Dolche Power Point


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  • Show the opening scenes of Baraka - 5 minutes
  • 5-10 minutes for refresh
  • 5-10 minutes for refresh
  • 5-10 minutes
  • 1) Waking Life 2) Breakfast at Tiffany’s 3) 1 Giant Leap 4) The Grinch 15 minutes
  • 1) Waking Life 2) Sex in the City 3) Curitiba 4) Baraka / One Giant Leap 10 minutes
  • Wait till next slide
  • 10 minutes writing treatment 5 minutes for storyboard
  • 5 minutes
  • Break before this
  • Read all 5 minutes
  • 15 minutes take and share Spontenatity – Seqoia filmed the cat and then it passed away Glitches – filming for the k-12 series – no shoes, lawn mower – paid $ The learning process – Gorrilla shooting, sat down and first got creative – no idea editing, looked at standards and then put it all together, silly works – Dog as grammar teacher, funny aspect of film – largets targer audience.
  • 5 minutes
  • Q&A
  • Dolche Power Point

    1. 1. Roadmap for the New Video Producer
    2. 2. All paths in life... are connected by a story.
    3. 3. What elements of the production most moved you? How did this production tell a story you will remember? “ Baraka is an incredible journey through 6 continents, 24 countries, painstakingly shot on Todd AO-70mm film. Bara has no plot, contains no actors and has no script. Baraka is a collection of high quality images, presented in a moving and compelling manner.”
    4. 4. Phases of Production Pre-production • Identify your destination • Do your homework • Identify your audience • Determine your format • Put it in writing (treatment/script / storyboard) • Production logistics • Production guidelines
    5. 5. <ul><li>The 5 Ps: Proper Planning Prevents Poor Production </li></ul>Pre-Production
    6. 6. <ul><li>What am I excited and passionate about? </li></ul><ul><li>What experiences would I like to have? </li></ul><ul><li>What would I like to learn more about? </li></ul><ul><li>What is my overall vision for the project? </li></ul><ul><li>What is my main purpose or message? </li></ul><ul><li>What specifically do I want my message to accomplish? </li></ul>Identify Your Destination Rest Stop
    7. 7. <ul><li>What information is available on the subject? </li></ul><ul><li>Are there any works produced on this subject? </li></ul><ul><li>How does my production serve an unmet need? </li></ul><ul><li>What resources are available? </li></ul>Checking Under the Hood Rest Stop
    8. 8. <ul><li>Who do I want to reach? </li></ul><ul><li>What’s my best method to do this? </li></ul><ul><li>What productions exits that already do this? </li></ul>Identify Target Audience Rest Stop
    9. 9. 1. Younger generation: philosophical/techy 2. Women: 50’s & beyond 3. Varied audiences 4. Children & adults
    10. 10. 1. Mixed format/Animation 2. Drama 3. Documentary 4. Mixed format
    11. 11. <ul><li>Treatment: A brief summary </li></ul><ul><li>Script: A complete description of scenes, including all audio and visual </li></ul><ul><li>Storyboard: A sequence of sketches </li></ul>Put it in Writing On the Move: Treat it Write
    12. 12. <ul><li>Personality </li></ul><ul><li>Simplicity </li></ul><ul><li>Significance </li></ul><ul><li>Surprise </li></ul><ul><li>Immediacy </li></ul><ul><li>Demonstrative </li></ul><ul><li>Originality </li></ul>Story Starts Rest Stop
    13. 13. <ul><li>Who does what? </li></ul><ul><li>Where and when? </li></ul><ul><li>What special consideration? </li></ul><ul><li>How much time? </li></ul><ul><li>What’s my timeline? </li></ul>Logistics Rest Stop
    14. 14. <ul><li>Camera Tips for the Professional Look </li></ul>Production
    15. 15. <ul><li>Low angle </li></ul><ul><li>High angle </li></ul><ul><li>Straight on angle </li></ul><ul><li>Panning </li></ul><ul><li>Zooming </li></ul>Camera Angles & Moves
    16. 16. <ul><li>long shot </li></ul><ul><li>medium shot </li></ul><ul><li>medium close-up </li></ul><ul><li>close-up </li></ul><ul><li>extreme close-up </li></ul>Camera Shots
    17. 17. <ul><li>bust shot </li></ul><ul><li>knee shot </li></ul><ul><li>two shot </li></ul><ul><li>three shot </li></ul><ul><li>over-the shoulder </li></ul><ul><li>cross-shot </li></ul>Camera Shots
    18. 18. <ul><li>background </li></ul><ul><li>cut-away </li></ul><ul><li>horizontal line </li></ul><ul><li>headroom </li></ul><ul><li>noseroom </li></ul><ul><li>cross-shot </li></ul>Camera Tips and Terms On the Move
    19. 19. <ul><li>still images </li></ul><ul><li>moving images </li></ul><ul><li>voice over </li></ul><ul><li>music </li></ul><ul><li>sound effects </li></ul><ul><li>transitions </li></ul><ul><li>titles </li></ul><ul><li>interviews </li></ul><ul><li>graphics </li></ul>DOLCHE Guidelines
    20. 20. <ul><li>3-5 minutes </li></ul><ul><li>DVD and mini-DV formats </li></ul><ul><li>External hardrive </li></ul><ul><li>Strength of message </li></ul><ul><li>Organization </li></ul><ul><li>Talent </li></ul>DOLCHE Guidelines