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Painting Abstract
Glenn Hirsch, Instructor
Positive Shape
Negative Shape
Abstraction
Impasto
Painting with Knives
Smearing, like butter on toast
Flat, minimal and smooth
Double-Loading and SMEARING 2 COLORS TOGETHER
Thin LINES
hard edged PATTERNS
Press and lift, use the TENSION of the blade
SCRATCHING and scraping
Change the PRESSURE of your hand, create thick and thin in flowing motion
Eddie Fitzgerald
Joan Mitchell
Tom O’Neill
fluid abstraction
Helen Frankenthaler
Helen Frankenthaler
Mark Rothko
Watercolors
1940-1947
Mark Rothko,
watercolor
Mark Rothko,
watercolor
Fred Martin
Ink on paper
1980-1985
Fred Martin
Fred Martin
Fred Martin

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