Versace Final


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  • So, how did Medusa, a Gorgon (3 powerful daemons in Greek myth) become the logo for the Versace brand and how does this related to femininity? Very briefly, Medusa is one of three Gorgon sisters, the only mortal one who Perseus slays. According to poets, the gorgons were once beautiful women punished by the gods for bragging of their beauty, or in Medusa’s case, turned into a monster by Athena for sleeping with Poseidon. Her intense stare turns onlookers into stone. You can see how some common idioms such as “ drop dead gorgeous" and killer smile relate to this myth and fashion/appearance in general.
  • I think this quote demonstrates “girl power” a bit.. How it’s not about appealing to just others, but it is about appealing to yourself and by doing this, gaining confidence and achieving what you want. In this way fashion can be seen as a “transition tool” since if you want to become more feminine then you can wear the
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  • Versace Final

    1. 1. and
    2. 2. “… the opposite of what people think of when you say masculine, pink dresses and hair brushes.” “ Multi tasking, keeping up appearance, poised, not taking up space (pretty, quiet, out of the way.” “ Femininity is expressing yourself as female, as what is expected in your society. Whether that femininity is defined by culture and varies. It’s not constant.” “ Shopping, arguing, whiny, self-conscious, curious.” “ Pretty, strong, confident…jeans.” “ Expensive shampoo” “ Lace, lots and lots of lace, and long, white gloves; silk and chiffon.” “… pale pink feather boa.” “ Beauty, female intuition, pretty and poised, frilly, girly, emotions, strong self-awareness.”
    3. 3. Versace uses glamour and sex appeal to create the image of a strong confident woman who is in control of her appearance and uses it to her advantage. However, Versace also perpetuates the traditional stereotype that to be feminine you must be must look like the models on the catwalk, or the celebrities in the ads. In other words you must fit the mold!
    4. 4. <ul><li>1978 Gianni Versace started his own prêt-a-porter line </li></ul><ul><li>Eventually he branched out to couture and his own luxury brand </li></ul><ul><li>1997 Gianni was murdered, and his sister Donatella took over the fashion line </li></ul>
    5. 5. The dominatrix The prostitute … and medusa “ A dominatrix is imbued with a certain power.” Reichert, T. & Lambiase, J., 2003, p. 76) “ This is the medusa invoked in Versace’s choice of logo, the devastating power of beautiful women to slay.” (Evans, C., 2003, p. 122) “ Versace chose as his heroic female model the prostitute or streetwalker.” (Martin, R., 1998, p. 96)
    6. 6. “ [Black] is also the colour of power; as in the judge’s robes, the biker’s black leather jacket and the femme fatale’s little black dress.” (Steele, 2001, p. 77) <ul><ul><ul><li>Traditionally men have been the dominant sex </li></ul></ul></ul><ul><ul><ul><li>The Dominatrix represents a </li></ul></ul></ul><ul><ul><ul><li>type of role reversal </li></ul></ul></ul><ul><ul><ul><ul><li>She is a combination of the “male” dominance, </li></ul></ul></ul></ul><ul><ul><ul><ul><li>power and confidence and “feminine” sexuality and allurement. </li></ul></ul></ul></ul><ul><li>Through the “Elizabeth Hurley Dress” Versace transformed the wearer of the “little black dress” from upper-middleclass housewife into a sexy, alluring woman. </li></ul>
    7. 7. “ Designers have always looked to the street; he [Versace] looked to the streetwalker.” -Richard Martin, director of the Costume Institute at New York City's Metropolitan Museum of Art . <ul><li>Versace’s femininity is sexuality and power; sexuality can become a commodity </li></ul><ul><li>Versace was inspired by the assertiveness </li></ul><ul><li>and confident sexuality of prostitutes. </li></ul><ul><li>By wearing Versace you can express yourself rather than having to abide by the rules. Women can be assertive and confident in this clothing, while still feeling sexy and feminine. </li></ul> <ul><li>Femininity becomes a commodity. </li></ul>
    8. 8. Mythical monster to logo “ Dressed to kill” “ Killer Smile” “ Fatal attraction” <ul><li>Versace Discovered Medusa in art in his early childhood </li></ul><ul><li>Gianni made it clear in an interview: “Medusa means seduction … a dangerous attraction.” </li></ul><ul><li>Medusa symbolically representing beauty and ugliness; creation and destruction and Gianni’s designs </li></ul><ul><ul><li>“ stimulate the viewer’s appetite to possess and adore the beautiful object” </li></ul></ul><ul><li>Medusa’s image serves as an emblem of the dangerous power of women. </li></ul>“ Drop dead gorgeous”
    9. 9. <ul><li>“ I wouldn’t say the Versace woman is predatory. I would say she is seductive. Woman need to seduce in order to achieve their goals. I don’t just mean seduce men - they need to seduce themselves, because once you seduce yourself, you start to like yourself and are better able to achieve what you want... The brain is the best seduction tool you have. But clothes can help, too.” </li></ul><ul><ul><li>- Donatella Versace </li></ul></ul>
    10. 10. <ul><li>The designs showcase the female body </li></ul><ul><ul><li>Cutouts </li></ul></ul><ul><ul><li>Slits </li></ul></ul><ul><ul><li>Cleavage </li></ul></ul><ul><ul><li>Skin-tight </li></ul></ul><ul><li>They are sexy, “feminine” and bold </li></ul><ul><li>Use both western and Eastern inspirations </li></ul>
    11. 11.,0.jpg <ul><li>Generally the colors are bright and severe </li></ul><ul><ul><li>Gianni used extreme colour (extremely bright and/or very dark) </li></ul></ul><ul><ul><ul><li>hyper femininity and fantasy </li></ul></ul></ul><ul><ul><li>Donatella uses more subdued colors than Gianni </li></ul></ul><ul><ul><ul><li>more “masculine” </li></ul></ul></ul><ul><ul><ul><li>feminine attributes highlighted by vivid hues </li></ul></ul></ul> Gianni’s Versace Donatella’s Versace Buss, C. Mendes, B. & Wilcox, C. (2002). The Art and Craft of Gianni Versace . London. V&A Publications
    12. 12. <ul><li>“ Versace pushed materials to their very limits…he endowed them with new identities. Like metal mesh, leather was not exempt – he had it embroidered, studded, pleated, crumpled, embossed and gilded…manipulating leather as if it were pliable silk.” </li></ul><ul><li>- The Art and Craft of Gianni Versace </li></ul> Leather and Snakeskin Chainmail and Metal
    13. 13. <ul><li>Versace uses celebrities to advertise clothing </li></ul>“ A celebrity can convey a message much quicker and much more clearly than a model. ” - TIME interview Donatella Versace. <ul><li>Versace choose celebrities that already represent power, confidence, sexuality – inherent qualities of Versace designs. </li></ul>
    14. 14. “ I remember the first time I wore Versace; it was a teal, figure - hugging cocktail dress, I’ll never forget it because I felt instantly in touch with my sensuality. ” - Halle Berry “Versace Feature Halle Berry in New Ads” 2005 <ul><li>Celebrities wear Versace to convey ideas of sexuality, femininity and confidence to the public </li></ul>
    15. 15. <ul><li>Visually attractive body is displayed in advertisements </li></ul><ul><ul><li>Ads are visually persuasive </li></ul></ul> <ul><li>Advertisements show both typical femininity (appearance management, being “seen”) and confident femininity </li></ul><ul><li>Is sometimes vague as to whether the Versace product is for sale, or a lifestyle…. </li></ul>
    16. 16. … femininity is a commodity, Versace is selling a lifestyle Femininity sexuality and glamour are embedded in Versace merchandise
    17. 17. <ul><li>Fashion, and in this case especially Versace, be used in three different ways… </li></ul><ul><li>As a mask </li></ul><ul><li>“ Fashion has often been though of as a kind of mask, disguising the wearer’s ‘true’ identity.” (Steele, 2001, p. 73) </li></ul><ul><ul><li>The wearer wears the clothing, such as Versace, attempting to appear feminine, confident, dominant, etc. while not actually feeling as such. </li></ul></ul><ul><li>As a transition tool </li></ul><ul><li>“… to ‘masque the face’ was ‘t’unmasque the mind’…masqueraders dressed as they ‘had a mind to be’” (Steele, 2001, p. 73) </li></ul><ul><ul><li>The wearer acts in accordance with the façade the clothing gives; by wearing the clothing she/he is hoping to become feminine, confident, sexy, etc. and not just hiding behind the mask. </li></ul></ul><ul><li>As a mirror </li></ul><ul><li>“ He [Versace] gave men and women the ability to express themselves…” (Buckley & Gundle, 2000, p. 331) </li></ul><ul><ul><li>The wearer is reflecting their inner “person” on their exterior; by wearing Versace, her clothing is exhibiting her true confident self. </li></ul></ul>
    18. 18. <ul><li>Through television, advertisements and fashion, society has made thinness, beauty and appearance management the tools to reach mediocrity </li></ul><ul><li>Since attractiveness is now the norm, one is seen only as average if they conform to it; an un-managed appearance is “below average” and therefore not “feminine.” </li></ul><ul><ul><li>The failure to conform usually means that they will be shamed and rejected </li></ul></ul>“ Nothing tastes as good as skinny feels.” - Kate Moss
    19. 19. <ul><li>Media portrays thinness as a good thing and “masks” the negative consequences to sell products. </li></ul><ul><li>Versace is aware of the consequences but is not willing to create plus size (10+) clothing. </li></ul><ul><ul><li>Versace is saying that only thin models and people who wear their clothes are feminine, and those who are plus sized are not. </li></ul></ul><ul><li>Is perpetuating idea that femininity is thin, tanned, groomed, etc. </li></ul>“ The media and the fashion industry would have us believe that ultra thinness symbolizes beauty, health and a sense of fashion”.....
    20. 20. <ul><li>While Versace creates the appearance of a strong, confident woman who is in control of her own self, this brand still reinforces the stereotypical views on women, whereby a woman must manage her appearance. </li></ul>