THE COPYRIGHT                      MODERNIZATION ACT     Key Amendments and Canada’s New Copyright RegimePresented by:Robe...
BILL C ‐ 11• An Act to amend the Copyright Act (also known as the   Copyright Modernization Act) (“CMA”)• Introduced Septe...
Purpose of Copyright Modernization Act• Updating legislation to deal with new technology• Aligning Canada’s legislation wi...
Anti‐Circumvention Provisions  (s.41 ‐ 41.27)• Circumvention of technological protection measures (“TPM’s”)   used by righ...
Internet Service Providers (ISP’s) (s.31.1)• No infringement simply by providing the means for telecommunication and   rep...
Fair Dealing (s.29)• Fair dealing has always been an exemption under the  previous Copyright Act (research, private study,...
User Generated Content (YouTube clause s. 29.21)• Users now permitted to create their own content by  combining or using e...
Copying for Private Purposes• Format shifting (s. 29.22) time shifting, (s. 29.23) and backup  copies (s. 29.24)• Under th...
Statutory Damages (s. 38.1)• The previous Copyright Act allowed a copyright owner to seek   statutory damages between $500...
Photographers (s. 10 and s. 13(2) repealed)• Under the old Copyright Act, the person who   commissioned a photograph was c...
Other Amendments• New Moral Rights for Performers (s. 17.1 and 17.2)   – used to only exist for authors• New Making Availa...
Conclusion• The Copyright Modernization Act represents a   significant revision to existing Canadian copyright   legislati...
The preceding presentation contains examples of the kinds of issues companies dealing with Copyright Law  could face. If y...
Thank You!Rob McDonaldFraser Milner Casgrain LLP | www.fmc‐law.comT: 780 423 7305 | F: 780 423 7276E: rob.mcdonald@fmc‐law...
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The Copyright Modernization Act


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In this presentation, Rob McDonald outlines the key amendments to the Copyright Act and explains how Canada's copyright laws will change with the new Copyright Modernization Act.

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The Copyright Modernization Act

  1. 1. THE COPYRIGHT  MODERNIZATION ACT Key Amendments and Canada’s New Copyright RegimePresented by:Robert D. McDonald 1
  2. 2. BILL C ‐ 11• An Act to amend the Copyright Act (also known as the  Copyright Modernization Act) (“CMA”)• Introduced September 29, 2011• Received royal assent – June 29, 2012• Provisions will be entered into force on a date to be  fixed by Order in Council 2
  3. 3. Purpose of Copyright Modernization Act• Updating legislation to deal with new technology• Aligning Canada’s legislation with international treaties• Clarify Internet Service Provider liability• Permit businesses, educators, students and libraries to make  greater use of copyright material in digital form• Revise legislative provisions to be technology neutral• No substantial amendments since 1997 3
  4. 4. Anti‐Circumvention Provisions  (s.41 ‐ 41.27)• Circumvention of technological protection measures (“TPM’s”)  used by rights holders to secure and control their digital  content, is prohibited • TPM (or digital lock) circumvention is considered copyright  infringement (passwords, encryption software, access codes)• Persons who manufacture, market or distribute TPM  circumvention tools such as digital lock cracking software, or  who set up services to enable infringement, will be subject to  civil and criminal sanctions• Exception for unlocking cell phones (“radio apparatus”)• These provisions apply to all TPM circumvention, even for  personal use 4
  5. 5. Internet Service Providers (ISP’s) (s.31.1)• No infringement simply by providing the means for telecommunication and  reproduction• The CMA establishes a “notice and notice” scheme for ISP’s and search  engines (s. 41.25 – 41.27)• ISP’s and search engines will have only limited liability for copyright  infringement committed by their subscribers, provided they comply with  the notice and notice scheme • ISP’s and search engines will have to forward any notices received of  claimed infringement to the alleged infringer and maintain records relating  to the alleged infringer’s identity• It is now copyright infringement to provide a service over the internet or  otherwise that is designed to enable acts of copyright infringement 5
  6. 6. Fair Dealing (s.29)• Fair dealing has always been an exemption under the previous Copyright Act (research, private study, criticism, review)• Permitted fair dealing purposes have been expanded under the CMA to include education, parody and satire• Dealings with copyright works must still be considered “fair”. 6
  7. 7. User Generated Content (YouTube clause s. 29.21)• Users now permitted to create their own content by combining or using existing copyright material, provided certain conditions are met• The purpose of the user generated content must be non‐commercial, the source must be mentioned (where reasonable), and there must not be any substantial adverse impact on the copyright holder’s exploitation of the work• Individual must have reasonable grounds to believe the source material was not infringing copyright 7
  8. 8. Copying for Private Purposes• Format shifting (s. 29.22) time shifting, (s. 29.23) and backup copies (s. 29.24)• Under the previous Copyright Act, format shifting and time shifting were unlawful, and constituted copyright infringement• The CMA makes it lawful to make copies for private purposes• The exception is only available if the source material is not infringing, it was legally obtained, and a TPM has not been circumvented• Cannot copy borrowed or rented works, cannot give away, sell or rent the copy 8
  9. 9. Statutory Damages (s. 38.1)• The previous Copyright Act allowed a copyright owner to seek  statutory damages between $500.00 and $20,000.00 for each  work infringed• The CMA reduces the statutory damages to a range of  between $100.00 and $5,000.00 where the copyright  infringement is relating to an individual who has infringed  copyright for private use (one time payment for ALL  infringements)• Statutory damages for infringement for commercial purposes  are still between $500.00 and $20,000.00 for each work  infringed. 9
  10. 10. Photographers (s. 10 and s. 13(2) repealed)• Under the old Copyright Act, the person who  commissioned a photograph was considered the  original owner of copyright • Under the CMA, the photographer will become the  first owner of copyright in their photographs,  regardless of whether or not the works were  commissioned • Individuals who commissioned works will have rights  of personal and non‐commercial use unless there is  an agreement to the contrary 10
  11. 11. Other Amendments• New Moral Rights for Performers (s. 17.1 and 17.2) – used to only exist for authors• New Making Available and Distribution Rights (s. 15 and s. 18) – Making works and performer’s performances available by  telecommunication and distribution• Removal or alteration of Rights Management Information  (RMI) prohibited (s. 41.22) – ie. water marks and notices• New Educational Institution exceptions (s. 29.4 and s. 30.1) – Use of publicly available internet materials, digital delivery of course  materials• Review of CMA every 5 years (s. 92) 11
  12. 12. Conclusion• The Copyright Modernization Act represents a  significant revision to existing Canadian copyright  legislation• The CMA attempts to balance the rights of both  creators and users, brings Canada’s legislative regime  more in line with international standards, makes  Canada’s copyright legislation technologically neutral,  and addresses the realities of new technologies on  the protection and enforcement of copyright 12
  13. 13. The preceding presentation contains examples of the kinds of issues companies dealing with Copyright Law  could face. If you are faced with one of these issues, please retain professional assistance as each situation  is unique.
  14. 14. Thank You!Rob McDonaldFraser Milner Casgrain LLP | www.fmc‐law.comT: 780 423 7305 | F: 780 423 7276E: rob.mcdonald@fmc‐