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Música vocal religiosa: el oratorio

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Música vocal religiosa: el oratorio

  1. 1. MÚSICA VOCAL RELIGIOSA II: MÚSICA DEVOCIONAL Y ORATORIO Historia de la música II CSM Manuel Castillo 2007-2008
  2. 2. LA RELIGIÓN EN EL XVII La confesión religiosa como seña de identidad Identidad colectiva: el estado Identidad individual Las nuevas congregaciones Felipe Neri y la Congregación del Oratorio Los jesuitas y el Colegio Germánico Las cofradías
  3. 3. LA MÚSICA DEVOCIONAL Interrelaciones de la música religiosa Con la música de cámara Con la música teatral Formas de la música de cámara Madrigales y canzonetas «espirituales» Motetes «de cámara» Lamento y cantata sacros Formas tradicionales Villancicos Laude Corales Salmos
  4. 4. EL ORATORIO PRECEDENTES Diálogos y representaciones sacras Cavalieri: Rappresentazione di anima e di corpo (1600) Anerio: Teatro armonico spirituale (1619) El motete dialogado
  5. 5. EL ORATORIO ORATORIO LATINO Presencia del personaje narrador (historicus) 3 a 6 solistas, b.c., con o sin instrumentos obligados Recitativo, arioso, aria Temas: antiguo testamento, vidas de santos Compositores destacados: Giacomo Carissimi Marc-Antoine Charpentier
  6. 6. EL ORATORIO ORATORIO ITALIANO 3 a 6 solistas, b.c., instrumentos obligados El narrador (testo) acaba desapareciendo Dividido en dos partes (con sermón intermedio, después obra instrumental) Se aproxima a la ópera, con recitativos y arias col da capo Compositores destacados: Alessandro Stradella Alessandro Scarlatti
  7. 7. EL ORATORIO ORATORIO LUTERANO Recitativos para narrar o dialogar Arias para la reflexión o la expresión lírica Importancia de los coros y corales Temas principales: Navidad y Pasión Compositores destacados: Heinrich Schütz Dieterich Buxtehude Amplio desarrollo en el XVIII: Bach, Händel, Telemann
  8. 8. BIBLIOGRAFÍA Bianconi, Lorenzo: El siglo XVII. Historia de la música, 5. Turner Música, Madrid, 1896. Principalmente el capítulo 16, «Músicas devocionales católicas», pp. 114-125. Hill, John Walter: Baroque Music. W.W. Norton, Nueva York, 2005. Kendrick, Robert L.: «Devotion, piety and commemoration: sacred songs and oratorios». En The Cambridge History of Seventeenth-century Music, eds. Tim Carter y John Butt. Cambridge, Cambridge University Press, 2005, pp. 324-377. Smither, Howard E.: «Oratorio». Grove Music Online (Acceso 24 de noviembre de 2007). <http://www.grovemusic.com>

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