La Biennale de Dakar comme projet de coopération et de développement, Soutenance de thèse de Iolanda Pensa, Paris, 27/06/2011
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La Biennale de Dakar comme projet de coopération et de développement. Candidat Iolanda Pensa Directeurs de recherche Jean-Loup Amselle en cotutelle avec Rossella Salerno Jury Jean-Loup Amselle, Elio Grazioli, Rossella Salerno, Tobias Wendl Paris, 27 juin 2011 Ecole des Hautes Etudes en Sciences Sociales en cotutelle avec Politecnico di Milano, Dipartimento di Architettura e Pianificazione Thèse de doctorat en Anthropologie sociale et ethnologie Governo e progettazione del territorio Iolanda Pensa (nom complet Maria Iolanda Isabella Pensa), La Biennale de Dakar comme projet de coopération et de développement, thèse de doctorat en Anthropologie sociale et ethnologie et en Governo e progettazione del territorio, Ecole des Hautes Etudes en Sciences Sociales en cotutelle avec Politecnico di Milano, Dipartimento di Architettura e Pianificazione, directeurs de recherche Jean-Loup Amselle en cotutelle avec Rossella Salerno, jury Jean-Loup Amselle, Elio Grazioli, Rossella Salerno, Tobias Wendl, Paris, 27 juin 2011. CC by-sa The Biennale de Dakar as a project of cooperation and development The study observes the international art system from Dak’Art, the Senegalese contemporary African art biennale; in particular it explores the relationship between visual arts, spatial dynamics, cultural policies and the market; it is based on the keywords cooperation, development, territory and representation. The research analyses the international phenomena of biennial exhibitions, the ones in Africa, the history of the Dakar biennale, contemporary art and its landscape, contemporary African art historiography, the network of Dak’Art and the way contemporary productions are structured as “projects”. It appears clearly that culture is more and more often structured as “projects”; contemporary African art is a brand for the import-export of cultural goods; the network is the central resource of a cultural event and the wider and the more fragmented this network is, the more difficult it is to satisfy it; the geography of cultural events is defined by its international links; cultural events generate landscapes, a combination and interrelation of natural and human factors. The contemporary art system observed from the biennial art exhibition of Dakar appears strongly influenced by the funding organizations, and closely related to cultural policies and to the market, even though it doesn’t necessarily imply the selling of artworks within a gallery.
La Biennale de Dakar comme projet de coopération et de développement, Soutenance de thèse de Iolanda Pensa, Paris, 27/06/2011
- Ecole des Hautes Etudes en Sciences Sociales en cotutelle avec Politecnico di Milano, Dipartimento di Architettura e Pianificazione Thèse de doctorat en Anthropologie sociale et ethnologie Governo e progettazione del territorio La Biennale de Dakar comme projet de coopération et de développement Candidat Iolanda Pensa Directeurs de recherche Jean-Loup Amselle en cotutelle avec Rossella Salerno Jury Jean-Loup Amselle, Elio Grazioli, Rossella Salerno, Tobias Wendl Paris, 27 juin 2011
- Internet Map, ChrisHarrison.net
- Iman Issa, Going Places : A Project for Public Busses, Le Caire, 2003-2004. Courtesy Iman Issa et Brian Wood
- I.
- II. Biennale du Caire Dak’Art SUD Salon Urbain de Douala Triennale de Luanda CAPE Not Another Biennale Biennale de Cape Town Rafal B. Niemojewski, Global Positions of Biennals, 1989-2005 in The Manifesta Decade, MIT Press, 2005, p. 20
- II. III. 1990 1992 1996 1998 2000 2002 2004 2006 2008 2010 2012
- IV. Hala ElKoussy, (Re)Constructione #2, 2003. photo 70x100cm
- V. Meanwhile in Africa..., Nuremberg, 2005
- VI. Basim Magdy, Superman Will Save Us All, Le Caire, 2002, postcard
- VII. Marcela Moraga, When I was of Colour, Cuba, 2001, photo PVC 200x150cm. Cairo International Biennale 2001
- Iman Issa, Going Places : A Project for Public Busses, Le Caire, 2003-2004. Courtesy Iman Issa et Brian Wood
- 1.
- Biennial Foundation, Biennial Map, 2010
- Iolanda Pensa e Stefano Baseggio, Dakar, 2007
- CAPE Not Another Biennale
- Triennale de Luanda
- SUD Salon Urbain de Douala 2010
- Marie-Françoise Plissart, Kinshasa. Courtesy Biennale dell’architettura di Venezia 2004, Padiglione Belgio
- Ismail Farouk et Babak Fakhamzadeh, sowetouprising.com, Johannesburg, 2006
- Ismail Farouk et Babak Fakhamzadeh, sowetouprising.com, Johannesburg, 2006
- Ba
- Chimurenga Library, Network, 2008
- Steve Jurvetson, Internet Splat Map, 2004. jurvetson/flickr, CC-BY
- Rasheed Araeen, Mediterraneo, 2005
- Basim Magdy, Superman Will Save Us All in Going Places : A Project for Public Busses, Le Caire, 2003-2004
- Help and global relief for the Katrina disaster. US pavillion, Biennale dell'architettura di Venezia, 2004
- Organisation internationale de la Francophonie, Implantations dans le monde, site internet, 2010
- Pro Helvetia, website, still 2008
- Ford Foundation, website, still 2009
- CulturesFrance (avec Labiomatic) Identité visuelle, projet non retenu, 2006
- Mounir Fatmi, G8 Les balais, 2004, installation
- Tsesler et Voichenko, Welcome, Minsk, Road sign
- 2. Meanwhile in Africa..., Nuremberg, 2005
- Africa Remix, 2005, p. 82
- Africalia logo
- Ingrid Mwangi, Static Drift, 2001. Courtesy Looking Both Ways, 2004-2006
- Daddy Buy me a Pony, Festive season greeting card client Pro helvetia, Décembre 2003
- Goddy Leye, We are the World, 2006.Vidéo in Meanwhile in Africa..., Berlin, 2006
- Bettino Craxi, In the World (3) in Sempter Aliquid Novi Ex-Africa : Opere di Bettino Craxi (cat. expo), Edizione Di là dal fiume e tra gli alberi, Brescia, 1992, p. 88
- mappa sistema dell’arte africano
- 3. Marcela Moraga, When I was of Colour, Cuba, 2001, photo PVC 200x150cm. Cairo International Biennale 2001
- Ed Westcott / US Army / Control panels and operators for calutrons at the Y-12 Plant in Oak Ridge,Tennessee during the Manhattan Project, Wikimedia Commons, pd.
- Projet Objectifs Activités Résultats
- Projet Objectifs Activités Résultats Résoudre les Calendrier Bénéficiaires et problèmes Budget évaluation
- Tsesler et Voichenko, Minsk, 2002, object
- Lara Baladi, Sandouk el dounia (The world in a box), 2001
- Sandrine Dole, Sans titre, 2003, photographie
- Tsesler et Voichenko, Tank, Minsk, 2002, object
- Jeff Wall, Invisible Man, 2001. Cibachrome transparency, aluminium light box, 240x320 cm. Courtesy Documenta, Kassel, 2002
- Alfredo Jaar, Muxima, 2005, still video 36'. Courtesy Check List Luanda Pop, Biennale di Venezia 2007
- Jane Alexander, Courtesy Africa Screams,Vienna, 2004
- Minnette Vari. Oracle, still video animation 2', 1999. Courtesy Biennale di Venezia, 2001
- Rossella Biscotti (1978) et Kevin van Braak (1975), New Crossroads, New Crossroads Cape Town, 2006, video 23'