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Fingerpicking acoustic rock 14 songs

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Rock songs for solo guitar, Fingerpicking

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Fingerpicking acoustic rock 14 songs

  1. 1. )IOOH OLLSDOOV 0NI)IO| dI. -I3E)Nl: l HV. L|I'IE) 010$ FINGERPICKING I Acoustic ROCK 14 Songs Arranged for Solo Guitar in Standard Notation & Tablature HAL°LEONARD°°
  2. 2. INTRODUCTION TO FINGERSTYLE GUITAR Fingerstyle (a. k.a. fingerpicking) is a guitar technique that means you literally pick the strings with your right—hand fingers and thumb. This contrasts with the conventional technique of strumming and playing single notes with a pick (a. k.a. flatpicking). For fingerpicking, you can use any type of guitar: acoustic steel-string, nylon—string classical, or electric. THE RIGHT HAND The most common right—hand position is shown below: Use a high wrist; arch your palm as if you were holding a ping—pong ball. Keep the thumb outside and away from the fingers. and let the fingers do the work rather than lifting your whole hand. The thumb generally plucks the bottom strings with downstrokes on the left side of the thumb and thumbnail. The other fingers pluck the higher strings using upstrokes with the fleshy tip of the fingers and fingernails. The thumb and fingers should pluck one string per stroke and not brush over several strings. Another picking option you may choose to use is called hybrid picking (a. k.a. plectrum-style fingerpick- ing). Here. the pick is usually held between the thumb and first finger, and the three remaining fingers are assigned to pluck the higher strings. THE LEFT HAND The left-hantl fingers are numbered I through 4: Be sure to keep your fingers arched, with each joint bent; if they flatten out across the strings, they will deaden the sound when you fingerpick. As a general rule. let the strings ring as long as possible when playing fingerstyle.
  3. 3. FENGE ECKENG Acoustic ROCK 14 Songs Arranged for Solo Guitar in Standard Notation & Tablature 2 Angie 4 Babe, I’m Gonna Leave You 8 Band on the Run 14 Bridge Over Troubled Water 20 Every Rose Has its Thorn 24 I’d Love to Change the World 28 Knockin’ on Heaven’s Door 32 Landslide 38 Layla 40 More Than Words 50 Nonivegian Wood (This Bird Has Flown) 45 Seven Bridges Road 58 Suite: Judy Blue Eyes 52 Wanted Dead or Alive | SBN~13t 978-1-4234-0728-7 HAL0LEONARD“” ‘CORPORATION 717 in: nu inummn Rn we no: main Muwnului wi 53213 for all works contained herein" Unauthorized copying. arranging. adapting. recording or public performance IS an inlringcmcni 0! copyright. Iiilriiiqeis are liable under lhe law Visit Hal Leonard Online at www. lIaIloonard. com
  4. 4. Angie Words and Music by Mick Jagger and Keith Richards Intro Slowh Am A E7 (isus-1 F __ - - ("lll - - — - - — ~ ~ E —~w Cl ' V - - - - - - - --1 J J‘ 0 : -3: A ', 0 I . ' 5 .0 . 1 5 0,1 ' : ' : "‘ : : . ' :3’ ' ' f"4l"_, _a*, p : ,.. ' 8' 0 0' 3 B 8 V 9 E ~ 3 - — ’r— T43 l} 2 11 43 3433 Eazasafiz 1 A 2 . - - . B 0 0 9 0 3 1 - Verse Em Am E7 é A . r - _ _ : —— : —— o o 3 _) ll -72- - l _. -__-, i An » gic. n Ell. .21 g __. _| " '1' T. I: '0 : — 1 : 1 : 1" : . 1 0 : _,'. ." , ,1: . _1, . ' , ' : ‘ £413’ ‘.141 0.3,’ , ' ' : b"~/ ' ' ‘ 3 V ‘_; 3': ' 3 l ” " ' = ' i 3 1 3 5 3 1 9 »- »- o— o— >« ~——— "kt —— —————— —— ——— 2 E 9 0 1 8 B 1 E 3 1 0 3 3 +79” W 3* 3 2 2 7 3 — 4 8 0 0 0 * “W 9 G (i>u>2 35.4‘ F C Ein/ B Am . /fix , ._ __ -_, L___, g . ' ' : : : I L i— - —: —~j——~ T 2 B when ill Ihmc clouds all rJi~—: tp — pearl‘ An ~ gic. _ T 24- : ‘:55 i 4; 1. ‘ ,1 1 1 3 3 3 1 2 3 2 ' 7 l-" / _‘ G (ism: ab/ i‘ l-' I C ' ' ' 9 in I 9 " ‘ ' I I I I ” . . _ An air lL id lls lroiii : here" With no : ._j. j? -2 i en: T : ———' a -rJ——= o -‘ — I — -‘ o’ o i, ;': _; g . - . - . 3 1' Q1 : : ' ' _. 1. a * _' ‘ 4 ' 4 4 7 7 " 7 "' *9 “ 0 ~%-——{}— ‘: ——3' 3 3 3 3 3 1 %:3* ’ 3 1 1 —41j 2 2 I} 2 2 2 *" 3 3 2 7 ' — 3 3 3 ii 0 —— 3 — — tc)1973tRenewod 2001) EMI MUSIC PUBLlSHING LTD All Rights lor the US and Canada Controlled and Administered by COLGEMS-EMI MUS| C INC 2 All Rights Reserved International Copyright Secured Used by Permission
  5. 5. Am C F often ‘ *. 1- , 1, , l:} h, ‘ , *J . . J I : ; ' , ,,_ , 2 ' - in our coats. you can't . a_ we're sat — is - E7 G Gs‘u‘2 Bl)/ F F C I, » .0. .0 01.0 1 a . -‘I70 . ' 0 a. :_, __, .1 . Z.. __. . . . . -_ 7‘. 1.2 . ’ I, hut ain’t it time we said gootl-bye‘? :1: came. .. ‘O3 to. & i ‘T’ I ‘l’ "rel 1.09» ct: halal-l *5.. -
  6. 6. Babe, I’m Gonna Leave You words and Music by Anne Bredon, Jimmy Page and Robert Plant Intro Moderately slow Am Am/ G D/ Fl! F E Am Am/ G D/ Fl? F E (3? . 5; I - ‘I 4- R R ~ R -—~e— Q’ '” ' ' 7 " ’ leave you. I said. Copyright © 1969. 1975 UNIVERSAL ~ SONGS OF POLYGRAM INTERNATIONAL. INC. and SUPERHYPE PUBLISHING. INC. Copyright Renewed All Rights Reserved Used by Permission
  7. 7. Am Am/ G D/ F31 F6 Esus4 E F E _ 1- if ' IT i W V’ j! 7 ii 1 1 "T . ’ " . " . ’ W . ' " ' r, or: 1 3, i’ '1; , £;_, , "" _ou when the sum - mer — lime. leave you when the sum — mer comes a 9 1 3 1 0 4} 1 + e 2 1 — 1— 1 « 4 %— 2 4 — 1 —1 2 1 i; T __ ,3 S *3 4“ , _ 5 ? E” 1 9 9 1 1 4+ 4+ Am Am/ G D9/F37 Fmaj7 F6 57 __ __1>_r. l I Dl]lW, i¢H7‘I71 77 W - H7 ‘-H y A 77‘r7i 7 7 — . i. Lcuxe you when the sum - mer cumes u 4 5 . : -1—-7— -: —e, ,—, ——. —— ‘:7 . , I _ . -o—_»—4_«4__‘—o _ __ _. . —r , I 3 7 *
  8. 8. Bridge Play 4 Ii/ max T L f“*‘ "f, ,- ll‘ ,5. ,5. . I., .£ _. ' _. 1‘. _. ::£‘. "?£: 7‘, I 7 3'}: I 1 -a‘, ~o- on 4'4 lot : H+ 4» 1% "’ : °i_‘Jf if ‘ D9/Fe‘! F6 , , f " ,5 , i, ” ,4, , ,_ f’ ; ,7*, :* ” * if: 3 b1 — b_'. _ ha b_. _ In b I ' , I_ I , ._, _ ', L. 11731.’ 'd, 'a; g3 E ’9 V + ' W1" ’ '1' 1? *2’ 2’ "2" a ‘$21’ + 1 Am Am/ G D9/Ft F6 . . 7 L , w., }¥— . - ~ . r.o1}r ~ . L _ ‘f’ '* ' ' , - ‘ : W: :' t‘”_. __d. ldon'1vun-n-.1 leave, you. I ain't jok-in‘ wom — an. I go! to
  9. 9. , , _ _ , _ ___ _ __, _ 7: e 1 v —»+ a « 1' * ' "5 ' 5 1 - hle. I can hear il cull-in’ me the ; n_ it "#1 _—: ——uf {-1 _§——-: -—‘ 11-1" In ‘ «Ir: '11‘ , ‘,, :,: ;,, ,‘, : e7;: "_rr, [a"" ' '| ', _,: . _; ;v: A : * , , qt, 4., _ 7 7 9' $3 7 7 $7 ; ; ' 0 0 —+— ——+ + —+l + — —— — o 1 3 3 3| ? 2 * 1 * W 1 " ? 2’ ? K 3 i W *2 t —e I + + 9 + f 1 9 0 0 Am D9/Fa F6 E m m l)m ’, _ "imie ’ 7’ I’ V I", F , I f I I I I I . ,a, :,; r: 1 *5’ ' ’i' 1 l ‘ ‘ I ' 3 ' i used to do I can hear ll cull — inf mc hack humc.
  10. 10. Bane: on the Run Words and Music by Paul and Linda McCartney Dmp D tuning: tlnu In highll)-: -I)-(i-B-Ii Intro . l0dcralel_ slow l)n1uf7 D Dm If (m T 52,, 1. , ‘J. t.'. .t. ;.’. t.'. ’. t.'. "‘. '.". t.'. I 5 5, ‘ 1' l ' ~/ : A : . 1 , L , 3: o‘ , ' Q *2 :9. 5 a ‘-1: ***—_—— 3 , 1 — : : : : — ‘- : , : : 2 : 2 ‘7 7 I ' 7 5 7 5 5A7 557 5'7 557 527 557 5 o T I z 5 5 7 3 0 Ag 1 7 7 7 0 ‘ 0 0 9 0 5 5 0 1) ('nn(»‘[) 1) —— —-—_ 1-. 9- : 'T'- '5' oh‘ oh’ 1”’ oflfo 40., -I _ . Jo . . o , — to I :0‘ ‘o o >0‘ 0 __’p a Q v 3 5. . .:_. :, —— . , _) I o , 9 ; : : ' : : : : I A ’ A ’ ‘ “ ; " ; ; 3 ; 0 5 2A0 ; ‘ 3535353535353 320 0 ‘ 0 3 3 3 3 3 3 3 3 I 0 2 2 3 3 2 I 0 0 ‘ 0 0 0 0 0 0 Verse (nmh [) D111;1>| " Q " I I a I I ' 0. L I Stuck Ill 7 xulc lhcxc luur . nll. 1/3CII——r j-: —:——— 5 “av o ' V - ‘ ~ ' 6 '93.‘ ' III’, ' ' ' ' ; I I I ' I , 0 ' I E 3 3 3 5 3 3 3 0 3 2 2 2 2 2 2 2 3 4 4 4 0 4 0 0 0 0 0 hi. » (I A l)muf 3‘ 1;: 4 o v 0 0 0 O J ,1 - I ' , , , ' '45 ' I 9, mm 1n—Idc I--e -; :1. . c U] we In-_: nu um- I/3('| I 5» . .:I. . ? )'''‘’I: ' I 5" “‘I‘_""""""’ I_: ;l, ',4L1"J I I 4* * " 3 3 0 D 0 0 D 0 2 '2' —*+—'' '-9- ' -9* 7 4? D 0 2 2 2 2 2 2 , , 4 L A ,0, 4 5 5 0 0 7‘ 197-‘J IFIOHCWCUI PAUI and LINDA MCCARTNEY Ar1mm«<h= n=r1 by MPL COMMUNICATIONS INC AI: RIQNS Reset»/ co
  11. 11. (i A Dmuj7 Y’ . .30 , ?/ To 3 ' I; '.'. v: 3 Q um‘ :1 - gain __7 T, Iikc _nll. 25, : : 3 ' , ' : : : ' ' , '. , t I t ' 5 ' 1‘. Id. ¥' 1 7 . ‘ I : I , _ 1 _' U a _; U U _. _; _: __ yr 41 1 1 1 4 E g 0 0 2 3 2A0 0 9 0 2 2 2 2 D 0 0 D 0 0 4 0 5 5 5 5 0 0 (im l)m;1j7 ( in1 5,1 9 , ‘F ‘t . 4 9"’? ‘ 3 I: new 5 I’? 2 # I Q J | :1 - mu. _nlI. .1u - mu. I/3(‘lll — — — — — — — — — — — — — — — — — — — — — — —— I/3(‘Ill — — — — — — — — — — — — — — V V V — — —— 5.: .2 25.. .)’: . , ' : : : , ,' ; : : : : 7' , ‘ ' . " 1 . ‘J. .9 _; a a _ a U ’ ' _. ' ' 0 _. 0 a _. a a ; r 7 : :2 1 7 4» o 3 3 250 3 3 3 2 2 2 3 3 0 0 D 0 4 0 D D 0 0 5 5 0 0 5 5 Interlude I)| n;1jT (im . ~n1 .7375 I - - :3 . . . . . 3 . Ull. i,}» 1/2(, ‘| |——— —- - I I/ ZCIII — .5. __j_ _ ‘*5 ”' , , 1 ' ' ' * : : : 1 ', ' ' . : . : = '— g)£: "'_, " t"o '7' ' ' ' ‘ '''‘‘-7:''' 111' Q : : 0 ; . I I U U 3 ' ; :4, 7 3 253 2532 3 1115000 2 3 3 2 2 2 4 0 D D 0 0 2 0 D 3 0 9 5 5 I) Am 1 55 5 __ __—. __ 5 2;-,11,; ,1,; ,‘ ‘: 5‘! —'—~«—+—~~~I~—f—~——l— -~——': -o‘ o o . . . ; 2 Q 0 _'. 0 _. _. _'. ' _. _; ,' : : : -0- -0- -0- ‘ 4 o 3 3 3 3 3 3 0 0 1 1 A0 0 0 2 2 2 0 D 0 2 0 3 0 0 0
  12. 12. m {K '12; I T __j T 6 0 0 0 0 0 0 ' O F , . , O o ' 1 ' ' ‘ 0 U ' 9 : : : ; 3 7 3 7 3 3 3 3 3 3 o 0 ’ 1 1 1A0 o o 2 2 0 0 2 | 0 n 0 0 0 Bridge Am [) —___ , : ‘ 2 3;’ 3 [I c run cul um «vi hcrc lhnughlnl gn In; it MIT ; 1 3 : T- K , , , ' ' O ' ' | - o o 0 0 o 0 ~ 9 o 3 . ‘ . ‘ ' 3 3 3 ' 3 -0- 1 1 1A0 0 0 2 2 3 3 3 3 3 3 2 0 0 D 0 3 0 -m I) K‘ T A 4,-,1---ooow . . | -.v'3"; ':"1'. o Q 2 _. _j = *3 ‘(V In rug l lclml "11 11 1 l_ nccd ix 1 pint :1 p Z J —- T 2 6 , , , O O ' . ' I o 0 o 0 0 0 '- ' J 1 ‘ 3 3 3 ' 3 -0- 1 1 1'71 0 0 2 2 3 3 3 3 0 2 0 0 0 0 0 3 0 Am F . , ,3: - 6 - o3_o*= i+‘~o’4 . _. - - - j- o - re‘ 7*. .*. L'__, ;‘ 3 3” 1 T c 1-1 gcl uul «II Ixcrc _ tlf c c N gcl mu 1»! hum. ) 9'ov-'*: +;£; ‘.—*". --| 'o-- . .'3% 03 O C ~ <O~— .4 _. 3 n: - _ _. -O O -3 -9 0 3 u 2 Z 2 1 1 1'73 0 0 22 2 2 2 2 2 0 4-1} 0 0 10 « I § § 0 0 0 .4 A —— du). ' I Z-_. — 3 ’o[ i 0 1 0
  13. 13. Interlude Moderately fast C - ____ ; ;;; 5 5 »: ==: :33: gr; 3;; 3 5"; 3 I113: 31 I ‘IN 15¢. 3 ++I 1 I 1 + 1 I + I 3 W13 ‘-°'1°+ 3' 5+? +* I 2+3 I = TWF% + ___L_‘ I :1. Verse C Fmaj7 F C V 9- 9- o“+ ; .‘. ‘.". ‘.‘. ‘.‘_3_. ‘ _iL"_. "_. c-nlii 7.}. o. "Tt° 3.’? rain ex—pIud — ed with u migh-l_ 1.'ru. sl1- as we fell in - lo_ the ~un. _ And the 3.. -I. 304' mlzlilimml Iyrin
  14. 14. Fm-uj7 ’ ' Em A ,1 ,0, ,4,, ,n, ,,A_; :A, :_ ‘: _ ‘: _ 0 " ‘.5 . . . . _ . ,, A, ” J _ _, -,, ,. ___ _, ___, ,_, , mid lo the xccwmd one there- I hops _uu‘rc hu - in; fun. 42 3 2 , " __. ._ 7 , :2,I: ” '5” 1' : ' I : ." : I _ 1' 3.’ I : : ' ' ' ' g Z Z 3 :7 ‘U’ 0 0 B 9 0 9 0 * 8 8 8 9 3 0 0 9 2 2 D D 0 0 2* 3 iiifiiiii VH7 78 7 8 7 2 2 Chorus G C Em C é‘ - . o~. ~T. , 4 *- {P . '_ ‘ 31 » . . 5 . _ _ _ , _ _ _ _ _ _ D Band on Ihc run. _. hand un the run. , 51:: T _——-—-11" lo. :11. . . . 40. 3: 4.’ é ; , . . 7 ~ ~- 1»: ;~—. +~ 4 [+5. . , "2 —_ J O, ——i '4' '3’ "*7" 47 ”” ’—7 ’ 5 5 . o7’" 5’ ’ = ' 3 3 9 0 3 1 1 9 3 0 0 3 ' 5 0 0 2 0 2 B 0 0 3 3 3 5 5———5— — 2 Am F C &“+ _ It ___3_ . o_"9_ _ %. ,_, n r. .. __ _ * ' g ' 3 r 1 , ‘ , L, , , ,; , ‘ ‘ , , - , : : , #5 ‘ ] 3 . / : And Ihc jail — cr mun. _ and Suil - or Sum‘ wcrc 4-0 9- 30- —————f-—'' é gt 3'5: ""5: I .1 ran , , ; W1 1,. _, .,', ,,, , , ';, __l_ { 5 "7 ’ ’ I , ,;, ' , , ,1, , . , , , - I L ; - ; 5- l 5 -0- J -O . 5 if Wisii 5 g i H3 flfiai 9 H1 5 5 V 5 5 3 5* E’ 75* * * W’ f 9* 7 W2 (PT A J} 7 7 D 3 i V 3 W i (‘ -5- . 9"‘ . r . c' — 'r) mm for the band on the run. '-‘-" 0 0 . . V , ' ': I-' : 0 5 0 ~a 1 I 2 9 5 a 5545 12
  15. 15. + + 3.. 4. Well. the T Additional Lyrics 3. Well. the undertaker drew a heavy sigh Seeing no one else had come. And a bell was ringing in the village square For the rabbits on the mn. 4. Well. the night was falling as the desert world Began to settle down. In the town. they're searching for us ev’rywhere But we never will be found. 13
  16. 16. Bridge Over Troubled Water Words and Music by Paul Simon Verse Moderately G (:70 G 5 . . , ,,. ,.. .. Q2! . -|[: o'. ',, I. , « . / 4 . 9 r——~—— 7 — | .'liett_uLi‘rc i: zi - r‘ feel - in‘ small. 3. Sm‘ (l(l(IlIlI7II(lI [_'rit'. C F/ C G/ B Am7 ' "’___-V _' : "V__‘ _: i7 V&. ___: _ ___V _ __" " " }¥a.77 if ””7" ‘V “hen tears’ are H in 7 W 77 your eyes. 7 W N V I'll l/3(‘| — 5 ' D 52' to & : , ‘. ', 4' 4' 0 1 D 1 9 2 , o,_, 3 3 Copyright © 1969 (Renewed) Paul Simon (BMI) International Copyngnt Secured All Rights Reserved 14 Reprinted by Permission ol Music Sales Corporation
  17. 17. °:3»3é. ‘ ; _g_. _: . , ‘ 2,4,, I2 3,‘ . ‘eta? L; m_, , iaisfis
  18. 18. /1 , filak <». -.a'-,2 a ‘N ' ,4 . .‘ ’3-4.E. ’$‘i‘: , _ . , , _I_ _V V :3. B . -Il§‘. §;u7,. '-1"" matozazhnles E3 . , -. .~. :.. ‘--~at; =,ra2s5z4:irm . S J! jt - _ yr, I . §. , ‘ . ‘ Vi . '3L; .. E 1 ‘, ‘.; i 3 , . ’ _ ‘ i_L~it{*-. i:-, ".1~: ; fi"~’W¥"""‘
  19. 19. Verse G j 3‘ Sail on sil — ver girl, , , , r _ 7- 17
  20. 20. I A - A _ ~ ; '_~'. «,, g i | T:. ., — I-2 : . V , .v| | _nur drcumx .1rc nn thcir ; x__ Sec hn 1hc_ T ‘T T Zjj IIII {'. ', ::_. "ll: ::. '. ll , '.‘. ' 4‘ , : . _- ', .,; ,: _: ‘,3, . , ' "': '. _ i , . . _v _ _ a _ _ 1- 1 7 1 1;: ; o a— o — —— 1 — 1 3 $ 0 ' ' " ‘G’ — 4* -0- V 9 4}’ "+ —'+' — + + — —— + ; -?'W' -B—— + ' 4% " % *3’ % ' + '2' +* D/ F5 G éfi . D Q, xhim , I 9/ _'_ _. I _. ; o~ oh 4* " ' o ‘G1 0 -2- m C A D G D C D c‘—‘°7 (3? 3 ' 71 * la 6 1? 1 t 0 ' ’ t ’ . . . . . . . Im sax} — mg right he — hind‘ LI1L‘ 1 hndgc u ur 18
  21. 21. Em C 37/01? Z‘ T5 +’- 9, p- _ T5 -.9 4 . + é 7“ 1:. N ,4, j hlctl ; | - lk'r. I will ease your “.5 ‘-¢ - la ‘£_E, ‘: ,1: ’ v , I , _E : 2; 4~—— . . T . ' . L: 1 ‘Te, ._‘—-—-—‘ (3 © *8’ 7* + + — + +' 7 5 0~ if $- + W *—— + -9* 3 Em Em/ D: Em/ D A/ C :3 Amaj7 A7 0/ D D ,2, at -.3 3 . /— Q / — "‘t°’- It l. o,,4,1'; ,, 1?? 2 2 2 l Additional L_'ri(-s 2. When you're down and out. when you're on the street. When evening l'a| |.s so hard. I'll comfort you. l‘ll take your part. Oh. when darkness comes and pain ix all around. Like a bridge over troubled water. I will lay me down. Like a bridge over troubled water. l will lay me down. 19
  22. 22. I _' -'- r‘ 4 Ever y Rose has lis I hot n Words and Music by Bobby Dall, Brett Michaels, Bruce Johannesson and Rikki Rockett Intro . Ioderatel_v slow (J5 Ctidd‘) Jar, 11- . I, to, .1, .1. 3;, 4- 0 J. 1 1. .119 -of : v.: v_ :9 :1 lw. 0.‘ 0 0. 4 0. ' A 0- 0' - o - o A a - 0 Z ‘:41 A '4 '4 '4 '4 ti 1 i 5 i i (1 7 ,1’ 7 ,1’ ,1 -_ ' HH. *3 ‘3 -3+3 -3 v3 3 3 —a— at 2 wt‘: 33 ea i 3.3 .3. 3 - 9 0 ' ll - 0 ' 0 > 0 g 2 2 2 2 2 - x x ~ x— - x - x - x— 3 3 3 3 3 3 ' 3 3 e 3 ‘ 3 9 3 9 3 C ,1.‘ "If.37‘; . : -; .e ; ;| —————_ _ _ 1. We both l(ULl xi — lent and xtill _, in tlte dead of the night. ,~| -tliotigli C 3. SP! ‘ iitli/ iiin/ uil I_‘I’I( — ~——~——~—a - » » A - - - - . .——-r'_"- V %*‘7][; :.-. j.A. :.-. -.» o‘: o‘| ,:, t". -"": ij, j,, ,.] Q, — ‘ — —- ' «cl an ' 4'» ' -05- 27‘ 7 7 0 0 0 D 0 0 0 0 0 B G 0 ll 3 0 H 0 0 2 — 3 3 3 3 3 3 3 (i C &'r'. '"""rrr. ".; .., E;_. 7:5] j. 3 :3 / both lie eloxe to eeth er , , e feel inilex i part. in xide , rI it Q C 9. 1,, ’ ' ' ' | ‘ . . ‘ ‘ ' I ‘L ’ 4 _. ' : -H ' 0 # 0 ' 0 i‘ ' 0 * 0 0 X7 7 0 0 D 0 0 0 0 fl 0' 3 8 8 0 9 0 0 2 2 '2 3 3 3 3 37” —+—— — — ———— — (i C (i C "F - . - - _' -1 ‘ 1o I 7? . _- - — . . o 0 a J 0 o - - W _ _o’“o / 0 0 .1 '12-: ‘: j' T - _ mine-thiiig: l uiid ul‘ xome-thing I did. ’ Did in_ 0I'Ll not mine out riglttl’, Thoiighl —j= 1 -3- ’ fii-C Co 0 0 I’ -13 1 : Z 70 5 0 O < A at: - if 0 0 s O O - O - '- g 0 0 Q 7 v~ . ,. ; I 1 , . cg , . 0, _ 3 3 3 ll 0 0 0 3 3 3 9 0 0 g 0 D 2 3 3 3 -3-» A —— 3 —- ~ —— 2 — — Copyright (C) 1988 by Cyanide Publishing All Rights in the United States Administered by Zomba Songs 20 International Copyright Secured All Rights Reserved
  23. 23. -X‘ Chorus D«'F5 C c. s T? § 3:. 1 A A I , 1"’ T f ‘ I T . ?—f . "”’”". ‘.1’. "I é I Ia’-' I-0 o‘ 5}’; 7‘; a a’_. ‘a an» _/ ‘I Q, g '2 lricd nul In hurl _0lL Jhoughl lricd. Bullguc~~l|1uI h) the} v.1}. cx — ‘r_ r0~c_ has i1~ 1hurn. : —: J 3, : .7. . t, ‘ , ,' I 1 : Quiz. " 0 44'. " ’. '.‘. 'a. o' "o'. 'H. ':: a /3 :51 ,1‘ _'a_'. _ _ 4', .; ' 4L _. 'a_‘ _a_ I I; 3 3 37 7 7 7 7 0 3 3 0 2 2 0 2 0 8 0 :9 0 0 0 0 0 0 3 3 1} 9 2 2 G $: 3 : ' 3 3 3: 3 2 2 2 2 3 3 3 3 C; uld9 (: C 3 , , . - ‘ -_ é . " : ': 2,7,2 9,, : E, - "0 3 3 o 0 ole’ 7”o' o " via 0 lo 0”‘/ I 0 0 0 Q‘ — — '— 7;-1— $4 ' ' )1 _| LM| ikc g 'r night, huxnx duun. _ Jusllikc u #5 _. :_o'l . —‘ l f ”5= : 7[ -; ‘ : '7:’: '7.'1 9 o'_’_o_: ;'o" , ;o'; ,: , ' _‘o_‘-Liv, "-LoI: L'o" 0 3 9 9 0 0 0 0 0 0 A 0 0 0 0 2 2 2 2 0 2 0 0 2 2 G 2 2 3 3 3 3 3 3 3 3 3 3 3 3 Tocada $ I. (I __ D‘/ F’ C U Cudd‘) — 7 -7- (9$ ‘ Lg‘ : ': ' " _ 9 -o fog '~'*'~' * '91 _: ,i; §_: g “C 3: ' ' ': ' o‘ 2 I L -r 'r_ um » hn_ ing;1 xzld. xgul , mug. c - 'r_ ru»c hux ilx lhurn. ’ 5‘ — ; ’ ‘B’ ;4,‘l ' 1 : .l i Q . ’ , " a '1, :1: , .’: .l, ;:: .‘_: '_' , :: L, ‘ L, ‘ Q _; _ _ a "5: _. a_'. _‘o_. v_; a_'. J ,5.’ , . ' , .', . ' 7 7 1;: 7 7 7 7 7 7 3 ‘W 9 9 0 9 9 3 3' 0 2 2 0 A 9 0 2 0 9 0 0 9 3 2 g 3 9 9 9 0 9 3 2 737 2 3 % 2 3 3 2 3 3 3 3 3 3 (i ___j T L __ 7 . _ a _‘. a . _ I 7 7 7 7 9 0 9 3 3 1} $* *3 E I} : *3 1% 3' *3 3* 3
  24. 24. 3 Bridge c Cudtlk) Em D 3- . . . _—— 7V—. —.—'‘’ ‘ ’ ‘ o‘o 0 . . co _, ,, 3 / " - 9 / ‘ ' . 1 1 . I I Z I __ _. L . nj 1 . =. 3. I Though it hccn 1: - hilc mm‘ I can ___. _ T‘ 1 —-%‘ -—= g . -—. "T—’E§é. :—é'%’£_—3 if: ’—'; '{w’ iv’ .0.’ : .‘, ;‘. "': '."' , ‘ : ', "'**'; ":'; ": I’; ‘, ’ ’ 3.': ‘ 4 -4'4 4- -on 4 4» 4 _—_- : " ___: :’ 7' T 0 4% ’ + $4 0 -0 o 2 tr 0 3 9 3” e 3L 2 _ 7% %% 2 2 2 *2’ *2 4} 3 3* * 3 *+ % ’+ ’ '”" '”' ’ ” $* D Em D C :7; I’ C’ ~: f7,; € t- " —, « L I 7- 1-: Qaj u 1- . ._ 4,, __. Likc thc knit}: that cuts, _‘0u. Ihc wound heals. but the scar. that scar re - Verse G ~— 7*? v‘ 5 5 4;" 0 , .T’4"“""’ 3 . - I , _ _ . i_. + . .. 3.1 lxnou j uuuldl1u'cszu‘v: d (I love that night, if I‘d T: .____ H. :". “'. “‘I‘. “. : e4.| ii a o_; a _; 17 ; 1' a— +435" .0 9_ + +
  25. 25. C Cadd‘) 5 2 L71 ‘K 1, op? known what to ~a_‘. , In-steadolimak-ing | ovc. , uehoth made our scp-‘rate ays. , And now I “= -4 "" T """ 5’ “ : , gfi — *3’ “"": "', 5 '* "N ‘ 1- i , ~ - » - ~ 4 4-——4r4 0 4 co 4 - - - 8 ‘J 3"’ : T, ,"%f", ,i: :"‘f ' ' . ,, ; " ', ;;1j, '3; " ’* :4 4 4 4 — 7 — 7 —- t — 7 4 4 4 4 :7 -r 7 -ar 0 4% ' '0' ——~ $ 9 tr it as a— o + + — — ———~— —— 4 —— + 9‘ $' 1}" -9’ 1*’ 2 -9 "P ’ 7'7’ 2 9 9 9 9 2L’74* ** 7 T7’ 3 3 3 3 3 3 3 3 7 7 ’ 3 3 3 3 C G C D, /F5 4: 4 T "' ' ,3 ' f*f- , ,:”i_f"‘. e%: ,,"; ,;*" _. L" "_ ‘j’—" "‘, ’*. g'. ’ ’”’”””” ‘ g, ’ ’’’, _f ' ‘I ‘I ’ ' " ’ hear _ou found some-bod'. “ he“ , and that I ne'-er meant that much to _ou. . To heairthat tearsme up in - side. _ and to "g _. .—. 1; . _._ 4 ; 4 5 I_‘. I _; O ‘I 7 1 ; 3 3 *3 3 ’ 9 9 9 9 9 7 ” ” ’* +'9'9 9 9 it 9 2 2 0 — ~ — —s 3 3 3 3 DS. aICoda o'o'o'o"/ a‘o'4'o‘o‘a we }uu cuts mu: like a knife- Igucss Atlzlilimiul L_'ri'c'. s 2. I listen to our I'a"rite song Playin‘ on the radio. Hear the DJ. say. “Love's a game ofczisy come and easy go. “ But. I wonder. does he know‘? Has he ever felt like this‘? And I know that you'd be right here now III coulda let you know soinchow. I guess. .. 23
  26. 26. l’c! Love to Change the World Words and Music by Alvin Lee G Am V ‘jute 77 H ffi * , _;; F1__; , f_ 7'''}_i j_, j_ , ' ’ I 2 ii“: _}__J A— - ‘r_‘-where is freaks- and hair- ies. dykes_ and fair— ies. C B7 Em (1 mg: :. 7_? -f-'ss, i,-, —— j : Tell mcewhcrc ix wan 1 I)’ .4.. .:. .* . ..’. C : ::": ,,; ':": , - i av’ ' 33' F; a’ 3! " 3'' }''T''''7'’'+T'' oi ’ 1’ 113' ‘ '*' 3"? ’ ”—T""—T" 7”7 "" M" ‘“ "—‘-' .5. H‘ #3 7 1 3 -0- _a_ 9 0 0 2 0 0 1 2“ —3- + Copyrighl© 1971 Chrysalis Music Ltd. Copyright Renewed All Fiighls in the U S. and Canada Controlled and Administered by Chrysalis Music 24 All Rights Reserved Used by Permission
  27. 27. $2~_f'; ‘J_: '—J'1|3 r§"aJ—-: +—; 'jH ~_, 1/ feed_ the poor. _ ‘til: there are no rich_ no more. T r dew -V ‘»i3+~«v‘»H; ~ —' -‘-Ji ; ;i 3: -or 13’ 7 $ r- 0 $ K 9 -2- -2- -0- -2- -2- -2 -0- -0- -2- + 2 2 1 D 0 '- ----- 3 ' - --- 2- -- 3 3 Em G Am C B7 ’f- - 1 f - -' - Raj 1 it “ _ + ‘%i V 2 L5 _H __ I‘d “E I Z, , 123 :1 iii 7 , ,1 ‘ , rt T7 7 u — —--= 1' ” 5 ' ' L“ i ii i 3 ’ ’ ' ’ K I _ _ _ I if _n_ B E 0 2- 2:45‘ i i iv? i : - - - 7- -- 0 -- 0 1 2 3 2- I - $7 -(}--1- -2- -3- -3- -- - - -- gChorus Em G Am C B7 love to change the world. . but I don't__know what to do. _ in’ , , 2 ga ‘. .,, *i‘ij , ‘ V, _ , , _ M I -L J 1‘ A « Iii‘7“‘”%-'3'ij3,: 1-? ‘; -’ F u 1 i *~ ~—; t , ; .1
  28. 28. Am i7~v__»_--‘ri; « if} B7 So I leave _ ll up __ to you. . *7? ,1, "ff. _F"'F". , . 1 , - - 1 4 4 I I 5 4 4 J ' - 2 ' :1 " v v at 0 - - 1 $ 1 1 0 8 0 2 2 - , {_ , i, 2 , , , ,, ___: ‘:f 3 “ 3 1'-” , ,, ,, _ _ i-121, , , __. _ . ‘ I 7 5 a , d,1,, :i$ 7 5 o a a ,1]: +1 7—ag: = 7 World pol — lu - tion is no so — lu — tinn. In — su tu — non
  29. 29. Am C B7 Em 5! t y '1? i _- -, ---T ‘C’ ""; !i‘ "9' 2 G '-er nors. _ stop the war. _ in - +4 . ‘ . 4 -.1 : o ' ———. —-» ; _w J; _, v[, ' _', ’ fiyfl: _'4“': __: _;.4 2 ” 2 nfiz a 2 2'7: 2 9 2 2 2 2 F 1% 9 2 ------ 0 2 0 1 2 Adzlilinnal L_‘I’iL‘. ' 2. Population keeps on breeding. Nation bleeding, still more feeding economy. Life is funny: skies are sunny. Bees make honey; who needs money‘? Monopoly. No. not for me. 27
  30. 30. Knockin’ on Heaven’s Door words and Music by Bob Dylan Intro Moderately D A Em ‘ ”m" E’ ” ' l ’ I I I I I I I '3 DEFT fifli ‘l ‘ 3 I ""31-; ,,t,13l _ 3 3 3 3 3 H ’ v--' "" --" -‘ _'; * " - - "-- ; :--‘-"-' -'-- - _; ' ‘ __ . ..___. 4. 1 ; . _, ;. _ xim. —— —}2 2 2?——2+2 ii ii ii 0 0 ii 0 ii ii it it ii 0 o T -3'3 W3“; 2 2 2-2-2 - 0 0 0 0 B 0 0 ll . I’ G 2- 2 -2*’ -v 7 - -2 -2-2--2-2-27-----if’ 9 0 0 ll 2 0 0 0 . 7 71%, ” Wfifii WWW 7 7777777 _ _ . B7, . TT7., _7T_, _. . .,, , T _ , . . , , . _a_. W, _. ,_ _ _, ,, _ A Em _' .9 . ' . ' 5 I , "t G ’ "”” ’ " - "”. ”"' . .lkI-ll1;l. l1llu. ‘ll‘il hitlgc oft oi" iiic. .. 3. 51'! ’lltlilllllllllll[>'I'lt' C '1’, -*7-' , ":-+! _:_‘fi ; :-g‘ -“ --1-; 3 --:5;--g-""--I . A _'—o —_= .4 “v~v= —‘e ~ » o" A 2 2 2 2 G 0 0 9 9 0 ll 9 {J 0 8 9 G ---2 4 3 as 888 33-333 3 - 2- 2 1" 2 ll 0 0 - 0 Copyright © 1973. 1976 Ram's Horn Music Copyri ht Renewed International Copyright ecured All Rights Reserved 28 Flepnnted by Permission of Music Sales Corporation
  31. 31. A Em / -5 ’ri* [1 1' ' ' ”T j: ,,; ,,, ,,, lffin‘ dark. _fi TLxT: ark_ to see. iiiiiiiiiiiiiiiii 77 11,1 :9 5, , ,,§, . ”iar : f£:7' ilili o .0 1 :5: J or ——4J—, +_~. '= is ‘-1:1 =3: 3 13 I ; .3 3 . I =3 9| 2 3* 5 . _. &. +++L++ 4, T E III ‘F1 111 -9- — 2 — — 2 ~— 2 — - - 2 T *” -6- Vfi: Wm ' V 7 V 7 W —o A G 43 ’ 3'? 7*T’TT’ : ’ ’ 7 — " L1» 2 Li’ 2 2 z : ' ~ T ‘T 1 I feel I‘m knock-in‘ on hem‘-en's door. _ :7 9” l ‘W ‘T ': ,, .., W; ,a, ,o, ,,; 1, . n, 1. ’A : —'+' +1 , ; T ii '4; s 3 . s I is * t: ::: ——fl 2 2 ; ' ; : é ' —2-~Il~'-9--8--9--0--A-— + 33 % mi? 35+. ; ,g 4’ . . fl hi M 34%; “ * ifififi -9' 0 3 3 A Em '*l: '.’1’J‘; '— 3 i it ———E I Knock. knock. knock-in: on he:1'-7c‘r; :s7 ‘door " T J ‘ '7<‘r': ;r: "*'; *;”; ¥1 :1 %; ;;| . . A . ca ¢ , ,,, , ; -_ ; _ [O : 0 : 1 a / R 11-’ 7 E 1 F” + a‘ +13 M, 45.. we + -G 2 8' 2 W iii? ’ -9: i Knock. knock. knock-in‘ on hem‘-en's door. ,
  32. 32. A Em ; 3? - 4 , ,3 3-, -11 1-—, , ‘ J J “at J I I J -1 2. , —J§; t#, s¢ {. *.8;3.¢39| 2 2 2 ‘_ 3 _* —————— ~ + 2 e/ +-er-~ 41 9 4} 9 9 9 T T _? 3 2 H: H2 ' '" —-‘L —— ° 9 or A c; /"T _. . ‘Z1 *1 1 rm 1 '1! tin T, f _ zfl so mzm-_v times he-fore‘ D. S. al Coda 30
  33. 33. A G {'2 ‘ -0- O 6 Q I , , , a_, __, ,__, , H‘, ,, , W +—~ : 2 l~~ « e— z 2 Z l man - y times be fore. Additional L_'rics 2. Mama. wipe the blnod out of my face. ljust can‘! see through it anymore. Got 21 long black feelin' and ifs hard to trace. And I feel like I'm knockin' on heaven's door. . Mama. lay them guns onto the ground. [just can‘! fire them anymore. That lung black cape is pulling on down. And I feel like I‘ kn0ckin' on heaven‘s door. 31
  34. 34. Landsflde words and Music by Stevie Nicks Intro Moderately Am7 G/ B I . J r } r T '1 0' I q . 1 - " 0 I 4 ; ' 3‘ 3 ‘U’ ‘U’ V 1 1 3 3 ' *{F*'*- - A8 0 0 I If 1! 2 2 E & ii ii I 2 2 Am7 G/ B down _ ‘ 12.: —i-—: - f #4» V .51 ' I HI » I r l: ' I _ d 0 0 0 -y — »_ m ‘H’ ; ; "“ . ' T _' I 1 3 $ II II B 9 2 2 B & 0 0 2 2 G/ B Am7 G/ B 1 1_4_: l"n_a 1 1 “A V ‘j # ’ . ' - J g 7 9 g I / I , , , , , ,“i . Y _ _ . ..__ . __- A _, I climbed ti moun - lain and lturned u — round. _ And_ I . 41 0 I _. , 4" 31 : ':: '=“' " 5‘ iv" ‘. ‘~ 3‘ * 1 ~ — 1 i A r J J ‘ 0 4 ' d a Copyright © 1975 Welsh Witch Music Copyright Renewed All Rights Administered by Sony/ ATV Music Publishin , B Music 8 uaie West, Nashville, TN 37203 32 International Copyright Secur All Rights eservsd
  35. 35. 9~ . t Iv —, 3’*‘I.4 ; I, , ; H brought inc duvin. _. _. 3. Oh. T , .__. . . . . 4:1, 34, l" » ' I ~ ' ~ I4 A i { . ’ * V: g ' 4 9 , , , ;. 17 7 3' Z 7 G 52 23 4’ 3 92 re 1 G 1 1% 2 2 F + % 2 42 (1/8 Am7 (1/B / — 0 1' I , I 1': 1;? _; 2 l‘ 3 .5 I: A . : the sk_'. what I line‘! Ciin the child, :2: __ Z . . _. . 1 * in. 1__. ., . __ _ . . . In "‘ A vI'_; +'§',4I’; .-m’. ~‘o‘I , Io-. _—_I X7’ 7 3 3 17 232 232 252 23 3 5 3 if 1 ii 3’ Z3’ 1 as 1 ii ii’ 0 # % 2* 9 32 222 222 0 9 2 G/ B Am7 (J/ B + , 4- , j 7 2 2I2:222 T +1‘ a ; I- / I in_ heart rixc zi - bo'i: '.’ (‘an I 1' 4,": -" , *-‘F 2. ,2 t :22 2 2?? ' . J I L ’ 0' I’ 0- 0‘ r ' 0 I ' I I 17 7 ; 3 ,7 T ——~— ~— 5 3 3 3 1 1 0 29 92 232 2 292 -9—? —9- 2 2 2 2 0 0 2 2 Iii L i 2 (i 10- ‘ 4 7- . ‘ a 1' : - ____ . J cczin titIcx7_ (‘tin I 33
  36. 36. Cmaj7 G Am7 G/ B {’ ' fiat .2 T2 f 5 If 7 i 1‘ *4 —fTJ ml han - die the sea - sons of my Iifc‘. ’
  37. 37. ». ‘¥. :,"’-. , *§: ¢~; ;‘:6?-3; c' t *9‘ *1 ¢ _ t ‘ _ V Q} a: ,‘-.1‘ -- . , . - ‘ ' ’ A " W _. .1-:4 z, " ' n . - f_' «_-". u‘. «;(, ’ ‘ : . : , F“_5giL T 1 F‘ « 71 M . . X —_m j—-': —-— —--'_a I - _ 1 “ lgmjjjjjj , jandfijjj. -‘ml _ _ij‘j—jjjjj: —2'-jfirjfigéij2'——2'EI . .. ——‘; .§'Zj I‘-—jjéj'j~j'—; :_‘-—? -‘I . ; : A ' ‘-‘ " V 5 ‘ “x E'1': ““ -3- 'E"" ' I? _ F57?‘ ' -' 5“ “‘ aiiiv -r = ix‘. Q‘ 3» . — “.4. , (,. §:: .r-.2}; "153 H‘: wzE': :ém«
  38. 38. Oh lm gel tin‘ old er I00 _ 2/3CV ———————————— ---, T‘. 2 Q ‘Q; ‘ 4‘ 2 . I ~ 3 - J « - 1 o 0 o I jx-I-2: 1-’ 7 7 — 9 5 5 5 1:» 3 5 5 A , 2 A___-_-_ Outro-Verse G/ B 3 3 3 3 3 3 5 ' E ‘ 3 3 '1 2 3 3 3 A 2 2 Cmaj7 A G - 1. a J; r 5 a 5 And if you see my_ re - flec —tion in the 36
  39. 39. G/ B C G/ B / .5. ' ’ I , ‘, ', : 3’ , ' I 2 . E ‘ "’ 3‘. .0 3 3, hills. , “all. the land ~ lldL‘ - ‘II brin ' wu down. _ 2: . -23 49- 3 ’ 3" 2 ' .0 9 ? ' ”’ 7” *7 ‘ ' : 2 ~~ ‘ 9; 9 ; 3 7 ' 1+ on ( 7 ’ (1/B Cmaj7 ‘A’ 4' . _ I. ll -, «:‘ii*' 1 73 1’ ' ' :4 And if mu su m__ rc flu (ion Ill l-he 1 2/3(‘V , ————1;r—~ . . 3: f I “" l 1- " 1*‘ 4: J = «'T; .-: ' -low’ _-; 'l3'. =‘: '| :7 Z 7 .3 3 5 3 7 B 7 5 5 o a T *'+ * 4% 0' 5 5 3 ** 4% '7’ 5 3 * *% 2 IQ C (1/B f"' L 6' a I _ | ‘_—_ ; '__1' I L, '; 3:2: ‘ 1 hills. c| |.Ihc land — ll£l: .‘ ~ '11 hring _nu duw| L_ ‘ 3/5 '7: ‘. "‘o 4?‘ . In ; 1, ‘ 3.’ . ' I: ,; ’ : " :1 o o - V l '3 If- on ‘ , ' 7 ' T fir 7*-<3’ ' -5- 3 + 8 3 3 9 0 *3 L - 0 7 7 3 3 E 7' ‘~. m7 (: C G Am .2 5' "“ E 5' "' 1. m &*a _ | ‘ 7 1: : , , $ 1 Oh nh lhc l md slide ‘II bring it do“ n. U, 4:. 2. 421‘ 1. .1. I ';3CV‘- _, .. * ‘— — 1- T , , — _ _: __W_. V. , , - H : l ' l"" " * 1 3*‘ 7 3 fl . _. 9 ' _ ' , ' ' ' ‘ ‘ . ', 1 L _ , 0- 0- —-— 1- -9- 7 1'? 10 12 4% 2 % + 0 + M Z 10 19 — 9- -3——- 7 ' 37
  40. 40. Layla Words and Music by Eric Clapton and Jim Gordon Intro _ _ ' A“: Moderately slow (. . ' . . ) D5 ‘T75’ . ’*“ I‘-‘I - I. What ill you do when _uu get Innr: — l_’. ’ Nnonc uit4ing by _nur side. 1.. 3. Sn‘ tltltliliulltll / A'I‘it', Yt>u'c hccn run - nin'. and hid- in‘ much too lung. :9 2 _ .3 . : 252%- V ; _- 4 7 ; 7 ; _- 7 4 1 1 — j _ 22722 2 nrifli ill‘ 2 7 4 2" 2— — 1 2 3 0 2 2 0 1! 4 2 0 D5 Bbs ('5 D5 ”l*, i,iIz: r'1|. : - | .I,1Ii ; ''‘: J ' ' I , ' UV: ' 0 0 4' 1, gut me nu Ill} knees. 15.4) In. ,7 heg»gin‘tlur- linfiplcuxc. l. u_ In. ‘ . __ ' . ' ‘ ' : : : ,_ __ , ' - ; _ o co , ~ —~—-——; i_ l: '4lo. '.'l. "l: ._l, :,, |: ’lo , ',vl _ l 3 0 9 2 3 3 3 0 0 3 2 0 8 * 3 3 3 3— 3 1 1 3 Copyngm (9 1970 by Enc Patrick Clapton and Throat MUSIC Ltd Copynght Renewed All Rughts for the US. Administered by Unichappell Music Inc. 38 Internanonal Copyngnt Secured All Fttgnts Reserved
  41. 41. Bbs C5 D5 D5 tabs C5 A5 C5 U dut‘- | in'. ‘on'l you case my wor-ricd mind‘? __ : ,; : 3.i7;ii_, *fv’ . ;+= r «'1' , ‘ it‘ 1 1 ' ' . _ , . . if’. ': ’''%! %’I’: T’ '_"”"' ' 1 _ _' 1 T’ _ "*7 *' W ' ' C ' '_ 3 1 "V_f, , _7,_, ,, 0, 0 __1 0 ! _2_ 1 , ' , ,, ,,_, ,__ hci. --gitftlur» Iin‘. plasma, Lu_‘-l; t.T Arlt/ irinmtl l. .'ri('. ' lo Tried to give you consolation. Your old man had let you down. Like it fool. I fell itt love wilh you. You tumed my whole world upside down. 3. Matkc the best of the sitttzttion. Before I l'itt'ly go ittsuttc. Please don't say wc‘II ncvcr find a way. Tcil mc all my lo'c‘s in min. 39
  42. 42. More Than Words Words and Music by Nuno Bettencourt and Gary Cherone Verse Moderately slow G C Am7 C D7 ‘x. . _ , _., _ . _ ’‘ —————' ——o — o T 0-0“ — §—o— +—lt: o—o——— 3 rodg 'V, o—5o—f ‘*" -, ,_? , : : ’ T“ Li“ . ” ' ‘ ‘ ‘ ‘ ‘ l. Say-ing "l A love you“ is not the words, I want _ to_ hear_ from you. _ 3. See tuhlilimiul It'ri¢'. s' (i C Am7 C D7 ‘ . ... _— . " . —( +. +:~ 2.1 P‘ 5 3 2 3,: -44*} ~~~—~—~—»x « »» wt: — —. — ——— — | t‘s not that IT ". tnl tou not to say. .. but if you- on — Iy _ knut _ G D/ F13 * <6: cf--: :l5+ it would heA to_ show, me how_ you feel. _ Copyrtghl © 1990 COLOR ME BLIND MUSIC All Rights Administered by ALMO MUSlC CORP. 40 All Rights Reserved Used by Pemttssion
  43. 43. Chorus Am7 D (i7 / fx / * A r- / ‘ .1, , l_ _ T 1 —— 7 . + t 4"‘; .0 . ‘l‘«. .v 9:! .''‘: v . ‘ 1*’! I : _' f . : : ;. ;IT; : Ti More tltan Urd _ is all _ou have T to T do TT to tttakc it , real. I 1, ' ,1, , 3*‘ ‘ ‘ ' ' 3'. ' I '7' 5' : -'«i'. . 9.. T, T;: T‘, : Ill . ,, : :‘t 1., , . . . i __ — _ I 0 __-_ 0 7 7 V I _»_ 7 - t z - _; - 4- 4- , 7 . ——‘-—"" w o 0 0 1 1 + 72 4+ 2”3 1 3 % +’"++A B 1% {F ll 2 1} 2 2 "2 9 0 4% ’ ti 9 “Z are C ttt G D/ F ' Em (i T Tar , /— . e—_ 3 I I ' ' . . A. .31 - 9 ' " . ’ -- . ’ 1 3 i 77-‘. _ flyi ' r 3 ' . r)T(t . 1 j — I — I ——-— Then ou ould n t h'tc , to s l _: T that you low T mc. T ‘catusc "1-1-: "13? juj Q ———: u1 '3 -: -——t : .o. ': t‘2t*>'2w‘ . .t: o:—. =;. ‘.: ol ' 22 '| o '‘ lo I’; no ‘V’ 4— — 0 ' ; 0 ‘- ’ 0 _: on 7 3 ’* 0 0 1 3 1 4 3 1 1 ’3'1* 9' 0 9 3 * * * 4% * 2 4% *3 9 9 0 9 727 1} 9 3 '3 3' 3 3 2 '0 3 D7 Ettt Bin A C 735- awed ~-- . . .7. , . -9.’ ‘ ': ' 1:; 5*’. . * "T if my heztrt_'as tornT inT t'o'. ’_ . lorcth: m tmrtls to sho you feel, :7: A 414* t, %O- twp‘-9'-4, : i.’ F3» I , ' . ‘ I I _. I -£73: T‘ —-1%" (3) r‘ 5 3 5 5 7 3 "-3?3—”s*"— ‘B’ 3'3 if
  44. 44. Am D7 G that your love _ for me _ is real. _ T -T , , -: : ' '; :t; i,f, _:3*, : 1 , , 7:1 , r,, A_, _ , , . _,, , I, " D I " 'v' . , 7’ T*? T:ii 5 , .2: L] look _lhu. ~c words _ u - wayi’ _ Then you could - n‘I make _ things new _ 3 Am7 C D G C 3- T- *7 T 7" _ . "- -Am 3-1- 5 ; f'laoTriV7$—* 77. ill oL__. olJ __ dee. dui. _ dui. _ du. _ More, than, '0rds. , Lu. dee. du. _ dui. _
  45. 45. G/ B C Am7 , 5;” *j"“ ’ ; :: :§; ' "' , , D , . . "‘ '"—r"1 ‘.9’ '. : ff? ’ ’ '1 : * ’'’**A1 - — — —— — Iédj-: — you. " La. dee. da. _ dai. _ dai. T doc. d:1i. _ dai. _ da. _ -1'-fl .3? PT . -:3: ‘ J 7*’ V0 9 6 i‘ 0 O . O 7% 7 . C . J J J “.9 ‘ ; _a _ _-h“'; *_'a‘** ; ‘-z I7 4 4 3 ’*' -"~ " " — A A '~ 9* " ’* 9 3 1 9 9 3 3 1 9 9 - V——9;_¥+‘7 79399-92 - V 2 2 2 (7 3 * ' '9 9 l. . 2. More, Ihan_ words‘. i / K 1 4‘ »—4«‘— 3 7 I ”! l J y L1 : i( ' E 9 at 3 E ~ xx 3' 2 3 3 1 3 9 9 2 f *2 % 9 9 9 '“ 9 9 43
  46. 46. 44 Additional Lyrics 2. Now that I've tried to talk to you And make you understand. All you have to do is close your eyes And just reach out your hands and touch me. Hold me close. don't ever let me go. Am7 G G 9 :32 I '* fl _& ta ' L13 jfl * '0’ _ 3 _ £4 ' 44 7:e_T: ir7 6,
  47. 47. Seven Bridges Roac: Words and Music by Stephen T. Young Drop D tuning: (km to high) D—A—D—G—B—E Verse ‘; loderate| _' DCA (‘ (i/ D D 9‘ A .0. ' _ i , Z ' : .' I ". ' I , ' l .0 a H 9' , ./ . ._. . . V I. There zirc l(ll in _ the ~outh - urn k_. I Sn‘ in/ ililimzul Iirii 5 3 ‘- 7‘ . . : I. ‘ : éiiféz ’~ I‘? ‘vale: «- I v 3 ' '—_' ' ag. . 0- -‘O 3. -1 n E 0- T 3 370 1 9 ~ 0 A’ 2 2 '9 2 9 9' 2 4 2 9 4 B 9 3 9 9 C‘ (i/ D D D/ A 3 / — . it "5 ‘ ‘ 1 ‘ ' - I ‘ ' I , 0 9 u —~ ix _ou , _ go. There _ #_ , == '— . - . 0' . , -2 1% is «a: .4 : ‘g. T 3 1 + w 4} — 3% 9 2 9 9 2 2 g *9’ 4 4 *7 * * r * ’ 9 D/ A ( +4.1», .-$, 1;, 1 . _- - donIln: Sex cn Bridg "I 1 la: 2*? " 3 3 3 ——3:e—e — 2 2 9 4 2 0 + Copyright © 1969 IRVING MUSIC. INC Copyright Renewed All Rights Reserved Used by Permission D/ A J“ e +74 ,1 . south artl , 1°" 3-1 I 35 . ' 3 1: 3 373 2 2 4, 9 C 9%. : ‘:5 4 , ' 5 moon light ind :4: o‘ , ' ' r_ g Hg. . . 1' ii - g 2 9 "3- 45
  48. 48. n‘— "2 W fl-‘z_— °¥‘- : '3?‘ tr; ;{}_, <1‘ ‘ . _..4 " : ?:‘: :,2‘: 'C—xeE'; «:s. <=; .-c~z-, § ~13 * . __, ;_, ,fi . ~ .1E’»';12 1'41 'eE—2_»: ‘.~_». :a. an-_—Z Z 51.1 1 jri Lfijjjjjjjjjj Iifij flj “fr”. -'-"' "5>§5" ""r —; - 34¢‘; . ’ 7*’-3 . 'I. ,, 1’! as , ' . —_ )4Il«1|. jjjC Jjj Luvjt In“. E 7' . ;; V . ~ ,
  49. 49. D 7.. .——$ lame way. and 1 have loved
  50. 50. .T jaw‘ . — ~ . . . « _; .;F—s~. q,t> -. § 4- fr. 1 . ; - fr“ , - , .« ' : V ' x— .3 «gs. » _ . :1b 3.3.: --‘. 954:‘ , a ‘ «, ‘- . ,1‘ E"? -3&1‘, /—»: .m__. _dz V . _ , = , E{—"; n:. *.' . Z. l'_‘l-2j—-—: —Cj——-——I-n--: ——‘21.AK - jliiillf T13 TC Til! lf jfifl ijfl Til . ..s—1_}. '. l_: , . -.—ma. '. J ’ , —. —»47_P,3-‘: ‘ ____ o.3‘x4.‘: w'§_; —_ ik E. .-’. {‘s’I2%f*-, *§ ‘T . '. V'F" ‘ ‘Fr .1! 5 ‘ , I| '- ' ‘-5*: -*= r§: :3;: — °" ‘L -, n. ’, ’ ‘u’ "SE33? / 5:.
  51. 51. urm ILl[' T. § i i V 7: ; ¢~ I * a *: : 3': " : :‘ 7 ’'j'_; .:r’’’’’’’’ ” 7 f 2 arr fa»-«—2 + — 0 0 C W, . . ‘ Bridg ; .o. It’: ’, ‘ 3"“-, =' ~+ n+ ' 2: 452+ 1 1 2 0 A 0 2 0 2 3 D. C.alC0da fI /3 . . {P757 H - a 2" ‘:2. : ,2 6- -9- 0 xhlrlilinnul l. .'rir 3. There are stars in the southern sky. And if ever you decide you should go. There is a taste of time sweet and honey Down the Seven Bridges Road. d0 n the + 49
  52. 52. Norwegian Wood (This Bird Has Flown) Words and Music by John Lennon and Paul McCartney Drop D tuning: (low to high) D-A-D-G—B-E Verse Moderately D c/1) G D l. l once had a girl or should I 1I_ she mice hud me. 3. Irmrunmzltrl e .51. ; . , p ' ' , ’ : : ' . : :.:1' ; F i; U: 2la. ' 3 2 ’ 3 2 “ 3 3 3 ' 2 3 ’ 4- ~l‘- O‘ -O~ 5 _8 4 3 2 3 1__‘$__e ‘ * *9 0 2 . T9’ +-9- * ‘G -0‘ + 0 -B 9 -0 -0* $* ' 0 9 C/ D G D L . . .1; " - L ‘ "i _, _ ” _ "’ ’ ' it is 4;: ‘E. ” J"j§; il; # _ «ire iii‘? room. is - n‘t it good. Nor«we<gian wood. She She asked me to stay. and she told me to sit an — y -where. So. told me she worked in the morn-ing and start~cd to laugh. I L5‘ $_ji“‘L1['J; 1‘: 47?. “ W « vi wt Copyright © 1965 Sony/ ATV Songs LLC Copyright Renewed All Rights Administered by Sony/ ATV Music Publishing. 8 Music Square West. Nashville. TN 37203 50 Intemational Copyright Secured All Rights Reserved
  53. 53. Dm Em A7 ‘. '1‘1". *ooJro, ,,, ,,1,,1o- at _,7_, I looked . : - round and I no - lived (here was — n‘! u chair. told her I did — n't and cruulcd off to xlccp in the bath. 3} 3: 3, f 3 5 5 I , 40. . . . 3:1 , ’. .45: . . , .=, ,. , : l 3 3 I “E; 1 : "#1" ' '1 ; I I 1 0 0}‘ 0 07 ; 0- 0 O O E E 5 3 I; ‘L ' 5’ 5 5 3 3 3 1 4* *¥ % + % ' ** 4% 5 5 2 5 5 5 5 ’3’ 3' *3’ 9 0 2 2 0 9 9 8 '9 $' 4% + , ,_2_ , _ , "8 , ,_ 0 7 , 0 9 0 0 2 Verse D C‘/ D (1 D 3 * . ‘ * 0 , ‘ I , .0 3 ‘$7 | g, : *3 I ' t? 3 3, I I 3: 4 Q’ —é-J , .. .. _, _ Z l xul «H1 ‘.1 rut. ‘ hld mu m lime. drink-ing hut “inc. -1 nd when l u — oko_ I I 1 lane. lhl hlrd had Noun. j T juj 3 . : ‘L " *. : 1 or ' ' , ' : ' ‘ ' , : , : : : : I : : : : l : "3 3:: U : 3; ' : :L ; ‘ " : E : . ; * ’ -_~' 3 37 3 3 3: 7 + + Jlr 0 3 2 3 7 + + " % 3 2 0 G 0 0 0 % B 9 9* 9 B 0 + * 1% 4% if 8 8 I I I . ' '- t‘ . ,. . . , ' g . I . . and then ~hc xuid. “ll' time for bed. “ 1» - n't it good. .'or—c—gi: m wood. I I I ' , ' 1 t V ' 1 ‘T: , _' 1 . H: 3 I . 1 3“ _‘, I ' ’ I ‘ ' I vo- §| |l. .. H $l
  54. 54. Wanted Dead or Alive Words and Music by Jon Bon Jovi and Richie Sambora Drop I) tuning: Il(m'IuI1i-__'I1I l)—A—[)—G—B—I{ Intro ; loderate| _' slow . '. (‘. ID5I ‘:1. I _ § 3% 3", ; 1* -3 E n KI, , ,, .|. ":t . * ID , q,A. - - 32 3 ' 7 35' 5 20 _o p, ' J . / C C U ' O ' D U ' '5 C E §= -J . _.. —--5 E .5 —'_. -'= '—--"" T 13 12 10 8 5 3 1 14 14 12 12 10 10 9 9 5 5 4 4 42 A B 0 0 o 0 9 0 of : -l- -0- 4 , , E-g 1' . : * n : n 5 . — ": 5 D " £953 :1 '=2' 32:‘ = - - o o. o‘‘. ”"1I| I .1 A‘ U U U ' ' ' D U 5 _. _ E E 5 E 2 E j ' ' 13 12 19 8 ' 5 3 ' 1 14 14 12 12 10 19 9 9 5 5 4 4 42 «o» a n 0 0 o 0 0 Play 3 IIIlIt‘. CopyrIqI1l© 1966 UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING. INC. BON JOVI PUBLISHING SONYVATV TUNES LLC and AGGRESSIVE MUSIC All Rngms tor BON JOVI PUBLISHING Comrolled and Admnnustered by UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING. INC. All Flnghls for SONY/ ATV TUNES LLC and AGGRESSIVE MUSIC Administered by SONY/ ATV MUSIC PUBLISHING. 8 Music Square west. Nashville. TN 37203 52 All Hlgms Reserved Used by Permnssuon
  55. 55. D C G 7 oh? _ "___ __fl _ :7 ____; ::f_’ T 7 ' ” : ?T ' '- 7 9 . ., ,.7 . _, _, , _,, ,. . V I *7” 1. _, L = _ : _, all the same. _ on - l_v the names _ will change. 2.. 3. See uzldilimml l_': 'i¢'x ’ ’ , —== 1% = — £-—- JV ‘ , 1:’ H 3§‘, “'J"' ' "I: ': a:fi* . :51,1,1 f, {.. r;E, "’*i—, * : : ’ 7 : ’ : ' it It? ’ I "h I I ; ' Q» I 7 3‘ 3 = —-J ‘ 1 1 3 WW —2 ¥‘++j{‘2 —a 3 §_ 3 4+ ~f‘+— # * 9 4% "4F’* * * * 4% 0' 737 *3 7 0 1% 4} 4% 1} 5 5 G F D . -ea": 7 .7 : + I? I‘ I. » t I . L . , , ._ . _. . . ___L , . L ‘r' dzn __ il scelns we're N mg 1 d _ ~n fl I/3CI‘__” T {_ 1IN¢—_-'-~ 7 4 4_'/ {r q’ I; 3 I 4' 3 , ' * " ' ‘ ; 7 9: L , '3; ‘I _ : ‘II, /VH7?‘ 4*‘ /474*T J: " ' A ____' —~ ‘ -I» + + — + + + L if 4‘ 1 3 9 3 E 3 * * ’ "3‘ —9* *2 * 2 + 3 % 7 ' 4% * 0 ‘I’ +
  56. 56. ill: , . : 5 *’ 7 4 : , : : I W 7 . , , , N —1 3* g + 3 ,2, ii —& o— 1 D E’ 'o'"‘o — : . __; ._, ;, L” T ~: ' AI — | ic_7 -. . » a so . ~ » - . 4 ‘ 2 J? ’ a ’v 1— 3_ «A2 % 2 4} 3 o 4;» ‘T D I3, ; ,.0 Z __11 : . . : . : : *‘ 4 ~ Iic. J W 7 : r’%* '3 . L11 " 1 ~’ : ._L I ; T + 9 2 a— __ —a— 0 0 -1 310 I, A . ", I so’ ‘ 4 .2‘ HQ’ ' T I L, _,- ; ._’_I . . ' a ‘ ‘ Z " a f —-'_—"—= -‘
  57. 57. v«A~a4 * ; »:: .:2&m»~. r., =;a. — -— a 3 (.4 Am nix": = : &I-? _--'--‘ I fig. .. .
  58. 58. ‘ "I ‘- P. I 7.? .‘; .‘ an _. §€'§'v5 :6. II’ ma
  59. 59. ( (j C D C (i éfiv ! ”~'— 3 9 Ink. 3”? ! ° [= .- 9*‘? 3‘? | . /I ' ' Tm tlentl or I Iic. , dead or ti - | ic. A dead or u - | ic. _ “: :t. ;,t. , ’: "“: -:o‘I'- 5'£'-’: ”=u. :o'”'- . ""; . I I ,1, . '_i. ':, ¢ _= .‘ 5,: ."_I. " 4?’ a A ‘U’ 5 1 3 1 3 1 3 1 3 0 2 3 1 3 1 3 0 0 0 0 0 2 o'*0'———'6 0' 3 Z " T" 5 I 5357"’ WIT’ 7 73 5 ()utro C D N. C.lDi) ‘I. -e - lg‘ 3”» I1 _ —-. —— M" I dead or .1 Iic. _- T 1:. ‘ 3*" . ‘~g_ It-_'_ . . . . , . . § 1.4 .3 .0 2 .3 , . . — . “. —— ”3I'; '”" : ';‘5". .': [J 22: ; ':3"°‘§'2z' 2'23] 7 4 U U ' " ‘ U ' ‘ " U ‘ ‘ "‘U’ ‘ ' ' ' '_ ’§ __———f‘ ff’ (.1:-- 1 0" 2 13 12 1 1 3 3 0 B '— 2 14 14 12 12 10 10 9 9 3 __ 0 i 0 u o 0 II D 5: 2 -, /5 . *'. —.* at-n . . , "". —' . * o € E 3. E 3 E 2 3 : .. .‘I[. '.E . ' Q37? .7". , . , ... ,.. . 3 II 5"’ 5 _. .% .5 = —"-—’- 5 3 13 12 10 8 5 3 § ' 44' —14 12 12 10 10 9 9 5 5 4 4 2 0 0 0 0 0 3 0 , -1/<IiIimm/ [. _'I'i(‘ 2. Sometimes I sleep. sontctintcs it‘. ~ not for d: l_'. . The people I meet always go their sep‘rutc 1l_'. . Sometimes you tell the day by the bottle that you drink. And times when you're alone. all you do is think. 3. And I walk these streets. in loaded xix-string on my hack. I play for kccps. 'cau. sc I might not nmkc it back. I heen C ‘r_v here. still I'm standing lull. l'‘c seen in million fzices. and I'c rocked them all. 57
  60. 60. Sui“e: Judy Blue Eyes Words and Music by Stephen Stills Drop D tuning: (km to high) D—: —D~G-B~Ii Intro . loderatel_v fast D I 5 - . . . . . é =22 I I I : I . II I II. 5 *f****+f* *7‘: -w «.7 :5 - . '—~ , ,1:a'aI : a'. a Ia'a'. a I“ U : v : 0 : a : a : 0 : a 7 -—"" 7, A 7 7 7 7 5 5 5 5 4 3 2 2 2 T 5 5 5 5 5 0 3 9 3 0 A 2 2 2 2 2 2 2 2 B 0 0 9 0 0 0 0 0 0 0 0 0 8' Verse D (‘ D §“#I1=-9- 2?‘: :'| ‘ * *1" 2:7’ I ; _'ct—lir1g tn ___ the point I1crc I'm no fun un 2.. 4. 5-11’ tlr/ t/I'Vt4III1I/ /I'I'(‘ IS : : , ‘ I -' , ' I ' , ‘ -‘. ' ' 5 3'12; a ' I W , I ; ‘f’ ', I I d. I Q : V : 5' _:7 7 ha 4- ‘ g ' ' 0 ' 3 a e 3 2 2 9 3 '2 2 0 0 2 0 0 3 0 2 “ 2 ' 3 3 3 3 0 9 G ' r~' {S "" ’ — —— ———— 44 —l —~~— 9 Q - F I 2 2 v_» 1? I I I am sun I_. -' «. *7. . ’. 5 . --— - I I I | * « I~—zv—e—+~ I _ ' _ ' __ " _ 0 _. U _ I _' ‘3'— * ‘ * _-.7 7 7 1 2 0 2 0 * ’ 2 I 3 3 3 — — —** 4 4 0 2 0 2 w 0 0 0 “9— 5 5 5 5 * Copynght <9) 1970 Gold Hull MUSIC Inc CODWIQIII Renewed All Rights Admumsrered ny ScnyrATV MUSIC Puhlnsmng 8 Musrc Square West. Nashville. TN 37203 58 Internattonal Copynghl Secured Atl R-ghts Reserved
  61. 61. Some - times it hurts? so bad - ly I must cry__ out D A G 5’I‘oPes«' 7$‘7o,1 . _J 7 ‘=1 _ mine. _ you are what_ you are. You make it: 2/3cr1 ———————————————— — — 1 —t-. "
  62. 62. from me D (1 1: $7-; -*3 3 and I: um cry 7 mg_ / ' .1; | _ : —~: ’ -on -an 4 ‘1 7 22; 2221“: S + + 4: —— — — ' —* Z 5 5 G ’ ' ' *1‘ ‘ I‘ + ; _:1 This docs not mean, I don’t Imc you. I
  63. 63. 7 G . " .9‘ 474* ~ f; a . a , 22 : VI: 2 ; I you are mine. .. you are wharf you are. 2/3CII — — — — — — — — — — — - — — — ——1 -7: ‘ T — 1.» v‘ ‘ 7.‘? R. 2-} 2 2 i 1 1 *; r I: o ; "’“7*'*I; "*: ': ; 9;} —- 7 7 3 47’ 7' + ~ 2322 5% + 2 A9: 2 22 7 T7 7 + , *2 , , E 2__ -9; to -0‘ '5 '5 C D. S. aI Coda €}Coda( I I f U 3- I ‘i or ‘ ‘II’? 3’ 3 an ‘N? ' ‘ * . ‘. II II’; '__; ,, : +7' I I D__ , __ And you nmkciti I ,1 I 1 :2 _: A: 2 4:’ R 47 17 I; 47 7 9% %r+ —— ’ ’ 4% ' 5 * * W4-7 * + -0- i i i i 7 7 *1 4- 2 5' D G . ~~.1—. +;—. ‘} I 2-2’ " 34 I; -' 3 ; ' £‘. ;I : '2 7’ "1" L 77 and you make it? hard. and you make HT 3, , ,'"’ ' I*i'f' ': 1 7" €: , 1 3,, ,1 , ’;’‘‘_', W‘: V . 5 '. 77 *7 ' f ’ 7.’ ' '3 , 7 ’j‘ 1,4, 1 -, ,I 41— +7 — V '—_—; —y~ : — ‘f ' : _— 4d* : - 3 3 4' * 7 *+ 4% — ~ A 3 ‘3- '3 5' 3 5*? 3+3 0 i T , T _, , Moi , '0' ‘0 % Interlude Half-time D 4 — ’ ~o I‘ 7 k _ g V II _. a ’ '_. '0' _; W W 7 1;’ : ,_ : 3,‘ 2 3 2 2 3 2 2' V —— 3 I — + ~ — M‘ -0- -$ I 9 -9— 0 $— 5 5* 61
  64. 64. G , _ , 1', “ . *, ” I I ,6, . . . , , ,3, . ' 1" '1 #. ff+' " , : 2 :3 T 7 ' ‘. __T ‘ ' i ' ' ° * I. I-n - d;1_ cc - nmg. Sun — du_ 1n the at (er-noon“; l. Tuc. - du_ morn - ing, plezm-K bc gun; -.l‘m tired of _‘uu. , 3.. 4. See mldilimlul / A'I'l'('. ' 7' _, T 3 f_ T— 4 What have you got to lose?
  65. 65. End Half-time - I it Du / “(.0 5. Chcsl-nut hm“ n , cu nur - _ "‘ (3.. 7. Sn’ 1Iz/ zII'liuIuI/ /‘I‘I’(' 1-3 1—. [A DVD’ -' 2* 3.13 +3 I 3 ,2 | ,:'‘; ;. '': —:, ,1 : ' : ' : ' ' 2' . i 2:4 ' +' : ' ' : 7,‘ 7 3 3 3-’ 3 2 2 —2 3 3 " 2 9 0 0 H 8 2 2 9 93 , 2 2 1r —+ — ’W ? '3 3 0 0 3 ' G 1! C D C/ D D C/ D D o 0 o§__4 " 1.‘. 1&5 It’ I ' 9 lb’ . ' U 1 T D ru h Ihrual ui spur — mu xing :7, 0n*_' dun! be} long ’ . :4 : ' "‘ : ' " : . g i , ‘ , O , : I’ : I 0! . ’ ' J. . " . ' J! : I Q, :41 91 : av : ‘ 0 : _. : _l 4' : _—_; 7‘ 3 3? 3 33 7 3 0 9 —+— {*9 1 1''} 0 0 0 2 2 3 2 9* 2 2' W 4? 0 0 4! 2 0 D _i , 0 0 0' B C/ D D /3 Play 3 lilIl(’. ' _ "5 . . | .'- .7—s9— D_ D-, I 3T "J _ , _-_: ,1 ‘ #7’ i (hull In: 1u_ thc mur V m. 63
  66. 66. Am Em V '1' do. do. 442. 77’ I‘ V _ ’ ‘fl’ ’ ’ ‘ 7 7 __ 7 '2.’ 3; I 17:. .; ;r. . Z: ' ‘7— ‘3‘ %- ‘37’45’ ‘V 3 ‘5- JCF 5‘ 5747* + 3: -_+. :r : 43.7“ .7" 1: 1+ + + at ~ —— —— 64 . Remember what we‘ve said and done and felt about each other. Em Am7 D Am7 D N. C. 3 . ' f _ __, ._. -__ . * -*~ —— + ~ » 35 ~: fr + if do do do do, do do do W‘. W‘ .1 ; .. .. . ; »§: . § 3 glva: x , , 3. 317.32 _, , $15 7 3 5 5 3 -5 5 *5 f -7- 4* 5 7 7 * + in ii i ii at — tr 3 Atlditimml L_‘ri<: ' Bridge 3. I've got an answer. I'm going to fly away. What have I got to lose‘? Oh babe. have mercy. Don't let the past remind us of what we are not now. I am not dreaming. I am yours. you are mine. you are what you are. You make it hard. Bridge -1. Will you come and see me Thursdays and Saturdays‘? What have you got to lose‘? . Something inside is telling me that I've got your secret. 6. Voices of the angels. Ring around the moonlight. Asking me. said she‘s so free. “How can you catch the sparrow? " Are you still list'ning'. ’ Fear is the lock. and laughter the key to your heart. And I love you. I am yours. you are mine. you are what you are. You make it hard. And you make it hard. 7« I-3°)“ “hing [WIC- Losing love. lamenting. Change my life. make it right. Be my lady.
  67. 67. ‘ ' ‘~ v‘** "*5 5'. “ . I-—- *"*~“a: :—: -* I VI ‘. IV I -, ”: .’ ‘I Hone_rotn'finger/ ncking skills with these great songboolesfeatnring solo guitar arrangements in standard notation and tablature. T be arrangements in tbese books are carefnlir written for intermediate-/ eielgnitarists. Each song combines melod_1' and harmony in one superb gititarfinger/ )ic/ eing arrangement. Each book also includes an introduction to basicfingerstfle guitar. FINCERPICKINC ACOUSTIC FINCERPICKINC DISNEY (n)(N0(uI4 I I I I ~ SI! ) 00 nn(»*)*)‘l l. I W ‘Ii FINCERPICKINC ACOUSTIC ROCK FIHCERPICKIHC DUKE ELLINCTON III| (‘I‘)_(H. .. . .. . . . . .. 5%)‘) lI()(v*)‘)81€. .. . . . .. . . . . 5‘! ‘W FIHCERPICKIHC BACH FINCERPICKINC ENY t)tn(»«H)‘U_%. .I $. WS tm'(I1 I(1|. . I I . . I S‘) W FINCERPICKINC BALLADS FIHCERPICKIHC HYMNS (III(Ni)'I'. . . S‘). *)‘) l)(I(‘)‘)(»? ~'S. . . 380% FINCERPICKINC BEATLES FINCERPICKINC ANDREW LLOYD WEBBER I)lI(»‘)‘)I)»I‘) I SI‘) ‘)0 l)()(‘)‘)S5*) 5‘) 0" FINCERPICKINC BROADWAY FAVORITES FINCERPICKINC MOVIE MUSIC IIlI(»WMfi I . I 50.0‘) I)II(x‘)‘I‘)l‘) I II . . W ‘)‘| FINCERPICKINC BROADWAY HI FINCERPICKINC MOZART I)I)(»‘)‘)8_§8 . I I II x'. ‘)*) ()I| (v‘)‘)_‘)I . . «H FINCERPICKINC CELTIC FOLK FIHCERPICKINC POP mrnl l 03.. .. S'. k)*) l>(INN(l§ . . . ISWI‘) FINCERPICKINC CHlLDREN’S SONGS FINCERPICKINC PRAISE m)(w‘)‘I'| .’ . 59.0‘) ()(Ih‘)‘)'I I . . . . . .. . . . . . . . II$? ~'. ‘)$ FINCERPICKINC CHRISTMAS FIHCERPICKIHC ROCK IIl)(1‘I‘)§‘)‘) 58.‘); III)(a‘)‘)'IfI . . I I . . . .. I . . . ... ... ... .. .. I$‘)I‘N FINCERPICKINC CHRISTMAS CLASSICS FINCERPICKINC STANDARDS uo'n| (»-)€ . . S10‘) 1m1»t)*)(»1 . . . . . .. .. s-mu FIHCERPICKIHC CLASSICAL FINCERPICKINC WEDDING r>o(v*)| )(v. ’1I. I,. ..II. I.. .II. ,.. .I. ... .. . . wtn «IIn. «NI.5‘ Sm)-I FINGERFUCKINC CUNTRY FIHCERPICKIHC WORSHIP ()(I(1‘)‘)(S' SI), |)I) IIIVIIIHSI , ,,, ,,, ,,, ,,, ,,, ,,, ,,, ,,, ,,, ,,, ,,, ,,, ,,, ,,, ,,, ,,, ,,, ,,, , I _ _ I. S‘ ‘N VOR MON‘: |NV‘0I! MAVlOON'. ‘ SvvE: ”V: I:lJ. :‘LOCAL MUSIC DEALIR. V lll)h‘)‘)(1§1 . 3‘) ‘N . .I. . I'IAL¢LEONARD" ufi. 'CORPORATlON U” W N mummnw F0 M‘ ‘mm mnmm m 3”” I’nu-. Ll| |III. ‘lII . nmI. c. n|:1hI| u_ ~uh_]n‘l I4m‘I1.Il13‘‘ III1u| lI I| uII‘L‘ 'i~il HAII I. cnn; ndmIi11c ul H. huIleonurd. con1 0910
  68. 68. The arrangements in this book are carefully written for intermediate- level guitarists. Each solo combines melody and harmony in one superb fingerpicking arrangement. The book also includes an easy introduction to basic fingerstyle guitar. 14 SONGS INSIDE! Angie Babe, I’m Gonna Leave You Band on the Run Bridge Over Troubled Water Every Rose Has its Thorn | ’d Love to Change the World Knockin’ on Heaven’s Door Landslide Layla More Than Words Non/ vegian Wood (This Bird Has Flown) Seven Bridges Road Suite: Judy Blue Eyes Wanted Dead or Alive U. S. SQ.99 l. HF’. N 978* I*4?‘€4——I77?8—7 I III 5“ 84088 02640 0 F HL00699764 —HAL°LEONARD”" 9 781423 407287 )IOOH OLLSIIOOV 9N| )IOIdI: I39NI: I HV. L|fl9 O'IOS

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