Ecole des Hautes Etudes en Sciences Socialesen cotutelle avec Politecnico di Milano, Dipartimento di Architettura e Pianifi...
Internet Map, ChrisHarrison.net
Iman Issa, Going Places : A Project for Public Busses, Le Caire, 2003-2004. Courtesy Iman Issa et Brian Wood
I.
II.                                    Biennale du Caire      Dak’Art                                SUD Salon Urbain de D...
II.III.   1990   1992   1996   1998   2000   2002   2004   2006   2008   2010   2012
IV.      Hala ElKoussy, (Re)Constructione #2, 2003. photo 70x100cm
V.     Meanwhile in Africa..., Nuremberg, 2005
VI.      Basim Magdy, Superman Will Save Us All, Le Caire, 2002, postcard
VII.       Marcela Moraga, When I was of Colour, Cuba, 2001, photo PVC 200x150cm. Cairo International Biennale 2001
Iman Issa, Going Places : A Project for Public Busses, Le Caire, 2003-2004. Courtesy Iman Issa et Brian Wood
1.
Biennial Foundation, Biennial Map, 2010
Iolanda Pensa e Stefano Baseggio, Dakar, 2007
CAPE Not Another Biennale
Triennale de Luanda
SUD Salon Urbain de Douala 2010
Marie-Françoise Plissart, Kinshasa. Courtesy Biennale dell’architettura di Venezia 2004, Padiglione Belgio
Ismail Farouk et Babak Fakhamzadeh, sowetouprising.com, Johannesburg, 2006
Ismail Farouk et Babak Fakhamzadeh, sowetouprising.com, Johannesburg, 2006
Ba
Chimurenga Library, Network, 2008
Steve Jurvetson, Internet Splat Map, 2004. jurvetson/flickr, CC-BY
Rasheed Araeen, Mediterraneo, 2005
Basim Magdy, Superman Will Save Us All in Going Places : A Project for Public Busses, Le Caire, 2003-2004
Help and global relief for the Katrina disaster. US pavillion, Biennale dellarchitettura di Venezia, 2004
Organisation internationale de la Francophonie, Implantations dans le monde, site internet, 2010
Pro Helvetia, website, still 2008
Ford Foundation, website, still 2009
CulturesFrance (avec Labiomatic) Identité visuelle, projet non retenu, 2006
Mounir Fatmi, G8 Les balais, 2004, installation
Tsesler et Voichenko, Welcome, Minsk, Road sign
2.Meanwhile in Africa..., Nuremberg, 2005
Africa Remix, 2005, p. 82
Africalia logo
Ingrid Mwangi, Static Drift, 2001. Courtesy Looking Both Ways, 2004-2006
Daddy Buy me a Pony, Festive season greeting card client Pro helvetia, Décembre 2003
Goddy Leye, We are the World, 2006.Vidéo in Meanwhile in Africa..., Berlin, 2006
Bettino Craxi, In the World (3) in Sempter Aliquid Novi Ex-Africa : Opere di Bettino Craxi (cat. expo), Edizione Di là dal...
mappa sistema dell’arte africano
3.Marcela Moraga, When I was of Colour, Cuba, 2001, photo PVC 200x150cm. Cairo International Biennale 2001
Ed Westcott / US Army / Control panels and operators for calutrons at the Y-12 Plant in Oak Ridge,Tennessee during the Man...
ProjetObjectifs   Activités   Résultats
Projet Objectifs     Activités       RésultatsRésoudre les   Calendrier   Bénéficiaires et problèmes      Budget        éva...
Tsesler et Voichenko, Minsk, 2002, object
Lara Baladi, Sandouk el dounia (The world in a box), 2001
Sandrine Dole, Sans titre, 2003, photographie
Tsesler et Voichenko, Tank, Minsk, 2002, object
Jeff Wall, Invisible Man, 2001. Cibachrome transparency, aluminium light box, 240x320 cm. Courtesy Documenta, Kassel, 2002
Alfredo Jaar, Muxima, 2005, still video 36. Courtesy Check List Luanda Pop, Biennale di Venezia 2007
Jane Alexander, Courtesy Africa Screams,Vienna, 2004
Minnette Vari. Oracle, still video animation 2, 1999. Courtesy Biennale di Venezia, 2001
Rossella Biscotti (1978) et Kevin van Braak (1975), New Crossroads, New Crossroads Cape Town, 2006, video 23
La Biennale de Dakar comme projet de coopération et de développement, Soutenance de thèse de Iolanda Pensa, Paris, 27/06/2011
La Biennale de Dakar comme projet de coopération et de développement, Soutenance de thèse de Iolanda Pensa, Paris, 27/06/2011
La Biennale de Dakar comme projet de coopération et de développement, Soutenance de thèse de Iolanda Pensa, Paris, 27/06/2011
La Biennale de Dakar comme projet de coopération et de développement, Soutenance de thèse de Iolanda Pensa, Paris, 27/06/2011
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La Biennale de Dakar comme projet de coopération et de développement, Soutenance de thèse de Iolanda Pensa, Paris, 27/06/2011

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La Biennale de Dakar
comme projet de coopération et de développement. Candidat Iolanda Pensa
Directeurs de recherche Jean-Loup Amselle en cotutelle avec Rossella Salerno
Jury Jean-Loup Amselle, Elio Grazioli, Rossella Salerno, Tobias Wendl
Paris, 27 juin 2011
Ecole des Hautes Etudes en Sciences Sociales
en cotutelle avec Politecnico di Milano, Dipartimento di Architettura e Pianificazione
Thèse de doctorat en
Anthropologie sociale et ethnologie
Governo e progettazione del territorio

Iolanda Pensa (nom complet Maria Iolanda Isabella Pensa), La Biennale de Dakar comme projet de coopération et de développement, thèse de doctorat en Anthropologie sociale et ethnologie et en Governo e progettazione del territorio, Ecole des Hautes Etudes en Sciences Sociales en cotutelle avec Politecnico di Milano, Dipartimento di Architettura e Pianificazione, directeurs de recherche Jean-Loup Amselle en cotutelle avec Rossella Salerno, jury Jean-Loup Amselle, Elio Grazioli, Rossella Salerno, Tobias Wendl, Paris, 27 juin 2011. CC by-sa
The Biennale de Dakar as a project of cooperation and development
The study observes the international art system from Dak’Art, the Senegalese contemporary African art biennale; in particular it explores the relationship between visual arts, spatial dynamics, cultural policies and the market; it is based on the keywords cooperation, development, territory and representation. The research analyses the international phenomena of biennial exhibitions, the ones in Africa, the history of the Dakar biennale, contemporary art and its landscape, contemporary African art historiography, the network of Dak’Art and the way contemporary productions are structured as “projects”. It appears clearly that culture is more and more often structured as “projects”; contemporary African art is a brand for the import-export of cultural goods; the network is the central resource of a cultural event and the wider and the more fragmented this network is, the more difficult it is to satisfy it; the geography of cultural events is defined by its international links; cultural events generate landscapes, a combination and interrelation of natural and human factors. The contemporary art system observed from the biennial art exhibition of Dakar appears strongly influenced by the funding organizations, and closely related to cultural policies and to the market, even though it doesn’t necessarily imply the selling of artworks within a gallery.

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La Biennale de Dakar comme projet de coopération et de développement, Soutenance de thèse de Iolanda Pensa, Paris, 27/06/2011

  1. 1. Ecole des Hautes Etudes en Sciences Socialesen cotutelle avec Politecnico di Milano, Dipartimento di Architettura e PianificazioneThèse de doctorat enAnthropologie sociale et ethnologieGoverno e progettazione del territorio La Biennale de Dakar comme projet de coopération et de développementCandidat Iolanda PensaDirecteurs de recherche Jean-Loup Amselle en cotutelle avec Rossella SalernoJury Jean-Loup Amselle, Elio Grazioli, Rossella Salerno, Tobias WendlParis, 27 juin 2011
  2. 2. Internet Map, ChrisHarrison.net
  3. 3. Iman Issa, Going Places : A Project for Public Busses, Le Caire, 2003-2004. Courtesy Iman Issa et Brian Wood
  4. 4. I.
  5. 5. II. Biennale du Caire Dak’Art SUD Salon Urbain de Douala Triennale de Luanda CAPE Not Another Biennale Biennale de Cape Town Rafal B. Niemojewski, Global Positions of Biennals, 1989-2005 in The Manifesta Decade, MIT Press, 2005, p. 20
  6. 6. II.III. 1990 1992 1996 1998 2000 2002 2004 2006 2008 2010 2012
  7. 7. IV. Hala ElKoussy, (Re)Constructione #2, 2003. photo 70x100cm
  8. 8. V. Meanwhile in Africa..., Nuremberg, 2005
  9. 9. VI. Basim Magdy, Superman Will Save Us All, Le Caire, 2002, postcard
  10. 10. VII. Marcela Moraga, When I was of Colour, Cuba, 2001, photo PVC 200x150cm. Cairo International Biennale 2001
  11. 11. Iman Issa, Going Places : A Project for Public Busses, Le Caire, 2003-2004. Courtesy Iman Issa et Brian Wood
  12. 12. 1.
  13. 13. Biennial Foundation, Biennial Map, 2010
  14. 14. Iolanda Pensa e Stefano Baseggio, Dakar, 2007
  15. 15. CAPE Not Another Biennale
  16. 16. Triennale de Luanda
  17. 17. SUD Salon Urbain de Douala 2010
  18. 18. Marie-Françoise Plissart, Kinshasa. Courtesy Biennale dell’architettura di Venezia 2004, Padiglione Belgio
  19. 19. Ismail Farouk et Babak Fakhamzadeh, sowetouprising.com, Johannesburg, 2006
  20. 20. Ismail Farouk et Babak Fakhamzadeh, sowetouprising.com, Johannesburg, 2006
  21. 21. Ba
  22. 22. Chimurenga Library, Network, 2008
  23. 23. Steve Jurvetson, Internet Splat Map, 2004. jurvetson/flickr, CC-BY
  24. 24. Rasheed Araeen, Mediterraneo, 2005
  25. 25. Basim Magdy, Superman Will Save Us All in Going Places : A Project for Public Busses, Le Caire, 2003-2004
  26. 26. Help and global relief for the Katrina disaster. US pavillion, Biennale dellarchitettura di Venezia, 2004
  27. 27. Organisation internationale de la Francophonie, Implantations dans le monde, site internet, 2010
  28. 28. Pro Helvetia, website, still 2008
  29. 29. Ford Foundation, website, still 2009
  30. 30. CulturesFrance (avec Labiomatic) Identité visuelle, projet non retenu, 2006
  31. 31. Mounir Fatmi, G8 Les balais, 2004, installation
  32. 32. Tsesler et Voichenko, Welcome, Minsk, Road sign
  33. 33. 2.Meanwhile in Africa..., Nuremberg, 2005
  34. 34. Africa Remix, 2005, p. 82
  35. 35. Africalia logo
  36. 36. Ingrid Mwangi, Static Drift, 2001. Courtesy Looking Both Ways, 2004-2006
  37. 37. Daddy Buy me a Pony, Festive season greeting card client Pro helvetia, Décembre 2003
  38. 38. Goddy Leye, We are the World, 2006.Vidéo in Meanwhile in Africa..., Berlin, 2006
  39. 39. Bettino Craxi, In the World (3) in Sempter Aliquid Novi Ex-Africa : Opere di Bettino Craxi (cat. expo), Edizione Di là dal fiume e tra gli alberi, Brescia, 1992, p. 88
  40. 40. mappa sistema dell’arte africano
  41. 41. 3.Marcela Moraga, When I was of Colour, Cuba, 2001, photo PVC 200x150cm. Cairo International Biennale 2001
  42. 42. Ed Westcott / US Army / Control panels and operators for calutrons at the Y-12 Plant in Oak Ridge,Tennessee during the Manhattan Project, Wikimedia Commons, pd.
  43. 43. ProjetObjectifs Activités Résultats
  44. 44. Projet Objectifs Activités RésultatsRésoudre les Calendrier Bénéficiaires et problèmes Budget évaluation
  45. 45. Tsesler et Voichenko, Minsk, 2002, object
  46. 46. Lara Baladi, Sandouk el dounia (The world in a box), 2001
  47. 47. Sandrine Dole, Sans titre, 2003, photographie
  48. 48. Tsesler et Voichenko, Tank, Minsk, 2002, object
  49. 49. Jeff Wall, Invisible Man, 2001. Cibachrome transparency, aluminium light box, 240x320 cm. Courtesy Documenta, Kassel, 2002
  50. 50. Alfredo Jaar, Muxima, 2005, still video 36. Courtesy Check List Luanda Pop, Biennale di Venezia 2007
  51. 51. Jane Alexander, Courtesy Africa Screams,Vienna, 2004
  52. 52. Minnette Vari. Oracle, still video animation 2, 1999. Courtesy Biennale di Venezia, 2001
  53. 53. Rossella Biscotti (1978) et Kevin van Braak (1975), New Crossroads, New Crossroads Cape Town, 2006, video 23

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