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Presentazione riva malaga 25 maggio 2011

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Presentazione riva malaga 25 maggio 2011

  1. 1. An overviewfrom ItalybyFederica RivaConservatorio di musica ‘L. Cherubini’, FirenzeIAML-Italia, Presidentwww.iamlitalia.it<br />FESABID in Malaga 25 may 2011<br />Situacionprofesional de documenltalist musical<br />
  2. 2. Associationsin the fieldofDocumentation & Italy<br />In Italy thereis no FESABID but<br />Libraries: IFLA+AIBIAML-Iaml-Italia<br />Sound Documents: IASA ICBSA, Mart-Lab<br />Archives: ICA – ANAI ANAI-Iaml-Italia<br />Museum: ICOM CIMCIM<br />Musicology: IMS-SIdM, ? --<br />
  3. 3. Italianexperiencesofeuropeaninitiatives: Certidoc<br />Certidocmeanscertification at europeanlevel<br />Born in France<br />In Italy is a consortium in whichIaml-Italiaparticipates (not AIB)<br />Aims: certificationofcompetencies<br />Isrecognized at private not public level<br />A certificationspecifformusicisnotyetexisting<br />Alas, itisexpensive<br />Problemstobesolved at present<br />
  4. 4. What are wedoing 1<br />Level: Presidentsof the Association<br />Ongoingcontactsamonggeneral (AIB, ANAI, ICOM)<br />Ongoingcontactamongmusic+generaliaml-Italia + AIB ; …+ ANAI ; …+ CIMCIM<br />Question: howtoestablish a formalpermanentcontact?<br />
  5. 5. Whatwe are doing 2<br />Level: Workinggroups<br />AIB: Osservatorio lavoro (data)<br />IAML-Italia: Osservatorio lavoro (2011)responsible: Paola PolitoformerexperienceBibliotecari atipici<br />Unions (2011): CGIL: Abbracciamo la cultura (2011)archeology, museum, libraries, professionalofalll cultural environment: a census.<br />IAML-Italylooksforvisibilityhere, too<br />
  6. 6. Whatwe are doing 3<br />Level: Association<br />Coursesmainly on cataloguingtopicstokeepmusiclibrariansupdatedwithtechnical and scientificevolutionof the nationalcatalogue SBN.<br />Conference on occasionof the annualassembly<br />Level: Individuals: teachintocoursesdonebyotherentities: association, cooperative, service societies, …<br />
  7. 7. Do weneed …<br />ToimproveInternationlrelationships in a permanent way?<br />Topics:<br />Professional recognization<br />Courses and curriculacoordination Bologna processforthirdleveldegrees<br />Whatwealreadyhave:<br />Service and Training commission in IAML<br />
  8. 8. Whatwe are studying in Italy<br />CompetenciesforProfessionals<br />Ourstartingpoint:<br />IFLA Guidelinesforschoollibrarians (Hannesdottir, anno):<br /> Gestionale<br />Biblioteconomico<br /> Educativo<br />Weneedone more: Music<br />
  9. 9. Whohwe are :The Italian way tomusiclibrarianship1<br />Selfmade_people: Claudio Sartori, MariangelaDonà (Milano)<br />1960ies: Scuola di Paleografia e Filologia musicale, Università di Pavia (Cremona)<br /> 2 yearscourse; Access: withdegree or conservatory diploma.<br />Agostina Zecca Laterza (librarian. Milano, ConservatoryLibrary) Giancarlo Rostirolla (musicologist, Ibimus, RISM, Roma)<br />
  10. 10. Whowe are The Italian way tomusiclibrarianship 2<br />1980ies: speciallawsgivechancestoenter state positions<br />State libraries: M. Gentili-Tedeschi, A. Chiarelli.<br /> head ofoffices or libraries (BNCF); retired or nearto<br />Conservatorylibraries: 60 people in totalVenzia, Milano, Bologna, Torino, Roma, Napoli<br />1987: Giacimenti culturali, online cataloguing, SBN & music<br /> Facoltà di Musicologia (Uni Pavia, Cremona), otherfaculties<br /> State libraries: ICCU outsiders; no more chance toenter the position<br />Conservatorylibararies, 1991 public competion<br />by 2011: quiteall people enter<br /> Como, Bari, Firenze, Piacenza, Geneva, Trapani<br />
  11. 11. Whowe areThe italianwattomusiclibrarianship 3<br />2011 the outsiders generation<br />New libraries: <br />Roma, Accademia S. Cecilia<br />Parma, Casa della Musica<br />Howmanyhavebeenlost in the meantimeand whatthey are doing<br />Universityprofessors, industrymanger, ..<br />

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