Gardens in the 17th century The comparison between Chinese and European gardens Chen Si Yi, Sylvia  06050069 Leung Ka Yan,...
 
Layouts <ul><li>China </li></ul><ul><li>Is discovered scene by scene, one scene leading to the next </li></ul><ul><li>Dive...
Details <ul><li>China </li></ul><ul><li>Symbolism </li></ul><ul><li> a “mini-world” </li></ul><ul><li>Plants and flowers:...
Concepts <ul><li>China </li></ul><ul><li>association  </li></ul><ul><li>with nature </li></ul><ul><li>presentation of perm...
Concepts <ul><li>China </li></ul><ul><li>Human:  </li></ul><ul><li>subordinate position, </li></ul><ul><li>part of the nat...
Transformation <ul><li>Extension and exploration </li></ul><ul><li>Missionaries </li></ul><ul><li>Imaginative travel descr...
Further development <ul><li>18th century </li></ul><ul><li>“ Chinoiserie” </li></ul><ul><li>exotic garden design </li></ul...
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hkbu POLS 3620 Gardens In The 17th Century 06016804 Leung Ka Yan 06050069 Chen Siyi

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hkbu POLS 3620 Gardens In The 17th Century 06016804 Leung Ka Yan 06050069 Chen Siyi

  1. 1. Gardens in the 17th century The comparison between Chinese and European gardens Chen Si Yi, Sylvia 06050069 Leung Ka Yan, Candice 06016804
  2. 3. Layouts <ul><li>China </li></ul><ul><li>Is discovered scene by scene, one scene leading to the next </li></ul><ul><li>Diversified layout </li></ul><ul><li>Europe </li></ul><ul><li>Symmetrical </li></ul><ul><li>Geometric </li></ul><ul><li>Unified changes in </li></ul><ul><li>extendable planes </li></ul>
  3. 4. Details <ul><li>China </li></ul><ul><li>Symbolism </li></ul><ul><li> a “mini-world” </li></ul><ul><li>Plants and flowers: </li></ul><ul><li>Close to their natural forms </li></ul><ul><li>Europe </li></ul><ul><li>Arrangement of the plan </li></ul><ul><li>Grass in lawns </li></ul><ul><li>Fountains </li></ul><ul><li>Perfectly shaped plants </li></ul>
  4. 5. Concepts <ul><li>China </li></ul><ul><li>association </li></ul><ul><li>with nature </li></ul><ul><li>presentation of permanence </li></ul><ul><li>ethical preoccupations </li></ul><ul><li>Europe </li></ul><ul><li>Rationalism: </li></ul><ul><li>exclusion of nature </li></ul>
  5. 6. Concepts <ul><li>China </li></ul><ul><li>Human: </li></ul><ul><li>subordinate position, </li></ul><ul><li>part of the nature </li></ul><ul><li>“ Poetic garden” </li></ul><ul><li>Europe </li></ul><ul><li>Human: </li></ul><ul><li>dominate role, </li></ul><ul><li>control of the nature </li></ul><ul><li>Show-off </li></ul>
  6. 7. Transformation <ul><li>Extension and exploration </li></ul><ul><li>Missionaries </li></ul><ul><li>Imaginative travel descriptions </li></ul><ul><li>began to copy foreign </li></ul><ul><li>ornamentation </li></ul><ul><li>integrate it into </li></ul><ul><li>traditional court art </li></ul><ul><li>Rococo </li></ul>
  7. 8. Further development <ul><li>18th century </li></ul><ul><li>“ Chinoiserie” </li></ul><ul><li>exotic garden design </li></ul><ul><li>English landscape gardens </li></ul>

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