadata?
- How can I use my institutional repository?
- What are the dos and donts when sharing data on social media?
HGK, Fashion as Performance
OS-ADM
Open Science for Arts, Design and Music
> updates
> guidelines
> case studies
> training
> publishers
> feedback
> next steps
2° project meeting | November 3, 2022
OS-ADM
Open Science for Arts, Design and Music
case studies
2° project meeting | November 3, 2022
OS-ADM
Open Science for Arts, Design and Music
> updates
> guidelines
> case studies
> training
> publishers
> feedback
> next steps
2° project meeting | November 3, 2022
OS-ADM
Open Science for Arts, Design and Music
> webinars
training
2° project meeting | November 3, 2022
date title convenor
February, 8
11.00–12.30 am
Introduction to copyright and Creative Commons Creative Commons International,
Brigitte Vézina
February, 15
11.00–12.30 am
Copyright and Open Access in Switzerland CCDigitalLaw, Suzanna Marazza
March, 8
11.00–12.30 am
Reuse of open access material and content Creative Commons International,
Brigitte Vézina
April, 5
11.00–12.30 am
Cultural products: CC in the Art, Design and Music fields Creative Commons International,
Brigitte Vézina
April, 19
11.00–12.30 am
A conversation with ProLitteris Noa Bacchetta, Philip Kübler
May, tbc Open access and multimedia publications tbc
May, tbc Data Management Plan for arts, design and music tbc
OS-ADM
Open Science for Arts, Design and Music
> webinars
training
2° project meeting | November 3, 2022
OS-ADM
Open Science for Arts, Design and Music
> International Open Access Week 2023
- presentation of the guidelines
- in person workshop
training
2° project meeting | November 3, 2022
OS-ADM
Open Science for Arts, Design and Music
> workshops: SUPSI local training
training
2° project meeting | November 3, 2022
date title target audience
Copyright and Open Education Resources teachers
Open Access and institutional communication institutional communication
department
29 Sept. 2023 Introduction to copyright and open access, with a focus on
publications
librarians
Introduction to copyright and open access, with a focus on
social media
students BA Visual Communication
Data Management Plan researchers
OS-ADM
Open Science for Arts, Design and Music
> updates
> guidelines
> case studies
> training
> publishers
> feedback
> next steps
2° project meeting | November 3, 2022
OS-ADM
Open Science for Arts, Design and Music
- 49 publishers
- 37% Open Access
publishers
2° project meeting | November 3, 2022
OS-ADM
Open Science for Arts, Design and Music
> updates
> guidelines
> case studies
> training
> publishers
> feedback
> next steps
2° project meeting | November 3, 2022
OS-ADM
Open Science for Arts, Design and Music
> updates
> guidelines
> case studies
> training
> publishers
> feedback
> next steps
2° project meeting | November 3, 2022
OS-ADM
Open Science for Arts, Design and Music
> online project meetings: calendar
next steps
2° project meeting | November 3, 2022
date title agenda
16 Nov. 2022,
11.00–12.00 am
OS-ADM Q&A annual report support partners
1 Feb. 2023
11.00–12.00 am
OS-ADM swissuniversities annual report presentation of report 2022
7 June 2023
11.00–12.00 am
OS-ADM Training feedback and next steps
15 Nov. 2023
11.00–12.00 am
OS-ADM Q&A annual report support partners
31 Jan. 2024
11.00–12.00 am
OS-ADM swissuniversities annual report presentation of report 2023
20 Nov. 2024
11.00–12.00 am
OS-ADM Q&A annual report support partners
OS-ADM
Open Science for Arts, Design and Music
> swissuniversities annual report 2022
- budget OS-ADM application
- send financial report by Dic. 22
next steps
2° project meeting | November 3, 2022, CC BY 4.0
2022 2023 2024
Real
money
Virtual
money
Real
money
Virtual
money
Real
money
Virtual
money
Personnel costs 19.000
HSLU
9.000 6.000 18.500
HSLU
9.000 7.000 14.000
HSLU
4.000 7.000
Other material costs 1.000 1.000 1.500 1.000 6.000 6.000
Total per year 20.000 10.000 6.000 20.000 10.000 7.000 20.000 10.000 7.000

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Open Science for Arts Design and Music - project meeting November 2022

  • 1. OS-ADM Open Science for Arts, Design and Music > updates > guidelines > case studies > training > publishers > feedback > next steps 2° project meeting | November 3, 2022
  • 2. OS-ADM Open Science for Arts, Design and Music > DARIAH-CH study day: poster session updates 2° project meeting | November 3, 2022
  • 3. OS-ADM Open Science for Arts, Design and Music > updates > guidelines > case studies > training > publishers > feedback > next steps 2° project meeting | November 3, 2022
  • 4. OS-ADM Open Science for Arts, Design and Music > questions from the case studies guidelines 2° project meeting | November 3, 2022 - How do I clear the copyright of multimedia? - How do I cite multimedia? - How do collection societies (e.g. ProLitteris) work? - What does the Swiss copyright law say and how does it differ from other countries? - How do I deal with ethical issues? - How do I produce an art-, design- and music-specific DMP? - What are the different Open Access formats available? - How do Creative Commons licences work? How do I choose the right one for my research output? - How do I deal with the copyright of participatory output and user generated data? - How can we check and guarantee the quality of Open Access content using a peer review process? - How can I finance Open Access? - How can I retrospectively open my research output? - How can I raise publishers’ awareness about Open Access and negotiate with them? - Are there any alternative forms of publications? - What are the best practices to store my data? - How do I deal with issues of privacy and data anonymisation? - How do I deal with ethical issues? - How can I ensure long-term sustainability? - Where can I store multimedia content? - Where can I store huge data volumes? - How can I ensure the findability of my data and Open Access content? - What can I do with my research metadata? - How can I use my institutional repository? - What are the dos and donts when sharing data on social media?
  • 5. OS-ADM Open Science for Arts, Design and Music > types of ‘solutions’ - templates - workflows - charts - best practices - external links guidelines 2° project meeting | November 3, 2022
  • 6. OS-ADM Open Science for Arts, Design and Music > types of ‘solutions’ - templates - workflows - charts - best practices - external links guidelines 2° project meeting | November 3, 2022
  • 7. OS-ADM Open Science for Arts, Design and Music > types of ‘solutions’ - templates - workflows - charts - best practices - external links guidelines 2° project meeting | November 3, 2022
  • 8. OS-ADM Open Science for Arts, Design and Music > types of ‘solutions’ - templates - workflows - charts - best practices - external links guidelines 2° project meeting | November 3, 2022
  • 9. OS-ADM Open Science for Arts, Design and Music > new structure guidelines (Re)USE PRODUCE STORE Open Research Work-Cycle 2° project meeting | November 3, 2022
  • 10. OS-ADM Open Science for Arts, Design and Music > new structure and questions from case studies guidelines 2° project meeting | November 3, 2022 (Re)USE - how to use open access and third parties data (user) - How do I clear the copyright of multimedia? EDHEA, Womanhouse Open Access publication - How do I cite multimedia? HGK, Together Elsewhere - How do collection societies (e.g. ProLitteris) work? SUPSI, Gino Severini in Switzerland - What does the Swiss copyright law say and how does it differ from other countries? HSLU, Video Essay: Futures of Audiovisual Research and Teaching - How do I deal with ethical issues?
  • 11. OS-ADM Open Science for Arts, Design and Music > new structure and questions from case studies guidelines 2° project meeting | November 3, 2022 PRODUCE - how to produce and publish your data (author) - How do I produce an art-, design- and music-specific DMP? EDHEA, DMP: Training and awareness in research data management planning - What are the different Open Access formats available? - How do Creative Commons licences work? How do I choose the right one for my research output? SUPSI/ATD, Production, archiving and publication of audiovisual materials - How do I deal with the copyright of participatory output and user generated data? HKB, Participatory Knowledge Practices in Analog and Digital Image Archives - How can we check and guarantee the quality of Open Access content using a peer review process? - How can I finance Open Access? - How can I retrospectively open my research output? Ecal, Visual Archives - How can I raise publishers’ awareness about Open Access and negotiate with them? - Are there any alternative forms of publications? SUPSI, EVENTI: Cultural institution and their public ZHDK, Insert. Artistic Practices as Cultural Inquiries
  • 12. OS-ADM Open Science for Arts, Design and Music > new structure and questions from case studies guidelines 2° project meeting | November 3, 2022 STORE - how to enable reuse of your data (author and user) - What are the best practices to store my data? HGK, Alpine Netze der Verbundenheit - How do I deal with issues of privacy and data anonymisation? - How do I deal with ethical issues? HKB, Ehrenreich Collection - How can I ensure long-term sustainability? HSLU, Timeline Economies of Performance Art - Where can I store multimedia content? EDHEA, EPoD - Where can I store huge data volumes? HSLU, Silk Memory - How can I ensure the findability of my data and Open Access content? HSLU, Mapping Self-Organisation in the Arts - What can I do with my research metadata? - How can I use my institutional repository? - What are the dos and donts when sharing data on social media? HGK, Fashion as Performance
  • 13. OS-ADM Open Science for Arts, Design and Music > content guidelines 2° project meeting | November 3, 2022
  • 14. OS-ADM Open Science for Arts, Design and Music > new structure and solutions to case studies guidelines 2° project meeting | November 3, 2022 (Re)USE - how to use open access and third parties data (user) - How do I clear the copyright of multimedia? EDHEA, Womanhouse Open Access publication - How do I cite multimedia? HGK, Together Elsewhere - How do collection societies (e.g. ProLitteris) work? SUPSI, Gino Severini in Switzerland - What does the Swiss copyright law say and how does it differ from other countries? HSLU, Video Essay: Futures of Audiovisual Research and Teaching - How do I deal with ethical issues?
  • 15. OS-ADM Open Science for Arts, Design and Music > new structure and solutions to case studies guidelines 2° project meeting | November 3, 2022 PRODUCE - how to produce and publish your data (author) - How do I produce an art-, design- and music-specific DMP? EDHEA, DMP: Training and awareness in research data management planning - What are the different Open Access formats available? - How do Creative Commons licences work? How do I choose the right one for my research output? SUPSI/ATD, Production, archiving and publication of audiovisual materials - How do I deal with the copyright of participatory output and user generated data? HKB, Participatory Knowledge Practices in Analog and Digital Image Archives - How can we check and guarantee the quality of Open Access content using a peer review process? - How can I finance Open Access? - How can I retrospectively open my research output? Ecal, Visual Archives - How can I raise publishers’ awareness about Open Access and negotiate with them? - Are there any alternative forms of publications? SUPSI, EVENTI: Cultural institution and their public ZHDK, Insert. Artistic Practices as Cultural Inquiries
  • 16. OS-ADM Open Science for Arts, Design and Music > new structure and solutions to case studies guidelines 2° project meeting | November 3, 2022 STORE - how to enable reuse of your data (author and user) - What are the best practices to store my data? HGK, Alpine Netze der Verbundenheit - How do I deal with issues of privacy and data anonymisation? - How do I deal with ethical issues? HKB, Ehrenreich Collection - How can I ensure long-term sustainability? HSLU, Timeline Economies of Performance Art - Where can I store multimedia content? EDHEA, EPoD - Where can I store huge data volumes? HSLU, Silk Memory - How can I ensure the findability of my data and Open Access content? HSLU, Mapping Self-Organisation in the Arts - What can I do with my research metadata? - How can I use my institutional repository? - What are the dos and donts when sharing data on social media? HGK, Fashion as Performance
  • 17. OS-ADM Open Science for Arts, Design and Music > updates > guidelines > case studies > training > publishers > feedback > next steps 2° project meeting | November 3, 2022
  • 18. OS-ADM Open Science for Arts, Design and Music case studies 2° project meeting | November 3, 2022
  • 19. OS-ADM Open Science for Arts, Design and Music > updates > guidelines > case studies > training > publishers > feedback > next steps 2° project meeting | November 3, 2022
  • 20. OS-ADM Open Science for Arts, Design and Music > webinars training 2° project meeting | November 3, 2022 date title convenor February, 8 11.00–12.30 am Introduction to copyright and Creative Commons Creative Commons International, Brigitte Vézina February, 15 11.00–12.30 am Copyright and Open Access in Switzerland CCDigitalLaw, Suzanna Marazza March, 8 11.00–12.30 am Reuse of open access material and content Creative Commons International, Brigitte Vézina April, 5 11.00–12.30 am Cultural products: CC in the Art, Design and Music fields Creative Commons International, Brigitte Vézina April, 19 11.00–12.30 am A conversation with ProLitteris Noa Bacchetta, Philip Kübler May, tbc Open access and multimedia publications tbc May, tbc Data Management Plan for arts, design and music tbc
  • 21. OS-ADM Open Science for Arts, Design and Music > webinars training 2° project meeting | November 3, 2022
  • 22. OS-ADM Open Science for Arts, Design and Music > International Open Access Week 2023 - presentation of the guidelines - in person workshop training 2° project meeting | November 3, 2022
  • 23. OS-ADM Open Science for Arts, Design and Music > workshops: SUPSI local training training 2° project meeting | November 3, 2022 date title target audience Copyright and Open Education Resources teachers Open Access and institutional communication institutional communication department 29 Sept. 2023 Introduction to copyright and open access, with a focus on publications librarians Introduction to copyright and open access, with a focus on social media students BA Visual Communication Data Management Plan researchers
  • 24. OS-ADM Open Science for Arts, Design and Music > updates > guidelines > case studies > training > publishers > feedback > next steps 2° project meeting | November 3, 2022
  • 25. OS-ADM Open Science for Arts, Design and Music - 49 publishers - 37% Open Access publishers 2° project meeting | November 3, 2022
  • 26. OS-ADM Open Science for Arts, Design and Music > updates > guidelines > case studies > training > publishers > feedback > next steps 2° project meeting | November 3, 2022
  • 27. OS-ADM Open Science for Arts, Design and Music > updates > guidelines > case studies > training > publishers > feedback > next steps 2° project meeting | November 3, 2022
  • 28. OS-ADM Open Science for Arts, Design and Music > online project meetings: calendar next steps 2° project meeting | November 3, 2022 date title agenda 16 Nov. 2022, 11.00–12.00 am OS-ADM Q&A annual report support partners 1 Feb. 2023 11.00–12.00 am OS-ADM swissuniversities annual report presentation of report 2022 7 June 2023 11.00–12.00 am OS-ADM Training feedback and next steps 15 Nov. 2023 11.00–12.00 am OS-ADM Q&A annual report support partners 31 Jan. 2024 11.00–12.00 am OS-ADM swissuniversities annual report presentation of report 2023 20 Nov. 2024 11.00–12.00 am OS-ADM Q&A annual report support partners
  • 29. OS-ADM Open Science for Arts, Design and Music > swissuniversities annual report 2022 - budget OS-ADM application - send financial report by Dic. 22 next steps 2° project meeting | November 3, 2022, CC BY 4.0 2022 2023 2024 Real money Virtual money Real money Virtual money Real money Virtual money Personnel costs 19.000 HSLU 9.000 6.000 18.500 HSLU 9.000 7.000 14.000 HSLU 4.000 7.000 Other material costs 1.000 1.000 1.500 1.000 6.000 6.000 Total per year 20.000 10.000 6.000 20.000 10.000 7.000 20.000 10.000 7.000