Just as the life form draws energy from the environment and transforms it into order, and thus is more organized than the environment around it, Holo’Qubistic Art has a dimensional order greater than the viewer’s ambient organization and so is alive relative to the viewer’s psycho-energetics.
2. Simplicity
as
a
Philosophical
Base
• Consider
the
amazing
complexity
of
computer
technology.
All
is
based
on
a
language
with
two
digits,
0
and
1,
on
and
off.
The
complexity
of
organic
life
based
on
4
leHers
in
two
pairs
organizing
only
a
few
elements.
• Profound
intelligence
at
work
ingeniously
assembling
complex
systems
from
a
fundamentally
simple
set
of
principles
and
elements.
• The
universe
shows
that
on
the
deepest
level
this
tendency
towards
simplicity
that
is
the
guiding
principle
towards
crea3on.
• Examples:
– Endless
variety
of
tastes
from
4
sensa3ons
(taste)
– Few
primary
colors
(spectrum)
– God
created
the
universe
from
nothing
-‐
Bible
(pic—history)
2
3. Holo’Space
Principles
• Based
on
the
simplest
of
principles
Principles
arise
to
express
crea3on
– Contrac3on
–
Symmetry
Contracts
– Expansion
–
Harmonics
Expand
– Equilibrium
mediates
to
express
intelligent
life
– Expansion,
Contrac3on
and
Equilibrium
conjoin
to
create
the
founda3ons
of
evolu3on
and
ground
– Fundamental
Realms
of
Space
– The
complex
geometry
of
ALL
Space
arises
from
core
principles.
3
4. Nonlinear
Mixing
of
Informa3on
• Nonlinear
mixing
accomplishes
transducing
from
coherent
space
into
the
subjec3ve
space
via
coherent
modula3ons.
Cascading
of
resonators
with
nonlinear
thresholds
or
switching,
shi]
high
frequency
energy
down
the
spectrum
into
lower
frequencies
with
aHendant
amplitude
increase.
• Living
systems
do
this
through
their
nonlinear
cellular
and
nerve
structures.
• Formalize
our
Subjec3ve
Images
of
Space
• Qubism
make
Real
Space
and
Coherent
Space
experien3ally
real
to
the
ar3sts
and
scien3st.
• Experience
Crea3on
Whole
from
the
Source
that
is
the
Creator
eternal
to
the
Real
Space
of
the
Mother
of
all
Manifes3ng
Poten3al
through
Material
Space
as
Subjec3ve
Space
reorganiza3on.
4
5. • Modern
media
is
Wormhole
in
nature,
“holo”
to
the
fractal
evolu3on
of
Material
Space.
It
connects
through
another
Space.
Shi]ing
from
Fractal
to
Holo-‐Fractal
Evolu3on
is
the
Threshold
of
Human
Consciousness.
Co-‐Holo-‐Fractal
Evolu3on,
which
is
the
invoking
into
the
world
through
Technics
a
Evolu3on
that
is
Collec3ve
and
Enlightened.
• From
a
Subjec3ve
perspec3ve,
there
is
no
Space!
• The
concepts
or
understanding
we
hold
about
space
is
subjec3ve
space.
Space
is
the
most
fundamental
aHribute
of
Subjec3ve
Space.
From
our
Subjec3ve
Space
concepts
come
our
purposes,
visions,
goals,
ac3ons
and
manifesta3on.
We
are
invented
by
our
Space
.
We
conceive
Space
as
an
ar3fact
of
our
culture
and
language.
• Through
subjec3ve
space,
Coherent
Space
can
express
its
interest
in
Material
Space.
• A
Coherent
Space
is
a
posi3ve
pole
of
Subjec3ve
Space.
• Material
Space
is
the
nega3ve
pole.
• Coherent
Space
manifests
Electro-‐material
Space
through
Harmonic
Vortexing.
5
7. Higher
Order
as
Life
• Just
as
the
life
form
draws
energy
from
the
environment
and
transforms
it
into
order,
and
thus
is
more
organized
than
the
environment
around
it,
Holo’Qubis3c
Art
has
a
dimensional
order
greater
than
the
viewer’s
ambient
organiza3on
and
so
is
alive
rela3ve
to
the
viewer’s
psycho-‐energe3cs.
7
8. Manifestos
• Here’a
list
of
a
few
of
the
most
interes3ng
and
famous
Manifestos
in
recent
history.
• Russell
Einstein
Manifesto
A
great
Manifesto
which
asked
world
leaders
to
consider
other
alterna3ves
before
nuclear
weapons
when
dealing
with
world
conflicts.
“Think
before
you
shoot”
is
a
great
way
to
sum
up
this
thoughjul
and
3mely
declara3on
by
Bertrand
Russell
and
Albert
Einstein.
• John
F.
Kennedy’s
Manifesto
JFK’s
manifesto
from
1961.
His
manifesto
of,
“before
this
decade
is
out,
of
landing
a
man
on
the
moon
and
returning
him
safely
to
the
earth.”
• Julia
Bu8erfly
Hill’s
Manifesto
One
of
our
personal
favorites.
Julia
saved
the
life
of
a
nearly
1000
year
old
Redwood
in
defense
of
the
forest
near
the
MaHole
river
on
the
coast
of
northern
california.
Julia
is
an
inspira3on
to
ac3vists
and
pioneers
everywhere.
Her
work
in
the
environmental
movement
is
a
high
point
for
many
advocates
of
direct-‐ac3on
and
civil
disobedience.
• John
Lennon’s
Manifesto
Controversial,
and
generally
misunderstood,
John
Lennon’s
work
towards
interna3onal
peace
s3ll
rings
in
the
worldwide
collec3ve
consciousness.
• The
Communist
Manifesto
Not
nearly
as
dark
as
many
would
have
you
believe,
this
Manifesto
was
an
important
moment
in
history.
Widely
respected
as
one
of
the
most
prolific
and
controversial
manifestos
ever
wriHen.
8
9. Manifestos
• The
Student
DemocraCc
Society’s
‘Port
Huron
Statement’
WriHen
in
1962,
the
Port
Huron
Statement
is
o]en
credited
as
an
essen3al
building
block
of
1960's
counterculture.
• Banksy’s
Manifesto
One
of
my
favorite
non-‐literal
manifestoes.
Read
it.
Some
Manifestos,
like
Banksy’s
seem
almost
like
an
accident.
• The
Futurist
Manifesto
The
Manifesto
of
the
Italian
poet
F.T.
Marinep,
published
in
1909.
This
manifesto
launched
an
ar3s3c
movement
which
baHled
against
the
laissez
faire
nature
of
Italian
literature
and
society
at
the
3me.
The
futurist
manifesto
is
regarded
as
one
of
the
most
relevant
avante-‐garde
wri3ngs.
• The
Surrealist
Manifesto
Conceived
by
french
writer
André
Breton
in
1924,
the
surrealist
manifesto
helped
to
lead
a
movement
as
well.
Surrealism
is/was
a
nonconformist
methodology
which
aimed
to
create
art
from
the
wells
of
the
unconscious
mind.
• Shepard
Fairey’s
Manifesto
Manifesto
of
ar3st
/
pop
culture
guru
Shepard
Fairey.
This
Manifesto
includes
all
the
best
elements
of
a
modern
manifesto.
It
challenges
the
audience
while
making
them
ques3on
the
en3re
point
of
the
experiment
in
the
first
place.
Let’s
face
it,
Shepard
Fairey
could
easily
be
your
‘dad.’
9
10. • If one arranges a pattern, it is found that the
pattern itself has properties irrespective of the
materials themselves.
10
11. Language
of
Holo’Space
• Coherent
Space
automa3cally
manifests
as
life
when
the
systemic
condi3ons
are
met.
• Space
as
Life
exceeds
anything
we
have
imagined.
• Our
habits
are
a
lower
dimensional
space.
11
12. From
Space
• Formalize
our
Subjec3ve
images
from
Space
• Material
Space
and
Subjec3ve
Space
are
inadequate
to
express
our
Contemporary
Experience
and
is
incapable
of
awakening
our
Collec3ve
Intelligence.
• Space
is
our
fundamental
resource
• Holo’Qubism
makes
Holo’Space
real
to
the
ar3st,
the
culture
and
the
scien3st.
12
14. Evolu3onary
Order
• Holo’Dimensional
Qubism
shows
how
evolu3onary
order
can
emerge
out
of
any
kind
of
chaos.
• Life
is
inherently
encoded
to
appear
everywhere.
Hardwired
into
Existence!
14
22. Holo’Qubis3c
Evolu3on
• Holo'Qubis3c
pieces
evolve
by
evolving
evolu3on
using
holographic
self-‐emerging
principles.
The
projec3on
converges
linear
and
non-‐linear
fields
of
space
and
frame
as
projec3ons
of
hyperdimensional
percep3on.
• The
par3cipant
perceives
not
forms
but
fields
of
Emergent
Principle.
The
frame
of
art
becomes
a
window
of
percep3on
into
a
space
becoming
alive
via
the
energe3cs
of
percep3on
revealing
spontaneous
living
presences.
22
26. Qubis3c
Art’s
Super-‐aHrac3ve
Global
Orbit
• Qubis3c
Art’s
super-‐aHrac3ve
global
orbit
is
op3mally
stable,
because
it
is
media3ng
between
two
op3mally
unstable
local
repelling
fixed
points
of
the
linear
and
the
non-‐linear,
the
fixed
parameters
and
chance,
the
global
design
and
local
flavor,
the
quantum
and
rela3vis3c.
• Space-‐3me
itself
can
be
found
in
the
Edge
of
Chaos
Region.
• This
is
Visionary
Art
Space.
26
27. Nega3ve
Resistor
Effect
• This
is
a
nega3ve
resistor
effect
reordering
the
surface
space
poten3al.
• The
dipole
field
of
the
complex
space
ini3ates
harmonic
densifica3on.
• Energy
organized
decreases
entropy.
Living
systems
do
this
and
is
the
revela3on
of
Life.
• Syntropy
is
the
stacking
of
order
increasing
meaning.
• Such
Art
is
Itself.
It
is
not
a
symbol
or
a
rendering
of
something
else.
27
28. Colors
that
are
holographic
• Holo’Dimensional
Qubism
can
create
colors
that
are
holographically
rather
than
spectrally
related.
Colors
condense
spa3ally
and
manifest
dimensionally
and
whole.
• Colors
of
the
material
lens
are
related
as
the
spectrum;
red,
orange,
yellow,
green,
blue,
violet.
Art
has
been
spectral
art.
Colors
related
spectrally.
• Holo'Dimensional
Art
deconstructs
Material
Colors,
re-‐concentra3ng
and
redistribu3ng
them
holographically,
through
a
chromo
alchemical
process.
• The
colors
become
related
dimensionally
as
they
are
combined
and
recombined
through
holo’dimensional
space.
• Holo’dimensional
processes
liberate
the
spectrum
free
colors
to
be
related
to
the
whole
rather
than
each
other.
• Color
channels
embed
holo’harmonic
informa3on.
• Qubis3c
Space
rotates
around
mul3ple
axes
simultaneously
embedding
through
holo’dimensional
separated
color
fields.
28
31. • Holo’Dimensional
Qubism
treats
the
surface
of
the
art
as
inherently
frameless.
The
surface
is
a
projec3on
of
space
with
complex
mul3dimensional
proper3es.
• Holo’Qubism
is
the
explora3on
and
discovery
of
forms
of
principles.
• Principles
are
the
root
of
the
Creator's
Original
Design
Science.
• Holo’Qubism
strives
to
express
the
space
of
principles
themselves.
Rendering
of
principle
reveal
original
oscilla3ons
of
crea3ve
potency.
Principles
are
everywhere,
yet
take
up
no
material
space.
Material
and
Subjec3ve
Space
emerges
from
principle.
31