Successfully reported this slideshow.
We use your LinkedIn profile and activity data to personalize ads and to show you more relevant ads. You can change your ad preferences anytime.

// Reorientation in Contradictory landscape


Published on

Sequence of investigations to see, find and understand flexibility in the Contradictory landscape in Nikel, and how to
reorientate in this landscape.
By looking closer into every landscape I make an attempt to grasp all of them as systems of information exchange, understand the landscapes character, find enough information to see and identify spaces in the landscapes to keep them alive and understand them and theyr overlapping.

Published in: Technology, Business
  • Be the first to comment

  • Be the first to like this

// Reorientation in Contradictory landscape

  1. 1. // Reorientation in Contradictory landscapeSequence of investigations to see, find and understand flexibilityin the Contradictory landscape in Nikel, and how toreorientate in this landscape.By looking closer into every landscape I make an attempt tograsp all of them as systems of information exchange, understandthe landscapes character, find enough information to see andidentify spaces in the landscapes to keep them alive andunderstand them and theyr overlapping.
  2. 2. // Defining the landscape in Nikel The season space The atmospheric landscape The time space The filter space The water space The enjoyable landscape The vegetation space The dwelling spaces The cultural landscape The delight space The routine space The crude space The industrial landscape The dark space The street space The path landscape The stroll space The plaza space The anima space The tourist landscape The capsule space The connection space The nexus landscape The infrastructure space The dying space The drained landscape The buried space
  3. 3. // Diagram of landscape overlapping The season space The atmospheric landscape The time space The filter space The water space The enjoyable landscape The vegetation space The dwelling spaces The cultural landscape The delight space The routine space The crude space The industrial landscape The dark space The street space The path landscape The stroll space The plaza space The anima space The tourist landscape The capsule space The connection space The nexus landscape The infrastructure space The dying space The drained landscape The buried space
  4. 4. // The atmospheric landscape The shifting weather conditions that influence the surroundings. People pack The season space them selfs into warm clothes in the winter. Animals visit and vegetation grows while it is warm in the summertime. The change from the morning sunrise to The time space the evening sunset when the moon and the stars start to decorate the sky. The fluxing filter of sulphur dioxide that The filter space distorts the colours in the landscape.
  5. 5. // The season space in the atmospheric landscape The winds are predominantly from the Air currents southwest in the Northern Hemisphere. But in the Summer they tend to come from the north east. Average high and the average low temperature in Spring and Autumn is 8°C Temperature and down to -4°C. In the Summer the temperature goes from being around 0°C to 15°C and in the Winter the temperature stays under 0°C and goes down to -15°C. The precipitation goes from being 22mm in Sring up to 23-63mm in the Summer. In Autumn it’s around 33-35mm, while Precipitation it´s 23-33mm in the Winter. The main pollutants in snow are copper and nickel. Zones of maximum accumulation are located in the surroundings of Zapolyarny and Nikel.
  6. 6. // The time space in the atmospheric landscape Spring: Sunshine hours in March are 120.9 and 183 in April. Spring & Summer Summer: There are 192.2 sunshine hours in May and they increase until July up to 235.6 hours. In August the sunshine hours decrease down to 155 hours. Autumn: Sunshine hours in September are 90 and 46.5 in October. Winter: Autumn & Winter Sunshine hours in the wintertime are from 0 in January and December, 6 hours in November and up to 33.9 in February. that makes the town really dark and murky in these times.
  7. 7. // The filter space in the atmospheric landscape Current annual emissions of sulphur dioxide are about 150 000 tons. However, Annual emissions the present emission is still above the critical level for sensitive biota in the Nikel-Pasvik area. Average monthly concentrations of atmospheric SO2 in the surroundings of the nickel smelters depend on the wind conditions. The pollution level is also Monthly concentrations influenced by meteorological conditions unfavourable for dispersion of pollutants: calm weather, stagnation of air, fogs, periods of stable anticyclone circulation. Increased levels of SO2 in the Nikel area are observed when winds are from the Increased levels north and north-east. Making breathing difficult and even burning holes in people’s umbrellas.
  8. 8. // The enjoyable landscape Where the sounds of the stream awakens an awerness of the vastness of the The water space water. A lens with powers of reflection, spatial reversal, refraction, and the transformation of rays of light. Plants that use water and sunlight to The vegetation space grow from soil. Each year blooming in the summer and withering away in the winter. Providing food for animals and people.
  9. 9. // The water space in the enjoyable landscape The contamination of lakes by heavy metals (nickel and copper) is more severe than acidification, especially in the vicinity of the smelters, where Contamination of lakes damage to fish populations as well as phytoplankton and invertebrate communities are observed. The absence of older individuals of brown trout and Arctic char in inlet and outlet streams indicated low survival with age. Acidification of surface waters is usually followed by reductions of relative species richness and abundance Surface waters of sensitive taxa, such as mayflies, stoneflies, amphipoda and snails, but also by an increase in the relative abundance of tolerant taxa (diptera, water bugs and water beetles). An extremely high abundance of chironomids has been recorded in Lake Kuetsyarvi, where simultaneous effects of heavy metals and nutrients on Lake Kuetsyarvi invertebrates occurred. The toxic effects of heavy metals may be neutralised by high organic matter and calcium concentrations, also apparently due to morphological peculiarities of the lake (the prevalence of shallow areas with vegetation) and relatively high water exchange.
  10. 10. // The vegetation space in the enjoyable landscape In this area scots pine (Pinus sylvestris) and downy birch (Betula pubescens) are the dominant tree species Vegetation in the region. Dwarf birch (Betula nana), bilberry (Vaccinium myrtillus) and epiphytic lichen vegetation do also grow in the area. The invertebrate animals in the area are beetles from the Elateridae family Invertebrate animals which are highly sensitive to pollution. Species from the Aranea, Diptera and Formicidae families are more tolerant. The vertebrate animals in the area are small mammals (the northern vole Microtus oeconomus, the grey-sided vole Clethrionomys rufocanus and the common Vertebrate animals shrew Sorex araneus), the willow grouse (Lagopus lagopus) and the brown frog Rana temporaria. These are animals that occupy small areas in a polluted territory and do not make distant migrations are therefore susceptible to air pollution.
  11. 11. // The cultural landscape Where you can feel the essence of the people. Personal space where the little The dwelling space girl feels safe. She decorates her room from her heart and emotions. This is the space inside the Cultural landscape where people live and call there home. Where people meet, get together and enjoy themselves. Where parents meet to watch their children’s school play. Families The delight space relax and laugh together at a resturant. The space inside the Cultural landscape where people spend enjoyalbe time together with some activity. The space where people have to go to make a living. Where you can see an old lady The routine space buying food or a young child lerning how to read or write. The space where you learn, work or buy things to survive in the world.
  12. 12. // The dwelling space in the cultural landscape The apartment buildings in Nikel are mostly build out of concrete, the wooden houses were made out of trees that existed in Nikel before. The houses the Outside Finns built are better houses than the Russians built. The apartment buildings are mostly painted in pastel colors, but because of the filter space they often get leyerd with membrane of pollution. Most of the people in Nikel live in three bedroom apartments. Usually the kitchen is the womans space in Russian culture, and she takes care of the household and Inside cooking. There is also a habit in Russian culture for renovating the inside of the house every other year or more. The inside of the apartments are often a field of expression.
  13. 13. // The delight space in the cultural landscape There are some houses around town like the Culture house and the cinema that Entertainment people gether and watch theatre, movies, art exhibition or a school play. A place where people sometimes go to have Restaurants dinner with friends. A usual place where tourists stop by and have dinner to get to know the traditional Russian food. The garages are a traditional Russian field of garages gathered in one or more parts of the town. Usually the garages are owned by a man and not a family. Garages This is the mans space, where he can potter about, fix his car or build things. Sometimes the garage is even turned into sauna. This place in town is where people often get together and have parties.
  14. 14. // The routine space in the cultural landscape The places people work and make a living. Shops, stores, the school, the culture Workplace house, the nickel factory, the cinema. They spend most hours during the day at these places. Some people work there, but everybody go Convenience store there few times a week to get necessary supplies for food and regular houshold. Children go to school and often have School & leisure a spare time hobby or sport that they practice after school.
  15. 15. // The industrial landscape The fixed visible steel structure that is evident from every direction around Nikel. The machine-made materials of The crude space the structure that send the echo of the hidden workers on the inside out to the landscapes. The unknown space inside the steel structure, that is hidden from the The dark space outsider. The filled space that touches the individual directly, envelopes him, penetrates him, and even passes trough him.
  16. 16. // The crude space in the industrial landscape Most parts of the buildings is made out of steel and almost every building is Building painted in different color. Red, blue, yellow, brown, white, gray and so forth. The smokestacks are white and red, they Smokestack let the sulphur dioxide out into the atmosphere and the ecosystem.
  17. 17. // The dark space in the industrial landscape The dark underground tunnels go eight Dark tunnels storeys down to the ground and they stretch all the way under the city. It’s hard to know exactly how things are inside the building structure but there Hidden spaces is a lot of heat and raw crude atmosphere according to the pictures and raeding material available on the Internet.
  18. 18. // The path landscape The path that connects cities together and people use various kind of vehicles The street space as an traveling method. This space connectes and overlap many different landscapes. Small paths that a mother uses to walk to the supermarket. A path family strolls on when picking mushrooms in The vegetation The stroll space space. The paths that the tourist can see trace of in The dying space. The stroll space is connected to many different spaces, connects them and overlaps alot of landscapes. A space where people gather, this space is always connected to The stroll space The plaza space or The street space. This is a space where kids drive theyr model car, play hide and seek, and parents sit down or play with their kids.
  19. 19. // The street space in the path landscape The roads that lead to Nikel are in unequal condition, the asphalt is not Materials taken care of and that can make the roads unsafe. The road signs show traveling people where to go, how fast they can drive and Warning signs other guidlines. They are in Russian language.
  20. 20. // The stroll space in the path landscape In the town of Nikel the walking paths are mostly asphalt and some times Materials flagstone laying. The smaller paths are often formed after people, and are walking paths of ground and soil. The streetsigns show people the name of the street they are walking on and Street signs the numbers of houses, they work as a compass. The signs are written in Russian language.
  21. 21. // The plaza space in the path landscape The main square is defined in front of the Culture house and is filled with Ideological signs and flagstone laying on the ground around a statue of Lenin. Squares There are benches that people can rest on and steps up to the square. Playgrounds for kids, where parents can play with them and kids can play Playground together. The materials are mostly tyres that rope in the space, steel struktures that kids can climb on and then soil and ground.
  22. 22. // The tourist landscape Part of the traveller that is directed inward and is in touch with the The anima space subconscious. Which influences one’s actions and feelings, it’s connected to the travellers experience from childhood and saga. The travellers physical form. The body and its senses, muscles and bones that The capsule space the traveller understands the landscape and space he/she is experiencing.
  23. 23. // The anima space in the tourist landscape Memory is the ability to preserve, retain, and subsequently recall, knowledge, information or experience. Saga Previous experiences in peoples life can influence theyr way of thinking and looking up on things they see or encounter. Thought is a mental activity which allows human beings to make sense of things in the world. Thinking involves the symbolic or semantic mediation of ideas or data, Mind as when we form concepts, engage in problem solving, reasoning and making decisions. The part of the psyche that is directed inward, and is often in touch with the subconscious. Imagination and consciousness.
  24. 24. // The capsule space in the tourist landscape Peoples physical structure, bones, flesh, Body and organs. The physical and mortal aspect of a person as opposed to the soul or spirit. Senses are physiological capacities of organisms that provide inputs for perception. The senses and their operation, classification, and theory are Senses overlapping topics studied by a variety of fields, most notably neuroscience, cognitive psychology (or cognitive science), and philosophy of perception. The nervous system has a specific sensory system or organ, dedicated to each sense.
  25. 25. // The nexus landscape The lines in the air that overlap landscapes and carry electricity and The connection space electrical signals between places. It connects places and people with each other. They appear translucent to our eyes. Wooden and steel structures that carry The infrastructure space The connection space between places. They are very visible to our eyes and they follow a line of The path landscape.
  26. 26. // The connection space in the nexus landscape Specialized cable designed to carry alternating current of radio frequency, that is, currents with a frequency high enough that their wave nature must be Material & purpose taken into account. Transmission lines are used for purposes such as connecting radio transmitters and receivers with their antennas, distributing cable television signals, and computer network connections.
  27. 27. // The infrastructure space in the nexus landscape Wooden poles, stones and wire. The Materials infrastructure is often nowadays made out of steel structure that has a stronger structure and is more stable. The poles often have warning signs on Signs them as well as some kind of numbers for location.
  28. 28. // The drained landscape The plants that struggle to stay alive, absorbing the toxic waste that is sent The dying space out into The atmospherical landscape from The dark space. This space has been bent so far that its almost completely broken. Where the life has been sucked out of the The buried space soil, plants have struggled to stay alive but slowly been “buried alive”.
  29. 29. // The dying space in the drained landscape For sensitive ecosystems the critical levels have been exceeded on more than Sensitive ecosystems 3200 square kilometres of Russian and Norwegian territory, of which approximately 2400 square kilometres were on Russian territory. Long-term dynamics show high accumulation levels of nickel and copper in rivers and in the whole catchment area. Increased concentrations of pollutants in water Catchment area reservoirs, which are not subject to the direct impact of emissions, especially during the spring and rain flood-water periods, are evidence of the significant role of atmospheric transfer. Based on forest vitality, 4 classes of forest damage were identified within the Forest damage industrially impacted territory. The extent of the forest damage decreased with increasing distance from the emission source.
  30. 30. // The buried space in the drained landscape Susceptibility to environmental pollution enhances forest decline. The distribution of forest stands by sensitivity classes 10 to 12 km from the smelter indicated high sensitivity of pine forests within 10 to 12 km from the smelter, corresponding to severe damage to forest stands. The Jarfjord Mountain area, which is Jarfjord Mountain area located north of Nikel, has been assessed as being the most influenced, together with a narrow zone west of Nikel. The combined negative impact of sulphur and heavy metal pollution resulted in an area of severe forest damage in the vicinity of the smelters, i.e. on Vicinity of the smelters Russian territory, is about 1600 km2. The area can be described as an oval that stretches from south to north and influenced by the dominant wind direction and landscape feature.