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1	
  Philip	
  Randolph	
  Lilien	
  adam@holocrea3ons.com	
  	
  
Simplicity	
  as	
  a	
  Philosophical	
  Base	
  
•  Consider	
  the	
  amazing	
  complexity	
  of	
  computer	
  technology.	
  	
  All	
  is	
  	
  based	
  on	
  
a	
  language	
  with	
  two	
  digits,	
  0	
  and	
  1,	
  on	
  and	
  off.	
  	
  
	
   The	
  complexity	
  of	
  organic	
  life	
  based	
  on	
  4	
  leHers	
  in	
  two	
  pairs	
  organizing	
  
only	
  a	
  few	
  elements.	
  
•  Profound	
  intelligence	
  at	
  work	
  ingeniously	
  assembling	
  complex	
  systems	
  
from	
  a	
  fundamentally	
  simple	
  set	
  of	
  principles	
  and	
  elements.	
  
•  The	
  universe	
  shows	
  that	
  on	
  the	
  deepest	
  level	
  this	
  tendency	
  towards	
  
simplicity	
  that	
  is	
  the	
  guiding	
  principle	
  towards	
  crea3on.	
  	
  
•  Examples:	
  
–  Endless	
  variety	
  of	
  tastes	
  from	
  4	
  sensa3ons	
  (taste)	
  
–  Few	
  primary	
  colors	
  (spectrum)	
  
–  God	
  created	
  the	
  universe	
  from	
  nothing	
  -­‐	
  	
  Bible	
  (pic—history)	
  	
  2	
  
Holo’Space	
  Principles	
  
•  Based	
  on	
  the	
  simplest	
  of	
  principles	
  
  Principles	
  arise	
  to	
  express	
  crea3on	
  
–  Contrac3on	
  –	
  Symmetry	
  Contracts	
  
–  Expansion	
  –	
  Harmonics	
  Expand	
  
–  Equilibrium	
  mediates	
  to	
  express	
  intelligent	
  life	
  
–  Expansion,	
  Contrac3on	
  and	
  Equilibrium	
  conjoin	
  to	
  create	
  the	
  
founda3ons	
  of	
  evolu3on	
  and	
  ground	
  
–  Fundamental	
  Realms	
  of	
  Space	
  
–  The	
  complex	
  geometry	
  of	
  ALL	
  Space	
  arises	
  from	
  core	
  principles.	
  
3	
  
Nonlinear	
  Mixing	
  of	
  Informa3on	
  
•  Nonlinear	
  mixing	
  accomplishes	
  transducing	
  from	
  
coherent	
  space	
  into	
  the	
  subjec3ve	
  space	
  via	
  coherent	
  
modula3ons.	
  Cascading	
  of	
  resonators	
  with	
  nonlinear	
  	
  
thresholds	
  or	
  switching,	
  shi]	
  high	
  frequency	
  energy	
  
down	
  the	
  spectrum	
  into	
  	
  lower	
  frequencies	
  with	
  
aHendant	
  amplitude	
  increase.	
  
•  Living	
  systems	
  do	
  this	
  through	
  their	
  nonlinear	
  cellular	
  
and	
  nerve	
  structures.	
  
•  Formalize	
  our	
  Subjec3ve	
  Images	
  of	
  Space	
  
•  Qubism	
  make	
  Real	
  Space	
  and	
  Coherent	
  Space	
  
experien3ally	
  real	
  to	
  the	
  ar3sts	
  and	
  scien3st.	
  
•  Experience	
  Crea3on	
  Whole	
  from	
  the	
  Source	
  that	
  is	
  the	
  
Creator	
  eternal	
  to	
  the	
  Real	
  Space	
  of	
  the	
  Mother	
  of	
  all	
  
Manifes3ng	
  Poten3al	
  through	
  Material	
  Space	
  as	
  
Subjec3ve	
  Space	
  reorganiza3on.	
  	
  4	
  
•  Modern	
  media	
  is	
  Wormhole	
  in	
  nature,	
  “holo”	
  to	
  the	
  fractal	
  
evolu3on	
  of	
  Material	
  Space.	
  It	
  connects	
  through	
  another	
  
Space.	
  Shi]ing	
  from	
  Fractal	
  to	
  Holo-­‐Fractal	
  Evolu3on	
  is	
  the	
  
Threshold	
  of	
  Human	
  Consciousness.	
  Co-­‐Holo-­‐Fractal	
  
Evolu3on,	
  which	
  is	
  the	
  invoking	
  into	
  the	
  world	
  through	
  
Technics	
  a	
  Evolu3on	
  that	
  is	
  Collec3ve	
  and	
  Enlightened.	
  
•  From	
  a	
  Subjec3ve	
  perspec3ve,	
  there	
  is	
  no	
  Space!	
  
•  The	
  concepts	
  or	
  understanding	
  we	
  hold	
  about	
  space	
  is	
  
subjec3ve	
  space.	
  Space	
  is	
  the	
  most	
  fundamental	
  aHribute	
  
of	
  Subjec3ve	
  Space.	
  From	
  our	
  Subjec3ve	
  Space	
  concepts	
  
come	
  our	
  purposes,	
  visions,	
  goals,	
  ac3ons	
  and	
  
manifesta3on.	
  We	
  are	
  invented	
  by	
  our	
  Space	
  .	
  We	
  conceive	
  
Space	
  as	
  an	
  ar3fact	
  of	
  our	
  culture	
  and	
  language.	
  
•  Through	
  subjec3ve	
  space,	
  Coherent	
  Space	
  can	
  express	
  its	
  
interest	
  in	
  Material	
  Space.	
  
•  A	
  Coherent	
  Space	
  is	
  a	
  posi3ve	
  pole	
  of	
  Subjec3ve	
  Space.	
  
•  Material	
  Space	
  is	
  the	
  nega3ve	
  pole.	
  
•  Coherent	
  Space	
  manifests	
  Electro-­‐material	
  Space	
  through	
  
Harmonic	
  Vortexing.	
  	
  	
  	
  
5	
  
Sacred	
  Geometry	
  
6	
  
Higher	
  Order	
  as	
  Life	
  
•  Just	
  as	
  the	
  life	
  form	
  draws	
  energy	
  from	
  the	
  
environment	
  and	
  transforms	
  it	
  into	
  order,	
  and	
  
thus	
  is	
  more	
  organized	
  than	
  the	
  environment	
  
around	
  it,	
  Holo’Qubis3c	
  Art	
  has	
  a	
  dimensional	
  
order	
  greater	
  than	
  the	
  viewer’s	
  ambient	
  
organiza3on	
  and	
  so	
  is	
  alive	
  rela3ve	
  to	
  the	
  
viewer’s	
  psycho-­‐energe3cs.	
  	
  	
  
7	
  
Manifestos	
  
•  Here’a	
  list	
  of	
  a	
  few	
  of	
  the	
  most	
  interes3ng	
  and	
  famous	
  Manifestos	
  in	
  recent	
  history.	
  
•  Russell	
  Einstein	
  Manifesto	
  	
  
A	
  great	
  Manifesto	
  which	
  asked	
  world	
  leaders	
  to	
  consider	
  other	
  alterna3ves	
  before	
  nuclear	
  weapons	
  
when	
  dealing	
  with	
  world	
  conflicts.	
  “Think	
  before	
  you	
  shoot”	
  is	
  a	
  great	
  way	
  to	
  sum	
  up	
  this	
  thoughjul	
  and	
  
3mely	
  declara3on	
  by	
  Bertrand	
  Russell	
  and	
  Albert	
  Einstein.	
  
•  John	
  F.	
  Kennedy’s	
  Manifesto	
  
JFK’s	
  manifesto	
  from	
  1961.	
  His	
  manifesto	
  of,	
  “before	
  this	
  decade	
  is	
  out,	
  of	
  landing	
  a	
  man	
  on	
  the	
  moon	
  
and	
  returning	
  him	
  safely	
  to	
  the	
  earth.”	
  
•  Julia	
  Bu8erfly	
  Hill’s	
  Manifesto	
  
One	
  of	
  our	
  personal	
  favorites.	
  Julia	
  saved	
  the	
  life	
  of	
  a	
  nearly	
  1000	
  year	
  old	
  Redwood	
  in	
  defense	
  of	
  the	
  
forest	
  near	
  the	
  MaHole	
  river	
  on	
  the	
  coast	
  of	
  northern	
  california.	
  	
  Julia	
  is	
  an	
  inspira3on	
  to	
  ac3vists	
  and	
  
pioneers	
  everywhere.	
  Her	
  work	
  in	
  the	
  environmental	
  movement	
  is	
  a	
  high	
  point	
  for	
  many	
  advocates	
  of	
  
direct-­‐ac3on	
  and	
  civil	
  disobedience.	
  
•  John	
  Lennon’s	
  Manifesto	
  
Controversial,	
  and	
  generally	
  misunderstood,	
  John	
  Lennon’s	
  work	
  towards	
  interna3onal	
  peace	
  s3ll	
  rings	
  
in	
  the	
  worldwide	
  collec3ve	
  consciousness.	
  
•  The	
  Communist	
  Manifesto	
  
Not	
  nearly	
  as	
  dark	
  as	
  many	
  would	
  have	
  you	
  believe,	
  this	
  Manifesto	
  was	
  an	
  important	
  moment	
  in	
  history.	
  
Widely	
  respected	
  as	
  one	
  of	
  the	
  most	
  prolific	
  and	
  controversial	
  manifestos	
  ever	
  wriHen.	
  
8	
  
Manifestos	
  
•  The	
  Student	
  DemocraCc	
  Society’s	
  ‘Port	
  Huron	
  Statement’	
  
WriHen	
  in	
  1962,	
  the	
  Port	
  Huron	
  Statement	
  is	
  o]en	
  credited	
  as	
  an	
  essen3al	
  building	
  block	
  of	
  1960's	
  
counterculture.	
  
•  Banksy’s	
  Manifesto	
  
One	
  of	
  my	
  favorite	
  non-­‐literal	
  manifestoes.	
  Read	
  it.	
  Some	
  Manifestos,	
  like	
  Banksy’s	
  seem	
  almost	
  like	
  an	
  
accident.	
  
•  The	
  Futurist	
  Manifesto	
  
The	
  Manifesto	
  of	
  the	
  Italian	
  poet	
  F.T.	
  Marinep,	
  published	
  in	
  1909.	
  This	
  manifesto	
  launched	
  an	
  ar3s3c	
  
movement	
  which	
  baHled	
  against	
  the	
  laissez	
  faire	
  nature	
  of	
  Italian	
  literature	
  and	
  society	
  at	
  the	
  3me.	
  The	
  
futurist	
  manifesto	
  is	
  regarded	
  as	
  one	
  of	
  the	
  most	
  relevant	
  avante-­‐garde	
  wri3ngs.	
  
•  The	
  Surrealist	
  Manifesto	
  
Conceived	
  by	
  french	
  writer	
  André	
  Breton	
  in	
  1924,	
  the	
  surrealist	
  manifesto	
  helped	
  to	
  lead	
  a	
  movement	
  as	
  
well.	
  Surrealism	
  is/was	
  a	
  nonconformist	
  methodology	
  which	
  aimed	
  to	
  create	
  art	
  from	
  the	
  wells	
  of	
  the	
  
unconscious	
  mind.	
  
•  Shepard	
  Fairey’s	
  Manifesto	
  
Manifesto	
  of	
  ar3st	
  /	
  pop	
  culture	
  guru	
  Shepard	
  Fairey.	
  This	
  Manifesto	
  includes	
  all	
  the	
  best	
  elements	
  of	
  a	
  
modern	
  manifesto.	
  It	
  challenges	
  the	
  audience	
  while	
  making	
  them	
  ques3on	
  the	
  en3re	
  point	
  of	
  the	
  
experiment	
  in	
  the	
  first	
  place.	
  Let’s	
  face	
  it,	
  Shepard	
  Fairey	
  could	
  easily	
  be	
  your	
  ‘dad.’	
  
9	
  
•  If one arranges a pattern, it is found that the
pattern itself has properties irrespective of the
materials themselves.	
  
10	
  
Language	
  of	
  Holo’Space	
  
•  Coherent	
  Space	
  automa3cally	
  manifests	
  as	
  life	
  
when	
  the	
  systemic	
  condi3ons	
  are	
  met.	
  
•  Space	
  as	
  Life	
  exceeds	
  anything	
  we	
  have	
  
imagined.	
  
•  Our	
  habits	
  are	
  a	
  lower	
  dimensional	
  space.	
  
11	
  
From	
  Space	
  
•  Formalize	
  our	
  Subjec3ve	
  images	
  from	
  Space	
  
•  Material	
  Space	
  and	
  Subjec3ve	
  Space	
  are	
  
inadequate	
  to	
  express	
  our	
  Contemporary	
  
Experience	
  and	
  is	
  incapable	
  of	
  awakening	
  our	
  
Collec3ve	
  Intelligence.	
  
•  Space	
  is	
  our	
  fundamental	
  resource	
  
•  Holo’Qubism	
  makes	
  Holo’Space	
  real	
  to	
  the	
  
ar3st,	
  	
  the	
  culture	
  and	
  the	
  scien3st.	
  
12	
  
Evolving	
  Space	
  
13	
  
Evolu3onary	
  Order	
  
•  Holo’Dimensional	
  Qubism	
  shows	
  how	
  
evolu3onary	
  order	
  can	
  emerge	
  out	
  of	
  any	
  kind	
  
of	
  chaos.	
  
•  Life	
  is	
  inherently	
  encoded	
  to	
  appear	
  
everywhere.	
  Hardwired	
  into	
  Existence!	
  	
  
14	
  
Art	
  through	
  Incarna3ons	
  1	
  
15	
  
Art	
  Through	
  Incarna3ons	
  2	
  
16	
  
Art	
  through	
  Incarna3ons	
  3	
  
17	
  
Art	
  through	
  Incarna3ons	
  4	
  
18	
  
Art	
  Through	
  Incarna3ons	
  5	
  
19	
  
Art	
  through	
  Incarna3ons	
  6	
  
20	
  
Art	
  through	
  Incarna3ons	
  7	
  
21	
  
Holo’Qubis3c	
  Evolu3on	
  
•  Holo'Qubis3c	
  pieces	
  evolve	
  by	
  evolving	
  
evolu3on	
  using	
  holographic	
  self-­‐emerging	
  
principles.	
  The	
  projec3on	
  converges	
  linear	
  and	
  
non-­‐linear	
  fields	
  of	
  space	
  and	
  frame	
  as	
  
projec3ons	
  of	
  hyperdimensional	
  percep3on.	
  	
  
•  The	
  par3cipant	
  perceives	
  not	
  forms	
  but	
  fields	
  
of	
  Emergent	
  Principle.	
  The	
  frame	
  of	
  art	
  
becomes	
  a	
  window	
  of	
  percep3on	
  into	
  a	
  space	
  
becoming	
  alive	
  via	
  the	
  energe3cs	
  of	
  
percep3on	
  revealing	
  spontaneous	
  living	
  
presences.	
  22	
  
Evolu3onary	
  Art	
  
23	
  
Evolving	
  Life	
  
24	
  
Evolu3onary	
  Art	
  
25	
  
Qubis3c	
  Art’s	
  	
  
Super-­‐aHrac3ve	
  Global	
  Orbit	
  
•  Qubis3c	
  Art’s	
  super-­‐aHrac3ve	
  global	
  orbit	
  is	
  
op3mally	
  stable,	
  because	
  it	
  is	
  media3ng	
  between	
  
two	
  op3mally	
  unstable	
  local	
  repelling	
  fixed	
  points	
  
of	
  the	
  linear	
  and	
  the	
  non-­‐linear,	
  the	
  fixed	
  
parameters	
  and	
  chance,	
  the	
  global	
  design	
  and	
  
local	
  flavor,	
  the	
  quantum	
  and	
  rela3vis3c.	
  
•  Space-­‐3me	
  itself	
  can	
  be	
  found	
  in	
  the	
  Edge	
  of	
  
Chaos	
  Region.	
  
•  This	
  is	
  Visionary	
  Art	
  Space.	
  
26	
  
Nega3ve	
  Resistor	
  Effect	
  
•  This	
  is	
  a	
  nega3ve	
  resistor	
  effect	
  reordering	
  the	
  
surface	
  space	
  poten3al.	
  	
  
•  The	
  dipole	
  field	
  of	
  the	
  complex	
  space	
  ini3ates	
  
harmonic	
  densifica3on.	
  	
  
•  Energy	
  organized	
  decreases	
  entropy.	
  Living	
  
systems	
  do	
  this	
  and	
  is	
  the	
  revela3on	
  of	
  Life.	
  
•  Syntropy	
  is	
  the	
  stacking	
  of	
  order	
  increasing	
  
meaning.	
  
•  Such	
  Art	
  is	
  Itself.	
  It	
  is	
  not	
  a	
  symbol	
  or	
  a	
  
rendering	
  of	
  something	
  else.	
  	
  
27	
  
Colors	
  that	
  are	
  holographic	
  
•  Holo’Dimensional	
  	
  Qubism	
  can	
  create	
  colors	
  that	
  are	
  holographically	
  
rather	
  than	
  spectrally	
  related.	
  Colors	
  condense	
  spa3ally	
  and	
  manifest	
  
dimensionally	
  and	
  whole.	
  
•  Colors	
  of	
  the	
  material	
  lens	
  are	
  related	
  as	
  the	
  spectrum;	
  red,	
  orange,	
  
yellow,	
  green,	
  blue,	
  violet.	
  Art	
  has	
  been	
  spectral	
  art.	
  Colors	
  related	
  
spectrally.	
  
•  Holo'Dimensional	
  Art	
  deconstructs	
  Material	
  Colors,	
  re-­‐concentra3ng	
  
and	
  redistribu3ng	
  them	
  holographically,	
  through	
  a	
  chromo	
  alchemical	
  
process.	
  
•  The	
  colors	
  become	
  related	
  dimensionally	
  as	
  they	
  are	
  combined	
  and	
  
recombined	
  through	
  holo’dimensional	
  space.	
  
•  Holo’dimensional	
  processes	
  liberate	
  the	
  spectrum	
  free	
  colors	
  to	
  be	
  
related	
  to	
  the	
  whole	
  rather	
  than	
  each	
  other.	
  
•  Color	
  channels	
  embed	
  holo’harmonic	
  informa3on.	
  
•  Qubis3c	
  Space	
  rotates	
  around	
  mul3ple	
  axes	
  simultaneously	
  
embedding	
  through	
  holo’dimensional	
  separated	
  color	
  fields.	
  	
  
28	
  
Holographic	
  Colors	
  
29	
  
Holographic	
  Colors	
  
30	
  
•  Holo’Dimensional	
  Qubism	
  treats	
  the	
  surface	
  of	
  the	
  art	
  
as	
  inherently	
  frameless.	
  	
  The	
  surface	
  is	
  a	
  projec3on	
  of	
  
space	
  with	
  complex	
  mul3dimensional	
  proper3es.	
  
•  Holo’Qubism	
  is	
  the	
  explora3on	
  and	
  discovery	
  of	
  forms	
  
of	
  principles.	
  	
  
•  Principles	
  are	
  the	
  root	
  of	
  the	
  Creator's	
  Original	
  Design	
  
Science.	
  
•  Holo’Qubism	
  strives	
  to	
  express	
  the	
  space	
  of	
  principles	
  
themselves.	
  Rendering	
  of	
  principle	
  reveal	
  original	
  
oscilla3ons	
  of	
  crea3ve	
  potency.	
  Principles	
  are	
  
everywhere,	
  yet	
  take	
  up	
  no	
  material	
  space.	
  	
  Material	
  
and	
  Subjec3ve	
  Space	
  emerges	
  from	
  principle.	
  
31	
  

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Holo'Space Language part Seven

  • 1. 1  Philip  Randolph  Lilien  adam@holocrea3ons.com    
  • 2. Simplicity  as  a  Philosophical  Base   •  Consider  the  amazing  complexity  of  computer  technology.    All  is    based  on   a  language  with  two  digits,  0  and  1,  on  and  off.       The  complexity  of  organic  life  based  on  4  leHers  in  two  pairs  organizing   only  a  few  elements.   •  Profound  intelligence  at  work  ingeniously  assembling  complex  systems   from  a  fundamentally  simple  set  of  principles  and  elements.   •  The  universe  shows  that  on  the  deepest  level  this  tendency  towards   simplicity  that  is  the  guiding  principle  towards  crea3on.     •  Examples:   –  Endless  variety  of  tastes  from  4  sensa3ons  (taste)   –  Few  primary  colors  (spectrum)   –  God  created  the  universe  from  nothing  -­‐    Bible  (pic—history)    2  
  • 3. Holo’Space  Principles   •  Based  on  the  simplest  of  principles     Principles  arise  to  express  crea3on   –  Contrac3on  –  Symmetry  Contracts   –  Expansion  –  Harmonics  Expand   –  Equilibrium  mediates  to  express  intelligent  life   –  Expansion,  Contrac3on  and  Equilibrium  conjoin  to  create  the   founda3ons  of  evolu3on  and  ground   –  Fundamental  Realms  of  Space   –  The  complex  geometry  of  ALL  Space  arises  from  core  principles.   3  
  • 4. Nonlinear  Mixing  of  Informa3on   •  Nonlinear  mixing  accomplishes  transducing  from   coherent  space  into  the  subjec3ve  space  via  coherent   modula3ons.  Cascading  of  resonators  with  nonlinear     thresholds  or  switching,  shi]  high  frequency  energy   down  the  spectrum  into    lower  frequencies  with   aHendant  amplitude  increase.   •  Living  systems  do  this  through  their  nonlinear  cellular   and  nerve  structures.   •  Formalize  our  Subjec3ve  Images  of  Space   •  Qubism  make  Real  Space  and  Coherent  Space   experien3ally  real  to  the  ar3sts  and  scien3st.   •  Experience  Crea3on  Whole  from  the  Source  that  is  the   Creator  eternal  to  the  Real  Space  of  the  Mother  of  all   Manifes3ng  Poten3al  through  Material  Space  as   Subjec3ve  Space  reorganiza3on.    4  
  • 5. •  Modern  media  is  Wormhole  in  nature,  “holo”  to  the  fractal   evolu3on  of  Material  Space.  It  connects  through  another   Space.  Shi]ing  from  Fractal  to  Holo-­‐Fractal  Evolu3on  is  the   Threshold  of  Human  Consciousness.  Co-­‐Holo-­‐Fractal   Evolu3on,  which  is  the  invoking  into  the  world  through   Technics  a  Evolu3on  that  is  Collec3ve  and  Enlightened.   •  From  a  Subjec3ve  perspec3ve,  there  is  no  Space!   •  The  concepts  or  understanding  we  hold  about  space  is   subjec3ve  space.  Space  is  the  most  fundamental  aHribute   of  Subjec3ve  Space.  From  our  Subjec3ve  Space  concepts   come  our  purposes,  visions,  goals,  ac3ons  and   manifesta3on.  We  are  invented  by  our  Space  .  We  conceive   Space  as  an  ar3fact  of  our  culture  and  language.   •  Through  subjec3ve  space,  Coherent  Space  can  express  its   interest  in  Material  Space.   •  A  Coherent  Space  is  a  posi3ve  pole  of  Subjec3ve  Space.   •  Material  Space  is  the  nega3ve  pole.   •  Coherent  Space  manifests  Electro-­‐material  Space  through   Harmonic  Vortexing.         5  
  • 7. Higher  Order  as  Life   •  Just  as  the  life  form  draws  energy  from  the   environment  and  transforms  it  into  order,  and   thus  is  more  organized  than  the  environment   around  it,  Holo’Qubis3c  Art  has  a  dimensional   order  greater  than  the  viewer’s  ambient   organiza3on  and  so  is  alive  rela3ve  to  the   viewer’s  psycho-­‐energe3cs.       7  
  • 8. Manifestos   •  Here’a  list  of  a  few  of  the  most  interes3ng  and  famous  Manifestos  in  recent  history.   •  Russell  Einstein  Manifesto     A  great  Manifesto  which  asked  world  leaders  to  consider  other  alterna3ves  before  nuclear  weapons   when  dealing  with  world  conflicts.  “Think  before  you  shoot”  is  a  great  way  to  sum  up  this  thoughjul  and   3mely  declara3on  by  Bertrand  Russell  and  Albert  Einstein.   •  John  F.  Kennedy’s  Manifesto   JFK’s  manifesto  from  1961.  His  manifesto  of,  “before  this  decade  is  out,  of  landing  a  man  on  the  moon   and  returning  him  safely  to  the  earth.”   •  Julia  Bu8erfly  Hill’s  Manifesto   One  of  our  personal  favorites.  Julia  saved  the  life  of  a  nearly  1000  year  old  Redwood  in  defense  of  the   forest  near  the  MaHole  river  on  the  coast  of  northern  california.    Julia  is  an  inspira3on  to  ac3vists  and   pioneers  everywhere.  Her  work  in  the  environmental  movement  is  a  high  point  for  many  advocates  of   direct-­‐ac3on  and  civil  disobedience.   •  John  Lennon’s  Manifesto   Controversial,  and  generally  misunderstood,  John  Lennon’s  work  towards  interna3onal  peace  s3ll  rings   in  the  worldwide  collec3ve  consciousness.   •  The  Communist  Manifesto   Not  nearly  as  dark  as  many  would  have  you  believe,  this  Manifesto  was  an  important  moment  in  history.   Widely  respected  as  one  of  the  most  prolific  and  controversial  manifestos  ever  wriHen.   8  
  • 9. Manifestos   •  The  Student  DemocraCc  Society’s  ‘Port  Huron  Statement’   WriHen  in  1962,  the  Port  Huron  Statement  is  o]en  credited  as  an  essen3al  building  block  of  1960's   counterculture.   •  Banksy’s  Manifesto   One  of  my  favorite  non-­‐literal  manifestoes.  Read  it.  Some  Manifestos,  like  Banksy’s  seem  almost  like  an   accident.   •  The  Futurist  Manifesto   The  Manifesto  of  the  Italian  poet  F.T.  Marinep,  published  in  1909.  This  manifesto  launched  an  ar3s3c   movement  which  baHled  against  the  laissez  faire  nature  of  Italian  literature  and  society  at  the  3me.  The   futurist  manifesto  is  regarded  as  one  of  the  most  relevant  avante-­‐garde  wri3ngs.   •  The  Surrealist  Manifesto   Conceived  by  french  writer  André  Breton  in  1924,  the  surrealist  manifesto  helped  to  lead  a  movement  as   well.  Surrealism  is/was  a  nonconformist  methodology  which  aimed  to  create  art  from  the  wells  of  the   unconscious  mind.   •  Shepard  Fairey’s  Manifesto   Manifesto  of  ar3st  /  pop  culture  guru  Shepard  Fairey.  This  Manifesto  includes  all  the  best  elements  of  a   modern  manifesto.  It  challenges  the  audience  while  making  them  ques3on  the  en3re  point  of  the   experiment  in  the  first  place.  Let’s  face  it,  Shepard  Fairey  could  easily  be  your  ‘dad.’   9  
  • 10. •  If one arranges a pattern, it is found that the pattern itself has properties irrespective of the materials themselves.   10  
  • 11. Language  of  Holo’Space   •  Coherent  Space  automa3cally  manifests  as  life   when  the  systemic  condi3ons  are  met.   •  Space  as  Life  exceeds  anything  we  have   imagined.   •  Our  habits  are  a  lower  dimensional  space.   11  
  • 12. From  Space   •  Formalize  our  Subjec3ve  images  from  Space   •  Material  Space  and  Subjec3ve  Space  are   inadequate  to  express  our  Contemporary   Experience  and  is  incapable  of  awakening  our   Collec3ve  Intelligence.   •  Space  is  our  fundamental  resource   •  Holo’Qubism  makes  Holo’Space  real  to  the   ar3st,    the  culture  and  the  scien3st.   12  
  • 14. Evolu3onary  Order   •  Holo’Dimensional  Qubism  shows  how   evolu3onary  order  can  emerge  out  of  any  kind   of  chaos.   •  Life  is  inherently  encoded  to  appear   everywhere.  Hardwired  into  Existence!     14  
  • 22. Holo’Qubis3c  Evolu3on   •  Holo'Qubis3c  pieces  evolve  by  evolving   evolu3on  using  holographic  self-­‐emerging   principles.  The  projec3on  converges  linear  and   non-­‐linear  fields  of  space  and  frame  as   projec3ons  of  hyperdimensional  percep3on.     •  The  par3cipant  perceives  not  forms  but  fields   of  Emergent  Principle.  The  frame  of  art   becomes  a  window  of  percep3on  into  a  space   becoming  alive  via  the  energe3cs  of   percep3on  revealing  spontaneous  living   presences.  22  
  • 26. Qubis3c  Art’s     Super-­‐aHrac3ve  Global  Orbit   •  Qubis3c  Art’s  super-­‐aHrac3ve  global  orbit  is   op3mally  stable,  because  it  is  media3ng  between   two  op3mally  unstable  local  repelling  fixed  points   of  the  linear  and  the  non-­‐linear,  the  fixed   parameters  and  chance,  the  global  design  and   local  flavor,  the  quantum  and  rela3vis3c.   •  Space-­‐3me  itself  can  be  found  in  the  Edge  of   Chaos  Region.   •  This  is  Visionary  Art  Space.   26  
  • 27. Nega3ve  Resistor  Effect   •  This  is  a  nega3ve  resistor  effect  reordering  the   surface  space  poten3al.     •  The  dipole  field  of  the  complex  space  ini3ates   harmonic  densifica3on.     •  Energy  organized  decreases  entropy.  Living   systems  do  this  and  is  the  revela3on  of  Life.   •  Syntropy  is  the  stacking  of  order  increasing   meaning.   •  Such  Art  is  Itself.  It  is  not  a  symbol  or  a   rendering  of  something  else.     27  
  • 28. Colors  that  are  holographic   •  Holo’Dimensional    Qubism  can  create  colors  that  are  holographically   rather  than  spectrally  related.  Colors  condense  spa3ally  and  manifest   dimensionally  and  whole.   •  Colors  of  the  material  lens  are  related  as  the  spectrum;  red,  orange,   yellow,  green,  blue,  violet.  Art  has  been  spectral  art.  Colors  related   spectrally.   •  Holo'Dimensional  Art  deconstructs  Material  Colors,  re-­‐concentra3ng   and  redistribu3ng  them  holographically,  through  a  chromo  alchemical   process.   •  The  colors  become  related  dimensionally  as  they  are  combined  and   recombined  through  holo’dimensional  space.   •  Holo’dimensional  processes  liberate  the  spectrum  free  colors  to  be   related  to  the  whole  rather  than  each  other.   •  Color  channels  embed  holo’harmonic  informa3on.   •  Qubis3c  Space  rotates  around  mul3ple  axes  simultaneously   embedding  through  holo’dimensional  separated  color  fields.     28  
  • 31. •  Holo’Dimensional  Qubism  treats  the  surface  of  the  art   as  inherently  frameless.    The  surface  is  a  projec3on  of   space  with  complex  mul3dimensional  proper3es.   •  Holo’Qubism  is  the  explora3on  and  discovery  of  forms   of  principles.     •  Principles  are  the  root  of  the  Creator's  Original  Design   Science.   •  Holo’Qubism  strives  to  express  the  space  of  principles   themselves.  Rendering  of  principle  reveal  original   oscilla3ons  of  crea3ve  potency.  Principles  are   everywhere,  yet  take  up  no  material  space.    Material   and  Subjec3ve  Space  emerges  from  principle.   31