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THE MOVING FIGURE
A CREATIVE
ARTS COMPETITION
& EXHIBITION
IN ANATOMY
HOW DOES A FIGURE
MOVE IN SPACE?
HOW DO WE STAY STILL
WHILE IN PAIN?
WHAT DOES IT MEAN
TO BE STRONG?
WHERE IS OUR PLACE
IF WE WILL DISAPPEAR?
HOW IS TIME MEASURED
WITHOUT A TIME KEEPER?
WITH MINDS SO COMPLEX
WHY ARE WE SAD?
KNOWING THE RISKS
WHY CAN’T WE STOP?
SYSTEMS WORKING TOGETHER
EVENTUALLY BREAK DOWN
WHAT DO WE NEED TO KNOW
TO BE HEALTHY?
WHERE DID WE COME FROM?
WHERE ARE WE GOING?
The Moving Figure
A creative approach to studying anatomy

Coordinated by:
Bryn Ludlow, 4th year INTM OCAD student

Curato...
This is an open call to the students of SCTM 2B02 to participate in
an anatomical arts competition, focusing on the unders...
PRESENTATION OPTION I:              CREATIVE EXPLORATION

Examine the figure literally in the studio or as a point of depa...
PRESENTATION OPTION II:                  PATIENT EDUCATION TOOL

Research a specific subject area to illustrate in your fi...
The effects of _____ on the body as it relates to the specific area of choice:
Cancer
Workplace stress
Cardiovascular Dise...
PURPOSE AND OBJECTIVES

This is a rare opportunity for students to work beyond the course, studying specific
areas of the ...
VISIT US ONLINE:


  http://www.bdesign.ca/movingfigure
PRESENTATION CREDITS:

“Hymn,” and “Sound”
by Moby

Photography © 2001-2009
by Corbis Corporation

Slides designed by Bryn...
THANK YOU.
The Moving Figure: Anatomical Arts Competition & Exhibition by OCAD Students
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The Moving Figure: Anatomical Arts Competition & Exhibition by OCAD Students

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The Moving Figure: Anatomical Arts Competition & Exhibition by OCAD Students

  1. 1. THE MOVING FIGURE
  2. 2. A CREATIVE ARTS COMPETITION & EXHIBITION IN ANATOMY
  3. 3. HOW DOES A FIGURE
  4. 4. MOVE IN SPACE?
  5. 5. HOW DO WE STAY STILL
  6. 6. WHILE IN PAIN?
  7. 7. WHAT DOES IT MEAN
  8. 8. TO BE STRONG?
  9. 9. WHERE IS OUR PLACE
  10. 10. IF WE WILL DISAPPEAR?
  11. 11. HOW IS TIME MEASURED
  12. 12. WITHOUT A TIME KEEPER?
  13. 13. WITH MINDS SO COMPLEX
  14. 14. WHY ARE WE SAD?
  15. 15. KNOWING THE RISKS
  16. 16. WHY CAN’T WE STOP?
  17. 17. SYSTEMS WORKING TOGETHER
  18. 18. EVENTUALLY BREAK DOWN
  19. 19. WHAT DO WE NEED TO KNOW
  20. 20. TO BE HEALTHY?
  21. 21. WHERE DID WE COME FROM?
  22. 22. WHERE ARE WE GOING?
  23. 23. The Moving Figure A creative approach to studying anatomy Coordinated by: Bryn Ludlow, 4th year INTM OCAD student Curator: Teresa Aversa, BFA (Criticism & Curatorial Practice) Supervisor: Dr. Stephen Tulk, MD, Professor of Human Form and Structure: Intro to Anatomy
  24. 24. This is an open call to the students of SCTM 2B02 to participate in an anatomical arts competition, focusing on the understanding of movement at a specific joint.
  25. 25. PRESENTATION OPTION I: CREATIVE EXPLORATION Examine the figure literally in the studio or as a point of departure for a piece of art, and use your understanding of anatomy as the underlying theme. Anatomic elements can be used as design elements, symbols, etc. All types of media are acceptable for final presentations, from traditional media such as print making, to computer rendering and animation. Experiment with creative exploration of the figure showing exaggerated features, muscle tone and / or anthropomorphism.
  26. 26. PRESENTATION OPTION II: PATIENT EDUCATION TOOL Research a specific subject area to illustrate in your figure studies with the aim of using the final presentation as a creative patient education tool. The following are some examples of potential research themes:
  27. 27. The effects of _____ on the body as it relates to the specific area of choice: Cancer Workplace stress Cardiovascular Disease Influenza and Pneumonia HIV/ AIDS Alzheimer's Disease Lung Disease Chronic Liver Disease and Cirrhosis Cerebrovascular Diseases A healthy diet Diabetes Mellitus Others: Preventing chronic pain in seniors Income connection to healthcare Medically unexplained physical symptoms Clinical Depression *categories are based on the top 15 Medical conditions of people living in Canada, from Statistics Canada, 2006.
  28. 28. PURPOSE AND OBJECTIVES This is a rare opportunity for students to work beyond the course, studying specific areas of the human body, showing movement at a joint from a live model, participating in an artistic and academic competition at the University-level, and creating professional presentations for your portfolio.
  29. 29. VISIT US ONLINE: http://www.bdesign.ca/movingfigure
  30. 30. PRESENTATION CREDITS: “Hymn,” and “Sound” by Moby Photography © 2001-2009 by Corbis Corporation Slides designed by Bryn Ludlow, 2009
  31. 31. THANK YOU.

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