ULTRA HD <ul><li>HD is really an old technology. </li></ul><ul><li>It’s been developed for decades. </li></ul><ul><li>The ...
what is ULTRA HD <ul><li>The new format with a resolution of 7,680 × 4,320 pixels is four times as wide and four times as ...
 
THE RED ONE 4K digital cinema
 
OVERVIEW <ul><li>RED RENDERS OBSOLESCENCE OBSOLETE </li></ul><ul><li>The RED ONE body , designed for flexibility and funct...
HD  v.s  Ultra HD <ul><li>Resolution </li></ul>
tech SPECS <ul><li>Sensor </li></ul><ul><li>12 Megapixel Mysterium™ </li></ul><ul><li>Physical Size </li></ul><ul><li>24.4...
tech Specs 2 <ul><li>Delivery Formats </li></ul><ul><li>* 4K RGB  2K RGB  1920×1080 progressive, RGB or 4:2:2  1280×720 pr...
edit on Final cut
FCP <ul><li>The RED ONE camera generates QuickTime reference movies that point to 4K (or 2K) full resolution REDCODE™ RAW ...
Getting one <ul><li>First you need the body. </li></ul><ul><li>The basic piece which you build upon. </li></ul><ul><li>Exp...
Then the lens <ul><li>About…$20,000 </li></ul>
And also <ul><li>Base, power, storage etc. </li></ul><ul><li>Another $20,000 to get you started </li></ul>
Shot on the RED one <ul><li>Many Movies coming in 08 were shot on the red   </li></ul>
<ul><li>Like Jumper </li></ul>Jumper  is a  2008   science fiction film  based on the  1992   science fiction   novel   Ju...
WANTED <ul><li>Wanted  is a  2008   film  loosely based on the  comic book   miniseries   Wanted  by  Mark Millar . The fi...
Being shot currently <ul><li>The Argentine </li></ul><ul><li>The Informant </li></ul><ul><li>Guerilla </li></ul><ul><li>GA...
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uhd red1

  1. 1. ULTRA HD <ul><li>HD is really an old technology. </li></ul><ul><li>It’s been developed for decades. </li></ul><ul><li>The reason it’s popular now is because it was previously illegal. </li></ul><ul><li>The federal government was worry that the new technology would make virtually every television set obsolete. </li></ul><ul><li>A technology that is really been developed as we speak is ULTRA HD </li></ul>
  2. 2. what is ULTRA HD <ul><li>The new format with a resolution of 7,680 × 4,320 pixels is four times as wide and four times as high (for a total of 16 times the pixel resolution) as existing HDTV, which has a maximum resolution of 1920 × 1080 pixels. the Japanese Ministry of Internal Affairs and Communications will be starting a public- private partnership to develop technology for UHDV in the hopes of setting an international standard for Super Hi-Vision in addition to broadcasting with it beginning in 2015 </li></ul>
  3. 4. THE RED ONE 4K digital cinema
  4. 6. OVERVIEW <ul><li>RED RENDERS OBSOLESCENCE OBSOLETE </li></ul><ul><li>The RED ONE body , designed for flexibility and functionality. Weighing in at around 9 lbs, a streamlined package specifically designed to maximize your shooting options. Matched with a 35mm PL lens mount it allows you to take advantage of the world’s best optics. Modular and upgradeable, the RED ONE camera is a future-proof acquisition system you can build upon. RED ONE’s modular design means you can upgrade with us as we add new features, accessories and improve system specifications. </li></ul>
  5. 7. HD v.s Ultra HD <ul><li>Resolution </li></ul>
  6. 8. tech SPECS <ul><li>Sensor </li></ul><ul><li>12 Megapixel Mysterium™ </li></ul><ul><li>Physical Size </li></ul><ul><li>24.4mm x 13.7mm (Super35mm) TECH SPECS </li></ul><ul><li>Active Pixel Array </li></ul><ul><li>4520 (h) x 2540 (v) </li></ul><ul><li>Full Pixel Array </li></ul><ul><li>4900 (h) x 2580 (v) </li></ul><ul><li>Dynamic Range </li></ul><ul><li>> 66dB </li></ul><ul><li>Depth of Field </li></ul><ul><li>Equivalent to 35mm Cine Lenses (S16mm with windowed sensor) </li></ul><ul><li>Acquisition Formats </li></ul><ul><li>4K 2K </li></ul>
  7. 9. tech Specs 2 <ul><li>Delivery Formats </li></ul><ul><li>* 4K RGB 2K RGB 1920×1080 progressive, RGB or 4:2:2 1280×720 progressive, RGB or 4:2:2 </li></ul><ul><li>Project Frame Rates </li></ul><ul><li>23.98, 24, 25, 29.97, 30 fps 4K plus 50, 59.94, 60 fps 2K (windowed sensor) </li></ul><ul><li>Video Preview </li></ul><ul><li>HD-SDI and HDMI 1280×720 progressive, 4:2:2 </li></ul><ul><li>Digital Media </li></ul><ul><li>FireWire 800/400, USB-2 and e-SATA interfaces RED-DRIVE™ hard disk drive (320GB) RED-RAM™ flash memory drive (64 GB) REDFLASH™ (CF) compact flash module </li></ul>
  8. 10. edit on Final cut
  9. 11. FCP <ul><li>The RED ONE camera generates QuickTime reference movies that point to 4K (or 2K) full resolution REDCODE™ RAW (.R3D) files. This allows for immediate editing of camera source footage when using the latest version of Final Cut Pro. </li></ul><ul><li>Ensure that you have upgraded to FCP version 6.0.2, running under Mac OSX 10.4.11 (Tiger) Then download and install the REDCODE™ RAW codec from www.red.com/support (Intel based Macs only currently) Final Cut Pro 6.0.2 with the REDCODE™ RAW codec installed will support RT playback and editing provided you have sufficient hardware resources. </li></ul><ul><li>Transfer the entire contents of your RED-FLASH CF card or RED-DRIVE to another drive for editing (RAID storage is recommended for best performance) </li></ul><ul><li>Import the desired QuickTime reference movies into a new FCP project. You can use either the 2K or 1K sized reference movies. On a MacBook Pro laptop, we recommend the use of 1K size movies. </li></ul><ul><li>Select the ProRes HQ 1080p easy setup in FCP to render files and create an online quality, HD rendered media for finishing. </li></ul><ul><li>Log and Transfer functionality will be supported in the near future. This will allow advanced ingest of RED footage into FCP including transcoding to ProRes. </li></ul>
  10. 12. Getting one <ul><li>First you need the body. </li></ul><ul><li>The basic piece which you build upon. </li></ul><ul><li>Expect to spend $17,000 </li></ul>
  11. 13. Then the lens <ul><li>About…$20,000 </li></ul>
  12. 14. And also <ul><li>Base, power, storage etc. </li></ul><ul><li>Another $20,000 to get you started </li></ul>
  13. 15. Shot on the RED one <ul><li>Many Movies coming in 08 were shot on the red </li></ul>
  14. 16. <ul><li>Like Jumper </li></ul>Jumper is a 2008 science fiction film based on the 1992 science fiction novel Jumper by Steven Gould . The film is directed by Doug Liman and stars Hayden Christensen , Jamie Bell , Rachel Bilson , Max Thieriot , AnnaSophia Robb with Diane Lane and Samuel L. Jackson . Jumper was released on February 14 , 2008 . <ul><li>Contents </li></ul><ul><li>[ hide] </li></ul><ul><li> Plot </li></ul><ul><li> Terminology </li></ul><ul><li> Cast </li></ul><ul><li> Production </li></ul><ul><li> Marketing </li></ul><ul><li> Critical reception </li></ul><ul><li> Box office performance </li></ul><ul><li> Graphic novel </li></ul><ul><li> Video game </li></ul><ul><li> Sequel </li></ul><ul><li> References </li></ul><ul><li> External links </li></ul>
  15. 17. WANTED <ul><li>Wanted is a 2008 film loosely based on the comic book miniseries Wanted by Mark Millar . The film is directed by Timur Bekmambetov and stars James McAvoy , Morgan Freeman and Angelina Jolie . Production began in April 2007. Wanted has a target release date of June 27 , 2008 . </li></ul>
  16. 18. Being shot currently <ul><li>The Argentine </li></ul><ul><li>The Informant </li></ul><ul><li>Guerilla </li></ul><ul><li>GAME </li></ul><ul><li>Crossing the Line </li></ul>

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