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the

   Ina Centaur

The SLCC Introduction
 Atonement After the Passing of a Friend
 Live entertainment without boundaries
    Got Internet? No geographical boundaries.
    Got Voice? No physical discrimination.
    Revive the Bard!
 Environmental Reasons!
 Pre-SL
    IRC – 90’s
    Adobe Atmosphere – 2000
    ActiveWorlds – 00’s
    World of Warcraft – 2006
    Skype Shakespeare Radio – 2006
 SL
    Various models of the Globe, even before voice
    First voice auditions held the day SL Voice available
    “Rose and Fell” between 2006-2007
    4-sims acquired in February 2008 for permanent setup
 Artistic Despot (References provided on request!)
 Head fundraisers mostly for PR
 Make up for everything where anything lacks… Hmm…




                              a tyrannical fairy…
 We are known for our visual appeal, but:
 With every production, we create and introduce a
  new technology in the nascent field of virtual
  theatre.
 This is how we create and revolutionize the Art:
 Integrated Real-Time Multi-Language
    Subtitles System
     On-stage
     HUD
   Scripted Lip-synch system
   Photorealistic skins
   Sculpted talking faces
   Optimized textures
   Historically-accurate Elizabethan attire
   4-sim SL Globe Theatre live performance

                                               >>
 In conjunction with “Shakespeare 24”
 Consulted RL Shakespearean scholars from
    around the world
   “Comprehensive Review” of over 100 SL
    stores for attire
   Usage of “piped” Elizabethan-accurate era
    music in SL theatre, composed by SL
    musician
   Maintained standard for actor alt’s
   (And, everything from before)
                                                >>
 Fully-costumed staged reading series
   Fully utilized SL’s ease to change visual
    personalities completely
   Developed a grayscale outfit style, “devoid
    of the color of motion.”
 Utilized viewer built-in lip-synch.
 “Moving cast”, tag-team performance of
  Shakespearean play
 Unabridged, first folio performance


                                                  >>
 An unlikely contemporary play with time
  travel to grace the Globe stage
 “Seamless advertisements”
   Interactive, too!
   Real equations incognito…
 Box-set on the Globe stage
   Fits the Globe
   Clotheslines above the pit?!
 Real-time director-controlled dynamic
  camera controls
   First with synch across 4-sims


                                            >>
 Global lighting changed for each scene
 Multiple sets, sans rezzer
 “Archetypal Attire”
 Usage of a “real storm” on stage
  (exemplified in upcoming Demo)
 “Preview Season”
 24-hour “silent” text-chat performance
  by “Bot-actors” and Celebrities…
 Completely scripted choreography
   Self-guided paths across entire sim
   SL Shakespeare Skates!
 Prior to SL Voice, these “actors” might
 have passed the Turing Test…



                                            >>
 All the tech goodies from Twelfth Night,
    Act 1 in Nov ‘08
   First open-ended run of a play on SL
   Guided-Moving lights
   Variations, such as Switched Gender and
    Super Spoof!
   Live Demo @ NAST Conference to 3000
    RL theatre admin’s
 To Set the Show and Create the Legend
   The 4-Sim SL Globe Theatre
   Blackfriars Theatre
   Additional Architecture Prominent in Shakespeare’s
    Lifetime (Pics in sLiterary Presentation)
      Bard’s Birthplace
      Anne Hathaway’s House
      Arden’s House
      Garrick’s Inn / Harvard House
      Nash House / New Place
                                                   >>
SL Shakespeare Company: The SLCC Introduction
SL Shakespeare Company: The SLCC Introduction
SL Shakespeare Company: The SLCC Introduction
SL Shakespeare Company: The SLCC Introduction
SL Shakespeare Company: The SLCC Introduction
SL Shakespeare Company: The SLCC Introduction

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SL Shakespeare Company: The SLCC Introduction

  • 1. the Ina Centaur The SLCC Introduction
  • 2.  Atonement After the Passing of a Friend  Live entertainment without boundaries  Got Internet? No geographical boundaries.  Got Voice? No physical discrimination.  Revive the Bard!  Environmental Reasons!
  • 3.  Pre-SL  IRC – 90’s  Adobe Atmosphere – 2000  ActiveWorlds – 00’s  World of Warcraft – 2006  Skype Shakespeare Radio – 2006  SL  Various models of the Globe, even before voice  First voice auditions held the day SL Voice available  “Rose and Fell” between 2006-2007  4-sims acquired in February 2008 for permanent setup
  • 4.  Artistic Despot (References provided on request!)  Head fundraisers mostly for PR  Make up for everything where anything lacks… Hmm… a tyrannical fairy…
  • 5.  We are known for our visual appeal, but:  With every production, we create and introduce a new technology in the nascent field of virtual theatre.  This is how we create and revolutionize the Art:
  • 6.  Integrated Real-Time Multi-Language Subtitles System  On-stage  HUD  Scripted Lip-synch system  Photorealistic skins  Sculpted talking faces  Optimized textures  Historically-accurate Elizabethan attire  4-sim SL Globe Theatre live performance >>
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.  In conjunction with “Shakespeare 24”  Consulted RL Shakespearean scholars from around the world  “Comprehensive Review” of over 100 SL stores for attire  Usage of “piped” Elizabethan-accurate era music in SL theatre, composed by SL musician  Maintained standard for actor alt’s  (And, everything from before) >>
  • 12.
  • 13.
  • 14.
  • 15.
  • 16.  Fully-costumed staged reading series  Fully utilized SL’s ease to change visual personalities completely  Developed a grayscale outfit style, “devoid of the color of motion.”  Utilized viewer built-in lip-synch.  “Moving cast”, tag-team performance of Shakespearean play  Unabridged, first folio performance >>
  • 17.
  • 18.
  • 19.
  • 20.  An unlikely contemporary play with time travel to grace the Globe stage  “Seamless advertisements”  Interactive, too!  Real equations incognito…  Box-set on the Globe stage  Fits the Globe  Clotheslines above the pit?!  Real-time director-controlled dynamic camera controls  First with synch across 4-sims >>
  • 21.
  • 22.
  • 23.  Global lighting changed for each scene  Multiple sets, sans rezzer  “Archetypal Attire”  Usage of a “real storm” on stage (exemplified in upcoming Demo)  “Preview Season”
  • 24.  24-hour “silent” text-chat performance by “Bot-actors” and Celebrities…  Completely scripted choreography  Self-guided paths across entire sim  SL Shakespeare Skates!  Prior to SL Voice, these “actors” might have passed the Turing Test… >>
  • 25.
  • 26.
  • 27.
  • 28.
  • 29.
  • 30.  All the tech goodies from Twelfth Night, Act 1 in Nov ‘08  First open-ended run of a play on SL  Guided-Moving lights  Variations, such as Switched Gender and Super Spoof!  Live Demo @ NAST Conference to 3000 RL theatre admin’s
  • 31.
  • 32.
  • 33.
  • 34.  To Set the Show and Create the Legend  The 4-Sim SL Globe Theatre  Blackfriars Theatre  Additional Architecture Prominent in Shakespeare’s Lifetime (Pics in sLiterary Presentation)  Bard’s Birthplace  Anne Hathaway’s House  Arden’s House  Garrick’s Inn / Harvard House  Nash House / New Place >>